Difference between revisions of "ESAT Bibliography Dur-Dz"
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| − | [[A. du Randt|Du Randt, A.]] 1960a. Creative drama – a tool of learning. Transvaal Educational News, 56(6):16-18. | + | [[A. du Randt|Du Randt, A.]] 1960a. Creative drama – a tool of learning. ''Transvaal Educational News'', 56(6):16-18. |
| − | [[A. du Randt|Du Randt, A.]] 1960b. An introduction to creative drama. Transvaal Educational News, 56(4):7-8. | + | [[A. du Randt|Du Randt, A.]] 1960b. An introduction to creative drama. ''Transvaal Educational News'', 56(4):7-8. |
| − | [[W.S.H. du Randt|Du Randt, W.S.H.]] 1985. Twee karakters op soek na ‘n tema : ‘n kort bespreking van die tema van [[ | + | [[W.S.H. du Randt|Du Randt, W.S.H.]] 1985. Twee karakters op soek na ‘n tema : ‘n kort bespreking van die tema van [[Henriëtte Grové]] se dramatiese werk : ''[[Ontmoeting by Dwaaldrif]]''. ''Klasgids'', 20(1):18-20. |
[[W.S.H. du Randt|Du Randt, W.S.H.]] 1989. Die daad in ''[[Dias]]'' as kern van die handeling. ''Tydskrif vir Geesteswetenskappe'', 29(3):193-203. | [[W.S.H. du Randt|Du Randt, W.S.H.]] 1989. Die daad in ''[[Dias]]'' as kern van die handeling. ''Tydskrif vir Geesteswetenskappe'', 29(3):193-203. | ||
| − | [[Errol Durbach|Durbach, Errol]] 1984. Sophocles in South Africa: [[ | + | [[Errol Durbach|Durbach, Errol]] 1984. Sophocles in South Africa: [[Athol Fugard]]’s ''[[The Island]]''. ''Comparative Drama'', 18(3):252-264. |
| − | [[Errol Durbach|Durbach, Errol]] 1987. ''[[Master Harold… and the boys]]'': [[ | + | [[Errol Durbach|Durbach, Errol]] 1987. ''[[Master Harold… and the boys]]'': [[Athol Fugard]] and the psychopathology of apartheid. ''Modern Drama'', 30(4):505-513. |
| − | [[Errol Durbach|Durbach, Errol]] 1993. Sophocles in South Africa: [[ | + | [[Errol Durbach|Durbach, Errol]] 1993. Sophocles in South Africa: [[Athol Fugard]]’s ''[[The Island]]'', in [[Clifford Davidson|Davidson, Clifford]] & [[Rand Johnson|Johnson, Rand]] (eds.). ''Drama and The Classical Heritage''. New York: AMS. 241-253. |
| − | [[Errol Durbach|Durbach, Errol]] 1999. ‘No time for apartheid’: dancing free of the system in [[ | + | [[Errol Durbach|Durbach, Errol]] 1999. ‘No time for apartheid’: dancing free of the system in [[Athol Fugard]]’s ''[[Boesman and Lena]]'', in [[Marcia Blumberg|Blumberg, Marcia]] & [[Dennis Walder|Walder, Dennis]] (eds.). ''South African Theatre as/and Intervention''. Amsterdam: Rodopi. 61-74. |
[[Playhouse|Durban Playhouse]] : back on the green. 1986. ''Financial Mail'', 100(3):77. April 18. | [[Playhouse|Durban Playhouse]] : back on the green. 1986. ''Financial Mail'', 100(3):77. April 18. | ||
Revision as of 22:17, 9 March 2011
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Du Randt, A. 1960a. Creative drama – a tool of learning. Transvaal Educational News, 56(6):16-18.
Du Randt, A. 1960b. An introduction to creative drama. Transvaal Educational News, 56(4):7-8.
Du Randt, W.S.H. 1985. Twee karakters op soek na ‘n tema : ‘n kort bespreking van die tema van Henriëtte Grové se dramatiese werk : Ontmoeting by Dwaaldrif. Klasgids, 20(1):18-20.
Du Randt, W.S.H. 1989. Die daad in Dias as kern van die handeling. Tydskrif vir Geesteswetenskappe, 29(3):193-203.
Durbach, Errol 1984. Sophocles in South Africa: Athol Fugard’s The Island. Comparative Drama, 18(3):252-264.
Durbach, Errol 1987. Master Harold… and the boys: Athol Fugard and the psychopathology of apartheid. Modern Drama, 30(4):505-513.
Durbach, Errol 1993. Sophocles in South Africa: Athol Fugard’s The Island, in Davidson, Clifford & Johnson, Rand (eds.). Drama and The Classical Heritage. New York: AMS. 241-253.
Durbach, Errol 1999. ‘No time for apartheid’: dancing free of the system in Athol Fugard’s Boesman and Lena, in Blumberg, Marcia & Walder, Dennis (eds.). South African Theatre as/and Intervention. Amsterdam: Rodopi. 61-74.
Durban Playhouse : back on the green. 1986. Financial Mail, 100(3):77. April 18.
Durbanse passiespel. 1984. Taalgenoot, 53(5):6.
Durden, E. & Nduhura, D. 2007. Use of participatory forum theatre to explore HIV/AIDS issues in the workplace. Communicare, 26(2):56-70.
Du Toit, Cornelia Elizabeth 1978. Opvallende verskyningsvorme van satire in die Afrikaanse drama. Unpublished master’s thesis. Pretoria: University of South Africa.
Du Toit, Jan H.V. 1985. Die SA Instituut vir Teatertegnologie (SAITT) ["SA Institute for Theatre Technology"), in Hauptfleisch, Temple (ed.). The Breytie Book: A Collection of Articles on South African Theatre Dedicated to P.P.B. Breytenbach. Johannesburg: The Limelight press. 122.
Du Toit, Jonelle 1999. 'n Ondersoek na die gebruiksmoontlikhede van die toneelpop. Unpublished master’s thesis. Stellenbosch: University of Stellenbosch.
Du Toit, Petrus Jacobus 1978. Die geskiedenis van die toonaangewende amateurtoneelverenigings in Pretoria, Johannesburg en Krugersdorp, 1927-1947. Unpublished master’s thesis. Pretoria: University of Pretoria.
Du Toit, Petrus Jacobus 1985. Die Krugersdorpse Munisipale Vereniging vir Drama en Opera (1928-1949) , in Hauptfleisch, Temple (ed.). The Breytie Book: A Collection of Articles on South African Theatre Dedicated to P.P.B. Breytenbach. Johannesburg: The Limelight press. 55-60.
Du Toit, Petrus Jacobus 1987. Amateurtoneel in Suid-Afrika. Unpublished doctoral dissertation. Pretoria: University of Pretoria.
Du Toit, Petrus Jacobus 1988. Amateurtoneel in Suid-Afrika. Pretoria: Academica
[Charles Du Val|Du Val, Charles] 1882. With a Show Through Southern Africa, Vol. 1. London: Tinsley Bros.
Duvenage, P. 1998. Boklied en die denke van ons tyd. Fragmente : Tydskrif vir Filosofie en Kultuurkritiek, (2):144-147.
Dyers, C.W. 1995. Drama training for language teachers: a necessity, not an option. Journal for Language Teaching, 29(2):149-154.
Click on the appropriate letters of the alphabet in the sub-list below.
Da-Daz Dea-Deu Dev-Dir Dis-Doz Dr-Dup Dur-Dz
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