Difference between revisions of "Cape Town Orchestra"
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From March 1921, the Orchestra was under the management of the [[Cape Peninsula Publicity Association]] whose first decision after assuming control was to increase the personnel from 32 to 38 players, in order to enable the Orchestra to extend its repertoire. | From March 1921, the Orchestra was under the management of the [[Cape Peninsula Publicity Association]] whose first decision after assuming control was to increase the personnel from 32 to 38 players, in order to enable the Orchestra to extend its repertoire. | ||
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| + | A one-month tour was undertaken by the Orchestra in 1929 to Kimberley, Burgersdorp, Graaff Reinet, Cradock, Grahamstown, Port Elizabeth, Bloemfontein, East London, King William’s Town, Oudtshoorn, Mossel Bay, Worcester and Paarl. | ||
It was thought the repertoire might well be the envy of the orchestras of many larger European towns as it represented every school and every period of music, from Bach, Handel, etc., to R Strauss and Stravinsky. | It was thought the repertoire might well be the envy of the orchestras of many larger European towns as it represented every school and every period of music, from Bach, Handel, etc., to R Strauss and Stravinsky. | ||
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It also included, apart from a great amount of light music, about 100 symphonies and symphonic works, 70 suites, 70 overtures and 100 miscellaneous concert works. | It also included, apart from a great amount of light music, about 100 symphonies and symphonic works, 70 suites, 70 overtures and 100 miscellaneous concert works. | ||
| − | The most important of the Orchestra's Concerts in Cape Town were their famous Thursday Evening Subscriptions Concerts and Saturday Evening Popular Concerts. | + | The most important of the Orchestra's Concerts in Cape Town were their famous Thursday Evening Subscriptions Concerts and Saturday Evening Popular Concerts. |
== Change in name== | == Change in name== | ||
Revision as of 17:24, 25 June 2025
The Cape Town Orchestra (also known as the Cape Town Municipal Orchestra) (1914-1969)
Contents
Founding and early history
The Cape Town Orchestra (also written as Capetown Orchestra, and also known as the Cape Municipal Orchestra or the Cape Town Municipal Orchestra (CMO) was formed by the Cape Town Council in 1914 under the conductorship of Theo Wendt with a strength of 30 players.
The opening concert took place in the City Hall, Cape Town, on February 28, 1914, and marked the dawn of a new era in music in South Africa.
The orchestra toured to Johannesburg during the first semester of 1924 and to England from May to July 1925, which included a concert at Buckingham Palace attended by King George V and Queen Mary, Princess Beatrice and Lady May Cambridge. However, on 26 June 1925, the orchestra was recalled to South Africa and the rest of the concerts cancelled due to the tour's financial loss. In the light of the continuing financial difficulties of the orchestra and because of his poor health (he had trouble with asthma), conductor Heward resigned on 11 February 1927.
This potent influence on music was felt not only in Cape Town but all over South Africa as the public had the opportunity of listening to the orchestral works of the great composers for the first time.
Change in management
From March 1921, the Orchestra was under the management of the Cape Peninsula Publicity Association whose first decision after assuming control was to increase the personnel from 32 to 38 players, in order to enable the Orchestra to extend its repertoire.
A one-month tour was undertaken by the Orchestra in 1929 to Kimberley, Burgersdorp, Graaff Reinet, Cradock, Grahamstown, Port Elizabeth, Bloemfontein, East London, King William’s Town, Oudtshoorn, Mossel Bay, Worcester and Paarl.
It was thought the repertoire might well be the envy of the orchestras of many larger European towns as it represented every school and every period of music, from Bach, Handel, etc., to R Strauss and Stravinsky.
It also included, apart from a great amount of light music, about 100 symphonies and symphonic works, 70 suites, 70 overtures and 100 miscellaneous concert works.
The most important of the Orchestra's Concerts in Cape Town were their famous Thursday Evening Subscriptions Concerts and Saturday Evening Popular Concerts.
Change in name
In an effort to revitalize the orchestra, the Cape Town Municipal Orchestra changed its name to the Cape Town Symphony Orchestra (CTSO) in 1969.
For the history of the orchestra after 1969, see Cape Town Symphony Orchestra.
Permanant conductors
The permanent conductors of the orchestra were as follows:
- Theo Wendt (from 28 February 1914 to 30 September 1924).
- Leslie Heward (from 17 July 1924 to 31 May 1926).
- William Pickerill (from 5 May 1927 to 12 October 1946).
- Geoffrey Miller as Associate Conductor (from 31 October 1946 to 19 February 1948).
- Enrique Jordá (from 19 February 1948 to 31 December 1953).
Performance history in South Africa
Concerts
Concerts of every description were held regularly in Sea Point, Muizenberg, the Pier, the suburban halls, Stellenbosch.
Tours were undertaken in 1914, 1919, 1921, 1922, and 1923 by the Cape Town Orchestra as a means of spreading the love of good music.
During its travels, the Cape Town Orchestra met with great enthusiasm and approval from the music-loving public.
April 3, 1922 - June 13, 1922. The Cape Town Orchestra toured South Africa, playing at Worcester (April 3), Bloemfontein (April 5-8), Johannesburg and Pretoria (April 9- May 7), Potchefstroom (May 8), Klerksdorp (May 9), Kroonstad (May 10-11), Harrismith (May 12-14), Ladysmith (May 15), Newcastle (May 16), Maritzburg (May 17-21), Queenstown (May 24-25), Cathcart (May 26), East London (May 27-30), King William's Town (May 31), Grahamstown (June 2-3), Port Elizabeth (June 5-10), Oudtshoorn (June 12) and Mossel Bay (June 13). Musical Director and Conductor: Theo Wendt, Leader; J Spink, Assistant Conductor; W J Pickerill, Business Manager; A N Dickson.
Role in supporting Theatre at the Cape
For many years, the orchestra provided significant support in the production of opera and operettas in Cape Town, and had a strong relationship with the EOAN Group. Productions in which the orchestra performed include:
1922: The Mikado (Cape Town Amateur Operatic Society)
1943: The Bartered Bride (African Consolidated Theatres, the University of Cape Town, the National Opera Company)
1943: Madame Butterfly (African Consolidated Theatres, the University of Cape Town, the National Opera Company)
1943: Rigoletto (African Consolidated Theatres, the University of Cape Town, the National Opera Company)
1949: A Slave in Araby ((EOAN Group))
1953: Carmen (Labia Grand Opera Company)
1953: Il Trovatore (Labia Grand Opera Company)
1956: La Traviata (EOAN Group)
1967: La Traviata (EOAN Group)
1968: Carmen (CAPAB Opera)
1968: Martha (CAPAB Opera)
Sources
Souvenir Programme, 1922 Tour. No. IV
Roger Bridger theatre programme, 1923.
Sjoerd Alkema. 2012. "Conductors of the Cape Town Municipal Orchestra, 1914-1965: a historical perspective". University of Cape Town. Unpublished PhD thesis.
Hilde Roos. 2010. 'Opera Production in the Western Cape: Strategies in Search of Indigenisation'. Unpublished PhD thesis. Stellenbosch University.
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