Difference between revisions of "ESAT Bibliography Mde-Mes"

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[[Peter Merrington|Merrington, Peter]] 1998. Monuments and masons: the 1910 pageant of the Union of South Africa, in Bogaards, Winnifred M. (ed.). ''Literature of Region and Nation: Proceedings of the 6th International  Literature of Region and Nation Conference, 2-7 August 1996''. Saint John, NB University of New Brunswick. 278-299.
 
[[Peter Merrington|Merrington, Peter]] 1998. Monuments and masons: the 1910 pageant of the Union of South Africa, in Bogaards, Winnifred M. (ed.). ''Literature of Region and Nation: Proceedings of the 6th International  Literature of Region and Nation Conference, 2-7 August 1996''. Saint John, NB University of New Brunswick. 278-299.
  
[[Peter Merrington|Merrington, Peter]] 1999. "State of the Union": the "new pageantry" and the performance of identity in North America and South Africa, 1908-1910. ''Journal of Literary Studies'', 15(1/2):238-263.
+
[[Peter Merrington|Merrington, Peter]], State of the Union: The "New Pageantry" and the Performance of Identity in
 +
North America and South Africa, 1908-1910, ''[[Journal of Literary Studies]]'' 15 (1-2) (1999): 238-63.
  
 
[[Peter Merrington|Merrington, Peter]] Loyal Memory: The Tercentenary in Colonial Cape Town. In ''The Shakespearean International Yearbook'' Volume 9: Special section, South African Shakespeare in the Twentieth Century. (Guest editor: [[Laurence Wright]]) 29-45.  
 
[[Peter Merrington|Merrington, Peter]] Loyal Memory: The Tercentenary in Colonial Cape Town. In ''The Shakespearean International Yearbook'' Volume 9: Special section, South African Shakespeare in the Twentieth Century. (Guest editor: [[Laurence Wright]]) 29-45.  
 
[[Peter Merrington|Merrington, Peter]], State of the Union: The "New Pageantry" and the Performance of Identity in
 
North America and South Africa, 1908-1910, ''[[Journal of Literary Studies]]'' 15, nos. 1-2 (1999): 238-63.
 
  
 
[[G. Mersham|Mersham, G.]] & [[G. Baker|Baker, G.]] 2002. Industrial theatre as a negotiated dramaturgy.  ''[[South African Theatre Journal]]'', 16:92-119.
 
[[G. Mersham|Mersham, G.]] & [[G. Baker|Baker, G.]] 2002. Industrial theatre as a negotiated dramaturgy.  ''[[South African Theatre Journal]]'', 16:92-119.

Revision as of 10:09, 8 November 2012

Click on the appropriate letters of the alphabet in the sub-list below.

Maa-Mal Mam-Mar Mas-Mcl Mcm-Mda Mde-Mes Met-Miz Mja-Moo Mop-Mot Mou-Moz Mpa-Mz

To return to any other letter, click on the list below

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Mdlalose/Nkulumayo, N. 2009. Stories of old revisited. South African Labour Bulletin, 33(1):

Mduduzi Hlope: An analysis of theme in his plays. Reality, 15(6):10-12.

Meersman, Brent 2007. Democracy, capitalism and theatre in the new South Africa. South African Theatre Journal, 21:292-306.

Kruskal, Megan. 1985. Scenaria, (52):9-12.

Meet you at the Natal Playhouse. 1987. Lantern, 36(2):3-16.

Meihuizen, N.C.T. 2000. Mongane Wally Serote, in Scanlon, Paul A. (ed.). South African Writers. Detroit: Gale Group. 422-433.

Meij, A. 1988. “Dramaspel” ‘n Eksperiment gedoen by die Kleuterskool Fonteinbleau. Kleuterklanke, 13(1):31-33. June.

Meij, K. 1978. Is Laat die Kerse Brand te maklik? Klasgids, 13(3-4):9-10. November.

Meiring, E. 1967. Toneel en werklikheid. Tydskrif vir Letterkunde, 5(4):18-21.

Meiring, E. 1990. Beckett en Fugard: Waiting for Godot en Boesman and Lena. Tydskrif vir Letterkunde, 28(4):111-116.

Meiring, M. 1980. Katinka Heyns: activist, innovator and perfectionist. Fair Lady, 16(7):98-102. November 5.

Meiring, Martie 1998. Fees, feestelik, feesteliker. Insig, 09/98:46.

Melpomene, pseud. 1950. The theatre world: review of 1950. Trek, 14(12):39.

Melpomene, pseud. 1952a. The standard of theatre: Cape Town theatre. Trek, 16(3):18.

Melpomene, pseud. 1952b. Theatre at the crossroad. Trek, 16(6):17.

Melpomene, pseud. 1952c. Theatre and economics. Trek, 16(8):7.

Meltzer, Lalou 1978. A response to this…(Replies to Nicolas-Fanourakis below). Speak, 1(2): 48-49.

Merand, Janis 1991. An evaluation of the 1989 popular theatre training programme run by the Community Arts Project. Unpublished honour’s thesis. Cape Town: University of Cape Town.

Merrington, Peter 1995. Heritage, Genealogy, and the Inventing of Union, South Africa 1910. Unpublished paper, conference 1995.

Merrington, Peter 1995. ‘Pageantry and Primitivism’: Dorothea Fairbridge and the Aesthetics of Union. Journal of Southern African Studies, 21:4.

Merrington, Peter 1996. Masques, monuments, and masons: The 1910 pageant of the Union of South Africa, in Nas, Loes& Wittenberg, Hermann (eds.). AUETSA 96 : proceedings of the conference of the Association of University English Teachers of South Africa, University of the Western Cape, 30 June-5 July 1996.

Merrington, Peter 1997. Masques, monuments and masons: the 1910 pageant of the Union of South Africa. Theatre Journal, 19(1):1-14.

Merrington, Peter 1998. Monuments and masons: the 1910 pageant of the Union of South Africa, in Bogaards, Winnifred M. (ed.). Literature of Region and Nation: Proceedings of the 6th International Literature of Region and Nation Conference, 2-7 August 1996. Saint John, NB University of New Brunswick. 278-299.

Merrington, Peter, State of the Union: The "New Pageantry" and the Performance of Identity in North America and South Africa, 1908-1910, Journal of Literary Studies 15 (1-2) (1999): 238-63.

Merrington, Peter Loyal Memory: The Tercentenary in Colonial Cape Town. In The Shakespearean International Yearbook Volume 9: Special section, South African Shakespeare in the Twentieth Century. (Guest editor: Laurence Wright) 29-45.

Mersham, G. & Baker, G. 2002. Industrial theatre as a negotiated dramaturgy. South African Theatre Journal, 16:92-119.

Mervis, Margaret 1998a. The Captain’s Tiger. Reviewed in: Current Writing, 10(2):143-146.

Meskin, Tamar & Van der Walt, Tanya 2007. Approaching Macbeth through representation, participation and facilitation: a theatre-in-education ‘adventure’. South African Theatre Journal, 21:75-91.

Meskin, Tamar & Van der Walt, Tanya 2010. Photography, archaeology and representation: chronicles of conflict adn the architecture of action. South African Theatre Journal, 24:125-154.


Click on the appropriate letters of the alphabet in the sub-list below.

Ma-Mal Mam-Mar Mas-Mcl Mcm-Mda Mde-Mes Met-Miz Mja-Moo Mop-Mot Mou-Moz Mpa-Mz

To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance