Genevieve of Brabant

Genevieve of Brabant is the name of a heroine of medieval legend, and a character in a number of dramatized works.

(Also found as Geneviève de Brabant, Genoveva or Genovefa)

The legend

According to the legend (apparently based on the real history of Marie of Brabant, wife of Louis II, Duke of Bavaria and Count Palatine of the Rhine), she was the wife of the palatine Siegfried of Treves, falsely accused of infidelity by the head of the household and sentenced to death, However, she was spared by the executioner to lived for six years with her son in a cave in the Ardennes, where Siegfried discovered her and reinstated her in her former honour.[1]

Stage versions of the legend

Among the many dramatized versions of the story are:

Leben und Tod der heiligen Genoveva a dramatic poem by Ludwig Tieck (1799)

Genoveva a play by Christian Friedrich Hebbel (1843)

Genoveva an opera by Robert Schumann (1850, inspired by Hebbel's play)

Geneviève de Brabant an opéra bouffe[2] by Jacques Offenbach (1859)

Genoveva a play by Mathilde Wesendonck (1866)

Geneviève de Brabant a stage work by Erik Satie (1899/1900)

Genoveva a Dutch play by Frans Demers and Jan Melis (1912).

Suor Angelica an opera by Giacomo Puccini (1918 opera, inspired by Hebbel's play)

The versions performed in South Africa

Geneviève de Brabant by Jacques Offenbach (1859)

The original text

Written as an opéra bouffe[3] (in two acts and seven tableaux) by Jacques Offenbach (1819-1880)[4], with a French libretto by Louis-Adolphe Jaime ()[] and Étienne Tréfeu ()[], it was first performed was first staged at the Théâtre des Bouffes-Parisiens, Paris, on 19 November 1859.

A new three-act version, revised by Hector-Jonathan Crémieux ()[], opened at the Théâtre des Menus-Plaisirs, Paris, on 26 December 1867, while an expanded five-act version had a production at the Théâtre de la Gaîté on 25 February 1875.

Translations and adaptations

An English version (by an unnamed translator) was published (in parallel with the French libretto) by Oliver Ditson & Co., 277 Washington Street, Boston, [c1868], and had its New York premiere on 22 October 1868.

The second, three-act version, was adapted into English by H.B. Farnie (1836-1889)[5], and was first performed in London at the Philharmonic Theatre in Islington on 11 November 1871. The production ran for a year and a half.

Performance history in South Africa

1872: A performance of "a laughable and popular extract from Offenbach's Opera" (probably the Farnie English version) by a Signor Abecco and a company of amateurs as part of a concert evening, probably in the Catholic Hall (formerly best known as the St Aloysius Hall), Cape Town

Genoveva by Frans Demers and Jan Melis

Also written Genovefa at times.

The original text

The play is based on Genoveva (also named Genoveva de Brabante or Genovefa in editions), a German prose version of the original legend by Christoph von Schmid [6] (1768-1854). Adapted for the stage as a sentimental three act Dutch play by Frans Demers (1905–1993)[7] and Jan Melis (1902–1974)[8], with musical adaptions by Arthur Meulemans (1884-1966)[9]. The text published in Antwerpen by the Jos Janssens, 1930.

Translations and adaptations

Translated into Afrikaans as Genoveva by Mrs Carinus-Holzhausen, first produced in South Africa during the 1930s and the text later published by DALRO (1969).

Performance history in South Africa

1930s: The Afrikaans version produced by André Huguenet, with Huguenet and Lydia Lindeque in the leading roles.

Sources

https://en.wikipedia.org/wiki/Genevi%C3%A8ve_de_Brabant

https://en.wikipedia.org/wiki/Op%C3%A9ra_bouffe

https://en.wikipedia.org/wiki/Jacques_Offenbach

Libretto of the original two-act version of Offenbach's opera[10]

[11]

"Elsing, Johan Mark / Demers Frans" on the website Schrijversgewijs [12]

"Melis Jan" on the website Schrijversgewijs [13]

F.C.L. Bosman. 1980. Drama en Toneel in Suid-Afrika, Deel II, 1856-1912. Pretoria: J.L. van Schaik: p.281

NELM catalogue.

Go to ESAT Bibliography

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