Difference between revisions of "ESAT Bibliography Mop-Mot"

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More Sagan productions [Candida]. 1941. Forum. 4(5): 33; 4(6): 31.
 
  
Moreno, J.J. 1985. Musical psychodrama. South African journal of music therapy, 3(4) : 12.
+
[[J.J. Moreno|Moreno, J.J.]] 1985. Musical psychodrama. ''South African Journal of Music Therapy'', 3(4):12.
  
Morgensen-Lindsay, Annissa Marie 1998. Post-apartheid Fugard: cross-generation attachment in select plays by Athol Fugard. Bowling Green, OH: Bowling Green University. (Ph.D. thesis).
+
[[Annissa Marie Morgensen-Lindsay|Morgensen-Lindsay, Annissa Marie]] 1998. Post-apartheid [[Fugard, Athol|Fugard]]: cross-generation attachment in select plays by Athol Fugard. Unpublished doctoral dissertation. Bowling Green, OH: Bowling Green University.
  
Moropa, C.K. 1986. Art of drama in ‘intsomi’ narration. South African journal of African languages, 6(2): 91-93.
+
[[C.K. Moropa|Moropa, C.K.]] 1986. Art of drama in ‘intsomi’ narration. ''South African Journal of African Languages'', 6(2):91-93.
  
Morris, Gay 1989a. A critical biography of Rosalie van der Gucht : investigating her contribution to education in South Africa with special reference to speech and drama. Cape Town: University of Cape Town. (MA Drama-thesis.)
+
[[Gay Morris|Morris, Gay]] 1989a. A critical biography of Rosalie van der Gucht : investigating her contribution to education in South Africa with special reference to speech and drama. Unpublished master’s thesis. Cape Town: University of Cape Town.
  
Morris, Gay 1989b. Theatrical possibilities of the traditional Xhosa iintomsi:  what do they offer here and now? South African theatre journal, 3(2): 91-99.
+
[[Gay Morris|Morris, Gay]] 1989b. Theatrical possibilities of the traditional Xhosa iintomsi:  what do they offer here and now? South African Theatre Journal, 3(2):91-99.
  
Morris, Gay 1994. Catcalls from the soul: cabaret’s power to liberate. South African theatre journal, 8(2): 109-124.
+
[[Gay Morris|Morris, Gay]] 1994. Catcalls from the soul: cabaret’s power to liberate. South African Theatre Journal, 8(2):109-124.
  
Morris, Gay 2002a. Reconsidering theatre-making in South Africa: a study of theatre in education in Cape schools. Theatre research international, 27: 289-305.
+
[[Gay Morris|Morris, Gay]] 2002a. Reconsidering theatre-making in South Africa: a study of theatre in education in Cape schools. Theatre Research International, 27:289-305.
  
Morris, Gay 2002b.  Theatre in Education in Cape Schools: Reflections on South African Theatre Making practices.  South African theatre journal, 16: 120 – 136.
+
[[Gay Morris|Morris, Gay]] 2002b.  Theatre in education in Cape Schools: reflections on South African theatre making practices.  South African Theatre Journal, 16:120 – 136.
  
Morris, Gay 2006. Considering directors and directing in South African theatre. South African theatre journal, 20: 11-29.
+
[[Gay Morris|Morris, Gay]] 2006. Considering directors and directing in South African theatre. South African Theatre Journal, 20:11-29.
  
Morris, Gay 2007. Townships, identity and collective theatre making by young South Africans. South African theatre journal, 21: 166-179.
+
[[Gay Morris|Morris, Gay]] 2007. Townships, identity and collective theatre making by young South Africans. South African Theatre Journal, 21:166-179.
  
Morris, Gay 2008. Institutional arrangements of theatre in the Cape: the case of township theatre. South African theatre journal, 22: 102-118.
+
[[Gay Morris|Morris, Gay]] 2008. Institutional arrangements of theatre in the Cape: the case of township theatre. South African Theatre Journal, 22:102-118.
  
 +
Morrison, F.E. 1987. Die drama ’n herbesinning. Lyra Academica, 2(1):41-49.
  
Morrison, F.E. 1987. Die drama ’n herbesinning. Lyra academica, 2(1): 41-49.
+
Mosala, Bernadette 1973. Theatre in Soweto. Journal of Commonwealth Literature, 8(1):63-68.
  
Mosala, Bernadette 1973. Theatre in Soweto. Journal of Commonwealth literature, 8(1): 63-68.
+
Moses, A. 2009. Totsiens, juffrou Trudie: huldeblyk. Die Huisgenoot, 26(609):16-17. February 12.
 +
Most modern opera house in the world  (Nico Malan). 1970. Construction in Southern Africa, 15(2):69-79.
  
Moses, A. 2009. Totsiens, juffrou Trudie: huldeblyk. Die Huisgenoot, 26(609): 16-17. February 12.
+
Mother Earth (Yvonne Bryceland). 1978. Scenaria, December/January: 35.
  
Most modern opera house in the world [Nico Malan]. 1970. Construction in Southern Africa, 15(2): 69-79.
+
Mothiba, Kwena Frans 2005. Ntshuthelele : terama ya go se bapalege. Unpublished master’s thesis. Pretoria: University of Pretoria.  
  
Mother earth [Yvonne Bryceland]. 1978. Scenaria, December/January: 35.
+
Moto, Segopotše Godfrey 1988. Plot in Northern Sotho drama with special reference to C.K. Nchabeleng’s works. Unpublished master’s thesis. Pietersburg: University of the North.
 
 
Mothiba, Kwena Frans 2005. Ntshuthelele : terama ya go se bapalege. Pretoria: University of Pretoria. (M.A. (African languages) thesis).
 
 
 
Moto, Segopotše Godfrey 1988. Plot in Northern Sotho drama with special reference to C.K. Nchabeleng’s works. Pietersburg: University of the North. (M.A. thesis).
 
  
  

Revision as of 16:10, 2 February 2011

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Maa-Mal Mam-Mar Mas-Mcl Mcm-Mda Mde-Mes Met-Miz Mja-Moo Mop-Mot Mou-Moz Mpa-Mz

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Moreno, J.J. 1985. Musical psychodrama. South African Journal of Music Therapy, 3(4):12.

Morgensen-Lindsay, Annissa Marie 1998. Post-apartheid Fugard: cross-generation attachment in select plays by Athol Fugard. Unpublished doctoral dissertation. Bowling Green, OH: Bowling Green University.

Moropa, C.K. 1986. Art of drama in ‘intsomi’ narration. South African Journal of African Languages, 6(2):91-93.

Morris, Gay 1989a. A critical biography of Rosalie van der Gucht : investigating her contribution to education in South Africa with special reference to speech and drama. Unpublished master’s thesis. Cape Town: University of Cape Town.

Morris, Gay 1989b. Theatrical possibilities of the traditional Xhosa iintomsi: what do they offer here and now? South African Theatre Journal, 3(2):91-99.

Morris, Gay 1994. Catcalls from the soul: cabaret’s power to liberate. South African Theatre Journal, 8(2):109-124.

Morris, Gay 2002a. Reconsidering theatre-making in South Africa: a study of theatre in education in Cape schools. Theatre Research International, 27:289-305.

Morris, Gay 2002b. Theatre in education in Cape Schools: reflections on South African theatre making practices. South African Theatre Journal, 16:120 – 136.

Morris, Gay 2006. Considering directors and directing in South African theatre. South African Theatre Journal, 20:11-29.

Morris, Gay 2007. Townships, identity and collective theatre making by young South Africans. South African Theatre Journal, 21:166-179.

Morris, Gay 2008. Institutional arrangements of theatre in the Cape: the case of township theatre. South African Theatre Journal, 22:102-118.

Morrison, F.E. 1987. Die drama ’n herbesinning. Lyra Academica, 2(1):41-49.

Mosala, Bernadette 1973. Theatre in Soweto. Journal of Commonwealth Literature, 8(1):63-68.

Moses, A. 2009. Totsiens, juffrou Trudie: huldeblyk. Die Huisgenoot, 26(609):16-17. February 12. Most modern opera house in the world (Nico Malan). 1970. Construction in Southern Africa, 15(2):69-79.

Mother Earth (Yvonne Bryceland). 1978. Scenaria, December/January: 35.

Mothiba, Kwena Frans 2005. Ntshuthelele : terama ya go se bapalege. Unpublished master’s thesis. Pretoria: University of Pretoria.

Moto, Segopotše Godfrey 1988. Plot in Northern Sotho drama with special reference to C.K. Nchabeleng’s works. Unpublished master’s thesis. Pietersburg: University of the North.


Click on the appropriate letters of the alphabet in the sub-list below.

Ma-Mal Mam-Mar Mas-Mcl Mcm-Mda Mde-Mes Met-Miz Mja-Moo Mop-Mot Mou-Moz Mpa-Mz

To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance