Difference between revisions of "ESAT Bibliography Mcm-Mda"

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McMurray, Susan 1992. Theatre for Africa – a case study. Johannesburg: University of the Witwatersrand. (BA essay).
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[[Susan McMurray|McMurray, Susan]] 1992. Theatre for Africa – a case study. Unpublished bachelor’s essay. Johannesburg: University of the Witwatersrand.  
  
 +
[[Mervyn McMurtry|McMurtry, Mervyn Eric]] 1994. The playwright-performer as scourge and benefactor: an examination of political satire and lampoon in South African theatre, with particular reference to [[Uys, Pieter-Dirk|Pieter-Dirk Uys]]. Unpublished doctoral dissertation. Durban: University of Natal.
  
McMurtry, Mervyn Eric 1994. The playwright-performer as scourge and benefactor : an examination of political satire and lampoon in South African theatre, with particular reference to Pieter-Dirk Uys.Durban: University of Natal. (PhD (Speech & Drama) thesis).
+
[[Mervyn McMurtry|McMurtry, Mervyn]] 1994. The rise of the first Ambassador Bezuidenhout: [[Uys, Pieter-Dirk|Pieter-Dirk Uys]]’s creation of Evita Bezuidenhout, her fictional actuality and his approach to female impersonation. ''South African Theatre Journal'', 8(2):79-107.
  
McMurtry Mervyn 1994. The rise of the first Ambassador Bezuidenhout: Pieter-Dirk Uys’s creation of Evita Bezuidenhout, her fictional actuality and his approach to female impersonation. South African theatre journal, 8(2): 79-107.
+
[[Mervyn McMurtry|McMurtry, Mervyn]] 1995. [[Leslie, Adam|Adam Leslie]] and his contribution to satire in intimate review in South African theatre. ''South African Theatre Journal'', 9(1):3-27.
  
McMurtry, Mervyn 1995. Adam Leslie and his contribution to satire in intimate review in South African theatre. South African theatre journal, 9(1): 3-27.
+
[[Mervyn McMurtry|McMurtry, Mervyn]] 1996. Open Space: Six Contemporary Plays from Africa edited by [[Hutchison, Yvette|Yvette Hutchison]] & [[Omotoso, Kole|Kole Omotoso]] and The Distance Remains and Other Plays by [[Malan, Robin|Robin Malan]]. Reviewed in: ''South African Theatre Journal'', 10(1):119-124.
  
McMurtry, Mervyn 1996. Open space: six contemporary plays from Africa edited by Yvette Hutchison & Kole Omotoso and The distance remains and other plays by Robin Malan. Reviewed in: South African theare journal. 10(1): 119-124.
+
[[Mervyn McMurtry|McMurtry, Mervyn]] 1998. ‘Greeks bearing gifts’: [[Fugard, Athol|Athol Fugard]]’s ''Orestes'' project and the politics of experience. ''Modern Drama'', 41(1):105-108.
  
McMurtry, Mervyn 1998. ‘Greeks bearing gifts’: Athol Fugard’s Orestes project and the politics of experience. Modern drama, 41(1): 105-108.
+
[[Mervyn McMurtry|McMurtry, Mervyn]] 2000. Geographies of research: From “Geographies of Learning”. ''South African Theatre Journal'', 14:19-27.
  
MCMURTRY, MERVYN. 2000Geographies of research:  From “Geographies of Learning”. South African theatre journal,, 14:19-27.
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[[Mervyn McMurtry|McMurtry, Mervyn]] 2002Productions and publication: Issues in the accreditation of creative activity for tenure and promotion at tertiary institutions in the United States of America. ''South African Theatre Journal'', 16:80-91.
  
MCMURTRY, MERVYN. 2002. Productions and publication: Issues in the accreditation of creativ activity for tenure and promotion at tertiary institutions in the United States of America. South African theatre journal,16: 80 – 91.
+
[[Mervyn McMurtry|McMurtry, Mervyn E.]] 2006. Experiencing the ‘living monument’: [[Fugard, Athol|Athol Fugard]]’s directing process and the Orestes project. ''South African Theatre Journal'', 20:30-47.
  
McMurtry, Mervyn E. 2006. Experiencing the ‘living monument’: Athol Fugard’s directing process and the Orestes project. South African theatre journal, 20: 30-47.
+
[[Mabel Elizabeth Lilian McNeil|McNeil, Mabel Elizabeth Lilian]] 1986. A didactical-pedagogical analysis of the 1985 syllabus for speech and drama in the province of Natal. Unpublished master’s thesis. Pretoria:: University of South Africa.  
  
McMurtry  1996. ROBIN. The Distance Remains and Other Plays (Mervyn) S
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[[Gavin McSweeny|McSweeny, Gavin]] 1977. The [[Market Theatre]]. ''Scenaria'', June/July. 10-11.
outh African Theatre Journal, Vol.     10(1):119-124
 
  
McNeil, Mabel Elizabeth Lilian  1986. A didactical-pedagogical analysis of the 1985 syllabus for speech and drama in the province of Natal. Pretoria:: University of South Africa. (M.Ed. thesis).
+
[[Zakes Mda|Mda, Zakes]] 1983. Commitment and writing in theatre: the South African experience. ''Classic'', 2(1):13-15.
  
McSweeny, Gavin 1977. The Market Theatre. Scenaria, June/July. 10-11.
+
[[Zakes Mda|Mda, Zakes]] 1984. Extracts, in Daymond, Margaret J., Jacobs, Johan & Lenta, Margaret (eds.). 1984. Momentum: On Recent South African Writing. Pietermaritzburg: University of Natal Press. 295-297.
Mda, Zakes 1983. Commitment and writing in theatre: the South African experience. Classic, 2(1): 13-15.
 
  
Mda, Zakes 1984. Extracts. In Daymond, Margaret J., Jacobs, Johan & Lenta, Margaret 1984. Momentum: on recent South African writing. Pietermaritzburg: University of Natal Press. p. 295-297.
+
[[Zakes Mda|Mda, Zakes]] 1993. ''When People Play People: Development Communication Through Theatre''. Johannesburg: Witwatersrand University Books.
  
Mda, Zakes 1993. When people play people: development communication through theatre. Johannesburg: Witwatersrand University Books.
+
[[Zakes Mda|Mda, Zakes]] 1994a. Another Theatre of the Absurd, in [[Eckhard Breitinger|Breitinger, Eckhard]] (ed.). ''Theatre and Performance in Africa: Intercultural Perspectives''. Bayreuth: Breitinger.
  
Mda, Zakes 1994a. Marotholi Travelling Theatre: towards an alternative perspective of development. In Gunner, Liz (ed.) Politics and performance: theatre, poetry and song in Southern Africa. Johannesburg: Witwatersrand University Press. p. 203-210.
+
[[Zakes Mda|Mda, Zakes]] 1994b. Learning from the ancient wisdom of Africa in the creation and distribution of messages. ''Current Writing'', 6(2):139-150.
  
Mda, Zakes 1994a. Another Theatre of the Absurd. In: Theatre and Performance in Africa, edited by Eckhard Breitinger (ed). Bayreuth African Studies 31, Bayreuth Germany.
+
[[Zakes Mda|Mda, Zakes]] 1994c. [[Marotholi Travelling Theatre]]: towards an alternative perspective of development, in [[Liz Gunner|Gunner, Liz]] (ed.). ''Politics and Performance: Theatre, Poetry and Song in Southern Africa''. Johannesburg: Witwatersrand University Press. 203-210.
  
Mda, Zakes 1994b. Learning from the ancient wisdom of Africa in the creation and distribution of messages. Current writing, 6(2): 139-150.
+
[[Zakes Mda|Mda, Zakes]] 1995. Theater and reconciliation in South Africa. ''Theater Magazine'', 25(3):38-45.
  
Mda, Zakes 1995. Theater and reconciliation in South Africa. Theater magazine, 25(3): 38-45.
+
[[Zakes Mda|Mda, Zakes]] 1996. Politics and the theatre: current trends in South Africa, in [[Geoffrey V. Davis|Davis, Geoffrey V.]] & [[Anne Fuchs|Fuchs, Anne]] (eds.). ''Theatre and Change in South Africa''. Amsterdam: Harwood Academic Publishing. 193-218.
  
Mda, Zakes 1996. ‘Politics and Theatre: current trends in South Africa’. In Davis and Fuchs (eds), Theatre and change in South Africa, Contemporary Theatre studies, 12  Amsterdam, Harwood Academic Publishers
+
[[Zakes Mda|Mda, Zakes]] 1997. When People Play People in Post-apartheid South Africa. Interview with D. Salter. Brecht Yearbook 22:283-303.  
  
MDA, Zakes 1997. When People Play People in Post-apartheid South Africa. Interview with D. Salter. In: Brecht Yearbook 22:283-303.  
+
[[Zakes Mda|Mda, Zakes]] 1998. Current trends in Theatre for Development in South Africa, in Attridge, Derek & Jolly, Rosemary (eds.). Writing South Africa: Literature, Apartheid and Democracy, 1970-1995. Cambridge: Cambridge University Press. 257-264.
  
Mda, Z. 1994. Another Theatre of the Absurd. In Breitinger, E. (ed) Theatre and Performance in Africa. Bayreuth African Studies 31, Bayreuth Germany.
+
[[Zakes Mda|Mda, Zakes]] 2002. South African theatre in an era of reconciliation, in [[Frances Harding|Harding, Frances]] (ed.). The Performance Arts in Africa: A Reader. London: Routledge. 279-289.
  
 +
[[Zakes Mda|Mda, Zakes]] 2005. Südafrikanisches Theater im Zeitalter der Aussöhnung, in Arndt, S. & Berndt, K. (eds.). Kreatives Afrika: SchriftstellerInnen über Literatur, Theater und Gesellschaft: eine Festschrift für Eckhard Breitinger. Wuppertal: Peter Hammer Verlag. 117-135.
  
Mda, Z. 1995. Theater and Reconciliation in South Africa. In Theater 25/3:36-45.
+
[[Zakes Mda|Mda, Zakes]] 2007. South African theatre in an era of reconciliation, in Arndt, Susan & Berndt, Katrin (eds.). Words and Worlds: African Writing, Theatre and Society; A Commemorative Publication in Honour of Eckhard Breitinger. Trenton, NJ : Africa World Press. 77-88.
  
Mda, Zakes 1996. Politics and the theatre: current trends in South Africa. In Davis, Geoffrey V. & Fuchs, Anne (eds.) Theatre and change in South Africa. Amsterdam: Harwood Academic Publishing. p. 193-218.
+
[[Zakes Mda|Mda, Zakes]] 2009. The fiction of reconciliation: creating dialogue through verbal and performance arts in South Africa. Journal of Human Rights, 8(2):121-132.
 
 
Mda, Zakes 1998. Current trends in Theatre for Development in South Africa. In: Attridge, Derek and Jolly, Rosemary (eds). Writing South Africa: literature, apartheid, and democracy, 1970-1995. Cambridge: Cambridge University Press. p. 257-264.
 
 
 
Mda, Z. 2002. South African Theatre in an Era of Reconciliation. In: Harding, Frances (ed.) The Performance Arts in Africa. New York: Routledge. 279-289.
 
 
 
Mda, Zakes 2002. South African theatre in an era of reconciliation. In Harding, Frances (ed). The performance arts in Africa: a reader. London: Routledge.  p. 279-289.
 
 
 
Mda, Zakes 2005. Südafrikanisches Theater im Zeitalter der Aussöhnung. In: Arndt, Susan & Berndt, Katrin (herausg). .Kreatives Afrika: SchriftstellerInnen über Literatur, Theater und Gesellschaft: eien Festschrift für Eckhard Breitinger. Wuppertal: Peter Hammer Verlag. p. 117-135.
 
 
 
Mda, Zakes 2007. South African theatre in an era of reconciliation. In: Arndt, Susan & Berndt, Katrin (eds). Words and worlds: African writing, theatre and society; a commemorative publication in honour of Eckhard Breitinger. Trenton, NJ : Africa World Press. p. 77-88.
 
 
 
Mda, Zakes 2009. The fiction of reconciliation: creating dialogue through verbal and  
 
  performance arts in South Africa. Journal of human rights, 8(2): 121-132.
 
  
  

Revision as of 10:57, 31 January 2011

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McMurray, Susan 1992. Theatre for Africa – a case study. Unpublished bachelor’s essay. Johannesburg: University of the Witwatersrand.

McMurtry, Mervyn Eric 1994. The playwright-performer as scourge and benefactor: an examination of political satire and lampoon in South African theatre, with particular reference to Pieter-Dirk Uys. Unpublished doctoral dissertation. Durban: University of Natal.

McMurtry, Mervyn 1994. The rise of the first Ambassador Bezuidenhout: Pieter-Dirk Uys’s creation of Evita Bezuidenhout, her fictional actuality and his approach to female impersonation. South African Theatre Journal, 8(2):79-107.

McMurtry, Mervyn 1995. Adam Leslie and his contribution to satire in intimate review in South African theatre. South African Theatre Journal, 9(1):3-27.

McMurtry, Mervyn 1996. Open Space: Six Contemporary Plays from Africa edited by Yvette Hutchison & Kole Omotoso and The Distance Remains and Other Plays by Robin Malan. Reviewed in: South African Theatre Journal, 10(1):119-124.

McMurtry, Mervyn 1998. ‘Greeks bearing gifts’: Athol Fugard’s Orestes project and the politics of experience. Modern Drama, 41(1):105-108.

McMurtry, Mervyn 2000. Geographies of research: From “Geographies of Learning”. South African Theatre Journal, 14:19-27.

McMurtry, Mervyn 2002. Productions and publication: Issues in the accreditation of creative activity for tenure and promotion at tertiary institutions in the United States of America. South African Theatre Journal, 16:80-91.

McMurtry, Mervyn E. 2006. Experiencing the ‘living monument’: Athol Fugard’s directing process and the Orestes project. South African Theatre Journal, 20:30-47.

McNeil, Mabel Elizabeth Lilian 1986. A didactical-pedagogical analysis of the 1985 syllabus for speech and drama in the province of Natal. Unpublished master’s thesis. Pretoria:: University of South Africa.

McSweeny, Gavin 1977. The Market Theatre. Scenaria, June/July. 10-11.

Mda, Zakes 1983. Commitment and writing in theatre: the South African experience. Classic, 2(1):13-15.

Mda, Zakes 1984. Extracts, in Daymond, Margaret J., Jacobs, Johan & Lenta, Margaret (eds.). 1984. Momentum: On Recent South African Writing. Pietermaritzburg: University of Natal Press. 295-297.

Mda, Zakes 1993. When People Play People: Development Communication Through Theatre. Johannesburg: Witwatersrand University Books.

Mda, Zakes 1994a. Another Theatre of the Absurd, in Breitinger, Eckhard (ed.). Theatre and Performance in Africa: Intercultural Perspectives. Bayreuth: Breitinger.

Mda, Zakes 1994b. Learning from the ancient wisdom of Africa in the creation and distribution of messages. Current Writing, 6(2):139-150.

Mda, Zakes 1994c. Marotholi Travelling Theatre: towards an alternative perspective of development, in Gunner, Liz (ed.). Politics and Performance: Theatre, Poetry and Song in Southern Africa. Johannesburg: Witwatersrand University Press. 203-210.

Mda, Zakes 1995. Theater and reconciliation in South Africa. Theater Magazine, 25(3):38-45.

Mda, Zakes 1996. Politics and the theatre: current trends in South Africa, in Davis, Geoffrey V. & Fuchs, Anne (eds.). Theatre and Change in South Africa. Amsterdam: Harwood Academic Publishing. 193-218.

Mda, Zakes 1997. When People Play People in Post-apartheid South Africa. Interview with D. Salter. Brecht Yearbook 22:283-303.

Mda, Zakes 1998. Current trends in Theatre for Development in South Africa, in Attridge, Derek & Jolly, Rosemary (eds.). Writing South Africa: Literature, Apartheid and Democracy, 1970-1995. Cambridge: Cambridge University Press. 257-264.

Mda, Zakes 2002. South African theatre in an era of reconciliation, in Harding, Frances (ed.). The Performance Arts in Africa: A Reader. London: Routledge. 279-289.

Mda, Zakes 2005. Südafrikanisches Theater im Zeitalter der Aussöhnung, in Arndt, S. & Berndt, K. (eds.). Kreatives Afrika: SchriftstellerInnen über Literatur, Theater und Gesellschaft: eine Festschrift für Eckhard Breitinger. Wuppertal: Peter Hammer Verlag. 117-135.

Mda, Zakes 2007. South African theatre in an era of reconciliation, in Arndt, Susan & Berndt, Katrin (eds.). Words and Worlds: African Writing, Theatre and Society; A Commemorative Publication in Honour of Eckhard Breitinger. Trenton, NJ : Africa World Press. 77-88.

Mda, Zakes 2009. The fiction of reconciliation: creating dialogue through verbal and performance arts in South Africa. Journal of Human Rights, 8(2):121-132.


Click on the appropriate letters of the alphabet in the sub-list below.

Ma-Mal Mam-Mar Mas-Mcl Mcm-Mda Mde-Mes Met-Miz Mja-Moo Mop-Mot Mou-Moz Mpa-Mz

To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance