Difference between revisions of "Edgar Perkins"
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| − | [[ Edgar Perkins]] was a theatre manager and director based in | + | [[Edgar Perkins]] was a theatre manager and director based in the Transvaal in the late 19th century. |
| + | == Biography == | ||
| + | ==Contribution to SA theatre, film, media and/or performance== | ||
In January 1890 Perkins took an opera company to Cape Town for the first time, where they performed in the [[Exhibition Theatre]], Cape Town. The company was managed and directed by [[Edgar Perkins]] and the performers included [[R.S. Gregg]], [[E. le Hay]], [[Dennis Coyne]], [[Frank Wheeler]], [[Harry Miller]], [[Ada Bemister]], [[Carrie Nelson]], [[Harriet Wood]], and [[Ella Bankhardt]]. Musical direction was by [[James Hyde]]. The repertoire consisted of ''inter alia'' ''[[Dorothy]]'' (Cellier and Stephenson), ''[[Falka]]'' (Leterrier and Vanloo/Farnie), ''[[Pepita]]'' (Chivot and Durn), ''[[Erminie]]'' (Bellamy and Paulton), ''[[Yeoman of the Guard]]'' (Gilbert and Sullivan), ''[[The Mikado]]'' (Gilbert and Sullivan) and ''[[Patience]] (Gilbert and Sullivan). | In January 1890 Perkins took an opera company to Cape Town for the first time, where they performed in the [[Exhibition Theatre]], Cape Town. The company was managed and directed by [[Edgar Perkins]] and the performers included [[R.S. Gregg]], [[E. le Hay]], [[Dennis Coyne]], [[Frank Wheeler]], [[Harry Miller]], [[Ada Bemister]], [[Carrie Nelson]], [[Harriet Wood]], and [[Ella Bankhardt]]. Musical direction was by [[James Hyde]]. The repertoire consisted of ''inter alia'' ''[[Dorothy]]'' (Cellier and Stephenson), ''[[Falka]]'' (Leterrier and Vanloo/Farnie), ''[[Pepita]]'' (Chivot and Durn), ''[[Erminie]]'' (Bellamy and Paulton), ''[[Yeoman of the Guard]]'' (Gilbert and Sullivan), ''[[The Mikado]]'' (Gilbert and Sullivan) and ''[[Patience]] (Gilbert and Sullivan). | ||
According to Boonzaier (1923), reporting on the 1890 Cape Town season, Perkins had "very artistic ideas in the direction of mise-en-scène" and his operas were staged "lavishly in regard to scenery and costume". | According to Boonzaier (1923), reporting on the 1890 Cape Town season, Perkins had "very artistic ideas in the direction of mise-en-scène" and his operas were staged "lavishly in regard to scenery and costume". | ||
| + | |||
| + | == Sources == | ||
| + | |||
| + | [[D.C. Boonzaier]]. 1923. "My playgoing days – 30 years in the history of the Cape Town stage", in ''SA Review'', 9 March and 24 August 1923. (Reprinted in [[F.C.L. Bosman|Bosman]] 1980: pp. 374-439.) | ||
| + | |||
| + | [[F.C.L. Bosman]]. 1980. ''Drama en Toneel in Suid-Afrika, Deel II, 1856-1916''. Pretoria: [[J.L. van Schaik]]: pp. 389-390 | ||
| + | |||
| + | Go to the [[ESAT Bibliography]] | ||
| + | |||
| + | == Return to == | ||
| + | |||
| + | Return to [[ESAT Personalities P]] | ||
| + | |||
| + | Return to [[South_African_Theatre/Personalities|South African Theatre Personalities]] | ||
| + | |||
| + | Return to [[The ESAT Entries]] | ||
| + | |||
| + | Return to [[Main Page]] | ||
| + | |||
| + | Author of an article on "[[Brett Bailey]]" in Middeke, Schnierer and Homann (2015). | ||
| + | [[Martin Middeke]], [[Peter Paul Schnierer]] and [[Greg Homann]] (editors). 2015. ''[[The Methuen Drama Guide to Contemporary South African Theatre]]''. London: Bloomsbury Publishing. | ||
Revision as of 07:23, 12 September 2019
Edgar Perkins was a theatre manager and director based in the Transvaal in the late 19th century.
Contents
Biography
Contribution to SA theatre, film, media and/or performance
In January 1890 Perkins took an opera company to Cape Town for the first time, where they performed in the Exhibition Theatre, Cape Town. The company was managed and directed by Edgar Perkins and the performers included R.S. Gregg, E. le Hay, Dennis Coyne, Frank Wheeler, Harry Miller, Ada Bemister, Carrie Nelson, Harriet Wood, and Ella Bankhardt. Musical direction was by James Hyde. The repertoire consisted of inter alia Dorothy (Cellier and Stephenson), Falka (Leterrier and Vanloo/Farnie), Pepita (Chivot and Durn), Erminie (Bellamy and Paulton), Yeoman of the Guard (Gilbert and Sullivan), The Mikado (Gilbert and Sullivan) and Patience (Gilbert and Sullivan).
According to Boonzaier (1923), reporting on the 1890 Cape Town season, Perkins had "very artistic ideas in the direction of mise-en-scène" and his operas were staged "lavishly in regard to scenery and costume".
Sources
D.C. Boonzaier. 1923. "My playgoing days – 30 years in the history of the Cape Town stage", in SA Review, 9 March and 24 August 1923. (Reprinted in Bosman 1980: pp. 374-439.)
F.C.L. Bosman. 1980. Drama en Toneel in Suid-Afrika, Deel II, 1856-1916. Pretoria: J.L. van Schaik: pp. 389-390
Go to the ESAT Bibliography
Return to
Return to ESAT Personalities P
Return to South African Theatre Personalities
Return to The ESAT Entries
Return to Main Page
Author of an article on "Brett Bailey" in Middeke, Schnierer and Homann (2015). Martin Middeke, Peter Paul Schnierer and Greg Homann (editors). 2015. The Methuen Drama Guide to Contemporary South African Theatre. London: Bloomsbury Publishing.
