Difference between revisions of "ESAT Bibliography Oe-Ol"
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| − | Official Programme of the Van Riebeeck Festival, 1 Feb-6 Apr 1952. Cape Town: Sentrale Komitee vir die Van Riebeeck-fees. | + | ''Official Programme of the [[Van Riebeeck Festival]], 1 Feb-6 Apr 1952''. Cape Town: Sentrale Komitee vir die Van Riebeeck-fees. |
[[N.A. Ogude|Ogude, N.A.]] & [[M. Rollnick|Rollnick, M.]] 1999. Addressing primary school science problems through materials developed by science educators and drama in education specialists. ''South African Journal of Education'', 19(4):251-256. | [[N.A. Ogude|Ogude, N.A.]] & [[M. Rollnick|Rollnick, M.]] 1999. Addressing primary school science problems through materials developed by science educators and drama in education specialists. ''South African Journal of Education'', 19(4):251-256. | ||
Revision as of 11:40, 28 May 2011
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Official Programme of the Van Riebeeck Festival, 1 Feb-6 Apr 1952. Cape Town: Sentrale Komitee vir die Van Riebeeck-fees.
Ogude, N.A. & Rollnick, M. 1999. Addressing primary school science problems through materials developed by science educators and drama in education specialists. South African Journal of Education, 19(4):251-256.
O’Hara, Glynis 1998. iMumbo Jumbo. Vuka SA, January 31:4.
Ohlhoff, H. 1978. En daar was lig – gedagtes oor Laat die Kerse Brand. Klasgids, 13(3-4):5-9. November.
Ohloff, C.H.F. 1983. Dias (N.P. van Wyk Louw). Tydskrif vir Letterkunde, 21(3):138-145.
Ojo-Ade, Femi 1996. Contemporary South African theatre and the complexities of commitment . African Literature Today, 20:120-134.
Okagbue, Osita 2009. Culture and Identity in African and Caribbean Theatre. London: Adonis & Abbey.
Olaiya, Kolawole 2008. Deconstructing Apartheid's global gaze: death and resistance in Fugard et al.'s Sizwe Bansi Is Dead. Global South, 2(2):75-91.
Olaniyan, Tejumola 1995. Scars of Conquest/Masks of Resistance: The Invention of Cultural Identities in African, African-American and Caribbean Drama. New York: Oxford University Press.
Olaniyan, Tejumola & Quayson, A. (eds.). 2007. African Literature: An Anthology of Criticism and Theory. Malden, MA: Blackwell.
Olaniyan, Tejumola 2007. Festivals, ritual and drama in Africa, in Olaniyan, Tejumola & Quayson, A. (eds.). African Literature: an anthology of criticism and theory. Malden, MA: Blackwell Publishing. 353-363.
Old and new combine in modern theatre complex: bentonite plays major role in walling of the Durban Playhouse. 1983. Civil Engineer and Contractor, 17(5):34-41.
Oliphant, Andries W. 1988. John Kani: combatant from the stage. Staffrider, 7(1):54-61.
Oliphant, Andries W. 1989. Victor Shingwenyana: theatre and the struggle for unity. Staffrider, 8(3/4):149-152.
Oliphant, Andries W. 1992. Isolate the enemy: community and conflict in popular theatre. South African Theatre Journal, 6(2):18-29.
Olivier, Bert 1989. Simbolisme as werklikheidsbenadering: watter werklikheid? Tydskrif vir Literatuurwetenskap, 5(3/4):237-252.
Olivier, Fanie 1996. ‘n Fees sonder vonk. Insig, 08/96: 40.
Olivier, Gerrit 1977. 'n Ander kyk op drie Afrikaanse versdramas (Periandros van Korinthe; Vergelegen; Germanicus). Standpunte, 30(5):47-61.
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