Difference between revisions of "The Playboy of the Western World"
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The play is set in Michael James Flaherty's pub in County Mayo during the early 1900s and tells the story of Christy Mahon, a young man running away from his farm, believing he has killed his father with a spade, and his relationship with the barmaid, Flaherty's daughter. | The play is set in Michael James Flaherty's pub in County Mayo during the early 1900s and tells the story of Christy Mahon, a young man running away from his farm, believing he has killed his father with a spade, and his relationship with the barmaid, Flaherty's daughter. | ||
| − | Today considered one of the great plays of the 20th century, despite the fact that it is particularly well known (and also difficult to perform outside of Ireland) for its use of the poetic, evocative words and rhythms of the what is referred to as "Hiberno-English", heavily influenced by the Irish language, as Synge celebrates the lyrical speech of the Irish. | + | Today considered one of the great plays of the 20th century, despite the fact that it is particularly well known (and also difficult to perform outside of Ireland) for its use of the poetic, evocative words and rhythms of the what is referred to as "Hiberno-English"[https://en.wikipedia.org/wiki/Hiberno-English], heavily influenced by the Irish language, as Synge celebrates the lyrical speech of the Irish. |
First performed at the Abbey Theatre, Dublin, on 26 January 1907, . | First performed at the Abbey Theatre, Dublin, on 26 January 1907, . | ||
Revision as of 16:24, 16 January 2021
The Playboy of the Western World is a three-act comedy written by J.M. Synge (1871–1909)[1].
Contents
The original text
The play is set in Michael James Flaherty's pub in County Mayo during the early 1900s and tells the story of Christy Mahon, a young man running away from his farm, believing he has killed his father with a spade, and his relationship with the barmaid, Flaherty's daughter.
Today considered one of the great plays of the 20th century, despite the fact that it is particularly well known (and also difficult to perform outside of Ireland) for its use of the poetic, evocative words and rhythms of the what is referred to as "Hiberno-English"[2], heavily influenced by the Irish language, as Synge celebrates the lyrical speech of the Irish.
First performed at the Abbey Theatre, Dublin, on 26 January 1907, .
Translations and adaptations
The play is one of the classic plays of the twentieth century and has been adapted and translated many times.
A South African version: Bobaas van die Boendoe by André P. Brink
Freely adapted into Afrikaans by André P. Brink () as Bobaas van die Boendoe ("Top-Dog of the Bundu"). Brink relocates the Irish play to a "coloured" fishing community on the Western Cape coast, and uses the local Afrikaans dialect nowadays referred to as "Kaaps", in the same lyrical way Synge uses his "Hiberno-English" dialect.
The text was first performed by PACOFS in 1972 and published by Human & Rousseau in 1973. (For performances of the Afrikaans version by Brink, see Bobaas van die Boendoe)
South African performance history of all stage versions
In South Africa The Playboy of the Western World is seldom done in the original, given the difficulties of Synge's use of the Irish dialect, but it is well known in published form and in performances of André P. Brink's brilliant Afrikaans adaptation of the work, which has been produced many times by both professional and amateur companies, as well as by university students and schools.
1972: First produced by PACOFS as Bobaas van die Boendoe in the Civic Theatre, Bloemfontein, directed by André P. Brink, starring Trudie Taljaard, Anton Welman, Louise Mollett-Prinsloo.
1980: Staged as Bobaas van die Boendoe by PACT, directed by Louis van Niekerk, with Amor Tredoux (Magriet Vlooi), Pierre van Pletzen (Seef Stilstype), Jan Prinsloo (Migiel Vlooi), Eric Nobbs (Joppie Pens), Christo Gerlach (Jimmy Flinters), Gerben Kamper (Kris Kaiing), Christine Basson (Waailit Willekat), Riana Wilkens (Sera Fyndraai), Bettie Kemp (Bekkie Bodem), Annalise Bosch (Soesie Snuif), Trudi Lamprecht ( Antjie Asjas) and Don Lamprecht ( Oubaas Kaiing).
1985: Staged Bobaas van die Boendoe by PACOFS in the Civic Theatre (??), Bloemfontein.
1992: Produced Bobaas van die Boendoe by the Bellville Afrikaanse Toneelvereniging (BAT), directed by Johan van der Merwe
1995: Produced Bobaas van die Boendoe by the Breughel Teater in Stellenbosch and at the KKNK, directed by Ben de Haeck.
2003: Produced Bobaas van die Boendoe by the drama students of the University of the Free State in , directed by Niel van Niekerk in the Wynand Mouton Theatre.
2010: Produced Bobaas van die Boendoe by drama students of the University of the Free State , directed by Nico Luwes in the Scaena Theatre.
Sources
https://en.wikipedia.org/wiki/The_Playboy_of_the_Western_World
https://en.wikipedia.org/wiki/John_Millington_Synge
PACOFS Drama 25 Years, 1963-1988.
PACT theatre programme, 1980.
Die Volksblad, Tuesday 16 September 2003[3]
Toneelvereniging dring deur na eindronde, Die Burger, 1 October 1992[4]
Klein Karoo Fees stel vol program bekend, Die Burger, 11 February 1995[5]
Temple Hauptfleisch, Carnival Shakespeare...(etc), Shakespeare in Southern Africa Vol. 3, 1989.90-101.[6]
Petru & Carel Trichardt theatre programme collection.
Performance history in South Africa
1963: Presented by PACT in the Civic Theatre, Johannesburg and the National Theatre, Pretoria and taken on tour, September -November. Directed by Victor Melleney, settings by Cazik Dubinski, costumes by Gladys Haupt. The cast included James White, Arthur Hall, Siegfried Mynhardt, Fiona Fraser, Patricia Sanders, Patrick Mynhardt, Ronald Wallace, Taffy Griffiths, Ziona Garfield, Reinet Maasdorp, Paddy Canavan, Richard Daneel and others. Settings by Cazik Dubinski, costumes by Gladys Haupt.
1971: Directed by Beth Dickerson for the Rhodes University Drama Department starring Chris Weare, Janet du Plessis, Anthony Akerman, Heather Murie and Lois Butlin.
1976: Staged by CAPAB, directed by David Crichton, with Lois Butlin, Nicholas Ellenbogen, Philip Godawa and Peter Krummeck in the cast.
Sources
PACT report 1963/64.
The Argus 12 April 1976.
Return to
Return to PLAYS I: Original SA plays
Return to PLAYS II: Foreign plays
Return to PLAYS III: Collections
Return to PLAYS IV: Pageants and public performances
Return to South African Festivals and Competitions
Return to The ESAT Entries
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