Difference between revisions of "ESAT Bibliography Mam-Mar"
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| − | Mamana, June 1991. Puppets take up arms against AIDS. American Theatre, 8(4):44-45. | + | [[June Mamana|Mamana, June]] 1991. Puppets take up arms against AIDS. ''American Theatre'', 8(4):44-45. |
| − | Manaka, Matsemela I980. Theatre of the dispossessed; an article based on discussion with James Mthoba and Joe Rahube. Staffrider 3(3):28-30. | + | [[Matsemela Manaka|Manaka, Matsemela]] I980. Theatre of the dispossessed; an article based on discussion with [[Mthoba, James|James Mthoba]] and [[Rahube, Joe|Joe Rahube]]. ''Staffrider'', 3(3):28-30. |
| − | Manim, Mannie & McSweeney, Gavin 1978. What is a stage manager? Scenaria, February/March: 36-37. | + | [[Mannie Manim|Manim, Mannie]] & [[Gavin McSweeney|McSweeney, Gavin]] 1978. What is a stage manager? ''Scenaria'', February/March: 36-37. |
| − | Manim, Mannie 1989. Journeys of discovery: thoughts on theatre. South African Theatre Journal, 3(1):69-80. | + | [[Mannie Manim|Manim, Mannie]] 1989. Journeys of discovery: thoughts on theatre. ''South African Theatre Journal'', 3(1):69-80. |
| − | Mann, Bruce & Wright L. 2001. Ariel in Africa: Leslie French and the Port Elizabeth Shakespearean Festival. Shakespeare in Southern Africa, 13:93-99. | + | [[Bruce Mann|Mann, Bruce]] & [[L. Wright|Wright L.]][[Link title]] 2001. Ariel in Africa: [[French, Leslie|Leslie French]] and the [[Port Elizabeth Shakespearean Festival]]. ''Shakespeare in Southern Africa'', 13:93-99. |
| − | Mann, S. 1969. Percy Tucker: businessman of theatre and cinema. Personality, 135-140. September 11. | + | [[S. Mann|Mann, S.]] 1969. [[Tucker, Percy|Percy Tucker]]: businessman of theatre and cinema. ''Personality'', 135-140. September 11. |
| − | Mannering, Desiree 1993. The subject speech and drama and its possible implementation in a curriculum model for education in South Africa. Unpublished master’s thesis. Pretoria: University of Pretoria. | + | [[Desiree Mannering|Mannering, Desiree]] 1993. The subject speech and drama and its possible implementation in a curriculum model for education in South Africa. Unpublished master’s thesis. Pretoria: University of Pretoria. |
| − | Maphiri, Albina Morakane Bathsheba 1994. Naming plots in drama with reference to the works of R.J.R. Masiea. Unpublished master’s thesis. Pretoria: Vista University. | + | [[Albina Morakane Bathsheba Maphiri|Maphiri, Albina Morakane Bathsheba]] 1994. Naming plots in drama with reference to the works of [[Masiea, R,J,R,|R.J.R. Masiea]]. Unpublished master’s thesis. Pretoria: Vista University. |
| − | Maponya, Maishe 1984. Problems and possibilities: a discourse on the making of alternative theatre in South Africa. English Academy Review | + | [[Maishe Maponya|Maponya, Maishe]] 1984. Problems and possibilities: a discourse on the making of alternative theatre in South Africa. ''English Academy Review'', 2:19-32. |
| − | Maponya, Maishe 1995. Doing Plays for a Change. Johannesburg, Witwatersrand University Press. | + | [[Maishe Maponya|Maponya, Maishe]] 1995. ''Doing Plays for a Change''. Johannesburg, Witwatersrand University Press. |
| − | Maponya, Maishe 1998. Challenges facing theatre practitioners in the new South Africa, in Attridge, Derek & Jolly, Rosemary (eds.). Writing South Africa: Literature, Apartheid and Democracy, 1970-1995. Cambridge: Cambridge University Press. 249-256. | + | [[Maishe Maponya|Maponya, Maishe]] 1998. Challenges facing theatre practitioners in the new South Africa, in [[Derek Attridge|Attridge, Derek]] & [[Rosemary Jolly|Jolly, Rosemary]] (eds.). ''Writing South Africa: Literature, Apartheid and Democracy, 1970-1995''. Cambridge: Cambridge University Press. 249-256. |
| − | Maponya, Maishe 2001. The anatomy of resistance in South African theater, in Enwezor, Okwui (ed.). The Short Century: Independence and Liberation Movements in Africa, 1945-1994. Munich: Prestel. 308-313. | + | [[Maishe Maponya|Maponya, Maishe]] 2001. The anatomy of resistance in South African theater, in Enwezor, Okwui (ed.). ''The Short Century: Independence and Liberation Movements in Africa, 1945-1994''. Munich: Prestel. 308-313. |
| − | Marais, G.F. 1983. Die Pluimsaad Waai Ver (N.P. van Wyk Louw). Reviewed in: Tydskrif vir Letterkunde, 21(1):134-139. | + | [[G.F. Marais|Marais, G.F.]] 1983. ''[[Die Pluimsaad Waai Ver]]'' ([[Louw, N.P. van Wyk|N.P. van Wyk Louw]]). Reviewed in: ''Tydskrif vir Letterkunde'', 21(1):134-139. |
| − | Maree, Cathy 1998. Resistance and remembrance: theatre during and after dictatorship and apartheid. South African Theatre Journal, 12(1&2):11-33. | + | [[Cathy Maree|Maree, Cathy]] 1998. Resistance and remembrance: theatre during and after dictatorship and apartheid. ''South African Theatre Journal'', 12(1&2):11-33. |
| − | Maree, G. 2003. You strike for a woman, you strike a rock! : paradox in worker performances and women's rights. Anthropology Southern Africa, 26(3/4):150-158. | + | [[G. Maree|Maree, G.]] 2003. You strike for a woman, you strike a rock! : paradox in worker performances and women's rights. ''Anthropology Southern Africa'', 26(3/4):150-158. |
| − | + | [[Du Toit, Marié|Marié du Toit]]. 1968. ''Personality'', 14-18. July 4. | |
| − | Marius Weyers and South African theatre. 1980. Scenaria, (18):9-10. | + | [[Weyers, Marius|Marius Weyers]] and South African theatre. 1980. ''Scenaria'', (18):9-10. |
| − | Marks, Jonathan 1973. Interview with Athol Fugard. Yale / Theatre 4(1):64 – 72. | + | [[Jonathan Marks|Marks, Jonathan]] 1973. Interview with Athol Fugard. Yale / Theatre 4(1):64 – 72. |
Marlin-Curiel, Stephanie 2001. A little too close to the truth: anxieties of testimony and confession in Ubu and the Truth Commission and A Story I Am About To Tell. South African Theatre Journal, 15:77-106. | Marlin-Curiel, Stephanie 2001. A little too close to the truth: anxieties of testimony and confession in Ubu and the Truth Commission and A Story I Am About To Tell. South African Theatre Journal, 15:77-106. | ||
Revision as of 14:44, 27 January 2011
Click on the appropriate letters of the alphabet in the sub-list below.
Maa-Mal Mam-Mar Mas-Mcl Mcm-Mda Mde-Mes Met-Miz Mja-Moo Mop-Mot Mou-Moz Mpa-Mz
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Return to A Bibliography of South African South African Theatre and Performance
Mamana, June 1991. Puppets take up arms against AIDS. American Theatre, 8(4):44-45.
Manaka, Matsemela I980. Theatre of the dispossessed; an article based on discussion with James Mthoba and Joe Rahube. Staffrider, 3(3):28-30.
Manim, Mannie & McSweeney, Gavin 1978. What is a stage manager? Scenaria, February/March: 36-37.
Manim, Mannie 1989. Journeys of discovery: thoughts on theatre. South African Theatre Journal, 3(1):69-80.
Mann, Bruce & Wright L.Link title 2001. Ariel in Africa: Leslie French and the Port Elizabeth Shakespearean Festival. Shakespeare in Southern Africa, 13:93-99.
Mann, S. 1969. Percy Tucker: businessman of theatre and cinema. Personality, 135-140. September 11.
Mannering, Desiree 1993. The subject speech and drama and its possible implementation in a curriculum model for education in South Africa. Unpublished master’s thesis. Pretoria: University of Pretoria.
Maphiri, Albina Morakane Bathsheba 1994. Naming plots in drama with reference to the works of R.J.R. Masiea. Unpublished master’s thesis. Pretoria: Vista University.
Maponya, Maishe 1984. Problems and possibilities: a discourse on the making of alternative theatre in South Africa. English Academy Review, 2:19-32.
Maponya, Maishe 1995. Doing Plays for a Change. Johannesburg, Witwatersrand University Press.
Maponya, Maishe 1998. Challenges facing theatre practitioners in the new South Africa, in Attridge, Derek & Jolly, Rosemary (eds.). Writing South Africa: Literature, Apartheid and Democracy, 1970-1995. Cambridge: Cambridge University Press. 249-256.
Maponya, Maishe 2001. The anatomy of resistance in South African theater, in Enwezor, Okwui (ed.). The Short Century: Independence and Liberation Movements in Africa, 1945-1994. Munich: Prestel. 308-313.
Marais, G.F. 1983. Die Pluimsaad Waai Ver (N.P. van Wyk Louw). Reviewed in: Tydskrif vir Letterkunde, 21(1):134-139.
Maree, Cathy 1998. Resistance and remembrance: theatre during and after dictatorship and apartheid. South African Theatre Journal, 12(1&2):11-33.
Maree, G. 2003. You strike for a woman, you strike a rock! : paradox in worker performances and women's rights. Anthropology Southern Africa, 26(3/4):150-158.
Marié du Toit. 1968. Personality, 14-18. July 4.
Marius Weyers and South African theatre. 1980. Scenaria, (18):9-10.
Marks, Jonathan 1973. Interview with Athol Fugard. Yale / Theatre 4(1):64 – 72.
Marlin-Curiel, Stephanie 2001. A little too close to the truth: anxieties of testimony and confession in Ubu and the Truth Commission and A Story I Am About To Tell. South African Theatre Journal, 15:77-106.
Marlin-Curiel, Stephanie 2001. Rave new world: trance-mission, trance-nationalism, and trans-scendence in the ‘new’ South Africa. The Drama Review, 45(3):149-168.
Marlin-Curiel, Stephanie 2002. The long road to healing: from the TRC to TfD. Theatre Research International, 27:275-288.
Marneweck, Aja 2004. Maladamatjuate and the theatre of difference: staging the female body in South Africa. Unpublished master’s thesis. Cape Town: University of Cape Town.
Marneweck, Aja 2006. Visual theatre moves out the box: developing puppetry in South Africa. South African Theatre Journal, 20:290-295.
Marquard, Davis 1949. Amateur actors can now go to school in South Africa. Outspan, 45(1171):29. August 5.
Martin, Bob 2008. Highlights & Footlights : A Tribute to South African Stage and Screen by photographer Bob Martin. Cape Town: Double Storey Books.
Martin, C. 2006. Bodies of evidence. TDR: The Drama Review, 50(3):7-15.
Martin, Denis-Constant 1999. Coon Carnival: New Year in Cape Town, Past and Present. Cape Town: David Philip Publishers.
Marx, L. 1990. Aspects of Film and Television Communication, by Pieter J. Fourie. Reviewed in: South African Theatre Journal, 4(1):159-167.
Marx, L. 1991. Timeshift: On Video Culture, by Sean Cubitt. Reviewed in: South African Theatre Journal, 5(1):117-123.
Marx, L. 1996. Underworld RSA. South African Theatre Journal, 10(2).
Click on the appropriate letters of the alphabet in the sub-list below.
Ma-Mal Mam-Mar Mas-Mcl Mcm-Mda Mde-Mes Met-Miz Mja-Moo Mop-Mot Mou-Moz Mpa-Mz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
