Difference between revisions of "ESAT Bibliography Coa-Col"
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[[J.L. Coetser|Coetser, J.L.]] 2009. ''[[Kaburu: ‘n drama vir die verhoog]]'', deur [[Opperman, Deon|D. Opperman]]. Reviewed in: ''Tydskrif vir Geesteswetenskappe'', 49(4):740-741. | [[J.L. Coetser|Coetser, J.L.]] 2009. ''[[Kaburu: ‘n drama vir die verhoog]]'', deur [[Opperman, Deon|D. Opperman]]. Reviewed in: ''Tydskrif vir Geesteswetenskappe'', 49(4):740-741. | ||
| − | [[A.J. Coetzee|Coetzee, A.J.]] 1971. ATKV huldig die dramaturg Gerhard Beukes|Beukes. Taalgenoot, 40(11):7. October. | + | [[A.J. Coetzee|Coetzee, A.J.]] 1971. ATKV huldig die dramaturg [[Gerhard Beukes|Beukes]]. ''Taalgenoot'', 40(11):7. October. |
| − | [[A.J. Coetzee|Coetzee, A.J.]] 1978. Verlede: gedagtenis en noodlot in die dramas van Fourie, Pieter|Pieter Fourie. Standpunte, 31(4):52-60. August. | + | [[A.J. Coetzee|Coetzee, A.J.]] 1978. Verlede: gedagtenis en noodlot in die dramas van [[Fourie, Pieter|Pieter Fourie]]. ''Standpunte'', 31(4):52-60. August. |
| − | Ampie Coetzee|Coetzee, Ampie 1984. Woord en daad, teken en saak, teks en handeling: Pavane van Brink, André P.|André P. Brink, in [[Charles Malan|Malan, Charles]] (ed.) ''Spel en Spieël. Besprekings van die Moderne Afrikaanse Drama en Teater''. Johannesburg: Perskor. 83-92. | + | Ampie Coetzee|Coetzee, Ampie 1984. Woord en daad, teken en saak, teks en handeling: ''[[Pavane]]'' van [[Brink, André P.|André P. Brink]], in [[Charles Malan|Malan, Charles]] (ed.) ''Spel en Spieël. Besprekings van die Moderne Afrikaanse Drama en Teater''. Johannesburg: Perskor. 83-92. |
[[Erika Coetzee|Coetzee, Erika]] 1990. Stereotypes in contemporary South African cultural discourses. Unpublished master’s thesis. Stellenbosch: University of Stellenbosch. | [[Erika Coetzee|Coetzee, Erika]] 1990. Stereotypes in contemporary South African cultural discourses. Unpublished master’s thesis. Stellenbosch: University of Stellenbosch. | ||
| − | [[Gerda Coetzee|Coetzee, Gerda]] 1995. Feesvier is nog nie teaterkultuur. Insig, 08/95:42. | + | [[Gerda Coetzee|Coetzee, Gerda]] 1995. Feesvier is nog nie teaterkultuur. ''Insig'', 08/95:42. |
| − | [[Marié-Heleen Coetzee|Coetzee, Marié-Heleen]] 2000 Playing sticks: an exploration of Zulu stick fighting as performance. South African Theatre Journal, 14:97-113. | + | [[Marié-Heleen Coetzee|Coetzee, Marié-Heleen]] 2000 Playing sticks: an exploration of Zulu stick fighting as performance. ''South African Theatre Journal'', 14:97-113. |
| − | [[Marié-Heleen Coetzee|Coetzee, Marié-Heleen]] 2001 Paddy Crean International Stage Combat Congress/Workshop, Canada. South African Theatre Journal, 15:158-160. | + | [[Marié-Heleen Coetzee|Coetzee, Marié-Heleen]] 2001 Paddy Crean International Stage Combat Congress/Workshop, Canada. ''South African Theatre Journal'', 15:158-160. |
| − | [[Marié-Heleen Coetzee|Coetzee, Marié-Heleen]], M. Munro|Munro, M. & A. de Boer|De Boer, A. 2004. Deeper sites through various lines: LMS and whole-brain learning in body/voice training for performers in the HET band. South African Theatre Journal, 18:135-158. | + | [[Marié-Heleen Coetzee|Coetzee, Marié-Heleen]], [[M. Munro|Munro, M.]] & [[A. de Boer|De Boer, A.]] 2004. Deeper sites through various lines: LMS and whole-brain learning in body/voice training for performers in the HET band. ''South African Theatre Journal'', 18:135-158. |
| − | [[Marié-Heleen Coetzee|Coetzee, Marié-Heleen]] 2009. (Re)storying the self: exploring identity through performative inquiry. South African Theatre Journal, 23:94-115. | + | [[Marié-Heleen Coetzee|Coetzee, Marié-Heleen]] 2009. (Re)storying the self: exploring identity through performative inquiry. ''South African Theatre Journal'', 23:94-115. |
| − | [[P.J. Coetzee|Coetzee, P.J.]] 1978. Literêrteoretiese beginsels wat dialog beheers in die drama, met verwysing na D.J. Opperman se Periandros van Korinthe. Unie, 75:71-76. August. | + | [[P.J. Coetzee|Coetzee, P.J.]] 1978. Literêrteoretiese beginsels wat dialog beheers in die drama, met verwysing na [[Opperman, D.J.|D.J. Opperman]] se ''[[Periandros van Korinthe]]''. ''Unie'', 75:71-76. August. |
| − | [[P.J. Coetzee|Coetzee, P.J.]] 1983. Enkele gesigspunte oor die voorgeskrewewerk, Die Pluimsaad Waai Ver – Louw, N.P. van Wyk|N.P. van Wyk Louw (Bitter begin). Unie, 80:31-34. | + | [[P.J. Coetzee|Coetzee, P.J.]] 1983. Enkele gesigspunte oor die voorgeskrewewerk, ''[[Die Pluimsaad Waai Ver]]'' – [[Louw, N.P. van Wyk|N.P. van Wyk Louw]] (Bitter begin). ''Unie'', 80:31-34. |
| − | Yvette Cpetzee|Coetzee, Yvette 1998 Visibly invisible: How shifting the conventions of the traditionally invisible puppeteer allows for more dimensions in both the puppeteer-puppet relationship and the creation of theatrical meaning in Ubu and the Truth Commission. South African Theatre Journal, 12(1&2):35-51. | + | [[Yvette Cpetzee|Coetzee, Yvette]] 1998 Visibly invisible: How shifting the conventions of the traditionally invisible puppeteer allows for more dimensions in both the puppeteer-puppet relationship and the creation of theatrical meaning in ''[[Ubu and the Truth Commission]]''. ''South African Theatre Journal'', 12(1&2):35-51. |
| − | [[Catherine M/ Cole|Cole, Catherine M.]] 2001. Africans on | + | [[Catherine M/ Cole|Cole, Catherine M.]] 2001. ''Africans on Stage: Studies in Ethnological Show Business'', ed. by [[Lindfors, Bernth |Bernth Lindfors]] and ''The Drama of South Africa: Plays, Pageants and Publics'', by [[Kruger, Loren|Loren Kruger]]. Reviewed in: ''Theatre Journal'', 53(1):179-181. |
[[Catherine M/ Cole|Cole, Catherine M.]] 2004. Theatres of truth, acts of reconciliation: the TRC in South Africa, in [[John Conteh-Morgan|Conteh-Morgan, John]] & [[Tejumola Olaniyan|Olaniyan, Tejumola]] (eds.). African Drama and Performance. Bloomington: Indiana University Press. 219-226. | [[Catherine M/ Cole|Cole, Catherine M.]] 2004. Theatres of truth, acts of reconciliation: the TRC in South Africa, in [[John Conteh-Morgan|Conteh-Morgan, John]] & [[Tejumola Olaniyan|Olaniyan, Tejumola]] (eds.). African Drama and Performance. Bloomington: Indiana University Press. 219-226. | ||
| − | [[Catherine M/ Cole|Cole, Catherine M.]] 2007. Performance, transitional justice, and the law: South Africa’s Truth and Reconciliation Commission. Theatre Journal, 59(2):167-187. | + | [[Catherine M/ Cole|Cole, Catherine M.]] 2007. Performance, transitional justice, and the law: South Africa’s [[Truth and Reconciliation Commission]]. ''Theatre Journal'', 59(2):167-187. |
| − | [[Catherine M/ Cole|Cole, Catherine M.]] 2008. The rewind cantata. Theater, 38(3):84-109. | + | [[Catherine M/ Cole|Cole, Catherine M.]] 2008. The rewind cantata. ''Theater'', 38(3):84-109. |
| − | [[Jeanne Colleran|Colleran, Jeanne]] Marie 1988. The dissenting writer in South Africa: a rhetorical analysis of the drama of Fugard, Athol|Athol Fugard and the short fiction of Nadine Gordimer. Unpublished doctoral dissertation. Columbus, OH: Ohio State University. | + | [[Jeanne Colleran|Colleran, Jeanne]] Marie 1988. The dissenting writer in South Africa: a rhetorical analysis of the drama of [[Fugard, Athol|Athol Fugard]] and the short fiction of Nadine Gordimer. Unpublished doctoral dissertation. Columbus, OH: Ohio State University. |
| − | [[Jeanne Colleran|Colleran, Jeanne]] 1990. ''A Place With the Pigs'': Fugard, Athol|Athol | + | [[Jeanne Colleran|Colleran, Jeanne]] 1990. ''[[A Place With the Pigs]]'': [[Fugard, Athol|Athol Fugard]]’s Afrikaner parable. ''Modern drama'', 33(1): 82-92. |
| − | [[Jeanne Colleran|Colleran, Jeanne]] 1995a. Fugard, Athol|Athol Fugard and the problematics of the liberal critique. Modern Drama, 38(3):389-407. | + | [[Jeanne Colleran|Colleran, Jeanne]] 1995a. [[Fugard, Athol|Athol Fugard]] and the problematics of the liberal critique. ''Modern Drama'', 38(3):389-407. |
| − | [[Jeanne Colleran|Colleran, Jeanne]] 1995b. Re-situating Fugard: re-thinking revolutionary theatre. South African Theatre Journal, 9(2):39-49. | + | [[Jeanne Colleran|Colleran, Jeanne]] 1995b. Re-situating Fugard: re-thinking revolutionary theatre. ''South African Theatre Journal'', 9(2):39-49. |
| − | [[Jeanne Colleran|Colleran, Jeanne]] 1998. South African theatre in the United States: the allure of the familiar and of the exotic, in Attridge, Derek & Jolly, Rosemary (eds.). Writing South Africa: Literature, Apartheid and Democracy, 1970-1995. Cambridge: Cambridge University Press. 221-236. | + | [[Jeanne Colleran|Colleran, Jeanne]] 1998. South African theatre in the United States: the allure of the familiar and of the exotic, in [[Derek Attridge|Attridge, Derek]] & [[Rosemary Jolly|Jolly, Rosemary]] (eds.). ''Writing South Africa: Literature, Apartheid and Democracy, 1970-1995''. Cambridge: Cambridge University Press. 221-236. |
| − | [[Jeanne Colleran|Colleran, Jeanne]] 1999. Lessons from a fair country, in Blumberg, Marcia & Walder, Dennis (eds.). South African Theatre | + | [[Jeanne Colleran|Colleran, Jeanne]] 1999. Lessons from a fair country, in [[Marcia Blumberg|Blumberg, Marcia]] & [[Dennis Wlader|Walder, Dennis]] (eds.). ''South African Theatre as/and Intervention''. Amsterdam: Rodopi. 113-123. |
| − | F. Collins|Collins, F. 1968. Barbara Kinghorn. Personality, 14-19. June 20. | + | [[F. Collins|Collins, F.]] 1968. [[Kinghorn Barbara|Barbara Kinghorn]]. ''Personality'', 14-19. June 20. |
| − | F. Collins|Collins, F. 1971. Leonard Schach: backroom boy of the theatre. Personality, 55-56. February 26. | + | [[F. Collins|Collins, F.]] 1971. [[Schach, Leonard|Leonard Schach]]: backroom boy of the theatre. ''Personality'', 55-56. February 26. |
| − | Jane Collins|Collins, Jane 1999. King Lear in South Africa: an interview with director James Whyle. Shakespeare Bulletin, 17(1): 35-37. | + | [[Jane Collins|Collins, Jane]] 1999. ''[[King Lear]]'' in South Africa: an interview with director [[Whyle, James|James Whyle]]. ''Shakespeare Bulletin'', 17(1): 35-37. |
Revision as of 11:18, 6 January 2011
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Coetser, A. 1984. Kontekstuele vrae [en antwoorde] oor Ontmoeting by Dwaaldrif van Henriëtte Grové. Klasgids, 19(1) – (2).
Coetser, Johannes Lodewikus 1985. Die allegorie in die Afrikaanse drama. Unpublished master’s thesis. Pretoria: University of Pretoria.
Coetser, J.L. 1991. Dat die klip kan heers: Pieter Fourie se Die Koggelaar. Literator, 12(3):45-58.
Coetser, J.L. 1994. Die Dieper Reg (N.P. van Wyk Louw): Royce, regsidee, resepsie. Literator, 15(2):35-53.
Coetser, J.L. 1998. Drie Susters Twee, deur Reza de Wet. Reviewed in: Tydskrif vir Letterkunde, 36(2):97.
Coetser, J.L. 1998. Die Dramateks as Handleiding, deur Marisa Keuris. Reviewed in: Tydskrif vir Letterkunde, 36(2):99.
Coetser, J.L. 1999. Die drama in Afrikaans: ‘n bewegende sentrum? Tydskrif vir Letterkunde, 37(2):44.
Coetser, J.L. 1999. Afrikaanse drama en toneel oor die Anglo-Boereoorlog, 1900-1920: Aspekte van identiteit . Tydskrif vir Nederlands en Afrikaans, 6(2):131-149.
Coetser, J.L. 2003. 'n Herinnering aan brokke toneelgeskiedenis : boekresensies. Literator, 24(1):172-176.
Coetser, J.L. 2006. Standaardwerk oor Suid-Afrikaanse toneelgeskiedenis: Voetligte en applous: die beginjare van die Afrikaanse beroepstoneel, deur D. Botha. Reviewed in: Literator, 27(2):159-161.
Coetser, J.L. 2003. “So little of it left”: remembrance, occasion and event in Afrikaans theatre. South African Theatre Journal, 17:8-36.
Coetser, J.L. 2008. Gemeenskapstoneel deur Robert J. Pearce: aspekte van bewussyn (‘n eerste verkenning). South African Theatre Journal, 22:166-189.
Coetser, J.L. 2009. Kaburu: ‘n drama vir die verhoog, deur D. Opperman. Reviewed in: Tydskrif vir Geesteswetenskappe, 49(4):740-741.
Coetzee, A.J. 1971. ATKV huldig die dramaturg Beukes. Taalgenoot, 40(11):7. October.
Coetzee, A.J. 1978. Verlede: gedagtenis en noodlot in die dramas van Pieter Fourie. Standpunte, 31(4):52-60. August.
Ampie Coetzee|Coetzee, Ampie 1984. Woord en daad, teken en saak, teks en handeling: Pavane van André P. Brink, in Malan, Charles (ed.) Spel en Spieël. Besprekings van die Moderne Afrikaanse Drama en Teater. Johannesburg: Perskor. 83-92.
Coetzee, Erika 1990. Stereotypes in contemporary South African cultural discourses. Unpublished master’s thesis. Stellenbosch: University of Stellenbosch.
Coetzee, Gerda 1995. Feesvier is nog nie teaterkultuur. Insig, 08/95:42.
Coetzee, Marié-Heleen 2000 Playing sticks: an exploration of Zulu stick fighting as performance. South African Theatre Journal, 14:97-113.
Coetzee, Marié-Heleen 2001 Paddy Crean International Stage Combat Congress/Workshop, Canada. South African Theatre Journal, 15:158-160.
Coetzee, Marié-Heleen, Munro, M. & De Boer, A. 2004. Deeper sites through various lines: LMS and whole-brain learning in body/voice training for performers in the HET band. South African Theatre Journal, 18:135-158.
Coetzee, Marié-Heleen 2009. (Re)storying the self: exploring identity through performative inquiry. South African Theatre Journal, 23:94-115.
Coetzee, P.J. 1978. Literêrteoretiese beginsels wat dialog beheers in die drama, met verwysing na D.J. Opperman se Periandros van Korinthe. Unie, 75:71-76. August.
Coetzee, P.J. 1983. Enkele gesigspunte oor die voorgeskrewewerk, Die Pluimsaad Waai Ver – N.P. van Wyk Louw (Bitter begin). Unie, 80:31-34.
Coetzee, Yvette 1998 Visibly invisible: How shifting the conventions of the traditionally invisible puppeteer allows for more dimensions in both the puppeteer-puppet relationship and the creation of theatrical meaning in Ubu and the Truth Commission. South African Theatre Journal, 12(1&2):35-51.
Cole, Catherine M. 2001. Africans on Stage: Studies in Ethnological Show Business, ed. by Bernth Lindfors and The Drama of South Africa: Plays, Pageants and Publics, by Loren Kruger. Reviewed in: Theatre Journal, 53(1):179-181.
Cole, Catherine M. 2004. Theatres of truth, acts of reconciliation: the TRC in South Africa, in Conteh-Morgan, John & Olaniyan, Tejumola (eds.). African Drama and Performance. Bloomington: Indiana University Press. 219-226.
Cole, Catherine M. 2007. Performance, transitional justice, and the law: South Africa’s Truth and Reconciliation Commission. Theatre Journal, 59(2):167-187.
Cole, Catherine M. 2008. The rewind cantata. Theater, 38(3):84-109.
Colleran, Jeanne Marie 1988. The dissenting writer in South Africa: a rhetorical analysis of the drama of Athol Fugard and the short fiction of Nadine Gordimer. Unpublished doctoral dissertation. Columbus, OH: Ohio State University.
Colleran, Jeanne 1990. A Place With the Pigs: Athol Fugard’s Afrikaner parable. Modern drama, 33(1): 82-92.
Colleran, Jeanne 1995a. Athol Fugard and the problematics of the liberal critique. Modern Drama, 38(3):389-407.
Colleran, Jeanne 1995b. Re-situating Fugard: re-thinking revolutionary theatre. South African Theatre Journal, 9(2):39-49.
Colleran, Jeanne 1998. South African theatre in the United States: the allure of the familiar and of the exotic, in Attridge, Derek & Jolly, Rosemary (eds.). Writing South Africa: Literature, Apartheid and Democracy, 1970-1995. Cambridge: Cambridge University Press. 221-236.
Colleran, Jeanne 1999. Lessons from a fair country, in Blumberg, Marcia & Walder, Dennis (eds.). South African Theatre as/and Intervention. Amsterdam: Rodopi. 113-123.
Collins, F. 1968. Barbara Kinghorn. Personality, 14-19. June 20.
Collins, F. 1971. Leonard Schach: backroom boy of the theatre. Personality, 55-56. February 26.
Collins, Jane 1999. King Lear in South Africa: an interview with director James Whyle. Shakespeare Bulletin, 17(1): 35-37.
Click on the appropriate letters of the alphabet in the sub-list below.
Ca-Cha Che-Cl Coa-Col Com-Cop Cor-Cri Cro-Cz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
