Difference between revisions of "Kanna hy kô Hystoe"

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1971: The first professional production was,  ironically, done in the experimental theatre housed in the [[Old Presidency]] by [[PACOFS]] (Bloemfontein) from 3-12 August 1971, directed by [[Johan Botha]] and featuring [[Louise Mollett-Prinsloo]] as "Makiet", [[Jan Prinsloo]] as Kanna, [[Trudie Taljaard]] as "Kietie" and [[Henk Hugo]]. The playwright, given special permission to stay in the Orange Free State for the rehearsals of his play, had to attend a special rehearsal, alone, since by law he was not allowed to join the whites-only audience.
 
1971: The first professional production was,  ironically, done in the experimental theatre housed in the [[Old Presidency]] by [[PACOFS]] (Bloemfontein) from 3-12 August 1971, directed by [[Johan Botha]] and featuring [[Louise Mollett-Prinsloo]] as "Makiet", [[Jan Prinsloo]] as Kanna, [[Trudie Taljaard]] as "Kietie" and [[Henk Hugo]]. The playwright, given special permission to stay in the Orange Free State for the rehearsals of his play, had to attend a special rehearsal, alone, since by law he was not allowed to join the whites-only audience.
  
1972: Performed in 1972 by [[DRAMSOC]], the [[University of the Western Cape]]'s drama society, directed by Small himself. This society later became the [[Cape Flats Players]], who would often do it over the years, as a standard part of their repertoire.   
+
196*: First performed by [[DRAMSOC]], the [[University of the Western Cape]]'s drama society, directed by Small himself. This society later became the [[Cape Flats Players]], who would often do it over the years, as a standard part of their repertoire.   
  
 
1974: The first Cape performance opened at the [[Nico Malan Theatre]] on 22 November 1974, directed by [[Pieter Fourie]]. The playwright, specially invited, refused to attend as no other coloured people could attend.
 
1974: The first Cape performance opened at the [[Nico Malan Theatre]] on 22 November 1974, directed by [[Pieter Fourie]]. The playwright, specially invited, refused to attend as no other coloured people could attend.

Revision as of 12:40, 20 August 2014

("Kanna’s Coming Home") by Adam Small. A heavy-hearted, but superb and moving Afrikaans verse play about the issues of voluntary exile, forced removals and the trials and tribulations of a "coloured" family in District Six in Cape Town.

The text

Possibly a reworking of an earlier English play, Gone Canada, written in 196*, later rewritten in Afrikaans to become Kanna hy kô Hystoe.

An extract of the Afrikaans text , without a title and with "Kanna" named still "Hannie", was published in Contrast (March 1965).

The full text under the new name first published by Tafelberg Uitgewers in 1965. Initially called an unperformable text by critics such as W.E.G. Louw and Abel Coetzee, it proved to be a moving theatrical work in production. Reprinted often and prescribed (and produced) numerous times since, by Universities and schools.

Performance history in South Africa

1971: The first professional production was, ironically, done in the experimental theatre housed in the Old Presidency by PACOFS (Bloemfontein) from 3-12 August 1971, directed by Johan Botha and featuring Louise Mollett-Prinsloo as "Makiet", Jan Prinsloo as Kanna, Trudie Taljaard as "Kietie" and Henk Hugo. The playwright, given special permission to stay in the Orange Free State for the rehearsals of his play, had to attend a special rehearsal, alone, since by law he was not allowed to join the whites-only audience.

196*: First performed by DRAMSOC, the University of the Western Cape's drama society, directed by Small himself. This society later became the Cape Flats Players, who would often do it over the years, as a standard part of their repertoire.

1974: The first Cape performance opened at the Nico Malan Theatre on 22 November 1974, directed by Pieter Fourie. The playwright, specially invited, refused to attend as no other coloured people could attend.

1975: Produced by the Universiteitsteater Stellenbosch in the H.B. Thom Theatre, directed by Ria Olivier

1976: by PACT in 1976,

1976: a second PACOFS production

1976: directed by Mavis Taylor in 1976 with Marthinus Basson, Alison Marquard, Babs Laker;

1981: Done by the Eersterus Performing Arts Council, Pretoria (in association with PACT) in 1981, directed by **.


1999 Done by the Cape Flats Players at Aardklop and KKNK to celebrate their first 25 years (they now called the Cape Flats-Spelers in Afrikaans), directed by Peter Braaf, with Ivan Sylvester, Lloyd Davids, Janine Louw, Marc Morilly, Bertram Adams, Paul Cookson, Sandra Braaf and Brenda Sylvester.

2003-4: Done by the Baxter Theatre, directed by Royston Stoffels (2003-4), design by Patrick Curtis and featuring Ivan Abrahams, Peter Butler, **. Reprinted often and produced numerous times since, by Universities, professionals and amateurs.

Translations and adaptations

Translated into English as Kanna – He is Coming Home by Carol Lasker and Adam Small. Performed in the USA and published by Garland in 1990. Published by Tafelberg Uitgewers.

Its first production in English ( as Kanna Is Coming Home) was a Baxter Theatre production directed by Peter Krummeck in January 1985. The cast included several members of the Cape Flats Players.


Sources

Grütter, Wilhelm, CAPAB 25 Years, 1987. Unpublished research. p 334.

PACOFS Drama 25 Years, 1963-1988.

Barrow, Brian & Williams-Short, Yvonne (eds.). 1988. Theatre Alive! The Baxter Story 1977-1987, p 105, 131


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