Difference between revisions of "ESAT Bibliography Dr-Dup"
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[[H.E. Drew|Drew, H.E.]] 1975. History and debelopment of stage lighting. ''Vector'', 24-25. August. | [[H.E. Drew|Drew, H.E.]] 1975. History and debelopment of stage lighting. ''Vector'', 24-25. August. | ||
| − | Drukman, Steven 2001. 99 percent perspiration. ([[ | + | Drukman, Steven 2001. 99 percent perspiration. ([[Walter Kefuoe Chakela]]’s play [[Sweat]] ([[isiThukuthuku]])). ''American theatre'', 18(2):80. |
[[Ann Dry|Dry, Ann]] 1989. Through the shattered looking-glass of the S.A. committed playwright : a semiotic study of two plays of the 80's. Unpublished master’s thesis. Potchefstroom: Potchefstroom University for Christian Higher Education. | [[Ann Dry|Dry, Ann]] 1989. Through the shattered looking-glass of the S.A. committed playwright : a semiotic study of two plays of the 80's. Unpublished master’s thesis. Potchefstroom: Potchefstroom University for Christian Higher Education. | ||
| − | [[M. Dry|Dry, M.]] 1982. Stage projection – the science of tomorrow. ''Scenaria'', (34):43-45. | + | [[M. Dry|Dry, M.]] 1982. Stage projection – the science of tomorrow. ''[[Scenaria]]'', (34):43-45. |
[[Caroline Margaret Duck|Duck, Caroline Margaret]] 2001. An investigation into the imbalance of gender awareness in playwriting in the contemporary South African context, offering up the idea of a women's theatre festival as a solution to this imbalance. Unpublished master’s thesis. Durban: University of Natal. | [[Caroline Margaret Duck|Duck, Caroline Margaret]] 2001. An investigation into the imbalance of gender awareness in playwriting in the contemporary South African context, offering up the idea of a women's theatre festival as a solution to this imbalance. Unpublished master’s thesis. Durban: University of Natal. | ||
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[[P.S. Dufett|Dufett, P.S.]] 1939. Herdenking van die aankoms van die Hugenote. ''Unie'', 34(11):350-351. | [[P.S. Dufett|Dufett, P.S.]] 1939. Herdenking van die aankoms van die Hugenote. ''Unie'', 34(11):350-351. | ||
| − | [[Carolyn Duggan|Duggan, Carolyn]] 1997. Gabbling like a thing most brutish: the post-colonial writer and language, with reference to the earlier plays of [[ | + | [[Carolyn Duggan|Duggan, Carolyn]] 1997. Gabbling like a thing most brutish: the post-colonial writer and language, with reference to the earlier plays of [[Zakes Mda]]. ''[[South African Theatre Journal]]'', 11(1&2):109-132. |
| − | [[Carolyn Duggan|Duggan, Carolyn]] 2000. Strategies in staging: theatre technique in the plays of [[ | + | [[Carolyn Duggan|Duggan, Carolyn]] 2000. Strategies in staging: theatre technique in the plays of [[Zakes Mda]], in [[Martin Banham|Banham Martin]], [[James Gibbs|Gibbs, James]], & [[Femi Osofisan|Osofisan, Femi]] (eds.). ''African Theatre in Development''. Oxford: James Curry. 1-12. |
| − | [[J. Dunstan|Dunstan, J.]] 1979. South African dramatist’s critical look at Calvinism: [[ | + | [[J. Dunstan|Dunstan, J.]] 1979. South African dramatist’s critical look at Calvinism: [[Adam Small]]’s ''[[The Orange Earth]]''. ''Journal of Theology for Southern Africa'', 27:20-25. June. |
[[Chris Dunton|Dunton, Chris]] 1999. South African theatre/theatre studies. ''English in Africa'', 26(1):119. | [[Chris Dunton|Dunton, Chris]] 1999. South African theatre/theatre studies. ''English in Africa'', 26(1):119. | ||
| − | [[C. du Plessis|Du Plessis, C.]] 1978. [[ | + | [[C. du Plessis|Du Plessis, C.]] 1978. [[Marié du Toit]] hou van uitdagings. ''Rooi Rose'', 35(9):40-43. November 22. |
[[Elize du Plessis|Du Plessis, Elize]] 1979. Aspekte en toepassing van spraakonderrig. Unpublished master’s thesis. Pretoria: University of Pretoria. | [[Elize du Plessis|Du Plessis, Elize]] 1979. Aspekte en toepassing van spraakonderrig. Unpublished master’s thesis. Pretoria: University of Pretoria. | ||
| − | [[J.N.S. du Plessis|Du Plessis, J.N.S.]] 1975. Elementêre literatuurkundige bespreking van die drama. (Literary criticism, [[ | + | [[J.N.S. du Plessis|Du Plessis, J.N.S.]] 1975. Elementêre literatuurkundige bespreking van die drama. (Literary criticism, [[Dirk Richard]]). ''Unie'', 71:373-377. March. |
| − | [[J.N.S. du Plessis|Du Plessis, J.N.S.]] 1985. [[ | + | [[J.N.S. du Plessis|Du Plessis, J.N.S.]] 1985. [[D.J. Opperman]] – ‘n huldeblyk. ''Unie'', 82:162-163. |
| − | [[J.N.S. du Plessis|Du Plessis, J.N.S.]] 1987. ‘n Aanloop tot ''[[Die Keiser]]'' van [[ | + | [[J.N.S. du Plessis|Du Plessis, J.N.S.]] 1987. ‘n Aanloop tot ''[[Die Keiser]]'' van [[Bartho Smit]]. ''Unie'', 83(11):303-308. |
[[P.G. du Plessis|Du Plessis, P.G.]] 1984. Oor messe en gode [TV en teater in SA]. ''Tydskrif vir Letterkunde'', 22(4):22-29. | [[P.G. du Plessis|Du Plessis, P.G.]] 1984. Oor messe en gode [TV en teater in SA]. ''Tydskrif vir Letterkunde'', 22(4):22-29. | ||
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[[A. du Preez|Du Preez, A.]] 1977. [[Baxter Theatre]]: the dream becomes a reality. ''Lantern'', 26(4):18-27. August. | [[A. du Preez|Du Preez, A.]] 1977. [[Baxter Theatre]]: the dream becomes a reality. ''Lantern'', 26(4):18-27. August. | ||
| − | [[Esmé du Preez|Du Preez, Esmé]] 1985. Varieties of dramatic dialogue in selected plays by [[ | + | [[Esmé du Preez|Du Preez, Esmé]] 1985. Varieties of dramatic dialogue in selected plays by [[Athol Fugard]] and [[Fatima Dike]]. Unpublished master’s thesis. Potchefstroom: Potchefstroom University for Christian Higher Education. |
| − | [[Petrus du Preez|Du Preez, Petrus]] 2003. Die slagveld van teks en betekenis: enkele aspekte in die dramatiek van [[ | + | [[Petrus du Preez|Du Preez, Petrus]] 2003. Die slagveld van teks en betekenis: enkele aspekte in die dramatiek van [[Breyten Breytenbach]]. Unpublished master’s thesis. Stellenbsoch, Universiteit van Stellenbosch. |
| − | [[Petrus du Preez|Du Preez, Petrus]] 2002. Moving centers and margins in culture and development. ''South African Theatre Journal'', 16:223 – 226. | + | [[Petrus du Preez|Du Preez, Petrus]] 2002. Moving centers and margins in culture and development. ''[[South African Theatre Journal]]'', 16:223 – 226. |
| − | [[Petrus du Preez|Du Preez, Petrus]] 2004. Babel en Breytenbach: kwessies rondom die ‘verstaanbare’ in die Afrikaanse dramas van [[ | + | [[Petrus du Preez|Du Preez, Petrus]] 2004. Babel en Breytenbach: kwessies rondom die ‘verstaanbare’ in die Afrikaanse dramas van [[Breyten Breytenbach]]. ''[[South African Theatre Journal]]'', 18:184-220. |
| − | [[Petrus du Preez|Du Preez, Petrus]] 2006a. The ABSA-[[KKNK|Klein Karoo Nasionale Kunstefees]] : theatrical journalism and journalism on theatre. ''South African Theatre Journal'', 20:255-262. | + | [[Petrus du Preez|Du Preez, Petrus]] 2006a. The ABSA-[[KKNK|Klein Karoo Nasionale Kunstefees]] : theatrical journalism and journalism on theatre. ''[[South African Theatre Journal]]'', 20:255-262. |
| − | [[Petrus du Preez|Du Preez, Petrus]] 2006b. Shaping the metaphor : [[ | + | [[Petrus du Preez|Du Preez, Petrus]] 2006b. Shaping the metaphor : [[Marthinus Basson]] as artist/director. ''[[South African Theatre Journal]]'', 20:79-101 |
Revision as of 22:13, 9 March 2011
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Drama. 1966. Stellenbosse Student, 23-24.
Dramatic academy. 1941. Forum, 4(12):19. June 21.
Dramatically speaking, apartheid was better. 1995. Economist Financial Report, 336(7924):79-80. July 22-28.
Dramaturg en dialek: enkele gedagtes oor dramatiese dialoog. 1985. Teaterforum, 6(1):46-72.
Dramawedstryd van die A.T.K.V. 1944. Huisgenoot, 29(1185):3. December 8.
Drew, H.E. 1975. History and debelopment of stage lighting. Vector, 24-25. August.
Drukman, Steven 2001. 99 percent perspiration. (Walter Kefuoe Chakela’s play Sweat (isiThukuthuku)). American theatre, 18(2):80.
Dry, Ann 1989. Through the shattered looking-glass of the S.A. committed playwright : a semiotic study of two plays of the 80's. Unpublished master’s thesis. Potchefstroom: Potchefstroom University for Christian Higher Education.
Dry, M. 1982. Stage projection – the science of tomorrow. Scenaria, (34):43-45.
Duck, Caroline Margaret 2001. An investigation into the imbalance of gender awareness in playwriting in the contemporary South African context, offering up the idea of a women's theatre festival as a solution to this imbalance. Unpublished master’s thesis. Durban: University of Natal.
Dufett, P.S. 1939. Herdenking van die aankoms van die Hugenote. Unie, 34(11):350-351.
Duggan, Carolyn 1997. Gabbling like a thing most brutish: the post-colonial writer and language, with reference to the earlier plays of Zakes Mda. South African Theatre Journal, 11(1&2):109-132.
Duggan, Carolyn 2000. Strategies in staging: theatre technique in the plays of Zakes Mda, in Banham Martin, Gibbs, James, & Osofisan, Femi (eds.). African Theatre in Development. Oxford: James Curry. 1-12.
Dunstan, J. 1979. South African dramatist’s critical look at Calvinism: Adam Small’s The Orange Earth. Journal of Theology for Southern Africa, 27:20-25. June.
Dunton, Chris 1999. South African theatre/theatre studies. English in Africa, 26(1):119.
Du Plessis, C. 1978. Marié du Toit hou van uitdagings. Rooi Rose, 35(9):40-43. November 22.
Du Plessis, Elize 1979. Aspekte en toepassing van spraakonderrig. Unpublished master’s thesis. Pretoria: University of Pretoria.
Du Plessis, J.N.S. 1975. Elementêre literatuurkundige bespreking van die drama. (Literary criticism, Dirk Richard). Unie, 71:373-377. March.
Du Plessis, J.N.S. 1985. D.J. Opperman – ‘n huldeblyk. Unie, 82:162-163.
Du Plessis, J.N.S. 1987. ‘n Aanloop tot Die Keiser van Bartho Smit. Unie, 83(11):303-308.
Du Plessis, P.G. 1984. Oor messe en gode [TV en teater in SA]. Tydskrif vir Letterkunde, 22(4):22-29.
Du Plessis, Philippus Lodewicus 1980. Skoolopvoering. Unie, 76:196-200.
Du Plessis, Philippus Lodewicus 1979. ‘n Ondersoek na die vorm wat ‘n opvoering in die primêre skool kan aanneem, met spesiale verwysing na geselekteerde primêre skole in die Westelike Provinsie. Unpublished master’s thesis. Grahamstown: Rhodes University.
Du Plessis, R. 1980. ERUK gaan van krag tot krag. Alpha, 18(3):13.
Du Plooy, A.D. 1959. Wonder van Afrikaans: ‘n geleentheidstuk vir die taalfees van 1959. Brandwag, 23(13):25. March 8.
Du Preez, A. 1977. Baxter Theatre: the dream becomes a reality. Lantern, 26(4):18-27. August.
Du Preez, Esmé 1985. Varieties of dramatic dialogue in selected plays by Athol Fugard and Fatima Dike. Unpublished master’s thesis. Potchefstroom: Potchefstroom University for Christian Higher Education.
Du Preez, Petrus 2003. Die slagveld van teks en betekenis: enkele aspekte in die dramatiek van Breyten Breytenbach. Unpublished master’s thesis. Stellenbsoch, Universiteit van Stellenbosch.
Du Preez, Petrus 2002. Moving centers and margins in culture and development. South African Theatre Journal, 16:223 – 226.
Du Preez, Petrus 2004. Babel en Breytenbach: kwessies rondom die ‘verstaanbare’ in die Afrikaanse dramas van Breyten Breytenbach. South African Theatre Journal, 18:184-220.
Du Preez, Petrus 2006a. The ABSA-Klein Karoo Nasionale Kunstefees : theatrical journalism and journalism on theatre. South African Theatre Journal, 20:255-262.
Du Preez, Petrus 2006b. Shaping the metaphor : Marthinus Basson as artist/director. South African Theatre Journal, 20:79-101
Click on the appropriate letters of the alphabet in the sub-list below.
Da-Daz Dea-Deu Dev-Dir Dis-Doz Dr-Dup Dur-Dz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
