ESAT Bibliography Oe-Ol

Click on the appropriate letters of the alphabet in the sub-list below.

O-Od Oe-Ol Om-Oq Or-Oz

To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance

Official Programme of the Van Riebeeck Festival, 1 Feb-6 Apr 1952. Cape Town: Sentrale Komitee vir die Van Riebeeck-fees.

Ogude, N.A. & Rollnick, M. 1999. Addressing primary school science problems through materials developed by science educators and drama in education specialists. South African Journal of Education, 19(4):251-256.

O’Hara, Glynis 1998. iMumbo Jumbo. Vuka SA, January 31:4.

Ohlhoff, H. 1978. En daar was lig – gedagtes oor Laat die Kerse Brand. Klasgids, 13(3-4):5-9. November.

Ohloff, C.H.F. 1983. Dias (N.P. van Wyk Louw). Tydskrif vir Letterkunde, 21(3):138-145.

Ojo-Ade, Femi 1996. Contemporary South African theatre and the complexities of commitment . African Literature Today, 20:120-134.

Okagbue, Osita 2009. Culture and Identity in African and Caribbean Theatre. London: Adonis & Abbey.

Olaiya, Kolawole 2008. Deconstructing Apartheid's global gaze: death and resistance in Fugard et al.'s Sizwe Bansi Is Dead. Global South, 2(2):75-91.

Olaniyan, Tejumola 1995. Scars of Conquest/Masks of Resistance: The Invention of Cultural Identities in African, African-American and Caribbean Drama. New York: Oxford University Press.

Olaniyan, Tejumola & Quayson, A. (eds.). 2007. African Literature: An Anthology of Criticism and Theory. Malden, MA: Blackwell.

Olaniyan, Tejumola 2007. Festivals, ritual and drama in Africa, in Olaniyan, Tejumola & Quayson, A. (eds.). African Literature: an anthology of criticism and theory. Malden, MA: Blackwell Publishing. 353-363.

Old and new combine in modern theatre complex: bentonite plays major role in walling of the Durban Playhouse. 1983. Civil Engineer and Contractor, 17(5):34-41.

Oliphant, Andries W. 1988. John Kani: combatant from the stage. Staffrider, 7(1):54-61.

Oliphant, Andries W. 1989. Victor Shingwenyana: theatre and the struggle for unity. Staffrider, 8(3/4):149-152.

Oliphant, Andries W. 1992. Isolate the enemy: community and conflict in popular theatre. South African Theatre Journal, 6(2):18-29.

Olivier, Bert 1989. Simbolisme as werklikheidsbenadering: watter werklikheid? Tydskrif vir Literatuurwetenskap, 5(3/4):237-252.

Olivier, Fanie 1996. ‘n Fees sonder vonk. Insig, 08/96: 40.

Olivier, Fanie 1999. Adam Small (1936-), in Perspektief en Profiel: 'n Afrikaanse Literatuurgeskiedenis, edited by H.P. van Coller. Hatfield, Pretoria: Van Schaik. 2:565-577.

Olivier, G. 1982. Notes on Fugrad's Master Harold...and the boys at the Yale Rep. Standpunte, (162):9-14.

Olivier, Gerrit 1977. 'n Ander kyk op drie Afrikaanse versdramas (Periandros van Korinthe; Vergelegen; Germanicus). Standpunte, 30(5):47-61.

Olivier, R. 1995. Vernuwing of verstarring? : aantekeninge by die 1994 Hertzogpryswenners vir drama (Mynhoop, by Ryk Hattingh; Reza de Wet). Stilet, 7(2): 104-116.

Click on the appropriate letters of the alphabet in the sub-list below.

O-Od Oe-Ol Om-Oq Or-Oz

To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance