Pieter Fourie

As in the case of "Johan", Pieter is one of the most commonly found first names, and Fourie equally widespread as a surname in South Africa, thus there are a number of individuals involved in theatre named Pieter Fourie.

Pieter Fourie, Playwright

FOURIE, Pieter (1940-) Actor, director, playwright and organiser. Born in Phillipolis in the Orange Free State, grew up in Luckhoff. Left school at 15, to become a postal worker in Bloemfontein and Koffiefontein. Then he returned to school in Phillipolis, before going to the University of Stellenbosch, initially doing Drama, but after an argument with the professor, Fred Engelen, he left to finish with a BA and a BA Honours degree in Afrikaans Literature (1964 - 1966). A founding member of D.J. Opperman’s literary laboratory, he initially published poetry in journals like Stiebeuel, Standpunte, Sestiger en Tydskrif vir Letterkunde. He was also a radical student leader at the time. In 1964 he started his own touring production company, with actresses such as Christine Basson en Marie Pentz, writing and directing the work himself. In 1966 he joined the CAPAB Drama Company as company manager of the Afrikaans Company. In 1967 he was made Artistic Director for Afrikaans Drama, and in 1968 Artistic Director for Drama, a position he held for sixteen years (from 1968-1984). Then became Playwright in Residence withPACT for 5 years. In this time he ** In 19* he was one of the people who started the Klein Karoo Nasionale Kunstefees (KKNK) in Oudtshoorn, and was its director for five years. Also involved with ATKV Kampustoneel,Logan Toneelfees. Founded a production company, Rooderandt Produksies. As playwright he has written many works over the years including Die Joiner (19**), Die Proponentjie (19**), Mooi Maria (19**), Ek, Anna van Wyk (19**), Die Koggelaar (19**), Faan se Trein (19**), Faan se Stasie (19**), Donderdag se Mense (1990); Die Groot Wit Roos; Naelstring (2001 - also done in English as Fuck thy Father), Gert Garries –‘n baaisiekel babelas (2002), Koggelmanderman (2003), In 199* awarded a Erepenning (=Honorary Penant) for his contribution to the performing arts by the SA Akademie vir Wetenskap en Kuns and in 2003 received the prestigious Hertzog Prize for Drama for his plays. Other awards include Johan Nell-prize for his contribution to local theatre, Dawie Malan/Dalroprize for the best new play; the SACPAC prize for the best new South African text (Die koggelaar); winner Nagtegaal/KKNK-competition for a new text , 2002; the Three Leaves Award for best director; for So ‘n Liefde (Pavel Kohout).

FOURIE, Pieter (1940-) Temple*. from 19** to 19**. In this time he ** In 19* started the Klein Karoo Nasionale Kunstefees in Oudtshoorn, and was its director for five years. Founded a production company, Rooderandt Produksies. His many works over the years include Die Joiner (19**), Mooi Maria (19**), Ek, Anna van Wyk (19**), Die Koggelaar (19**), Faan se Trein (19**), Faan se Stasie (19**), ** Naelstring (2001 - also done in Egnlish as Fuck thy Father), Koggelmanderman (2003), In 199* awarded a Erepenning (=Honorary Penant) for his contribution to the performing arts by the SA Akademie vir Wetenskap en Kuns and in 2003 received the prestigious Hertzog Prize for Drama for his plays.

FOURIE, Pieter. Together with Peter Curtis he ran CAPAB circa 1971. He was the artistic director of KRUIK, CAPAB’s Afrikaans company circa 1976. His Faan se Stasie was staged at the Lake Theatre in Parkview in 1976. Faan se Trein, and its sequel, Stasie, were presented by John Birch and Carl de Gouveia. (Tucker, 1997)

FOURIE, Pieter. Gebore in Luckhoff. Behaal BA BA Hons op Maties 1964. Betrokke by: ATKV Kampustoneel, Logan Toneelfees, KKNK. Erkenning van SA Akedemie met erepenning vir toneel,, 16 Jaar artiktieke direkteur van Kruik, 5 jaar by TRUKas residentiele dramaturg. Pryse vir: Johan Nell-prys vir sy groot bydrae tot plaaslike toneel; Dawie Malan/Dalroprys vir beste nuwe toneelstuk; Sakrukprys vir die beste nuwe SA toneelstuk (Die koggelaar); die Drie Blare-prys as beste regiseur vir So ‘n Liefde (Pavel Kohout). Donderdag se Mense,Peter SePuma & Noria Mabuele, Lida Meiring & Louis v Niekerk. TRUK, 1990. Eerste wenner van die Nagtegaal/KKNK-kompetisie vir Nuutgeskrewe Verhoogtekste 2002) Mooi Maria, Ek, Anna van Wyk, Die Groot Wit Roos,Koggelmanderman (2003 by KKNK opgevoer). Gert Garries – ‘n baaisiekel babelas (2002) Regie deur Marthinus Basson & Gaerin Hauptfleisch as asst-regisseur. Met Anthony Wilson & Dawid Minnaar, KKNK. (Lourens Smith i.p.v. DM), Kunstekaap. Hertzog Prize for Drama (2003) Het saam met Christine Basson en Marie Penz as reisende teatergeselskap gewerk.

PIETER FOURIE Artistic Director of CAPAB Afrikaans Drama (19*-19*)

Sources

Tucker, 1997

Go to South African Theatre/Bibliography

Pieter J. Fourie, Professor of Communication Science

Theorist, critic and academic. He studied Drama and Communication Studies at the Potchefstroom University for CHE, obntaining a Bachelor of Arts (BA - 1971), BA Honours (Drama, 1972), BA Honours (Communication, 1976 - With Distinction) and MA (Communication - 1979, with Distinction)and then did a D.Litt et Phil (Communication), at the University of South Africa (1982). His professional career included stints as a journalist and critic (1970-1971: South African Broadcasting Corporation; 1972-1975: Rapport) and lecturer (1976-1979: Junior lecturer/Lecturer in Communication PU for CHE; 1980- : University of South Africa: Senior Lecturer: 1980 - 1982; Associate professor: 1983; Professor: 1984 -) He is the author and editor of a number of key works in the field of South African media studies, including two of the first publications in South Africa in the field of visual communication and semiotics, Beeldkommunikasie: Kultuurkritiek, ideologiese kritiek, en ‘n inleiding tot die beeldsemiologie (McGraw-Hill, 1983), and Aspects of film and television communication (Juta, 1988.) He is a regular participant at national and international conferences on topics in his field of specialisation; has published close to fifty research articles in accredited journals; a number of books and chapters in books; supervised more that twenty research Master’s and doctoral students, and is undergraduate and external examiner at a number of universities. Fourie has been the editor of the accredited research journal Communicatio: South African Journal for Communication Theory and Research (published by Unisa Press and Routledge) for the past 23 years and sits on the editorial boards of a number of research journals in the field of communication and media studies, including Critical Arts and the South African Theatre Journal. He was also involved as an advisor in the founding of Kampustoneel. He was the president of the South African Communication Association for a number of years. In 2003 he was awarded the Stals Prize for his contribution to the development of communication science in South Africa by the South African Academy of Science and Arts (die Suid-Afrikaanse Akademie vir Wetenskap en Kuns). In 2007 he was elected fellow of the International Communicology Institute (USA). His most recent book publications are the edited 2nd editions of the four part Media Studies series (published by Juta, Cape Town), namely, Media Studies Volume 1: Media History, Media and Society (2007), Media Studies Volume 2: Policy, Management, and Media Representation (2008); and Volume 3: Media Content and Audiences, as well as Volume 4: Media Production Planning and Media Ethics to be published in 2009. Fourie is a National Research Foundation (NRF) rated researcher.

Sources

http://www.unisa.ac.za/Default.asp?Cmd=ViewContent&ContentID=1247

Pieter Fourie, Arts Administrator

(194*-) Hugely influential organisor of the ATKV drama programmes, festivals and so on (1980**-19**). Perhaps best remembered for his pivotal role in initiating and managing the Kampustoneel playwriting project (198*-198*). Later a publicist for PACOFS.

Pieter-Paul Fourie, Playwright and literary advisor

See Pieter-Paul Fourie

Return to

Return to ESAT Personalities F

Return to South African Theatre Personalities

Return to The ESAT Entries

Return to Main Page