Difference between revisions of "ESAT Bibliography Mde-Mes"
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[[Hlope, Mduduzi|Mduduzi Hlope]]: An analysis of theme in his plays. ''Reality'', 15(6):10-12. | [[Hlope, Mduduzi|Mduduzi Hlope]]: An analysis of theme in his plays. ''Reality'', 15(6):10-12. | ||
| − | [[Brent Meersman|Meersman, Brent]] 2007. Democracy, capitalism and theatre in the new South Africa. ''South African Theatre Journal'', 21:292-306. | + | [[Brent Meersman|Meersman, Brent]] 2007. Democracy, capitalism and theatre in the new South Africa. ''[[South African Theatre Journal]]'', 21:292-306. |
| − | [[Kruskal, Megan|Megan Kruskal]]. 1985. ''Scenaria'', (52):9-12. | + | [[Kruskal, Megan|Megan Kruskal]]. 1985. ''[[Scenaria]]'', (52):9-12. |
Meet you at the [[Natal Playhouse]]. 1987. ''Lantern'', 36(2):3-16. | Meet you at the [[Natal Playhouse]]. 1987. ''Lantern'', 36(2):3-16. | ||
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[[E. Meiring|Meiring, E.]] 1967. Toneel en werklikheid. ''Tydskrif vir Letterkunde'', 5(4):18-21. | [[E. Meiring|Meiring, E.]] 1967. Toneel en werklikheid. ''Tydskrif vir Letterkunde'', 5(4):18-21. | ||
| − | [[E. Meiring|Meiring, E.]] 1990. Beckett en [[Fugard | + | [[E. Meiring|Meiring, E.]] 1990. Beckett en [[Athol Fugard|Fugard]]: ''Waiting for Godot'' en ''[[Boesman and Lena]]''. ''Tydskrif vir Letterkunde'', 28(4):111-116. |
| − | [[M. Meiring|Meiring, M.]] 1980. [[ | + | [[M. Meiring|Meiring, M.]] 1980. [[Katinka Heyns]]: activist, innovator and perfectionist. ''Fair Lady'', 16(7):98-102. November 5. |
[[Martie Meiring|Meiring, Martie]] 1998. Fees, feestelik, feesteliker. ''Insig'', 09/98:46. | [[Martie Meiring|Meiring, Martie]] 1998. Fees, feestelik, feesteliker. ''Insig'', 09/98:46. | ||
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[[Peter Merrington|Merrington, Peter]] 1995. Heritage, Genealogy, and the Inventing of Union, South Africa 1910. Unpublished paper, conference 1995. | [[Peter Merrington|Merrington, Peter]] 1995. Heritage, Genealogy, and the Inventing of Union, South Africa 1910. Unpublished paper, conference 1995. | ||
| − | [[Peter Merrington|Merrington, Peter]] 1995. ‘Pageantry and Primitivism’: [[ | + | [[Peter Merrington|Merrington, Peter]] 1995. ‘Pageantry and Primitivism’: [[Dorothea Fairbridge]] and the Aesthetics of Union. ''Journal of Southern African Studies'', 21:4. |
[[Peter Merrington|Merrington, Peter]] 1996. Masques, monuments, and masons: The 1910 pageant of the Union of South Africa, in [[Loes Nas|Nas, Loes]]& [[Hermann Wittenberg|Wittenberg, Hermann]] (eds.). ''AUETSA 96 : proceedings of the conference of the Association of University English Teachers of South Africa, University of the Western Cape, 30 June-5 July 1996''. | [[Peter Merrington|Merrington, Peter]] 1996. Masques, monuments, and masons: The 1910 pageant of the Union of South Africa, in [[Loes Nas|Nas, Loes]]& [[Hermann Wittenberg|Wittenberg, Hermann]] (eds.). ''AUETSA 96 : proceedings of the conference of the Association of University English Teachers of South Africa, University of the Western Cape, 30 June-5 July 1996''. | ||
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[[Peter Merrington|Merrington, Peter]] 1998. Monuments and masons: the 1910 pageant of the Union of South Africa, in Bogaards, Winnifred M. (ed.). ''Literature of Region and Nation: Proceedings of the 6th International Literature of Region and Nation Conference, 2-7 August 1996''. Saint John, NB University of New Brunswick. 278-299. | [[Peter Merrington|Merrington, Peter]] 1998. Monuments and masons: the 1910 pageant of the Union of South Africa, in Bogaards, Winnifred M. (ed.). ''Literature of Region and Nation: Proceedings of the 6th International Literature of Region and Nation Conference, 2-7 August 1996''. Saint John, NB University of New Brunswick. 278-299. | ||
| − | [[G. Mersham|Mersham, G.]] & [[G. Baker|Baker, G.]] 2002. Industrial theatre as a negotiated dramaturgy. ''South African Theatre Journal'', 16:92-119. | + | [[G. Mersham|Mersham, G.]] & [[G. Baker|Baker, G.]] 2002. Industrial theatre as a negotiated dramaturgy. ''[[South African Theatre Journal]]'', 16:92-119. |
[[Margaret Mervis|Mervis, Margaret]] 1998a. ''[[The Captain’s Tiger]]''. Reviewed in: ''Current Writing'', 10(2):143-146. | [[Margaret Mervis|Mervis, Margaret]] 1998a. ''[[The Captain’s Tiger]]''. Reviewed in: ''Current Writing'', 10(2):143-146. | ||
| − | [[Tamar Meskin|Meskin, Tamar]] & [[Tanya van der Walt|Van der Walt, Tanya]] 2007. Approaching Macbeth through representation, participation and facilitation: a theatre-in-education ‘adventure’. ''South African Theatre Journal'', 21:75-91. | + | [[Tamar Meskin|Meskin, Tamar]] & [[Tanya van der Walt|Van der Walt, Tanya]] 2007. Approaching Macbeth through representation, participation and facilitation: a theatre-in-education ‘adventure’. ''[[South African Theatre Journal]]'', 21:75-91. |
Revision as of 11:59, 12 March 2011
Click on the appropriate letters of the alphabet in the sub-list below.
Maa-Mal Mam-Mar Mas-Mcl Mcm-Mda Mde-Mes Met-Miz Mja-Moo Mop-Mot Mou-Moz Mpa-Mz
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Mduduzi Hlope: An analysis of theme in his plays. Reality, 15(6):10-12.
Meersman, Brent 2007. Democracy, capitalism and theatre in the new South Africa. South African Theatre Journal, 21:292-306.
Megan Kruskal. 1985. Scenaria, (52):9-12.
Meet you at the Natal Playhouse. 1987. Lantern, 36(2):3-16.
Meij, A. 1988. “Dramaspel” ‘n Eksperiment gedoen by die Kleuterskool Fonteinbleau. Kleuterklanke, 13(1):31-33. June.
Meij, K. 1978. Is Laat die Kerse Brand te maklik? Klasgids, 13(3-4):9-10. November.
Meiring, E. 1967. Toneel en werklikheid. Tydskrif vir Letterkunde, 5(4):18-21.
Meiring, E. 1990. Beckett en Fugard: Waiting for Godot en Boesman and Lena. Tydskrif vir Letterkunde, 28(4):111-116.
Meiring, M. 1980. Katinka Heyns: activist, innovator and perfectionist. Fair Lady, 16(7):98-102. November 5.
Meiring, Martie 1998. Fees, feestelik, feesteliker. Insig, 09/98:46.
Melpomene, pseud. 1952a. Theatre at the crossroad. Trek, 16(6):17.
Melpomene, pseud. 1952b. Theatre and economics. Trek, 16(8):7.
Meltzer, Lalou 1978. A response to this…(Replies to Nicolas-Fanourakis below). Speak, 1(2): 48-49.
Merand, Janis 1991. An evaluation of the 1989 popular theatre training programme run by the Community Arts Project. Unpublished honour’s thesis. Cape Town: University of Cape Town.
Merrington, Peter 1995. Heritage, Genealogy, and the Inventing of Union, South Africa 1910. Unpublished paper, conference 1995.
Merrington, Peter 1995. ‘Pageantry and Primitivism’: Dorothea Fairbridge and the Aesthetics of Union. Journal of Southern African Studies, 21:4.
Merrington, Peter 1996. Masques, monuments, and masons: The 1910 pageant of the Union of South Africa, in Nas, Loes& Wittenberg, Hermann (eds.). AUETSA 96 : proceedings of the conference of the Association of University English Teachers of South Africa, University of the Western Cape, 30 June-5 July 1996.
Merrington, Peter 1997. Masques, monuments and masons: the 1910 pageant of the Union of South Africa. Theatre Journal, 19(1):1-14.
Merrington, Peter 1998. Monuments and masons: the 1910 pageant of the Union of South Africa, in Bogaards, Winnifred M. (ed.). Literature of Region and Nation: Proceedings of the 6th International Literature of Region and Nation Conference, 2-7 August 1996. Saint John, NB University of New Brunswick. 278-299.
Mersham, G. & Baker, G. 2002. Industrial theatre as a negotiated dramaturgy. South African Theatre Journal, 16:92-119.
Mervis, Margaret 1998a. The Captain’s Tiger. Reviewed in: Current Writing, 10(2):143-146.
Meskin, Tamar & Van der Walt, Tanya 2007. Approaching Macbeth through representation, participation and facilitation: a theatre-in-education ‘adventure’. South African Theatre Journal, 21:75-91.
Click on the appropriate letters of the alphabet in the sub-list below.
Ma-Mal Mam-Mar Mas-Mcl Mcm-Mda Mde-Mes Met-Miz Mja-Moo Mop-Mot Mou-Moz Mpa-Mz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
