Difference between revisions of "ESAT Bibliography Oe-Ol"
| Line 17: | Line 17: | ||
[[H. Ohlhoff|Ohlhoff, H.]] 1978. En daar was lig – gedagtes oor ''[[Laat die Kerse Brand]]''. ''Klasgids'', 13(3-4):5-9. November. | [[H. Ohlhoff|Ohlhoff, H.]] 1978. En daar was lig – gedagtes oor ''[[Laat die Kerse Brand]]''. ''Klasgids'', 13(3-4):5-9. November. | ||
| − | [[C.H.F. Ohloff|Ohloff, C.H.F.]] 1983. ''[[Dias]]'' ([[ | + | [[C.H.F. Ohloff|Ohloff, C.H.F.]] 1983. ''[[Dias]]'' ([[N.P. van Wyk Louw]]). ''Tydskrif vir Letterkunde'', 21(3):138-145. |
[[Femi Ojo-Ade|Ojo-Ade, Femi]] 1996. Contemporary South African theatre and the complexities of commitment . ''African Literature Today'', 20:120-134. | [[Femi Ojo-Ade|Ojo-Ade, Femi]] 1996. Contemporary South African theatre and the complexities of commitment . ''African Literature Today'', 20:120-134. | ||
| Line 23: | Line 23: | ||
Okagbue, Osita 2009. ''Culture and Identity in African and Caribbean Theatre''. London: Adonis & Abbey. | Okagbue, Osita 2009. ''Culture and Identity in African and Caribbean Theatre''. London: Adonis & Abbey. | ||
| − | Olaiya, Kolawole 2008. Deconstructing Apartheid's global gaze: death and resistance in [[Fugard | + | Olaiya, Kolawole 2008. Deconstructing Apartheid's global gaze: death and resistance in [[Athol Fugard|Fugard]] et al.'s ''[[Sizwe Bansi Is Dead]]''. ''Global South'', 2(2):75-91. |
Olaniyan, Tejumola 1995. ''Scars of Conquest/Masks of Resistance: The Invention of Cultural Identities in African, African-American and Caribbean Drama''. New York: Oxford University Press. | Olaniyan, Tejumola 1995. ''Scars of Conquest/Masks of Resistance: The Invention of Cultural Identities in African, African-American and Caribbean Drama''. New York: Oxford University Press. | ||
| Line 33: | Line 33: | ||
Old and new combine in modern theatre complex: bentonite plays major role in walling of the [[Natal Playhouse|Durban Playhouse]]. 1983. ''Civil Engineer and Contractor'', 17(5):34-41. | Old and new combine in modern theatre complex: bentonite plays major role in walling of the [[Natal Playhouse|Durban Playhouse]]. 1983. ''Civil Engineer and Contractor'', 17(5):34-41. | ||
| − | [[Andries Oliphant|Oliphant, Andries W.]] 1988. [[ | + | [[Andries Oliphant|Oliphant, Andries W.]] 1988. [[John Kani]]: combatant from the stage. ''Staffrider'', 7(1):54-61. |
| − | [[Andries Oliphant|Oliphant, Andries W.]] 1989. [[ | + | [[Andries Oliphant|Oliphant, Andries W.]] 1989. [[Victor Shingwenyana]]: theatre and the struggle for unity. ''Staffrider'', 8(3/4):149-152. |
| − | [[Andries Oliphant|Oliphant, Andries W.]] 1992. Isolate the enemy: community and conflict in popular theatre. ''South African Theatre Journal'', 6(2):18-29. | + | [[Andries Oliphant|Oliphant, Andries W.]] 1992. Isolate the enemy: community and conflict in popular theatre. ''[[South African Theatre Journal]]'', 6(2):18-29. |
[[Bert Olivier|Olivier, Bert]] 1989. Simbolisme as werklikheidsbenadering: watter werklikheid? ''Tydskrif vir Literatuurwetenskap'', 5(3/4):237-252. | [[Bert Olivier|Olivier, Bert]] 1989. Simbolisme as werklikheidsbenadering: watter werklikheid? ''Tydskrif vir Literatuurwetenskap'', 5(3/4):237-252. | ||
Revision as of 11:16, 12 March 2011
Click on the appropriate letters of the alphabet in the sub-list below.
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
Ogude, N.A. & Rollnick, M. 1999. Addressing primary school science problems through materials developed by science educators and drama in education specialists. South African Journal of Education, 19(4):251-256.
O’Hara, Glynis 1998. iMumbo Jumbo. Vuka SA, January 31:4.
Ohlhoff, H. 1978. En daar was lig – gedagtes oor Laat die Kerse Brand. Klasgids, 13(3-4):5-9. November.
Ohloff, C.H.F. 1983. Dias (N.P. van Wyk Louw). Tydskrif vir Letterkunde, 21(3):138-145.
Ojo-Ade, Femi 1996. Contemporary South African theatre and the complexities of commitment . African Literature Today, 20:120-134.
Okagbue, Osita 2009. Culture and Identity in African and Caribbean Theatre. London: Adonis & Abbey.
Olaiya, Kolawole 2008. Deconstructing Apartheid's global gaze: death and resistance in Fugard et al.'s Sizwe Bansi Is Dead. Global South, 2(2):75-91.
Olaniyan, Tejumola 1995. Scars of Conquest/Masks of Resistance: The Invention of Cultural Identities in African, African-American and Caribbean Drama. New York: Oxford University Press.
Olaniyan, Tejumola & Quayson, A. (eds.). 2007. African Literature: An Anthology of Criticism and Theory. Malden, MA: Blackwell.
Olaniyan, Tejumola 2007. Festivals, ritual and drama in Africa, in Olaniyan, Tejumola & Quayson, A. (eds.). African Literature: an anthology of criticism and theory. Malden, MA: Blackwell Publishing. 353-363.
Old and new combine in modern theatre complex: bentonite plays major role in walling of the Durban Playhouse. 1983. Civil Engineer and Contractor, 17(5):34-41.
Oliphant, Andries W. 1988. John Kani: combatant from the stage. Staffrider, 7(1):54-61.
Oliphant, Andries W. 1989. Victor Shingwenyana: theatre and the struggle for unity. Staffrider, 8(3/4):149-152.
Oliphant, Andries W. 1992. Isolate the enemy: community and conflict in popular theatre. South African Theatre Journal, 6(2):18-29.
Olivier, Bert 1989. Simbolisme as werklikheidsbenadering: watter werklikheid? Tydskrif vir Literatuurwetenskap, 5(3/4):237-252.
Olivier, Fanie 1996. ‘n Fees sonder vonk. Insig, 08/96: 40.
Click on the appropriate letters of the alphabet in the sub-list below.
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
