Difference between revisions of "ESAT Bibliography H-Hat"
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[[T.J. Haarhoff|Haarhoff, T.J.]] 1941. Afrikaans theatre in the making. ''Forum'', 3(53):14. March 29. | [[T.J. Haarhoff|Haarhoff, T.J.]] 1941. Afrikaans theatre in the making. ''Forum'', 3(53):14. March 29. | ||
| − | [[ | + | [[Peter Haffter|Haffter, Peter]] 1986. ''Gids by die Literatuurstudie'', edited by [[T.T. Cloete]], [[Elize Botha]], [[Charles Malan]]. Reviewed in: ''Journal of Literary Studies'', 2(2):69-71. |
| − | [[ | + | [[Peter Haffter|Haffter, Peter]] 1987. [[Bartho Smit]] se ''[[Don Juan onder die Boere]]'' binne die raamwerk van die Don Juan-makroteks. ''Journal of Literary Studies'', 3(4):1-13. |
[[Fred Hagemann|Hagemann, Fred]] 1984. Concepts, images and expression in the movement learning process. ''[[Teaterforum]]'', 5(1):7-16. | [[Fred Hagemann|Hagemann, Fred]] 1984. Concepts, images and expression in the movement learning process. ''[[Teaterforum]]'', 5(1):7-16. | ||
Revision as of 13:13, 5 September 2013
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H-Hat Hau Haw-Her Hes-Hol Hom-How Hua-Hun Huo-Huz Hy-Hz
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H.B. Thom-teater 25 jaar. 1991. Stellenbosch: Universiteit van Stellenbosch.
Haak, A-H. 1971. Stage lighting at the Nico Malan Theatre. South African Engineer, 62(638):5-11. July.
Haarhoff, T.J. 1941. Afrikaans theatre in the making. Forum, 3(53):14. March 29.
Haffter, Peter 1986. Gids by die Literatuurstudie, edited by T.T. Cloete, Elize Botha, Charles Malan. Reviewed in: Journal of Literary Studies, 2(2):69-71.
Haffter, Peter 1987. Bartho Smit se Don Juan onder die Boere binne die raamwerk van die Don Juan-makroteks. Journal of Literary Studies, 3(4):1-13.
Hagemann, Fred 1984. Concepts, images and expression in the movement learning process. Teaterforum, 5(1):7-16.
Hagemann, Frederick 2005. Thinking beyond the already recognisable: body, space and place in drama learning. South African Theatre Journal, 19:171-180.
Halligey Alex 2005. Re-inventing mythologies: arguments towards cultural identity in Medea and Rain in a Dead Man's Footprints. South African Theatre Journal, 19:208-222.
Hamber, John 1982. The Port Elizabeth Shakespearean Festival. an appreciation. (Privately published: Copy in Centre for Theatre and Performance Studies, Stellenbosch)
Hamers, Jan 1979. Theatre technicians - creative artists or interpreters, in Hay-Whitton, Don (ed.). International Symposium of the South African Institute of Theatre Technology (1979: "Theatre - the fun house and its management" : a report of the proceedings at the International Symposium of the South African Institute of Theatre Technology (SAITT) held at the Nico Malan Theatre Centre, Cape Town, from 30 July to 3 August 1979. South African Institute of Theatre Technology. Section 7, 1-14.
Hamilton, Nan 1999. Performance as living heritage : reconstructing identity. Unpublished master’s thesis. Johannesburg: University of the Witwatersrand.
Hamlet. 1947. Libertas. 7(6):56-57. June.
Hamman, Frans Josias 2011. Sarah Kane en die liriek as literêr-musikale interteks. Unpublished master's thesis. Stellenbosch : University of Stellenbosch.
Hammerschlag, Tamantha 2011. The expanding role of the designer in the creation of new theatrical work. South African Theatre Journal, 25(1):5-12.
Hammond, Jonathan 1972. World theatre season : South Africa. Plays and Players, 19:7.
Hammond, Jonathan 1974. A South African season: Sizwe Bansi, The Island and Statements. Plays and Players, 21:40-43. March.
Handley, Patricia 1995. The First Physical Theatre Co. ADA, (13):54-55.
Handley, Patricia 2000. Richard Rive, in Scanlon, Paul A. (ed.). South African Writers. Detroit: Gale Group. 382-394.
Hanekom, Hendrik Andries. Standard Encyclopaedia of Southern Africa. 1971. Cape Town : NASOU. 5:422.
Hanekom, Hendrik 1945. Twintig jaar op ons beroepstoneel. Huisgenoot, 29(1201):9. March 30.
Hanekom, Mathilde 1951. Want ons werk mos nie! [Toneelspelers]. Brandwag, 15(48):28-30. December 28.
Hansen, John 1998. Culture in a state of siege, in Gunnarsen, Gorm (ed.). South African Resistance Culture. Copenhagen: Department of English, University of Copenhagen. 102-115.
Hansen, Thomas Blom 2000. Plays, politics and cultural identity among Indians in Durban. Journal of Southern African Studies, 26(2):255-269.
Hansen, Thomas Blom 2005. Melancholia of freedom: humour and nostalgia among Indians in South Africa. Modern Drama, 48(2):297-315.
Hanson-Moore, Thurlow 1990. The satirist in South African theatre. Unpublished honours’s thesis. Cape Town: University of Cape Town.
Hardie, Y.E. 1999. The emerging voice and outcomes-based education : voice building within speech and drama training in the further education and training band [grades 10-12]. Unpublished master’s thesis. Pretoria : Technikon Pretoria.
Haresnape, Geoffrey 2000. H.I.E. Dhlomo, in Scanlon, Paul A. (ed.). South African Writers. Detroit: Gale Group. 150-156.
Harley, M. 1968a. Adam’s apple (Adam Leslie Theatre). Femina, 76-77. October 3.
Harley, M. 1968b. Charles Vernon – actor. Personality, 123-130. August 15.
Harris, M.B. 1979. Bafokeng Civic Centre, Phokeng. Planning & Building Developments, 36:33-45. January-February.
Hart, Sheena 1988. Standard Bank Festival of the Arts. Scenaria, (93):16-23.
Hartshorne, Claire Jeanine 1988. An exploration of the use of specific drama therapy techniques as an aid in the process of creating character for stage. Unpublished master’s thesis. Pietermaritzburg: University of Natal.
Harward, Belinda Lesley Nova 1996. NAPAC : a conflict in the performing arts. Unpublished master’s thesis. Durban: University of Natal.
Hatfield, Denis 1943. What of our theatre? Trek, 8(1):13. November 5.
Hatfield, Denis 1945a. Marriage of two minds: The Merry Wives of Windsor by William Shakespeare. Trek, 1 June:18, 22.
Hatfield, Denis 1945b. The producer. Trek, 10(6):14. September 21.
Hatfield, Denis 1946. Ah, wilderness! Some notes on South African theatre. Trek, 11(3):12. August 9.
Hatfield, Denis 1967. Cape Theatre in the 1940’s: Reviews of Ballet and Drama. Cape Town: Purnell.
Hattingh, Jana 2010. Bemarking van die Afrikaanse teater: vraag en aanbod ten opsigte van toneel as produk. Unpublished master’s thesis. Stellenbosch: University of Stellenbosch.
Hattingh, Mareli 2005. Kontemporêre woordkuns as teatergenre : 'n ondersoek na die aard van die vorm van die werke van enkele Stellenbosche woordkunstenaars. Unpublished master’s thesis. Stellenbosch: University of Stellenbosch.
Hattingh, S.C. 1956. Vergelegen, deur D.J. Opperman. Reviewed in: Helikon, 6(26):19.
Click on the appropriate letters of the alphabet in the sub-list below.
H-Hat Hau Haw-Her Hes-Hol Hom-How Hua-Hun Huo-Huz Hy-Hz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
Return to The ESAT Entries
Return to Main Page
