Difference between revisions of "ESAT Bibliography Mas-Mcl"
| Line 17: | Line 17: | ||
[[Mokhethi Othniel Matabola|Matabola, Mokhethi Othniel]] 1994 Classification of character in ''[[Molomo wa badimo]]'' by [[Moiloa, J.J.|J.J. Moiloa]] : a few perspectives. Unpublished honourr’s thesis. Bloemfontein: University of the Orange Free State. | [[Mokhethi Othniel Matabola|Matabola, Mokhethi Othniel]] 1994 Classification of character in ''[[Molomo wa badimo]]'' by [[Moiloa, J.J.|J.J. Moiloa]] : a few perspectives. Unpublished honourr’s thesis. Bloemfontein: University of the Orange Free State. | ||
| − | Matusse, Renato 1999. Past Roles and Development of Theatre Arts in SADC. Gaborone, Botswana: SADC. | + | [[Renato Matusse|Matusse, Renato]] 1999. ''Past Roles and Development of Theatre Arts in SADC''. Gaborone, Botswana: SADC. |
| − | Maxwell-Mahon, W.D. 1991. Romeo and Juliet: anatomy of violence. Lantern, 40(3):63-65. | + | [[W.D. Maxwell-Mahon|Maxwell-Mahon, W.D.]] 1991. Romeo and Juliet: anatomy of violence. ''Lantern'', 40(3):63-65. |
| − | Mayer, C. H. 2005. Artificial Walls: South African Narratives on Conflict, Difference and Identity: An Exploratory Study in Post-Apartheid South Africa. Stuttgart: Ibidem-Verlag. | + | [[C.H. Mayer|Mayer, C. H.]] 2005. ''Artificial Walls: South African Narratives on Conflict, Difference and Identity: An Exploratory Study in Post-Apartheid South Africa''. Stuttgart: Ibidem-Verlag. |
| − | Mazibuko, Doreen 1996. Theatre: the political weapon in South Africa, in Davis, Geoffrey V. & Fuchs, Anne (eds.). Theatre and Change in South Africa. Amsterdam: Harwood Academic Publishing. 219-224. | + | [[Doreen Mazibuko|Mazibuko, Doreen]] 1996. Theatre: the political weapon in South Africa, in [[Geoffrey V. Davis|Davis, Geoffrey V.]] & [[Anne Fuchs|Fuchs, Anne]] (eds.). ''Theatre and Change in South Africa''. Amsterdam: Harwood Academic Publishing. 219-224. |
| − | Mazmane, V. 1978. Literature and politics among Blacks in South Africa. New Classic, 5:42-57. | + | [[V. Mazmane|Mazmane, V.]] 1978. Literature and politics among Blacks in South Africa. ''New Classic'', 5:42-57. |
| − | Mbothwe, Mandla 2008. An African dream play | + | [[Mandla Mbothwe|Mbothwe, Mandla]] 2008. An African dream play - ''[[Isivuno Sama Phupha]]'' : reconstructing the spirit of ubuntu in the contemporary urban 'village' through theatre. Unpublished master’s thesis. Cape Town: University of Cape Town. |
| − | McBurney, Blaine 1987. Theatre and Cultural Struggle in South Africa, by Robert Mshengu Kavanagh. Reviewed in: Contemporary Sociology, 16(3):391-393. | + | [[Blaine McBurney|McBurney, Blaine]] 1987. ''Theatre and Cultural Struggle in South Africa'', by [[Kavanagh, Robert Mshwngu|Robert Mshengu Kavanagh]]. Reviewed in: ''Contemporary Sociology'', 16(3):391-393. |
| − | McCarthy, C.A. 1990. The formative value of drama presentations on selected student teachers. Unpublished master’s thesis. Durban: University of Durban-Westville. | + | [[C.A. McCarthy|McCarthy, C.A.]] 1990. The formative value of drama presentations on selected student teachers. Unpublished master’s thesis. Durban: University of Durban-Westville. |
| − | McCaul-Dommisse, H. 1973. Hoe sal beeldradio ons lewende toneel raak? Buurman, 3(4): 23-24. June. | + | [[Dommisse, Hermine|McCaul-Dommisse, H.]] 1973. Hoe sal beeldradio ons lewende toneel raak? ''Buurman'', 3(4): 23-24. June. |
McDonald, Marianne 2006. Wearing the third hat: Athol Fugard as director. South African Theatre Journal, 20:207-220. | McDonald, Marianne 2006. Wearing the third hat: Athol Fugard as director. South African Theatre Journal, 20:207-220. | ||
Revision as of 15:32, 27 January 2011
Click on the appropriate letters of the alphabet in the sub-list below.
Maa-Mal Mam-Mar Mas-Mcl Mcm-Mda Mde-Mes Met-Miz Mja-Moo Mop-Mot Mou-Moz Mpa-Mz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
Masque, pseud. 1950. Shortcomings of the South African stage. Trek, 14(3):27-30.
Master Harold and the Boys, by Athol Fugard. 1982. [Dramatic criticiam]. Standpunte, 35(6):9-14.
Matabola, Mokhethi Othniel 1994 Classification of character in Molomo wa badimo by J.J. Moiloa : a few perspectives. Unpublished honourr’s thesis. Bloemfontein: University of the Orange Free State.
Matusse, Renato 1999. Past Roles and Development of Theatre Arts in SADC. Gaborone, Botswana: SADC.
Maxwell-Mahon, W.D. 1991. Romeo and Juliet: anatomy of violence. Lantern, 40(3):63-65.
Mayer, C. H. 2005. Artificial Walls: South African Narratives on Conflict, Difference and Identity: An Exploratory Study in Post-Apartheid South Africa. Stuttgart: Ibidem-Verlag.
Mazibuko, Doreen 1996. Theatre: the political weapon in South Africa, in Davis, Geoffrey V. & Fuchs, Anne (eds.). Theatre and Change in South Africa. Amsterdam: Harwood Academic Publishing. 219-224.
Mazmane, V. 1978. Literature and politics among Blacks in South Africa. New Classic, 5:42-57.
Mbothwe, Mandla 2008. An African dream play - Isivuno Sama Phupha : reconstructing the spirit of ubuntu in the contemporary urban 'village' through theatre. Unpublished master’s thesis. Cape Town: University of Cape Town.
McBurney, Blaine 1987. Theatre and Cultural Struggle in South Africa, by Robert Mshengu Kavanagh. Reviewed in: Contemporary Sociology, 16(3):391-393.
McCarthy, C.A. 1990. The formative value of drama presentations on selected student teachers. Unpublished master’s thesis. Durban: University of Durban-Westville.
McCaul-Dommisse, H. 1973. Hoe sal beeldradio ons lewende toneel raak? Buurman, 3(4): 23-24. June.
McDonald, Marianne 2006. Wearing the third hat: Athol Fugard as director. South African Theatre Journal, 20:207-220.
McGibbon, Murray 1986. Theatre in the 21st century : a journey backwards into the future. NEON, (51):36-40.
McKay, Kim 1987. The Blood Knot reborn in the eighties: a reflection of the artist and his times. Modern Drama, 30(4):496-504.
McLaren, J. & Van der Walt, D. 1978. Nasionale toneelbiblioteek en sy dienste. Opvoeding en Kultuur, 2(4):34-35. December.
McLaren, Robert Mshengu 1992. Theatre on the frontline: the political theatre of Zambukon/Izibuko. TDR, 36(1):90-114.
McLaren, Robert 1996. “The many individual wills.” From Crossroads to Survival. The work of Experimental Theatre Workshop ’71, in Davis, Geoffrey V. & Fuchs, Anne (eds.). Theatre and Change in South Africa. Amsterdam: Harwood Academic Publishing. 25-48.
McLuckie, Craig W. 1993. Power, self, and other: the absurd in Boesman and Lena. Twentieth Century Literature, 39(4):423.
McLuskie, Kate 1999. Macbeth/Umbatha: Global Shakespeare in a post-colonial market. Shakespeare Survey, 52:154-165.
Click on the appropriate letters of the alphabet in the sub-list below.
Ma-Mal Mam-Mar Mas-Mcl Mcm-Mda Mde-Mes Met-Miz Mja-Moo Mop-Mot Mou-Moz Mpa-Mz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
