Difference between revisions of "Carel Trichardt"

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Carel Trichardt (1939-) is a renowned and loved Afrikaans actor (stage, film and TV), director, drama lecturer and activist for performers’ rights.

Biography

Born and had his primary schooling in Johannesburg, then the family moved to Rustenberg where he began participating in eistedfodd and other events, and went on to take elocution lessons. He finished high school in Pretoria, and went to the University of Natal Drama Department, Durban, where he met Petru Wessels, who was to become his wife in 1966. They have three children.

His contribution to South African Theatre, film, media and performance.

As actor

For the stage

In 1963 he was one of the first four people appointed to the Natal Performing Arts Council (NAPAC), and the only actor.

Joined he joined the PACT Youth Company in 1965, later moving on to the main company.

Among Trichardt's most memorable stage performances are …. ???****, "Oubaas Menge" in P.G. du Plessis’s award-winning Die Nag van Legio (1969), *** in Athol Fugard’s Dimetos (197* at The Space) **** He played Shylock in an Afrikaans translation of The Merchant of Venice, directed by Anna Neethling-Pohl, for TRUK in 1969. He starred in Die Kersietuin (Chekhov’s The Cherry Orchard) directed by Robert Mohr, with David van der Merwe, Rika Sennett and Wilna Snyman for PACT in 1979.

In TV-series

Rhodes (1996 - as Paul Kruger), Pour tout l'or du Transvaal (1979); Les diamants du président (1977); Vyfster (1984),; Härte 10 (1975); Diamantendetektiv Dick Donald (1971);

Films

Verraaiers (2013); Skin (2008); Catch a Fire (2006); Oh Schuks ... I'm Gatvol! (2004); Friends, 1993; The Fourth Reich (1990), Hellgate (1990), Liewe Hemel, Genis! (1987); Rienie (1980); Flatfoot in Africa (1978); Die Afspraak (1974); Insident op Paradysstrand (1973); Die Voortrekkers (1973); Pressure Burst (1971); Stop Exchange (1970), Katrina (1969); Kruger Miljoene (1967), Kavaliers (1966).

As director

As lecturer

In 1966 appointed lecturer in acting and film studies in the Drama Department, University of Pretoria, later senior lecturer and head of the department, a position he held till his retirement in 2003?.

As activist

A strong campaigner of actors' rights he was inter alia an active member and later chairman of the South African Film and Theatre Union (SAFTU), as well as chairman of the Theatre Benevolent Fund (TBF) for a number of years. His other passion is the cause of the Afrikaans language in professional theatre, serving on numerous advisory committees and organisations.

As theatre manager

In 1995 he and his wife, actress Petru Wessels, opened a small venue called Die Teaterhuisie in Moerdyk Street, Pretoria, close by the Breytenbach Theatre, to perform Afrikaans works.