Difference between revisions of "Pantomime"
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[[Pantomime]] is the name given to a particular kind of theatrical presentation, and sometimes to a particular form of performance (e.g. [[mime]]). | [[Pantomime]] is the name given to a particular kind of theatrical presentation, and sometimes to a particular form of performance (e.g. [[mime]]). | ||
| + | = Pantomime as concept = | ||
| − | + | The term has a range of meanings, including: | |
| + | 1 The art or technique of communicating emotions, actions, feelings, and so without words, using only gestures, movements and facial expressions - i.e. as the equivalent of the word "Mime"[http://www.dictionary.com/browse/mime] - which its the more commonly used term today. | ||
| − | As a | + | 2 As a play or entertainment in which the performers express themselves mutely by gestures, often to the accompaniment of music. |
| − | + | 3 Most often defined today as an exotic form of entertainment for the entire family which is remotely based on a fairy tale or familiar story, but padded with popular songs, topical comedy and peopled with cross-dressed men and women. This kind of presentation originated in Britain as a specific form , based on aspects of ancient Roman [[mime]], the 16th century [[commedia dell'arte]] tradition of Italy and 17th-century [[masque]]s and [[music hall]] performances. | |
The meaning here is much more specific, referring to a theatrical work based on some (often well-known) fairy tale or nursery story and aimed largely at children. The performance consists of the story enhanced by music, dance, topical jokes and slapstick comedy. In Britain and its former colonies such performances tend to take place near Christmas. | The meaning here is much more specific, referring to a theatrical work based on some (often well-known) fairy tale or nursery story and aimed largely at children. The performance consists of the story enhanced by music, dance, topical jokes and slapstick comedy. In Britain and its former colonies such performances tend to take place near Christmas. | ||
An important part of the pantomime, until the late 19th century, was the [[harlequinade]]. | An important part of the pantomime, until the late 19th century, was the [[harlequinade]]. | ||
| − | + | '''For a comprehensive popular overview, see for example the entry on "Pantomime" in [[Wikipedia]][https://en.wikipedia.org/wiki/Pantomime].''' | |
| − | + | '''See also [[Harlequin]]''' | |
| − | ==Pantomimes performed in South Africa | + | |
| + | |||
| + | = Pantomimein South Africa = | ||
| + | |||
| + | Because of socio-political ties with Britain, pantomime became part of the South African theatre tradition in the 19th century. | ||
| + | |||
| + | ==Beginnings in the 19th Century == | ||
| + | |||
| + | The first locally written pantomime in South Africa was performed in 1813, entitled ''[[The Siege of Troy]]'', it was written by [[Charles Ettienne Boniface]]. [[Sefton Parry]] introduced the tradition of a seasonal pantomime with his production of ''[[Beauty and the Beast]]'' in 1857. | ||
| + | |||
| + | In the 1870s and 1880s it was mainly the United Service Dramatic Company of Captain [[Disney Roebuck]] that gave annual pantomimes. | ||
| + | |||
| + | == Early 20th century == | ||
| + | |||
| + | |||
| + | During the First World War the seasonal pantomimes were mainly produced by the [[J.C. Williamson]] organisation and the local impresario Leonard Rayne. They initiated the tradition of mounting a pantomime to tour the main centres. This tradition continued by African Theatres, was brought to an end by the depression of the 1930s. | ||
| + | |||
| + | Amateur dramatic societies started to produce pantomimes I 1935, a practice which gained momentum in the late 1950s. After 1955 when [[African Consolidated Theatres]] did their last pantomime, amateur dramatic companies became mainly responsible for staging pantomimes. | ||
| + | |||
| + | |||
| + | == Pantomimes on ice == | ||
| + | |||
| + | These were introduced in 1953 by [[African Consolidated Theatres]]. | ||
| + | |||
| + | ==From 1960 till 1993== | ||
| + | |||
| + | |||
| + | In Durban, during the 1960s [[Marjorie Chase]] developed this entertainment further. * This trend was only changed in 1980 when [[NAPAC]] staged ''[[Cinderella]]'' by [[John Moss]], the leading local panto scriptwright. | ||
| + | |||
| + | During the 1990s [[PACT]] produced pantomimes in English and [[Afrikaans]] with [[Janice Honeyman]] as scriptwriter and [[Nerina Ferreira]] as translator (in the case of [[Afrikaans]]). | ||
| + | |||
| + | == From 1994 onwards == | ||
| + | |||
| + | |||
| + | =Pantomimes performed in South Africa= | ||
''Click on the titles to go to the entry on the specific work or set of works.'' | ''Click on the titles to go to the entry on the specific work or set of works.'' | ||
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''[[Pantomime Farce]]'' | ''[[Pantomime Farce]]'' | ||
| − | == Sources == | + | |
| + | |||
| + | (MK) | ||
| + | =Sources= | ||
| + | |||
| + | |||
| + | [[F.C.L. Bosman]]. 1928. ''Drama en Toneel in Suid-Afrika'', Deel I: 1652-1855. Pretoria: [[J.H. de Bussy]]. [http://www.dbnl.org/tekst/bosm012dram01_01/] | ||
| + | |||
| + | [[F.C.L. Bosman]]. 1980. ''Drama en Toneel in Suid-Afrika, Deel II, 1856-1916''. Pretoria: [[J.L. van Schaik]] | ||
| + | |||
| + | [[P.J. du Toit]]. 1988. ''Amateurtoneel in Suid-Afrika''. Pretoria: Academica | ||
| + | |||
| + | [[Marie Kruger|M.S. Kruger]]. 1997. ''Tradisionele elemente en kontemporêre tendense in die pantomime: 'n teater-historiese ondersoek''. Unpublished doctoral dissertation. Stellenbosch: [[University of Stellenbosch]]. | ||
| + | |||
| + | [[Marie Kruger|M.S. Kruger]]. 2000. English pantomime: reflections on a dynamic tradition. ''[[South African Theatre Journal]]'', 14:146-173. | ||
| + | |||
| + | [[Marie Kruger|M.S. Kruger]]. 2003. Pantomime in South Africa: the British tradition and the local flavour. ''[[South African Theatre Journal]]'', 17:129-152. | ||
| + | |||
| + | |||
| + | Go to [[ESAT Bibliography]] | ||
| + | |||
| + | = Return to = | ||
| + | |||
| + | Return to [[South_African_Theatre/Themes|South African Theatre Terminology and Thematic Entries]] | ||
| + | |||
| + | Return to [[PLAYS I: Original SA plays]] | ||
| + | |||
| + | Return to [[PLAYS II: Foreign plays]] | ||
| + | |||
| + | Return to [[PLAYS III: Collections]] | ||
| + | |||
| + | Return to [[PLAYS IV: Pageants and public performances]] | ||
| + | |||
| + | Return to [[South_African_Festivals|South African Festivals and Competitions]] | ||
| + | |||
| + | Return to [[The ESAT Entries]] | ||
| + | |||
| + | Return to [[Main Page]] | ||
| + | |||
| + | |||
| + | |||
| + | |||
| + | = Sources == | ||
https://en.wikipedia.org/wiki/Pantomime | https://en.wikipedia.org/wiki/Pantomime | ||
Revision as of 06:20, 16 August 2017
Pantomime is the name given to a particular kind of theatrical presentation, and sometimes to a particular form of performance (e.g. mime).
Contents
Pantomime as concept
The term has a range of meanings, including:
1 The art or technique of communicating emotions, actions, feelings, and so without words, using only gestures, movements and facial expressions - i.e. as the equivalent of the word "Mime"[1] - which its the more commonly used term today.
2 As a play or entertainment in which the performers express themselves mutely by gestures, often to the accompaniment of music.
3 Most often defined today as an exotic form of entertainment for the entire family which is remotely based on a fairy tale or familiar story, but padded with popular songs, topical comedy and peopled with cross-dressed men and women. This kind of presentation originated in Britain as a specific form , based on aspects of ancient Roman mime, the 16th century commedia dell'arte tradition of Italy and 17th-century masques and music hall performances. The meaning here is much more specific, referring to a theatrical work based on some (often well-known) fairy tale or nursery story and aimed largely at children. The performance consists of the story enhanced by music, dance, topical jokes and slapstick comedy. In Britain and its former colonies such performances tend to take place near Christmas. An important part of the pantomime, until the late 19th century, was the harlequinade.
For a comprehensive popular overview, see for example the entry on "Pantomime" in Wikipedia[2].
See also Harlequin
Pantomimein South Africa
Because of socio-political ties with Britain, pantomime became part of the South African theatre tradition in the 19th century.
Beginnings in the 19th Century
The first locally written pantomime in South Africa was performed in 1813, entitled The Siege of Troy, it was written by Charles Ettienne Boniface. Sefton Parry introduced the tradition of a seasonal pantomime with his production of Beauty and the Beast in 1857.
In the 1870s and 1880s it was mainly the United Service Dramatic Company of Captain Disney Roebuck that gave annual pantomimes.
Early 20th century
During the First World War the seasonal pantomimes were mainly produced by the J.C. Williamson organisation and the local impresario Leonard Rayne. They initiated the tradition of mounting a pantomime to tour the main centres. This tradition continued by African Theatres, was brought to an end by the depression of the 1930s.
Amateur dramatic societies started to produce pantomimes I 1935, a practice which gained momentum in the late 1950s. After 1955 when African Consolidated Theatres did their last pantomime, amateur dramatic companies became mainly responsible for staging pantomimes.
Pantomimes on ice
These were introduced in 1953 by African Consolidated Theatres.
From 1960 till 1993
In Durban, during the 1960s Marjorie Chase developed this entertainment further. * This trend was only changed in 1980 when NAPAC staged Cinderella by John Moss, the leading local panto scriptwright.
During the 1990s PACT produced pantomimes in English and Afrikaans with Janice Honeyman as scriptwriter and Nerina Ferreira as translator (in the case of Afrikaans).
From 1994 onwards
Pantomimes performed in South Africa
Click on the titles to go to the entry on the specific work or set of works.
Ali Baba and the Forty Thieves
(MK)
Sources
F.C.L. Bosman. 1928. Drama en Toneel in Suid-Afrika, Deel I: 1652-1855. Pretoria: J.H. de Bussy. [3]
F.C.L. Bosman. 1980. Drama en Toneel in Suid-Afrika, Deel II, 1856-1916. Pretoria: J.L. van Schaik
P.J. du Toit. 1988. Amateurtoneel in Suid-Afrika. Pretoria: Academica
M.S. Kruger. 1997. Tradisionele elemente en kontemporêre tendense in die pantomime: 'n teater-historiese ondersoek. Unpublished doctoral dissertation. Stellenbosch: University of Stellenbosch.
M.S. Kruger. 2000. English pantomime: reflections on a dynamic tradition. South African Theatre Journal, 14:146-173.
M.S. Kruger. 2003. Pantomime in South Africa: the British tradition and the local flavour. South African Theatre Journal, 17:129-152.
Go to ESAT Bibliography
Return to
Return to South African Theatre Terminology and Thematic Entries
Return to PLAYS I: Original SA plays
Return to PLAYS II: Foreign plays
Return to PLAYS III: Collections
Return to PLAYS IV: Pageants and public performances
Return to South African Festivals and Competitions
Return to The ESAT Entries
Return to Main Page
Sources =
https://en.wikipedia.org/wiki/Pantomime
Go to ESAT Bibliography
Return to
Return to The South African Context/General Terminology and Thematic Entries
Return to South African Theatre/Terminology and Thematic Entries
Return to South African Film /Terminology and Thematic Entries
Return to South African Media/Terminology and Thematic Entries
Return to The ESAT Entries
Return to Main Page
