Difference between revisions of "ESAT Bibliography Mde-Mes"

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Mduduzi Hlope – an analysis of theme in his plays. Reality, 15(6): 10-12.
+
Mduduzi Hlope: An analysis of theme in his plays. Reality, 15(6):10-12.
  
Meersman, Brent 2007. Democracy, capitalism and theatre in the new South Africa. South African theatre journal, 21: 292-306.
+
Meersman, Brent 2007. Democracy, capitalism and theatre in the new South Africa. South African Theatre Journal, 21:292-306.
  
Megan Kruskal. 1985. Scenaria, (52) : 9-12.
+
Megan Kruskal. 1985. Scenaria, (52):9-12.
  
Meet you at the Natal Playhouse. 1987. Lantern, 36(2): 3-16.
+
Meet you at the Natal Playhouse. 1987. Lantern, 36(2):3-16.
  
Meij, K. 1978. Is Laat die kerse brand te maklik? Klasgids, 13(3-4): 9-10. November.
+
Meij, A. 1988. “Dramaspel” ‘n Eksperiment gedoen by die Kleuterskool Fonteinbleau. Kleuterklanke, 13(1):31-33. June.
  
Meij, A. 1988. “Dramaspel” ‘n Eksperiment gedoen by die Kleuterskool Fonteinbleau. Kleuterklanke, 13(1): 31-33. June.
+
Meij, K. 1978. Is Laat die Kerse Brand te maklik? Klasgids, 13(3-4):9-10. November.
  
Meiring, E. 1967. Toneel en werklikheid. Tydskrif vir letterkunde, 5(4): 18-21.
+
Meiring, E. 1967. Toneel en werklikheid. Tydskrif vir Letterkunde, 5(4):18-21.
  
Meiring, E. 1990. Beckett en Fugard: Waiting for Godot en Boesman and Lena. Tydskrif vir letterkunde, 28(4): 111-116.
+
Meiring, E. 1990. Beckett en Fugard: Waiting for Godot en Boesman and Lena. Tydskrif vir Letterkunde, 28(4):111-116.
  
Meiring, Jean. 2002. Afrikaanse kunste en teater ondanks feeste aan’t sterf. In: Die Burger, March 2, 2002: 13.
+
Meiring, M. 1980. Katinka Heyns: activist, innovator and perfectionist. Fair Lady, 16(7):98-102. November 5.
  
Meiring, M. 1980. Katinka Heyns: activist, innovator and perfectionist. Fair lady, 16(7): 98-102. November 5.
+
Meiring, Martie. 1998. Fees, feestelik, feesteliker. Insig, 09/98:46.
  
Meiring, Martie. 1998. Fees, feestelik, feesteliker. Insig, 09/98: 46.
+
Melpomene, pseud. 1952a. Theatre at the crossroad. Trek, 16(6):17.
  
Melpomene, pseud. 1952a. Theatre at the crossroad. Trek, 16(6): 17.
+
Melpomene, pseud. 1952b. Theatre and economics. Trek, 16(8):7.  
 
 
Melpomene, pseud. 1952b. Theatre and economics. Trek, 16(8): 7.  
 
  
 
Meltzer, Lalou 1978. A response to this…(Replies to Nicolas-Fanourakis below). Speak, 1(2): 48-49.
 
Meltzer, Lalou 1978. A response to this…(Replies to Nicolas-Fanourakis below). Speak, 1(2): 48-49.
  
Memela, Sandile. 1995. Life in jail is no fun, honest: play exposes brutality and waste in prisons. In: City Press, June 25, 1995: 34.
+
Merand, Janis 1991. An evaluation of the 1989 popular theatre training programme run by the Community Arts Project. Unpublished honour’s thesis. Cape Town: University of Cape Town.
 
 
Memela, Sandile. 1995a. Change rolls in at arts council. In: City Press, November 5, 1995: 5.
 
 
 
Memela, Sandile. 1996. Chilling exposé of an all-too-common marital violence. In: City Press, August 11, 1996: 27.
 
 
 
Memela, Sandile. 1997. The agony of a queue – when waiting means survival. In: City Press, January 19, 1997: 24.
 
 
 
Memela, Sandile. 2000a. Memoir glosses over apartheid: production fails to capture realities of the past. In: Sowetan Sunday World, June 4, 2000: 4.
 
 
 
Memela, Sandile. 2000b. Broken promises of the liberators. In: Sowetan Sunday World, June 18, 2000: 4.
 
 
 
Memela, Sandile. 2000c. Aiming to heal old wounds. In: Sowetan Sunday World, June 18, 2000: 6.
 
 
 
Memela, Sandile. 2000d. Portraying black men as brutes. In: Sowetan Sunday World, July 23, 2000: 3.
 
  
Memela, Sandile. 2001. Taking stock of SA’s new rulers. In: City Press, November 4, 2001: 20.
+
Merrington, Peter 1995. Heritage, Genealogy, and the Inventing of Union, South Africa 1910. Unpublished paper, conference 1995.
  
Merand, Janis 1991. An evaluation of the 1989 popular theatre training programme run by the Community Arts Project. Cape Town: University of Cape Town. (B.Soc. Sc (Hons.) thesis).
+
Merrington, Peter 1995. ‘Pageantry and Primitivism’: Dorothea Fairbridge and the Aesthetics of Union. Journal of Southern African Studies, 21:4.
  
Merrington, Peter 1996.  Masques, Monuments, and Masons: The 1910 Pageant of the Union of South Africa. In; Wittenberg, Hermann (ed. and introd.); Nas, Loes (ed. and introd.) AUETSA 96, I-II: Southern African  
+
Merrington, Peter 1996.  Masques, Monuments, and Masons: The 1910 Pageant of the Union of South Africa, in Wittenberg, Hermann (ed. and introd.); Nas, Loes (ed. and introd.) AUETSA 96, I-II: Southern African  
  
Merrington, Peter 1997. Masques, monuments and masons: the 1910 pageant of the Union of South Africa. Theatre journal, 19(1): 1-14.
+
Merrington, Peter 1997. Masques, monuments and masons: the 1910 pageant of the Union of South Africa. Theatre Journal, 19(1):1-14.
  
Merrington, Peter 1998. Monuments and masons: the 1910 pageant of the Union of South Africa. In Bogaards, Winnifred M. (ed.) Literature of Region and Nation: Proceedings of the 6th International  Literature of Region and Nation Conference, 2-7 August 1996. Saint John, NB: Social Sciences and Humanities Research Council of Canada, with University of New Brunswick in Saint John. p. 278-299.
+
Merrington, Peter 1998. Monuments and masons: the 1910 pageant of the Union of South Africa, in Bogaards, Winnifred M. (ed.). Literature of Region and Nation: Proceedings of the 6th International  Literature of Region and Nation Conference, 2-7 August 1996. Saint John, NB University of New Brunswick. 278-299.
  
Mersham, G. & Baker, G. 2002. Industrial theatre as a negotiated dramaturgy.  South African Theatre Journal, 16:92 119.
+
Mersham, G. & Baker, G. 2002. Industrial theatre as a negotiated dramaturgy.  South African Theatre Journal, 16:92-119.
  
Mervis, Margaret 1998. Fiction for development: ZAKES Mda’s Ways of dying. Current writing, 10(1): 39-56.
+
Mervis, Margaret 1998. Fiction for development Zakes Mda’s Ways of Dying. Current Writing, 10(1):39-56.
  
Mervis, Margaret 1998. The captain’s tiger. Current writing, 10(2): 143-146.
+
Mervis, Margaret 1998. The Captain’s Tiger. Reviewed in: Current Writing, 10(2):143-146.
  
Meskin, Tamar & Van der Walt, Tanya 2007. Approaching Macbeth through representation, participation and facilitation a theatre-in-education ‘adventure’. South African theatre journal, 21: 75-91.
+
Meskin, Tamar & Van der Walt, Tanya 2007. Approaching Macbeth through representation, participation and facilitation: a theatre-in-education ‘adventure’. South African Theatre Journal, 21:75-91.
  
  

Revision as of 11:31, 31 January 2011

Click on the appropriate letters of the alphabet in the sub-list below.

Maa-Mal Mam-Mar Mas-Mcl Mcm-Mda Mde-Mes Met-Miz Mja-Moo Mop-Mot Mou-Moz Mpa-Mz

To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance


Mduduzi Hlope: An analysis of theme in his plays. Reality, 15(6):10-12.

Meersman, Brent 2007. Democracy, capitalism and theatre in the new South Africa. South African Theatre Journal, 21:292-306.

Megan Kruskal. 1985. Scenaria, (52):9-12.

Meet you at the Natal Playhouse. 1987. Lantern, 36(2):3-16.

Meij, A. 1988. “Dramaspel” ‘n Eksperiment gedoen by die Kleuterskool Fonteinbleau. Kleuterklanke, 13(1):31-33. June.

Meij, K. 1978. Is Laat die Kerse Brand te maklik? Klasgids, 13(3-4):9-10. November.

Meiring, E. 1967. Toneel en werklikheid. Tydskrif vir Letterkunde, 5(4):18-21.

Meiring, E. 1990. Beckett en Fugard: Waiting for Godot en Boesman and Lena. Tydskrif vir Letterkunde, 28(4):111-116.

Meiring, M. 1980. Katinka Heyns: activist, innovator and perfectionist. Fair Lady, 16(7):98-102. November 5.

Meiring, Martie. 1998. Fees, feestelik, feesteliker. Insig, 09/98:46.

Melpomene, pseud. 1952a. Theatre at the crossroad. Trek, 16(6):17.

Melpomene, pseud. 1952b. Theatre and economics. Trek, 16(8):7.

Meltzer, Lalou 1978. A response to this…(Replies to Nicolas-Fanourakis below). Speak, 1(2): 48-49.

Merand, Janis 1991. An evaluation of the 1989 popular theatre training programme run by the Community Arts Project. Unpublished honour’s thesis. Cape Town: University of Cape Town.

Merrington, Peter 1995. Heritage, Genealogy, and the Inventing of Union, South Africa 1910. Unpublished paper, conference 1995.

Merrington, Peter 1995. ‘Pageantry and Primitivism’: Dorothea Fairbridge and the Aesthetics of Union. Journal of Southern African Studies, 21:4.

Merrington, Peter 1996. Masques, Monuments, and Masons: The 1910 Pageant of the Union of South Africa, in Wittenberg, Hermann (ed. and introd.); Nas, Loes (ed. and introd.) AUETSA 96, I-II: Southern African

Merrington, Peter 1997. Masques, monuments and masons: the 1910 pageant of the Union of South Africa. Theatre Journal, 19(1):1-14.

Merrington, Peter 1998. Monuments and masons: the 1910 pageant of the Union of South Africa, in Bogaards, Winnifred M. (ed.). Literature of Region and Nation: Proceedings of the 6th International Literature of Region and Nation Conference, 2-7 August 1996. Saint John, NB University of New Brunswick. 278-299.

Mersham, G. & Baker, G. 2002. Industrial theatre as a negotiated dramaturgy. South African Theatre Journal, 16:92-119.

Mervis, Margaret 1998. Fiction for development Zakes Mda’s Ways of Dying. Current Writing, 10(1):39-56.

Mervis, Margaret 1998. The Captain’s Tiger. Reviewed in: Current Writing, 10(2):143-146.

Meskin, Tamar & Van der Walt, Tanya 2007. Approaching Macbeth through representation, participation and facilitation: a theatre-in-education ‘adventure’. South African Theatre Journal, 21:75-91.


Click on the appropriate letters of the alphabet in the sub-list below.

Ma-Mal Mam-Mar Mas-Mcl Mcm-Mda Mde-Mes Met-Miz Mja-Moo Mop-Mot Mou-Moz Mpa-Mz

To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance