Difference between revisions of "ESAT Bibliography Mas-Mcl"

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Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]]
 
Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]]
  
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Masque, pseud. 1950. Shortcomings of the South African stage. Trek, 14(3): 27-30.
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Master Harold and the boys. Athol Fugard. 1982. [Dramatic criticiam]. Standpunte, 35(6): 9-14.
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Matabola, Mokhethi Othniel 1994 Classification of character in Molomo wa badimo by J.J. Moiloa : a few perspectives. Bloemfontein: University of the Orange Free State. (B.A. (Hons.) thesis).
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Matusse, Renato 1999. Past roles and development of theatre arts in SADC. Gaborone, Botswana: SADC.
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Maxwell-Mahon, W.D. 1991. Romeo and Juliet: anatomy of violence. Lantern, 40(3): 63-65.
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Mayer, C. H. (2005) Artificial walls: South African narratives on conflict, difference and identity: an exploratory study in post-apartheid South Africa. Stuttgart: Ibidem-Verlag.
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Mazibuko, Doreen 1996. Theatre: the political weapon in South Africa. In Davis, Geoffrey V. & Fuchs, Anne (eds.) Theatre and change in South Africa. Amsterdam: Harwood Academic Publishing. p. 219-224.
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Mazmane, V. 1978. Literature and politics among Blacks in South Africa. New Classic
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5:42-57.
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Mbothwe, Mandla 2008. An African dream play = Isivuno Sama Phupha : reconstructing the spirit of ubuntu in the contemporary urban 'village' through theatre  Cape Town: University of Cape Town. (M.A. thesis).
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McBurney, Blaine 1987. Theatre and cultural struggle in South Africa, by Robert Mshengu Kavanagh. Reviewed in:  Contemporary Sociology, 16(3):391-393.
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McCarthy, C.A. 1990. The formative value of drama presentations on selected student teachers. Durban: University of Durban-Westville. (MA thesis).
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McCaul-Dommisse, H. 1973. Hoe sal beeldradio ons lewende toneel raak? Buurman, 3(4): 23-24. June.
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McDONALD, MARIANNE. 2005*. Athol Fugard's Theatre.***?
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McDonald, Marianne 2006. Wearing the third hat: Athol Fugard as director. South African theatre journal, 20: 207-220.
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McGibbon, Murray 1986. Theatre in the 21st century : a journey backwards into the future. NEON, (51) : 36-40.
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McKay, Kim 1987. The blood knot reborn in the eighties: a reflection of the artist and his times.  Modern drama, 30(4): 496-504.
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McLaren, J. & Van der Walt, D. 1978. Nasionale toneelbiblioteek en sy dienste. Opvoeding en kultuur, 2(4): 34-35. December.
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McLaren, J. 1978. The play’s the thing wherein I’ll catch the conscience of the king: the
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McLaren, Robert Mshengu 1992. Theatre on the frontline: the political theatre of Zambukon/Izibuko. TDR, 36(1): 90-114.
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McLaren, Robert 1996. “The many individual wills.” From Crossroads to Survival. The work of Experimental Theatre Workshop ’71. In Davis, Geoffrey V. & Fuchs, Anne (eds.) Theatre and change in South Africa. Amsterdam: Harwood Academic Publishing. p. 25-48.
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McLuckie, Craig W. 1993. Power, self, and other: the absurd in Boesman and Lena. Twentieth century literature, 39(4): 423.
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McLuskie, Kate 1999. Macbeth/Umbatha: Global Shakespeare in a post-colonial market. Shakespeare survey, 52:154-165.
  
  

Revision as of 14:14, 3 December 2010

Click on the appropriate letters of the alphabet in the sub-list below.

Ma-Mal Mam-Mar Mas-Mcl Mcm-Mda Mde-Mes Met-Miz Mja-Moo Mop-Mot Mou-Moz Mpa-Mz

To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance



Masque, pseud. 1950. Shortcomings of the South African stage. Trek, 14(3): 27-30.

Master Harold and the boys. Athol Fugard. 1982. [Dramatic criticiam]. Standpunte, 35(6): 9-14.

Matabola, Mokhethi Othniel 1994 Classification of character in Molomo wa badimo by J.J. Moiloa : a few perspectives. Bloemfontein: University of the Orange Free State. (B.A. (Hons.) thesis).

Matusse, Renato 1999. Past roles and development of theatre arts in SADC. Gaborone, Botswana: SADC.

Maxwell-Mahon, W.D. 1991. Romeo and Juliet: anatomy of violence. Lantern, 40(3): 63-65.

Mayer, C. H. (2005) Artificial walls: South African narratives on conflict, difference and identity: an exploratory study in post-apartheid South Africa. Stuttgart: Ibidem-Verlag.

Mazibuko, Doreen 1996. Theatre: the political weapon in South Africa. In Davis, Geoffrey V. & Fuchs, Anne (eds.) Theatre and change in South Africa. Amsterdam: Harwood Academic Publishing. p. 219-224.

Mazmane, V. 1978. Literature and politics among Blacks in South Africa. New Classic 5:42-57.

Mbothwe, Mandla 2008. An African dream play = Isivuno Sama Phupha : reconstructing the spirit of ubuntu in the contemporary urban 'village' through theatre Cape Town: University of Cape Town. (M.A. thesis).

McBurney, Blaine 1987. Theatre and cultural struggle in South Africa, by Robert Mshengu Kavanagh. Reviewed in: Contemporary Sociology, 16(3):391-393.

McCarthy, C.A. 1990. The formative value of drama presentations on selected student teachers. Durban: University of Durban-Westville. (MA thesis).

McCaul-Dommisse, H. 1973. Hoe sal beeldradio ons lewende toneel raak? Buurman, 3(4): 23-24. June.

McDONALD, MARIANNE. 2005*. Athol Fugard's Theatre.***?

McDonald, Marianne 2006. Wearing the third hat: Athol Fugard as director. South African theatre journal, 20: 207-220.

McGibbon, Murray 1986. Theatre in the 21st century : a journey backwards into the future. NEON, (51) : 36-40.

McKay, Kim 1987. The blood knot reborn in the eighties: a reflection of the artist and his times. Modern drama, 30(4): 496-504.

McLaren, J. & Van der Walt, D. 1978. Nasionale toneelbiblioteek en sy dienste. Opvoeding en kultuur, 2(4): 34-35. December.

McLaren, J. 1978. The play’s the thing wherein I’ll catch the conscience of the king: the

McLaren, Robert Mshengu 1992. Theatre on the frontline: the political theatre of Zambukon/Izibuko. TDR, 36(1): 90-114.

McLaren, Robert 1996. “The many individual wills.” From Crossroads to Survival. The work of Experimental Theatre Workshop ’71. In Davis, Geoffrey V. & Fuchs, Anne (eds.) Theatre and change in South Africa. Amsterdam: Harwood Academic Publishing. p. 25-48.

McLuckie, Craig W. 1993. Power, self, and other: the absurd in Boesman and Lena. Twentieth century literature, 39(4): 423.

McLuskie, Kate 1999. Macbeth/Umbatha: Global Shakespeare in a post-colonial market. Shakespeare survey, 52:154-165.


Click on the appropriate letters of the alphabet in the sub-list below.

Ma-Mal Mam-Mar Mas-Mcl Mcm-Mda Mde-Mes Met-Miz Mja-Moo Mop-Mot Mou-Moz Mpa-Mz

To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance

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