Difference between revisions of "ESAT Bibliography Or-Oz"
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| − | Orkin, Martin 1985. Drama in South Africa: Ghandi in South Africa: the play. English Academy | + | [[Martin Orkin|Orkin, Martin]] 1985. Drama in South Africa: Ghandi in South Africa: the play. English Academy Review, 2:61-67. |
| − | Orkin, Martin 1986. Civility and the English colonial enterprise: notes on Shakespeare’s Othello. Theaoria, | + | [[Martin Orkin|Orkin, Martin]] 1986. Civility and the English colonial enterprise: notes on Shakespeare’s Othello. Theaoria, 68:1-14. December. |
| − | Orkin, Martin 1987a. Cruelty, King Lear, and the South African Land Act, 1913. Shakespeare | + | [[Martin Orkin|Orkin, Martin]] 1987a. Cruelty, King Lear, and the South African Land Act, 1913. Shakespeare Survey, 40:135-143. |
| − | Orkin, Martin 1987b. The European challenge. Scenaria, 78: 47-48. July. | + | [[Martin Orkin|Orkin, Martin]] 1987b. The European challenge. Scenaria, 78:47-48. July. |
| − | Orkin, Martin 1987c. Othello and the ‘plain face’ of racism. Shakespeare | + | [[Martin Orkin|Orkin, Martin]] 1987c. Othello and the ‘plain face’ of racism. Shakespeare Quarterly, 38(2):166-188. |
| − | Orkin, Martin 1987d. Shakespeare | + | [[Martin Orkin|Orkin, Martin]] 1987d. Shakespeare Against Apartheid. Craighall: Ad Donker. |
| − | Orkin, Martin 1988a. Body and state in Blood | + | [[Martin Orkin|Orkin, Martin]] 1988a. Body and state in Blood Knot / The Blood Knot. South African Theatre Journal, 2(1):17-34. |
| − | Orkin, Martin | + | [[Martin Orkin|Orkin, Martin]] 1990. “This bit of the world is ours”: Butler’s national theatre of the fifties. South African Theatre Journal, 4(2):87-98. |
| − | Orkin, Martin | + | [[Martin Orkin|Orkin, Martin]] 1991a. Drama and the South African State. Johannesburg: Witwatersrand University Press. |
| − | Orkin, Martin | + | [[Martin Orkin|Orkin, Martin]] 1991b. Shakespeare and the politics of “unrest”. English Academy Review, 8:85-97. |
| − | Orkin, Martin | + | [[Martin Orkin|Orkin, Martin]] 1992. Whose popular theatre and performance? South African Theatre Journal, 6(2):30-42. |
| − | Orkin, Martin | + | [[Martin Orkin|Orkin, Martin]] 1993a. The politics of editing the Shakespearean text in South Africa. Current Writing, 5(1):48-59. |
| − | Orkin, Martin | + | [[Martin Orkin|Orkin, Martin]] 1993b. Re-presenting The Tempest in South Africa (1955-1990). Shakespeare in Southern Africa, 6:45-60. |
| − | Orkin, Martin | + | [[Martin Orkin|Orkin, Martin]] 1995. Introduction to At The Junction: Four Plays by the Junction Avenue Theatre Company. Johannesburg: Witwatersrand University Press. |
| − | Orkin, Martin | + | [[Martin Orkin|Orkin, Martin]] 1996. Possessing the book and peopling the text. Essays in Theatre, 15(1):45-57. |
| − | Orkin, Martin | + | [[Martin Orkin|Orkin, Martin]] 1996b. Whose popular theatre and performance? , in [[Geoffrey V. Davis|Davis, Geoffrey V.]] & [[Anne Fuchs|Fuchs, Anne]] (eds.). ''Theatre and Change in South Africa''. Amsterdam: Harwood Academic Publishing. 49-64. |
| − | Orkin, Martin | + | [[Martin Orkin|Orkin, Martin]] 1997. Whose things of darkness? Reading/representing The Tempest in South Africa, in Joughin, John J. (ed.). Shakespeare and National Culture. Manchester: Manchester University Press. 142-169. |
| − | Orkin, Martin | + | [[Martin Orkin|Orkin, Martin]] 2005. Local Shakespeares: Proximations and Power. London and New York: Routledge. |
| − | + | Osborne, Jane 1990. The Gumboot dance: an historical, socio-economic and cultural perspective. South African Theatre Journal, 4(2):50-79. | |
| − | + | Oude Libertas Centre. 1977. Architect and Builder, 27(12):18-25. | |
| − | + | Oude Libertas-sentrum: ‘n monument vir wyn. 1977. Wynboer, 552:18-25. | |
| − | + | An outsider’s impression on African drama. 1940. South African Outlook. 70:126. | |
| − | + | Overall, Fiona Robyn 1984. The plays of Guy Menga : theatre and liberation. Unpublished master’s thesis. Johannesburg: University of the Witwatersrand. | |
| − | |||
| − | |||
| − | |||
| − | Overall, Fiona Robyn 1984. The plays of Guy Menga : theatre and liberation. Johannesburg: University of the Witwatersrand | ||
Revision as of 10:04, 14 February 2011
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Orkin, Martin 1985. Drama in South Africa: Ghandi in South Africa: the play. English Academy Review, 2:61-67.
Orkin, Martin 1986. Civility and the English colonial enterprise: notes on Shakespeare’s Othello. Theaoria, 68:1-14. December.
Orkin, Martin 1987a. Cruelty, King Lear, and the South African Land Act, 1913. Shakespeare Survey, 40:135-143.
Orkin, Martin 1987b. The European challenge. Scenaria, 78:47-48. July.
Orkin, Martin 1987c. Othello and the ‘plain face’ of racism. Shakespeare Quarterly, 38(2):166-188.
Orkin, Martin 1987d. Shakespeare Against Apartheid. Craighall: Ad Donker.
Orkin, Martin 1988a. Body and state in Blood Knot / The Blood Knot. South African Theatre Journal, 2(1):17-34.
Orkin, Martin 1990. “This bit of the world is ours”: Butler’s national theatre of the fifties. South African Theatre Journal, 4(2):87-98.
Orkin, Martin 1991a. Drama and the South African State. Johannesburg: Witwatersrand University Press.
Orkin, Martin 1991b. Shakespeare and the politics of “unrest”. English Academy Review, 8:85-97.
Orkin, Martin 1992. Whose popular theatre and performance? South African Theatre Journal, 6(2):30-42.
Orkin, Martin 1993a. The politics of editing the Shakespearean text in South Africa. Current Writing, 5(1):48-59.
Orkin, Martin 1993b. Re-presenting The Tempest in South Africa (1955-1990). Shakespeare in Southern Africa, 6:45-60.
Orkin, Martin 1995. Introduction to At The Junction: Four Plays by the Junction Avenue Theatre Company. Johannesburg: Witwatersrand University Press.
Orkin, Martin 1996. Possessing the book and peopling the text. Essays in Theatre, 15(1):45-57.
Orkin, Martin 1996b. Whose popular theatre and performance? , in Davis, Geoffrey V. & Fuchs, Anne (eds.). Theatre and Change in South Africa. Amsterdam: Harwood Academic Publishing. 49-64.
Orkin, Martin 1997. Whose things of darkness? Reading/representing The Tempest in South Africa, in Joughin, John J. (ed.). Shakespeare and National Culture. Manchester: Manchester University Press. 142-169.
Orkin, Martin 2005. Local Shakespeares: Proximations and Power. London and New York: Routledge.
Osborne, Jane 1990. The Gumboot dance: an historical, socio-economic and cultural perspective. South African Theatre Journal, 4(2):50-79.
Oude Libertas Centre. 1977. Architect and Builder, 27(12):18-25.
Oude Libertas-sentrum: ‘n monument vir wyn. 1977. Wynboer, 552:18-25.
An outsider’s impression on African drama. 1940. South African Outlook. 70:126.
Overall, Fiona Robyn 1984. The plays of Guy Menga : theatre and liberation. Unpublished master’s thesis. Johannesburg: University of the Witwatersrand.
Click on the appropriate letters of the alphabet in the sub-list below.
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
