Difference between revisions of "El Mayor Encanto, Amor"
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Kristiaan Aercke. 1994. ''Gods of Play: Baroque Festive Performances as Rhetorical Discourse''. SUNY Press: pp. 139-158.[https://books.google.co.za/books?id=7G_PDrC4i44C&pg=PA139&lpg=PA139&dq=El+Mayor+Encanto+Amor+Calderon&source=bl&ots=MowHOZ0j33&sig=0nJzZHfH_IqNH5gJL7J9rjPsqhA&hl=af&sa=X&ved=0ahUKEwjok56P7sLPAhXqIsAKHc4kAM84ChDoAQgYMAA#v=onepage&q=El%20Mayor%20Encanto%20Amor%20Calderon&f=false] | Kristiaan Aercke. 1994. ''Gods of Play: Baroque Festive Performances as Rhetorical Discourse''. SUNY Press: pp. 139-158.[https://books.google.co.za/books?id=7G_PDrC4i44C&pg=PA139&lpg=PA139&dq=El+Mayor+Encanto+Amor+Calderon&source=bl&ots=MowHOZ0j33&sig=0nJzZHfH_IqNH5gJL7J9rjPsqhA&hl=af&sa=X&ved=0ahUKEwjok56P7sLPAhXqIsAKHc4kAM84ChDoAQgYMAA#v=onepage&q=El%20Mayor%20Encanto%20Amor%20Calderon&f=false] | ||
| − | A. Leeuw. 1690. ''[[De Toveres Circe]]'' http://www.dbnl.org/tekst/leeu004tove02_01/leeu004tove02_01.pdf | + | Facsimile copy of A. Leeuw. 1690. ''[[De Toveres Circe]]''. De Digitale Bibliotheek voor de Nederlandse Letteren (DBNL)[http://www.dbnl.org/tekst/leeu004tove02_01/leeu004tove02_01.pdf] |
http://www.dbnl.org/tekst/leeu004tove02_01/colofon.php | http://www.dbnl.org/tekst/leeu004tove02_01/colofon.php | ||
Revision as of 07:14, 5 October 2016
El Mayor Encanto, Amor is a festival play by Calderón (Pedro Calderón de la Barca, 1600-1681)[]
First performed for the Spanish King on St John's Night (Missummer Nighets Eve) 1835 and published in Madrid by María de Quiñónez, 1637.
Translated into Dutch as De Toveres Circe by A. Leeuw (Adriaen Bastiaensz de Leeuw), published by Erven Jacob Lescailje, Amsterdam 1690.
1809: Performed as a ballet in two acts entitled Ulysses op het Eiland van Circé, by a company of young people from the colony. The presentation, accompanied by the three act tragedy Le Comte de Comminge, ou Les Amans Malheureux (D'Arnaud), was done as a benefit for local Widow in straitened circumstances.
Kristiaan Aercke. 1994. Gods of Play: Baroque Festive Performances as Rhetorical Discourse. SUNY Press: pp. 139-158.[1]
Facsimile copy of A. Leeuw. 1690. De Toveres Circe. De Digitale Bibliotheek voor de Nederlandse Letteren (DBNL)[2]
http://www.dbnl.org/tekst/leeu004tove02_01/colofon.php
Mary Parker. 1998. Spanish Dramatists of the Golden Age: A Bio-bibliographical Sourcebook. Greenwood Publishing Group: pp. 41-2.[3]
Judith Yarnall. 1994. Transformations of Circe: The History of an Enchantress. University of Illinois Press: pp. 158ff.[4]
