Difference between revisions of "Vergewe Ons Ons Skulde"
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[[Nico Luwes]] 2012. ''[[Pieter Fourie]] (1940-) se bydrae as Afrikaanse dramaturg en kunsbestuurder: 1965-2010''. Unpublished doctoral dissertation. Bloemfontein: University of the Free State, pp.127-132 [http://etd.uovs.ac.za/ETD-db//theses/available/etd-08102012-152250/unrestricted/LuwesNJ.pdf] | [[Nico Luwes]] 2012. ''[[Pieter Fourie]] (1940-) se bydrae as Afrikaanse dramaturg en kunsbestuurder: 1965-2010''. Unpublished doctoral dissertation. Bloemfontein: University of the Free State, pp.127-132 [http://etd.uovs.ac.za/ETD-db//theses/available/etd-08102012-152250/unrestricted/LuwesNJ.pdf] | ||
| − | Programme and poster of the touring production of | + | Programme and poster of the touring production of ''[[Vergewe Ons Ons Skulde]]''. |
Interview with [[Lydia Theron]], Cape Town 18 January, 2019. | Interview with [[Lydia Theron]], Cape Town 18 January, 2019. | ||
Revision as of 11:42, 29 January 2021
Vergewe Ons Ons Skulde ("Forgive us our trespasses") is an Afrikaans melodrama by Pieter Fourie (1940-).
Contents
The original text
Written by Fourie for production by the Pieter Fourie Genootskap touring company on its rural tours. The text has been lost.
Translations and adaptations
Performance history in South Africa
1966 Performed on tour in Afrikaans by the Pieter Fourie Genootskap, featuring Ilse Eybers, Pieter Fourie and Lydia Theron (later replaced by Annatjie Fourie), directed by Susie-Mey Viljoen with costuming by Ilse Eybers, lighting by Pieter Fourie, make-up by Lydia Theron, sound tape by Henk Hugo and publicity photos by Bob Keogh.
Sources
Nico Luwes 2012. Pieter Fourie (1940-) se bydrae as Afrikaanse dramaturg en kunsbestuurder: 1965-2010. Unpublished doctoral dissertation. Bloemfontein: University of the Free State, pp.127-132 [1]
Programme and poster of the touring production of Vergewe Ons Ons Skulde.
Interview with Lydia Theron, Cape Town 18 January, 2019.
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Return to PLAYS II: Foreign plays
Return to PLAYS III: Collections
Return to PLAYS IV: Pageants and public performances
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