Difference between revisions of "ESAT Plays 1 A"
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[[Aasvoels & Wolwe]] | [[Aasvoels & Wolwe]] | ||
+ | |||
+ | [[Aasvoëls en Wolwe]] | ||
[[Aballino Jr.]] | [[Aballino Jr.]] | ||
Line 185: | Line 187: | ||
[[Allermans, Die]] | [[Allermans, Die]] | ||
+ | |||
[[Die Allermans|Allermans, Die]] | [[Die Allermans|Allermans, Die]] | ||
Line 244: | Line 247: | ||
[[Ander Man, Die]] | [[Ander Man, Die]] | ||
+ | |||
[[Die Ander Man|Ander Man, Die]] | [[Die Ander Man|Ander Man, Die]] | ||
[[Ander Marta, Die]] | [[Ander Marta, Die]] | ||
+ | |||
[[Die Ander Marta|Ander Marta. Die]] | [[Die Ander Marta|Ander Marta. Die]] | ||
[[Ander Seun, Die]] | [[Ander Seun, Die]] | ||
+ | |||
[[Die Ander Seun|Ander Seun, Die]] | [[Die Ander Seun|Ander Seun, Die]] | ||
[['n Ander Tongval]] | [['n Ander Tongval]] | ||
− | [[‘n Ander Tongval| | + | |
+ | [[‘n Ander Tongval|Ander Tongval, ‘n]] | ||
[[André]] | [[André]] | ||
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[[Apie, Die]] | [[Apie, Die]] | ||
+ | |||
[[Die Apie|Apie, Die]] | [[Die Apie|Apie, Die]] | ||
+ | |||
[[Apokolips]] | [[Apokolips]] | ||
Line 302: | Line 311: | ||
[[Apple for the Princess, An]] | [[Apple for the Princess, An]] | ||
+ | |||
[[An Apple for the Princess|Apple for the Princess, An]] | [[An Apple for the Princess|Apple for the Princess, An]] | ||
[[Appel, Die]] | [[Appel, Die]] | ||
+ | |||
[[Die Appel|Appel, Die]] | [[Die Appel|Appel, Die]] | ||
[[Appelboom, Die]] | [[Appelboom, Die]] | ||
+ | |||
[[Die Appelboom|Appelboom, Die]] | [[Die Appelboom|Appelboom, Die]] | ||
Line 315: | Line 327: | ||
[[Argument, Die]] | [[Argument, Die]] | ||
+ | |||
[[Die Argument|Argument, Die]] | [[Die Argument|Argument, Die]] | ||
Line 328: | Line 341: | ||
[[Arrest, The]] | [[Arrest, The]] | ||
+ | |||
[[The Arrest|Arrest, The]] | [[The Arrest|Arrest, The]] | ||
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[[Art of Charf]] | [[Art of Charf]] | ||
− | [[Art of Charf (Lady Lonely Hearts)]] See [[Art of Charf]] (Lady Lonely Hearts | + | [[Art of Charf (Lady Lonely Hearts)]] See [[Art of Charf]] (Lady Lonely Hearts) |
[[Artscape Schools Arts Festival]] | [[Artscape Schools Arts Festival]] | ||
Line 361: | Line 375: | ||
[[Asblik, Die]] | [[Asblik, Die]] | ||
+ | |||
[[Die Asblik|Asblik, Die]] | [[Die Asblik|Asblik, Die]] | ||
Line 376: | Line 391: | ||
[[Astounding Antics of Anthony Ant, The]] | [[Astounding Antics of Anthony Ant, The]] | ||
+ | |||
[[The Astounding Antics of Anthony Ant|Astounding Antics of Anthony Ant, The]] | [[The Astounding Antics of Anthony Ant|Astounding Antics of Anthony Ant, The]] | ||
+ | |||
[[Asylum-for-the-Sane]] | [[Asylum-for-the-Sane]] | ||
Line 400: | Line 417: | ||
[[Audience with an African Queen, An]] | [[Audience with an African Queen, An]] | ||
+ | |||
[[An Audience with an African Queen| Audience with an African Queen, An]] | [[An Audience with an African Queen| Audience with an African Queen, An]] | ||
[[Audience with Evita Bezuidenhout, An]] | [[Audience with Evita Bezuidenhout, An]] | ||
+ | |||
[An [Audience with Evita Bezuidenhout| Audience with Evita Bezuidenhout, An]] | [An [Audience with Evita Bezuidenhout| Audience with Evita Bezuidenhout, An]] | ||
+ | |||
[[Auditioning Angels]] | [[Auditioning Angels]] | ||
Line 413: | Line 433: | ||
[[Axe-Man, The]] | [[Axe-Man, The]] | ||
+ | |||
[[The Axe-Man|Axe-Man, The]] | [[The Axe-Man|Axe-Man, The]] | ||
Revision as of 09:14, 7 December 2012
Adventures of a Merry Madcap, The
Adventures of Millicent Microsoft in Computerland, The
Adventures of Ntini the Small Otter, The
Advokaat Markus Antonius spring Riem!
Affêre met Kallie Pienk Pietertjie en die Heilige Kaktus
Africaine, La or High Tall Yawn Uproar
Ag Pa, arme Pa, Ma het jou in die Kas Gehang, dis daarom wat ek Kla
AIDS – Wrong Address, it’s not for Me
Alice’s Adventures Underground
Alicia en el Paris de Las Maravillas
Alicia in die Wonderlike Parys
Amadoda la afunani ezintsaneni
Amazing Adventures of Tambootie the Puppet, The
And The Girls in Their Pretty (Sunday?) Dresses
Another “Sherlock Holmes” musical
Art of Charf (Lady Lonely Hearts) See Art of Charf (Lady Lonely Hearts)
Artscape Schools Arts Festival
Astounding Antics of Anthony Ant, The
Astounding Antics of Anthony Ant, The
Atalia, Wrede Koningmoeder van Juda
Atkinson at 80 – The Importance of Being Michael
Audience with an African Queen, An
Audience with an African Queen, An
Audience with Evita Bezuidenhout, An
[An [Audience with Evita Bezuidenhout| Audience with Evita Bezuidenhout, An]]
Avalon Court: Dramatic Scenes on the Cape Flats
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