Difference between revisions of "Bo Jungle"

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== The original text ==
 
== The original text ==
 
    
 
    
The show premiered in May 1959 at the [[Empire Theatre]], Johannesburg, produced by [[Bertha Egnos|Egnos]] in association with [[African Theatres]]. It was not a commercial success, playing for a while only in Johannesburg. The only full record of the play is apparently a sound recording  made of the live show.  
+
The show premiered in May 1959 at the [[Empire Theatre]], Johannesburg, produced by [[Bertha Egnos|Egnos]] in association with [[African Theatres]]. Besides the programmes, a sound recording  was made of the live show and  published by Gallotone.  
  
Though it opened the same year as the internationally successful all-black South African musical ''[[King Kong]]'', and despite the superficial similarities in title, poster and so on, the musical is something completely different. According to John Ferreira's useful discussion of the recording of the show[https://soulsafari.wordpress.com/2010/07/15/bo-jungle-1959-sa-musical-by-bertha-egnos/], it was an all white musical focused on South African life, with  a musical score mostly based on the English of [[variety]] and [[vaudeville]] tradition, using bel-canto vocal numbers versions of contemporary Western music (cha cha, calypso and even rock 'n roll, with the odd kwela tune thrown in for the local colour), rather than the popular (black) South African music of the time.   
+
The musical opened in the same year as the internationally successful all-black South African musical ''[[King Kong]]'', but despite the superficial similarities in title, poster and so on, the musical is something completely different. According to John Ferreira's useful discussion of the recording of the show[https://soulsafari.wordpress.com/2010/07/15/bo-jungle-1959-sa-musical-by-bertha-egnos/], it was an all white musical focused on South African life, with  a musical score mostly based on the English of [[variety]] and [[vaudeville]] tradition, using bel-canto vocal numbers versions of contemporary Western music (cha cha, calypso and even rock 'n roll, with the odd kwela tune thrown in for the local colour), rather than the popular (black) South African music of the time.
 +
 
 +
Though the production was not a huge commercial success on the scale of ''[[King Kong]]'', it  nevertheless played for a while in Johannesburg and was apparently well received. This success would lead to the opportunity to co-write the music for ''[[Dingaka]]'' the "all African musical", staged at the ''[[Brooke Theatre]]'' in October 1961.   
 
   
 
   
 
== Sources ==
 
== Sources ==

Revision as of 06:32, 24 May 2015

A musical by Bertha Egnos (1913-2003), with music by George Hayden.

The original text

The show premiered in May 1959 at the Empire Theatre, Johannesburg, produced by Egnos in association with African Theatres. Besides the programmes, a sound recording was made of the live show and published by Gallotone.

The musical opened in the same year as the internationally successful all-black South African musical King Kong, but despite the superficial similarities in title, poster and so on, the musical is something completely different. According to John Ferreira's useful discussion of the recording of the show[1], it was an all white musical focused on South African life, with a musical score mostly based on the English of variety and vaudeville tradition, using bel-canto vocal numbers versions of contemporary Western music (cha cha, calypso and even rock 'n roll, with the odd kwela tune thrown in for the local colour), rather than the popular (black) South African music of the time.

Though the production was not a huge commercial success on the scale of King Kong, it nevertheless played for a while in Johannesburg and was apparently well received. This success would lead to the opportunity to co-write the music for Dingaka the "all African musical", staged at the Brooke Theatre in October 1961.

Sources

John Ferreira. 2010. "Bo Jungle - 1959 SA musical by Bertha Egnos", Soul Safari. Musical Treasures from Africa[2].

Percy Tucker, 1997; p. 124.

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