Difference between revisions of "ESAT Bibliography Mcm-Mda"
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Click on the appropriate letters of the alphabet in the sub-list below. | Click on the appropriate letters of the alphabet in the sub-list below. | ||
| − | [[ESAT Bibliography | + | [[ESAT Bibliography Maa-Mal|Maa-Mal]] [[ESAT Bibliography Mam-Mar|Mam-Mar]] [[ESAT Bibliography Mas-Mcl|Mas-Mcl]] [[ESAT Bibliography Mcm-Mda|Mcm-Mda]] [[ESAT Bibliography Mde-Mes|Mde-Mes]] [[ESAT Bibliography Met-Miz|Met-Miz]] [[ESAT Bibliography Mja-Moo|Mja-Moo]] [[ESAT Bibliography Mop-Mot|Mop-Mot]] [[ESAT Bibliography Mou-Moz|Mou-Moz]] [[ESAT Bibliography Mpa-Mz|Mpa-Mz]] |
To return to any other letter, click on the list below | To return to any other letter, click on the list below | ||
Revision as of 14:51, 20 January 2011
Click on the appropriate letters of the alphabet in the sub-list below.
Maa-Mal Mam-Mar Mas-Mcl Mcm-Mda Mde-Mes Met-Miz Mja-Moo Mop-Mot Mou-Moz Mpa-Mz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
McMurray, Susan 1992. Theatre for Africa – a case study. Johannesburg: University of the Witwatersrand. (BA essay).
McMurtry, Mervyn Eric 1994. The playwright-performer as scourge and benefactor : an examination of political satire and lampoon in South African theatre, with particular reference to Pieter-Dirk Uys.Durban: University of Natal. (PhD (Speech & Drama) thesis).
McMurtry Mervyn 1994. The rise of the first Ambassador Bezuidenhout: Pieter-Dirk Uys’s creation of Evita Bezuidenhout, her fictional actuality and his approach to female impersonation. South African theatre journal, 8(2): 79-107.
McMurtry, Mervyn 1995. Adam Leslie and his contribution to satire in intimate review in South African theatre. South African theatre journal, 9(1): 3-27.
McMurtry, Mervyn 1996. Open space: six contemporary plays from Africa edited by Yvette Hutchison & Kole Omotoso and The distance remains and other plays by Robin Malan. Reviewed in: South African theare journal. 10(1): 119-124.
McMurtry, Mervyn 1998. ‘Greeks bearing gifts’: Athol Fugard’s Orestes project and the politics of experience. Modern drama, 41(1): 105-108.
MCMURTRY, MERVYN. 2000. Geographies of research: From “Geographies of Learning”. South African theatre journal,, 14:19-27.
MCMURTRY, MERVYN. 2002. Productions and publication: Issues in the accreditation of creativ activity for tenure and promotion at tertiary institutions in the United States of America. South African theatre journal,16: 80 – 91.
McMurtry, Mervyn E. 2006. Experiencing the ‘living monument’: Athol Fugard’s directing process and the Orestes project. South African theatre journal, 20: 30-47.
McMurtry 1996. ROBIN. The Distance Remains and Other Plays (Mervyn) S outh African Theatre Journal, Vol. 10(1):119-124
McNeil, Mabel Elizabeth Lilian 1986. A didactical-pedagogical analysis of the 1985 syllabus for speech and drama in the province of Natal. Pretoria:: University of South Africa. (M.Ed. thesis).
McSweeny, Gavin 1977. The Market Theatre. Scenaria, June/July. 10-11. Mda, Zakes 1983. Commitment and writing in theatre: the South African experience. Classic, 2(1): 13-15.
Mda, Zakes 1984. Extracts. In Daymond, Margaret J., Jacobs, Johan & Lenta, Margaret 1984. Momentum: on recent South African writing. Pietermaritzburg: University of Natal Press. p. 295-297.
Mda, Zakes 1993. When people play people: development communication through theatre. Johannesburg: Witwatersrand University Books.
Mda, Zakes 1994a. Marotholi Travelling Theatre: towards an alternative perspective of development. In Gunner, Liz (ed.) Politics and performance: theatre, poetry and song in Southern Africa. Johannesburg: Witwatersrand University Press. p. 203-210.
Mda, Zakes 1994a. Another Theatre of the Absurd. In: Theatre and Performance in Africa, edited by Eckhard Breitinger (ed). Bayreuth African Studies 31, Bayreuth Germany.
Mda, Zakes 1994b. Learning from the ancient wisdom of Africa in the creation and distribution of messages. Current writing, 6(2): 139-150.
Mda, Zakes 1995. Theater and reconciliation in South Africa. Theater magazine, 25(3): 38-45.
Mda, Zakes 1996. ‘Politics and Theatre: current trends in South Africa’. In Davis and Fuchs (eds), Theatre and change in South Africa, Contemporary Theatre studies, 12 Amsterdam, Harwood Academic Publishers
MDA, Zakes 1997. When People Play People in Post-apartheid South Africa. Interview with D. Salter. In: Brecht Yearbook 22:283-303.
Mda, Z. 1994. Another Theatre of the Absurd. In Breitinger, E. (ed) Theatre and Performance in Africa. Bayreuth African Studies 31, Bayreuth Germany.
Mda, Z. 1995. Theater and Reconciliation in South Africa. In Theater 25/3:36-45.
Mda, Zakes 1996. Politics and the theatre: current trends in South Africa. In Davis, Geoffrey V. & Fuchs, Anne (eds.) Theatre and change in South Africa. Amsterdam: Harwood Academic Publishing. p. 193-218.
Mda, Zakes 1998. Current trends in Theatre for Development in South Africa. In: Attridge, Derek and Jolly, Rosemary (eds). Writing South Africa: literature, apartheid, and democracy, 1970-1995. Cambridge: Cambridge University Press. p. 257-264.
Mda, Z. 2002. South African Theatre in an Era of Reconciliation. In: Harding, Frances (ed.) The Performance Arts in Africa. New York: Routledge. 279-289.
Mda, Zakes 2002. South African theatre in an era of reconciliation. In Harding, Frances (ed). The performance arts in Africa: a reader. London: Routledge. p. 279-289.
Mda, Zakes 2005. Südafrikanisches Theater im Zeitalter der Aussöhnung. In: Arndt, Susan & Berndt, Katrin (herausg). .Kreatives Afrika: SchriftstellerInnen über Literatur, Theater und Gesellschaft: eien Festschrift für Eckhard Breitinger. Wuppertal: Peter Hammer Verlag. p. 117-135.
Mda, Zakes 2007. South African theatre in an era of reconciliation. In: Arndt, Susan & Berndt, Katrin (eds). Words and worlds: African writing, theatre and society; a commemorative publication in honour of Eckhard Breitinger. Trenton, NJ : Africa World Press. p. 77-88.
Mda, Zakes 2009. The fiction of reconciliation: creating dialogue through verbal and
performance arts in South Africa. Journal of human rights, 8(2): 121-132.
Click on the appropriate letters of the alphabet in the sub-list below.
Ma-Mal Mam-Mar Mas-Mcl Mcm-Mda Mde-Mes Met-Miz Mja-Moo Mop-Mot Mou-Moz Mpa-Mz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
