Difference between revisions of "Die Toneelstuk"
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+ | There are two South African plays by this name. | ||
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+ | = ''[[Die Toneelstuk]]'' by [[Breyten Breytenbach]] = | ||
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("The Play") by [[Breyten Breytenbach]] (2001). | ("The Play") by [[Breyten Breytenbach]] (2001). | ||
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==or== | ==or== | ||
− | by [[Rouxnette du Preez]] | + | == ''[[Die Toneelstuk]]'' by [[Rouxnette du Preez]] == |
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+ | One-act. Cast: mixed. | ||
== Return to == | == Return to == |
Revision as of 08:43, 17 February 2020
There are two South African plays by this name.
Contents
Die Toneelstuk by Breyten Breytenbach
("The Play") by Breyten Breytenbach (2001).
Background
Die Toneelstuk, subtitled ‘n Belydenis in Twee Bedrywe (A Confession in Two Acts) looks, like Breytenbach's earlier The Life and Times of Johnny Cockroach, at the present through a mirror reflecting the past. While he was in solitary confinement serving a prison sentence for high treason during the apartheid era, Breytenbach had a dream one night which decades later became the stimulus for writing Die Toneelstuk. In his dream another political prisoner, the great Russian author Fyodor Dostoyevsky, appeared in the door of Breytenbach’s cell surrounded by a bright light and he asked the poet to complete the unfinished poem mentioned in his novel The Brothers Karamazov (Basson, 2001).
This was the inspiration for another richly worded, overwhelming spectacle full of subtle, often obscure references and outrageous images. (Van Heerden, 2008:pp. 123-124)[1].
First published by Human & Rousseau in 2001.
Performance history in South Africa
2001: First produced at the Klein Karoo Nasionale Kunstefees in Oudtshoorn in 2001, directed by Marthinus Basson, with Antoinette Kellermann, Albert Maritz, Christopher Gxalaba, Jan Ellis, Chan Marti, Anton Smuts, Rob van Vuuren. Lighting by Albert Snyman.
Translations and adaptations
Sources
Die Toneelstuk theatre programme.
Go to ESAT Bibliography
or
Die Toneelstuk by Rouxnette du Preez
One-act. Cast: mixed.
Return to
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