Difference between revisions of "ESAT Bibliography Mas-Mcl"
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| + | Masque, pseud. 1950. Shortcomings of the South African stage. ''Trek'', 14(3):27-30. | ||
| − | + | ''[[Master Harold and the Boys]]'', by [[Fugard, Athol|Athol Fugard]]. 1982. [Dramatic criticiam]. ''Standpunte'', 35(6):9-14. | |
| − | + | [[Mokhethi Othniel Matabola|Matabola, Mokhethi Othniel]] 1994 Classification of character in ''[[Molomo wa badimo]]'' by [[Moiloa, J.J.|J.J. Moiloa]] : a few perspectives. Unpublished honourr’s thesis. Bloemfontein: University of the Orange Free State. | |
| − | + | Matusse, Renato 1999. Past Roles and Development of Theatre Arts in SADC. Gaborone, Botswana: SADC. | |
| − | + | Maxwell-Mahon, W.D. 1991. Romeo and Juliet: anatomy of violence. Lantern, 40(3):63-65. | |
| − | + | Mayer, C. H. 2005. Artificial Walls: South African Narratives on Conflict, Difference and Identity: An Exploratory Study in Post-Apartheid South Africa. Stuttgart: Ibidem-Verlag. | |
| − | + | Mazibuko, Doreen 1996. Theatre: the political weapon in South Africa, in Davis, Geoffrey V. & Fuchs, Anne (eds.). Theatre and Change in South Africa. Amsterdam: Harwood Academic Publishing. 219-224. | |
| − | + | Mazmane, V. 1978. Literature and politics among Blacks in South Africa. New Classic, 5:42-57. | |
| − | + | Mbothwe, Mandla 2008. An African dream play = Isivuno Sama Phupha : reconstructing the spirit of ubuntu in the contemporary urban 'village' through theatre. Unpublished master’s thesis. Cape Town: University of Cape Town. | |
| − | |||
| − | + | McBurney, Blaine 1987. Theatre and Cultural Struggle in South Africa, by Robert Mshengu Kavanagh. Reviewed in: Contemporary Sociology, 16(3):391-393. | |
| − | + | McCarthy, C.A. 1990. The formative value of drama presentations on selected student teachers. Unpublished master’s thesis. Durban: University of Durban-Westville. | |
| − | |||
| − | McCarthy, C.A. 1990. The formative value of drama presentations on selected student teachers. Durban: University of Durban-Westville | ||
McCaul-Dommisse, H. 1973. Hoe sal beeldradio ons lewende toneel raak? Buurman, 3(4): 23-24. June. | McCaul-Dommisse, H. 1973. Hoe sal beeldradio ons lewende toneel raak? Buurman, 3(4): 23-24. June. | ||
| − | + | McDonald, Marianne 2006. Wearing the third hat: Athol Fugard as director. South African Theatre Journal, 20:207-220. | |
| − | |||
| − | McDonald, Marianne 2006. Wearing the third hat: Athol Fugard as director. South African | ||
| − | |||
| − | |||
| − | + | McGibbon, Murray 1986. Theatre in the 21st century : a journey backwards into the future. NEON, (51):36-40. | |
| − | + | McKay, Kim 1987. The Blood Knot reborn in the eighties: a reflection of the artist and his times. Modern Drama, 30(4):496-504. | |
| − | McLaren, J. 1978. | + | McLaren, J. & Van der Walt, D. 1978. Nasionale toneelbiblioteek en sy dienste. Opvoeding en Kultuur, 2(4):34-35. December. |
| − | McLaren, Robert Mshengu 1992. Theatre on the frontline: the political theatre of Zambukon/Izibuko. TDR, 36(1): 90-114. | + | McLaren, Robert Mshengu 1992. Theatre on the frontline: the political theatre of Zambukon/Izibuko. TDR, 36(1):90-114. |
| − | McLaren, Robert 1996. “The many individual wills.” From Crossroads to Survival. The work of Experimental Theatre Workshop ’71 | + | McLaren, Robert 1996. “The many individual wills.” From Crossroads to Survival. The work of Experimental Theatre Workshop ’71, in Davis, Geoffrey V. & Fuchs, Anne (eds.). Theatre and Change in South Africa. Amsterdam: Harwood Academic Publishing. 25-48. |
| − | McLuckie, Craig W. 1993. Power, self, and other: the absurd in Boesman and Lena. Twentieth | + | McLuckie, Craig W. 1993. Power, self, and other: the absurd in Boesman and Lena. Twentieth Century Literature, 39(4):423. |
| − | McLuskie, Kate 1999. Macbeth/Umbatha: Global Shakespeare in a post-colonial market. Shakespeare | + | McLuskie, Kate 1999. Macbeth/Umbatha: Global Shakespeare in a post-colonial market. Shakespeare Survey, 52:154-165. |
Revision as of 15:18, 27 January 2011
Click on the appropriate letters of the alphabet in the sub-list below.
Maa-Mal Mam-Mar Mas-Mcl Mcm-Mda Mde-Mes Met-Miz Mja-Moo Mop-Mot Mou-Moz Mpa-Mz
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Return to A Bibliography of South African South African Theatre and Performance
Masque, pseud. 1950. Shortcomings of the South African stage. Trek, 14(3):27-30.
Master Harold and the Boys, by Athol Fugard. 1982. [Dramatic criticiam]. Standpunte, 35(6):9-14.
Matabola, Mokhethi Othniel 1994 Classification of character in Molomo wa badimo by J.J. Moiloa : a few perspectives. Unpublished honourr’s thesis. Bloemfontein: University of the Orange Free State.
Matusse, Renato 1999. Past Roles and Development of Theatre Arts in SADC. Gaborone, Botswana: SADC.
Maxwell-Mahon, W.D. 1991. Romeo and Juliet: anatomy of violence. Lantern, 40(3):63-65.
Mayer, C. H. 2005. Artificial Walls: South African Narratives on Conflict, Difference and Identity: An Exploratory Study in Post-Apartheid South Africa. Stuttgart: Ibidem-Verlag.
Mazibuko, Doreen 1996. Theatre: the political weapon in South Africa, in Davis, Geoffrey V. & Fuchs, Anne (eds.). Theatre and Change in South Africa. Amsterdam: Harwood Academic Publishing. 219-224.
Mazmane, V. 1978. Literature and politics among Blacks in South Africa. New Classic, 5:42-57.
Mbothwe, Mandla 2008. An African dream play = Isivuno Sama Phupha : reconstructing the spirit of ubuntu in the contemporary urban 'village' through theatre. Unpublished master’s thesis. Cape Town: University of Cape Town.
McBurney, Blaine 1987. Theatre and Cultural Struggle in South Africa, by Robert Mshengu Kavanagh. Reviewed in: Contemporary Sociology, 16(3):391-393.
McCarthy, C.A. 1990. The formative value of drama presentations on selected student teachers. Unpublished master’s thesis. Durban: University of Durban-Westville.
McCaul-Dommisse, H. 1973. Hoe sal beeldradio ons lewende toneel raak? Buurman, 3(4): 23-24. June.
McDonald, Marianne 2006. Wearing the third hat: Athol Fugard as director. South African Theatre Journal, 20:207-220.
McGibbon, Murray 1986. Theatre in the 21st century : a journey backwards into the future. NEON, (51):36-40.
McKay, Kim 1987. The Blood Knot reborn in the eighties: a reflection of the artist and his times. Modern Drama, 30(4):496-504.
McLaren, J. & Van der Walt, D. 1978. Nasionale toneelbiblioteek en sy dienste. Opvoeding en Kultuur, 2(4):34-35. December.
McLaren, Robert Mshengu 1992. Theatre on the frontline: the political theatre of Zambukon/Izibuko. TDR, 36(1):90-114.
McLaren, Robert 1996. “The many individual wills.” From Crossroads to Survival. The work of Experimental Theatre Workshop ’71, in Davis, Geoffrey V. & Fuchs, Anne (eds.). Theatre and Change in South Africa. Amsterdam: Harwood Academic Publishing. 25-48.
McLuckie, Craig W. 1993. Power, self, and other: the absurd in Boesman and Lena. Twentieth Century Literature, 39(4):423.
McLuskie, Kate 1999. Macbeth/Umbatha: Global Shakespeare in a post-colonial market. Shakespeare Survey, 52:154-165.
Click on the appropriate letters of the alphabet in the sub-list below.
Ma-Mal Mam-Mar Mas-Mcl Mcm-Mda Mde-Mes Met-Miz Mja-Moo Mop-Mot Mou-Moz Mpa-Mz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
