Difference between revisions of "ESAT Bibliography Kn-Kro"
(Created page with "Click on the appropriate letters of the alphabet in the sub-list below. K-Kem Ken-Kez [[ESAT Bibliography Kh-Kl|Kh-Kl]...") |
|||
| Line 10: | Line 10: | ||
| − | Knight, N. 1972a. Magda Hanekom, mother of Afrikaans theatre. Artlook, 5(10): 32-35. October. | + | Knight, N. 1972a. Magda Hanekom, mother of Afrikaans theatre. Artlook, 5(10):32-35. October. |
| − | Knight, N. 1972b. One year at the Arena. Artlook, 5(8): 32-33. August. | + | Knight, N. 1972b. One year at the Arena. Artlook, 5(8):32-33. August. |
| − | Knight, N. 1973a. Academy | + | Knight, N. 1973a. Academy Theatre: the theatre of laughter. Artlook, 6(5):36-37. May. |
| − | Knight, N. 1973b. Muriel Alexander and her theatre. Artlook, 6(1): 30-31. January. | + | Knight, N. 1973b. Muriel Alexander and her theatre. Artlook, 6(1):30-31. January. |
| − | Knight, N. 1974. Theatre scene | + | Knight, N. 1974. Theatre scene (Adam Leslie Theatre). Artlook, 7(2):26-28. February. |
| − | Knight, N. 1975. Experimental theatre. | + | Knight, N. 1975. Experimental theatre. (Arena theatre). South African Panorama, 20(4):4-5. April. |
| − | Knight, N. 1976. 50 years of Afrikaans drama. Artlook, 9(1): 34-35. February-March. | + | Knight, N. 1976. 50 years of Afrikaans drama. Artlook, 9(1):34-35. February-March. |
| − | Knight, N. 1976. Market | + | Knight, N. 1976. Market Theatre complex. Lantern, 25:64-71. June. |
| − | Knight, N. 1976. Sparkling theatre scene. South African | + | Knight, N. 1976. Sparkling theatre scene. South African Panorama, 21(11):30-35. November. |
| − | Knight, Natalie 1977. The future of the theatre | + | Knight, Natalie 1977. The future of the theatre (S.A.I.T.T. symposium). Scenaria, June/July: 36-39. |
| − | Knight, N. 2006. Sarah Sylvia – a personal recollection. Jewish | + | Knight, N. 2006. Sarah Sylvia – a personal recollection. Jewish Affairs, 61(4):19-22. |
| − | Knox, Cathy 1982. John Slemon: the players’ king. Fair | + | Knox, Cathy 1982. John Slemon: the players’ king. Fair Lady, 17(23):138-143. August 11. |
| − | Knox, Cathy 1985. Work is a four-letter word that Fiona Ramsay uses with relish. Fair lady, 20(13) : 56-59. July 10. | + | Knox, Cathy 1985. Work is a four-letter word that Fiona Ramsay uses with relish. Fair lady, 20(13):56-59. July 10. |
| − | Knox, Cathy 1986. Reza de Wet : dark laughter. Fair | + | Knox, Cathy 1986. Reza de Wet : dark laughter. Fair Lady, 21(18):74-79. October 15. |
| − | Knox Cathy 1997. James Whyle's production of King Lear at the 1998 Standard Bank National Arts Festival. Shakespeare in Southern Africa, | + | Knox Cathy 1997. James Whyle's production of King Lear at the 1998 Standard Bank National Arts Festival. Shakespeare in Southern Africa, 10(70). |
| − | |||
| − | Knox-Shaw, Peter 1988. Under a waning moon: Twelfth | + | Knox-Shaw, Peter 1988. Under a waning moon: Twelfth Night at Maynardville. Shakespeare in Southern Africa, 2:96-99. |
| − | Koch, Blaise 2002. In, | + | Koch, Blaise 2002. In, Around, Through and Out: An Actor's Life. Cape Town: Spearhead/New Africa Books. |
| − | Koekemoer, Gerhardus P. 2008. Lighting design in an African context. Unpublished master’s thesis. Pretoria: Tshwane University of Technology | + | Koekemoer, Gerhardus P. 2008. Lighting design in an African context. Unpublished master’s thesis. Pretoria: Tshwane University of Technology. |
| − | Koekemoer, Kaye 2006. "... we must not hold our fears..." : a case study exploring the use of group drama therapy as a therapeutic intervention with children and adolescents living in poverty. Stellenbsoch: University of Stellenbsoch | + | Koekemoer, Kaye 2006. "... we must not hold our fears..." : a case study exploring the use of group drama therapy as a therapeutic intervention with children and adolescents living in poverty. Unpublished master’s thesis. Stellenbsoch: University of Stellenbsoch. |
| − | Koen, R. 1971. Kruik se kragtoer. Sarie Marais, 23(4): 28-37. August 25. | + | Koen, R. 1971. Kruik se kragtoer. Sarie Marais, 23(4):28-37. August 25. |
Kohler, Adrian 2001. Episodes: an installation of puppets from seven productions over sixteen years by the Handspring Puppet Company . Grahamstown: the Albany Museum. | Kohler, Adrian 2001. Episodes: an installation of puppets from seven productions over sixteen years by the Handspring Puppet Company . Grahamstown: the Albany Museum. | ||
| Line 54: | Line 53: | ||
Konya, Phyllis 1985. The Federation of Amateur Theatrical Societies of Southern Africa FATSSA: 1938-1960). In Hauptfleisch, Temple (ed.). The Breytie book: a collection of articles on South African theatre dedicated to P.P.B. Breytenbach. Johannesburg: The Limelight press. p. 61-64. | Konya, Phyllis 1985. The Federation of Amateur Theatrical Societies of Southern Africa FATSSA: 1938-1960). In Hauptfleisch, Temple (ed.). The Breytie book: a collection of articles on South African theatre dedicated to P.P.B. Breytenbach. Johannesburg: The Limelight press. p. 61-64. | ||
| − | Köppe, Walter 1994. Trits: Mis, Mirakel, Drif, deur Reza de Wet. Reviewed in: South African | + | Köppe, Walter 1994. Trits: Mis, Mirakel, Drif, deur Reza de Wet. Reviewed in: South African Theatre Journal, 8(1):91-93. |
| − | Kraai, N. 1973. Black | + | Kraai, N. 1973. Black theatre. PET Newsletter. 1:11-12. |
| − | Kriek, J.J. 1987. The future of the performing arts in South Africa. Scenaria, 81: 11-12. | + | Kriek, J.J. 1987. The future of the performing arts in South Africa. Scenaria, 81:11-12. |
| − | Krige, D. 1966. Hekse laat die ogies rek. Huisgenoot, 42(2287): 22-24. | + | Krige, D. 1966. Hekse laat die ogies rek. Huisgenoot, 42(2287):22-24. |
| − | Krige, Uys 1946. Servicemen have a broader outlook on life called the new South Africanism. Outspan. 39(998): 17-19. April 12. | + | Krige, Uys 1946. Servicemen have a broader outlook on life called the new South Africanism. Outspan. 39(998):17-19. April 12. |
| − | Krouse, Matthew 1996. My life in the theatre of war: the development of an alternative consciousness | + | Krouse, Matthew 1996. My life in the theatre of war: the development of an alternative consciousness, in Davis, Geoffrey V. & Fuchs, Anne (eds.). Theatre and Change in South Africa. Amsterdam: Harwood Academic Publishing. 101-114. |
| − | Krowitz, Nicole 1998. The theatrical rehearsal process : ego relations, the individual and the group. Johannesburg: University of the Witwatersrand | + | Krowitz, Nicole 1998. The theatrical rehearsal process : ego relations, the individual and the group. Unpublished master’s thesis. Johannesburg: University of the Witwatersrand. |
Revision as of 14:27, 18 January 2011
Click on the appropriate letters of the alphabet in the sub-list below.
K-Kem Ken-Kez Kh-Kl Kn-Kro Kru-Kz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
Knight, N. 1972a. Magda Hanekom, mother of Afrikaans theatre. Artlook, 5(10):32-35. October.
Knight, N. 1972b. One year at the Arena. Artlook, 5(8):32-33. August.
Knight, N. 1973a. Academy Theatre: the theatre of laughter. Artlook, 6(5):36-37. May.
Knight, N. 1973b. Muriel Alexander and her theatre. Artlook, 6(1):30-31. January.
Knight, N. 1974. Theatre scene (Adam Leslie Theatre). Artlook, 7(2):26-28. February.
Knight, N. 1975. Experimental theatre. (Arena theatre). South African Panorama, 20(4):4-5. April.
Knight, N. 1976. 50 years of Afrikaans drama. Artlook, 9(1):34-35. February-March.
Knight, N. 1976. Market Theatre complex. Lantern, 25:64-71. June.
Knight, N. 1976. Sparkling theatre scene. South African Panorama, 21(11):30-35. November.
Knight, Natalie 1977. The future of the theatre (S.A.I.T.T. symposium). Scenaria, June/July: 36-39.
Knight, N. 2006. Sarah Sylvia – a personal recollection. Jewish Affairs, 61(4):19-22. Knox, Cathy 1982. John Slemon: the players’ king. Fair Lady, 17(23):138-143. August 11.
Knox, Cathy 1985. Work is a four-letter word that Fiona Ramsay uses with relish. Fair lady, 20(13):56-59. July 10.
Knox, Cathy 1986. Reza de Wet : dark laughter. Fair Lady, 21(18):74-79. October 15.
Knox Cathy 1997. James Whyle's production of King Lear at the 1998 Standard Bank National Arts Festival. Shakespeare in Southern Africa, 10(70).
Knox-Shaw, Peter 1988. Under a waning moon: Twelfth Night at Maynardville. Shakespeare in Southern Africa, 2:96-99.
Koch, Blaise 2002. In, Around, Through and Out: An Actor's Life. Cape Town: Spearhead/New Africa Books.
Koekemoer, Gerhardus P. 2008. Lighting design in an African context. Unpublished master’s thesis. Pretoria: Tshwane University of Technology.
Koekemoer, Kaye 2006. "... we must not hold our fears..." : a case study exploring the use of group drama therapy as a therapeutic intervention with children and adolescents living in poverty. Unpublished master’s thesis. Stellenbsoch: University of Stellenbsoch.
Koen, R. 1971. Kruik se kragtoer. Sarie Marais, 23(4):28-37. August 25.
Kohler, Adrian 2001. Episodes: an installation of puppets from seven productions over sixteen years by the Handspring Puppet Company . Grahamstown: the Albany Museum.
Konya, Phyllis 1985. The Federation of Amateur Theatrical Societies of Southern Africa FATSSA: 1938-1960). In Hauptfleisch, Temple (ed.). The Breytie book: a collection of articles on South African theatre dedicated to P.P.B. Breytenbach. Johannesburg: The Limelight press. p. 61-64.
Köppe, Walter 1994. Trits: Mis, Mirakel, Drif, deur Reza de Wet. Reviewed in: South African Theatre Journal, 8(1):91-93.
Kraai, N. 1973. Black theatre. PET Newsletter. 1:11-12.
Kriek, J.J. 1987. The future of the performing arts in South Africa. Scenaria, 81:11-12.
Krige, D. 1966. Hekse laat die ogies rek. Huisgenoot, 42(2287):22-24.
Krige, Uys 1946. Servicemen have a broader outlook on life called the new South Africanism. Outspan. 39(998):17-19. April 12.
Krouse, Matthew 1996. My life in the theatre of war: the development of an alternative consciousness, in Davis, Geoffrey V. & Fuchs, Anne (eds.). Theatre and Change in South Africa. Amsterdam: Harwood Academic Publishing. 101-114.
Krowitz, Nicole 1998. The theatrical rehearsal process : ego relations, the individual and the group. Unpublished master’s thesis. Johannesburg: University of the Witwatersrand.
Click on the appropriate letters of the alphabet in the sub-list below.
K-Kem Ken-Kez Kh-Kl Kn-Kro Kru-Kz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
