Difference between revisions of "ESAT Bibliography Met-Miz"
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Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]] | Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]] | ||
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+ | Metelerkamp, Petrovna. 1994. Afrikaner-goed nie goed genoeg vir Afrikaans nie. Insig, 06/94: 29. | ||
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+ | METELERKAMP, Sanni. 1946. George Rex of Knysna, The Authentic Story. Cape Town: **. | ||
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+ | Mev D.F. Malan open die N.T.O. se Van Riebeeck-toneelfees. 1952. Helikon, 1(5): 108. June. | ||
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+ | Meyer, J. 1975. “Germanicus” daad en ondaad. [Literary criticism]. Klasgids, 10(3): 5-12. November. | ||
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+ | Meyer, J. 1975. Terugkerende motiewe in Putsonderwater [deur] Bartho Smit. [Literary criticism]. Klasgids, 10(3): 54-59. November. | ||
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+ | Meyer, J. 1984. Dwaaldrif : ontmoeting met drama in Ontmoeting by Dwaaldrif (Henriëtte Grové). Klasgids, 19(1) : 29-36. | ||
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+ | Meyer-Rödenbeck, Margit 1998. ‘n Onafhanklike teateronderneming: beginsels en toepassings. Stellenbosch: Universiteit van Stellenbosch. (M.Dram. thesis). | ||
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+ | Mezzabotta, M. “Ancient Greek drama in the new South Africa.” http://www2.open.ac.uk/ClassicalStudies/GreekPlays/Conf99/mezza.htm | ||
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+ | Mfundo, Ndebele. 1995. Mofokeng’s challenge. In: New Nation, March 9, 1995: 15. | ||
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+ | Miles, Henry 1947. Awakening of South African theatre. Outspan. 41(1050): 25. April 11. | ||
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+ | Millar, G. 1976. At home in Rome. [Berdine Groenewald]. Fair lady, 12(1): 72-75. March 31. | ||
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+ | Millar, Mervyn 2006. Journey of the tall horse: a story of African theatre. London: Oberon Books. | ||
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+ | Mills, J. 1974. Taste of honey for Joe and Di. Personality, 80-83. March 8. | ||
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+ | MILLS, Liz. 1997. A Tribute to Mavis Taylor. In **** | ||
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+ | Mills, Liz 2007. Dramatic Learning Spaces Conference: African performance practice – research in action. 22-25 September 2006. South African theatre journal, 21: 245-350. | ||
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+ | Mills, Liz 2009. Theatre voice: practice, performance and cultural identity. South African theatre journal, 23: 84-93. | ||
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+ | Minnaar, L.C. 1956. J.F.W. Grosskopf as dramaturg. Pretoria: University of South Africa. (M.A. thesis). | ||
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+ | Minnaar-Vos, Anna 1969. Die spel gaan voort: die verhaal van Hendrik en Mathilde Hanekom. Kaapstad: Tafelberg. | ||
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+ | Mitchell, F. 1984. Play’s the thing : thoughts on the methodology of educational drama and its place in South Africa today. Teaterforum, 5(2) : 83-98. | ||
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+ | Mitchell, Julian 1976. Athol Fugard in London, in Jones, Eldred Durosimi (ed.). African literature today: A review. London: Heinemann. 130-137. | ||
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+ | Mizoguchi A. 2006. Seiginaki 'wakai' no shinjitsu. Eigo Seinen/Rising Generation . September 2006;152(6):352. | ||
Revision as of 14:19, 3 December 2010
Click on the appropriate letters of the alphabet in the sub-list below.
Ma-Mal Mam-Mar Mas-Mcl Mcm-Mda Mde-Mes Met-Miz Mja-Moo Mop-Mot Mou-Moz Mpa-Mz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
Metelerkamp, Petrovna. 1994. Afrikaner-goed nie goed genoeg vir Afrikaans nie. Insig, 06/94: 29.
METELERKAMP, Sanni. 1946. George Rex of Knysna, The Authentic Story. Cape Town: **.
Mev D.F. Malan open die N.T.O. se Van Riebeeck-toneelfees. 1952. Helikon, 1(5): 108. June.
Meyer, J. 1975. “Germanicus” daad en ondaad. [Literary criticism]. Klasgids, 10(3): 5-12. November.
Meyer, J. 1975. Terugkerende motiewe in Putsonderwater [deur] Bartho Smit. [Literary criticism]. Klasgids, 10(3): 54-59. November.
Meyer, J. 1984. Dwaaldrif : ontmoeting met drama in Ontmoeting by Dwaaldrif (Henriëtte Grové). Klasgids, 19(1) : 29-36.
Meyer-Rödenbeck, Margit 1998. ‘n Onafhanklike teateronderneming: beginsels en toepassings. Stellenbosch: Universiteit van Stellenbosch. (M.Dram. thesis).
Mezzabotta, M. “Ancient Greek drama in the new South Africa.” http://www2.open.ac.uk/ClassicalStudies/GreekPlays/Conf99/mezza.htm
Mfundo, Ndebele. 1995. Mofokeng’s challenge. In: New Nation, March 9, 1995: 15.
Miles, Henry 1947. Awakening of South African theatre. Outspan. 41(1050): 25. April 11.
Millar, G. 1976. At home in Rome. [Berdine Groenewald]. Fair lady, 12(1): 72-75. March 31.
Millar, Mervyn 2006. Journey of the tall horse: a story of African theatre. London: Oberon Books.
Mills, J. 1974. Taste of honey for Joe and Di. Personality, 80-83. March 8.
MILLS, Liz. 1997. A Tribute to Mavis Taylor. In ****
Mills, Liz 2007. Dramatic Learning Spaces Conference: African performance practice – research in action. 22-25 September 2006. South African theatre journal, 21: 245-350.
Mills, Liz 2009. Theatre voice: practice, performance and cultural identity. South African theatre journal, 23: 84-93.
Minnaar, L.C. 1956. J.F.W. Grosskopf as dramaturg. Pretoria: University of South Africa. (M.A. thesis).
Minnaar-Vos, Anna 1969. Die spel gaan voort: die verhaal van Hendrik en Mathilde Hanekom. Kaapstad: Tafelberg.
Mitchell, F. 1984. Play’s the thing : thoughts on the methodology of educational drama and its place in South Africa today. Teaterforum, 5(2) : 83-98.
Mitchell, Julian 1976. Athol Fugard in London, in Jones, Eldred Durosimi (ed.). African literature today: A review. London: Heinemann. 130-137.
Mizoguchi A. 2006. Seiginaki 'wakai' no shinjitsu. Eigo Seinen/Rising Generation . September 2006;152(6):352.
Click on the appropriate letters of the alphabet in the sub-list below.
Ma-Mal Mam-Mar Mas-Mcl Mcm-Mda Mde-Mes Met-Miz Mja-Moo Mop-Mot Mou-Moz Mpa-Mz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance