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| − | Click on the appropriate letter of the alphabet below to find the relevant list. | + | Click on the appropriate letters of the alphabet in the sub-list below. |
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| − | [[ESAT Bibliography A|A]] [[ESAT Bibliography B|B]] [[ESAT Bibliography C|C]] [[ESAT Bibliography D|D]] [[ESAT Bibliography E|E]] [[ESAT Bibliography F|F]] [[ESAT Bibliography G|G]] [[ESAT Bibliography H-Hay|H-Hay]] [[ESAT Bibliography He-Hu|He-Hu]] [[ESAT Bibliography I|I]] [[ESAT Bibliography J|J]] [[ESAT Bibliography K|K]] [[ESAT Bibliography L|L]] [[ESAT Bibliography M|M]] [[ESAT Bibliography N|N]] [[ESAT Bibliography O|O]] [[ESAT Bibliography P|P]] [[ESAT Bibliography Q|Q]] [[ESAT Bibliography R|R]] [[ESAT Bibliography S-Sh|S-Sh]] [[ESAT Bibliography Si-Sz|Si-Sz]] [[ESAT Bibliography T|T]] [[ESAT Bibliography U|U]] [[ESAT Bibliography V|V]] [[ESAT Bibliography W|W]] [[ESAT Bibliography X|X]] [[ESAT Bibliography Y|Y]] [[ESAT Bibliography Z|Z]] | + | [[ESAT Bibliography O-Od|O-Od]] [[ESAT Bibliography Oe-Ol|Oe-Ol]] [[ESAT Bibliography Om-Oq|Om-Oq]] [[ESAT Bibliography Or-Oz|Or-Oz]] |
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| | + | To return to any other letter, click on the list below |
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| | + | [[ESAT Bibliography A|A]] [[ESAT Bibliography B|B]] [[ESAT Bibliography C|C]] [[ESAT Bibliography D|D]] [[ESAT Bibliography E|E]] [[ESAT Bibliography F|F]] [[ESAT Bibliography G|G]] [[ESAT Bibliography H|H]] [[ESAT Bibliography I|I]] [[ESAT Bibliography J|J]] [[ESAT Bibliography K|K]] [[ESAT Bibliography L|L]] [[ESAT Bibliography M|M]] [[ESAT Bibliography N|N]] [[ESAT Bibliography O|O]] [[ESAT Bibliography P|P]] [[ESAT Bibliography Q|Q]] [[ESAT Bibliography R|R]] [[ESAT Bibliography S|S]] [[ESAT Bibliography T|T]] [[ESAT Bibliography U|U]] [[ESAT Bibliography V|V]] [[ESAT Bibliography W|W]] [[ESAT Bibliography X|X]] [[ESAT Bibliography Y|Y]] [[ESAT Bibliography Z|Z]] |
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| | Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]] | | Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]] |
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| | + | Return to [[The ESAT Entries]] |
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| − | Obituary. [Cheyele Rosenthal]. 1979. Jewish affairs, 34(10): 47. October.
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| − | O’Brien, Anthony 1994. Staging whiteness: Beckett, Havel, Maponya. Theatre journal, 46(1): 45-61.
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| − | O’Brien, Anthony 1996. Staging whiteness: Beckett, Havel, Maponya. In Reinelt, Janelle (ed.) Crucibles of crisis: performing social change. Ann Arbor MI: University of Michigan Press. p. 143-164.
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| − | O’Brien, Anthony 1997. Theatre and change in South Africa. edited by Geoffrey V. Davis and Anne Fuchs Reviewed in: Modern drama, 40(1): 174-175.
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| − | O’Connor, Lloyd Grant 2006. "Summoning the healing" : intercultural performance, immediacy, and historical and ritual dialectics in Brett Bailey's The plays of miracle & wonder (2003). Durban: University if KwaZulu-Natal.
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| − | Odendaal OPPERMAN, DEON. Môre is ‘n Lang Dag (L B) South African Theatre Journal, Vol. 2(1):88-89
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| − | Odendaal, L.B. 1972. Dramakroniek [André Brink, P.G. du Plessis en Bartho Smit]. Tydskrif vir geesteswetenskappe, 12: 82-96. June.
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| − | Odendaal, L.B. 1973. Dramakroniek. Tydskrif vir geesteswetenskappe, 13: 224-236. September
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| − | Odendaal, L.B. 1977. Chris Barnard: Man met vakansie. [Literary criticism]. Tydskrif vir geesteswetenskappe, 17: 356-358. December.
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| − | Odendaal, L.B. 1978. Vyfling. Scenaria, June/July: 59-63.
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| − | Odendaal, L.B. 1980a. Intrige en konflik in Oorlog is oorlog. Tydskrif vir letterkunde, 18(4): 103-106.
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| − | Odendaal, L.B. 1980b. Karakterteenstellinge in Ruwe erts. Tydskrif vir letterkunde, 18(4): 106-109.
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| − | Odendaal, L.B. 1980c. Plaasvervangers. [Literary criticism, Pieter Fourie]. Tydskrif vir geesteswetenskappe, 20: 174-176.
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| − | Odendaal L.B. 1980d. Stukkie geskiedkundige geselsery: Die arrestasie. Tydskrif vir letterkunde, 18(4): 109-110.
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| − | Odendaal, L.B. 1981. Met permissie gesê – ‘n kabaret. Tydskrif vir geesteswetenskappe, 21 : 227-229.
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| − | Odendaal, Louwrens Badenhorst 1986. Dramakroniek. Tydskrif vir geesteswetenskappe, 26(3) : 220-229.
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| − | Odendaal, L.B. 1987. Dramakroniek. Tydskrif vir geesteswetenskappe, 27(3): 254-263.
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| − | Odendaal, L.B. 1988. Môre is ’n lang dag, deur Deon Opperman. Reviewed in: South African theatre journal, 2(1):88-89.
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| − | Odendaal, L.B. 1988. Spraak en drama: ‘n erkende skoolvak. Education and Culture, 11(1): 20.
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| − | Odendaal, L.B. 1989. Dramakroniek. Tydskrif vir geesteswetenskappe, 29(4): 328-338.
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| − | ODENDAAL, LOUW & SCHUTTE, JOHAN. 1995. ATKV 1995: ‘n Reënboog met spatsels goud. South African theatre journal, 9(1):100-112.
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| − | ODENDAAL, LOUW.1992. ATKV Kampustoneel ’92. South African theatre journal, 6(1): 72-81.
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| − | Odendaal, Louw & Schutte, Johan 1994. Kampustoneel ’94: tekens van dekadentisme. South African theatre journal, 8(1): 68-80.
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| − | Odendaal, Louw & Schutte, Johan. 1995. ATKV Toneel ’95: ‘n reënboog met spatsels goud. South African theatre journal, 9(1): 100-110.
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| − | ODENDAAL, THYS. 1997. Teaterman Tucker vier 50j. in bedryf. Beeld. 16 Julie: Kalender.
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| − | Odendaal, Thys. 1997. Geen koers met die kunste. Insig, 08/97: 14.
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| − | Odendal, Lize 1986. Ian Roberts : die nuwe macho man ? De kat, 2(1) : 62-64.
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| − | OFFICIAL PROGRAM OF THE VAN RIEBEECK FESTIVAL. 1952. Cape Town.
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| − | Ogude, N.A. & Rollnick, M. 1999. Addressing primary school science problems through materials developed by science educators and drama in education specialists. South African Journal of Education, 19(4): 251-256.
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| − | O’Hara, Glynis. 1998. iMumbo Jumbo. In: Vuka SA, January 31, 1998: 4.
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| − | Ohlhoff, H. 1978. En daar was lig – gedagtes oor Laat die kerse brand. Klasgids, 13(3-4): 5-9. November.
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| − | Ohloff, C.H.F. 1983. Dias (N.P. van Wyk Louw). Tydskrif vir letterkunde, 21(3): 138-145
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| − | Ojo-Ade, Femi 1996. Contemporary South African theatre and the complexities of commitment . African literature today, 20: 120-134.
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| − | OKAGBUE, OSITA. 1997. When the dead return: Play and seriousness in African masked performance. South African theatre journal, 11(1&2):89-107.
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| − | Olaiya, kolawole 2008. Deconstructing Apartheid's global gaze: death and resistance in Fugard et al.'s Sizwe Bansi Is dead. Global South, 2 (2): 75-91.
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| − | Olaniyan, T. (1995) Scars of conquest, masks of resistance: the invention of cultural identities in African, African-American and Carribean drama. New York: Oxford University Press.
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| − | Olaniyan, T. and Quayson, A. (2007) African literature: an anthology of criticism and theory. Malden, MA: Blackwell Publishings
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| − | OLANIYAN, TEJUMOLA. Scars of Conquest/Masks of Resistance: The invention of cultural identities in African, African-American and Caribbean Drama (Yvette Hutchison) South African theatre journal, 10(1):126-129.
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| − | Old and new combine in modern theatre complex: bentonite plays major role in walling of the Durban Playhouse. 1983. Civil engineer and contractor, 17(5): 34-41.
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| − | Oliphant, A.W.1988. John Kani:combatant from the stage. Staffrider, 7(1): 54-61.
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| − | Oliphant, Andries W. 1989. Victor Shingwenyana: theatre and the struggle for unity. Staffrider, 8(3/4): 149-152.
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| − | Oliphant, Andries 1992. Isolate the enemy: community and conflict in popular theatre. South African theatre journal, 6(2): 18-29.
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| − | Olivier, Bert 1989. Simbolisme as werklikheidsbenadering: watter werklikheid? Tydskrif vir literatuurwetenskap, 5(3/4): 237-252.
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| − | Olivier, Fanie 1996. ‘n Fees sonder vonk. Insig, 08/96: 40.
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| − | Olivier, G. 1978. Vyf tekste vir beeldradio. [Literary criticism]. Standpunte, 31(2): 25-31. April.
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| − | Omotoso, Kole 1996. Whose culture is the culture of the global village? South African theatre journal, 10(1): 85-87.
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| − | On tour [Afrikaans company]. 1941. Forum. 4(13): 19.
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| − | O’Neill, C. 1985. Imagined worlds in theatre and drama. Pedagogiekjoernaal, 6(2) : 101-118.
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| − | Ons huldig Anna Neethling-Pohl. 1957. Taalgenoot, 26(2): 24-26.
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| − | Ons word weer oorval deur digters. [Chris Barnard]. 1976. Huisgenoot, 22-23. March
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| − | O’Sheel, Patrick. 1978. Athol Fugard’s “Poor theatre”. Journal of Commonwealth Literature, 12: 67-77.
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| − | On ghosts and miracles. 2003. American theatre, 20(8): 114.
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| − | Ontwikkeling en problem van die amateurtoneel. (Gedeelte uit die jongste jaarverslag van die Federasie van amateur-toneelverenigings van Suid-Afrika). 1951. Helikon, 1(1): 19-24. October.
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| − | Oppenheim, Helen A. 1947. South African national theatre. Bluestocking. 16(2): 24-27.
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| − | Opperman, Deon 1989. Brugbouers van die gode. Insig, Junie 48-50.
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| − | Opperman, M. 2007. Tragedie van ‘n grapjas: in die nuus [Bill Flynn]. Die huisgenoot. Huisgenoot, Vol 100, Issue 528, Julie 26 Pages: 10-13
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| − | Op’t Hof, J.J.P. 1951. Inspirerende gedagtes vir toneelskrywers en –liefhebbers: openingsrede van F.A.T.S.A. jaarkongres. Lantern, 1: 290-291.
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| − | Op’t Hof, J.J.P. 1966. Official opening of the Little Theatre, Rhodes University, Grahamstown, on 19th August, 1966. Public
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| − | servant, 46(10): 12-14.
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| − | O’Quinn, Jim 1988. Stages of history. American theatre, 5(6): 19-23, 53.
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| − | Orkin, Martin 1985. Drama in South Africa: Ghandi in South Africa: the play. English Academy review, 2: 61-67.
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| − | Orkin, Martin 1986. Civility and the English colonial enterprise: notes on Shakespeare’s Othello. Theaoria, 68: 1-14. December.
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| − | Orkin, Martin 1987a. Cruelty, King Lear, and the South African Land Act, 1913. Shakespeare survey, 40: 135-143.
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| − | Orkin, Martin 1987b. The European challenge. Scenaria, 78: 47-48. July.
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| − | Orkin, Martin 1987c. Othello and the ‘plain face’ of racism. Shakespeare quarterly, 38(2): 166-188.
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| − | Orkin, Martin 1987d. Shakespeare against Apartheid. Craighall: Donker.
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| − | Orkin, Martin 1988a. Body and state in Blood knot / The Blood knot. South African theatre journal, 2(1): 17-34.
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| − | Orkin, Martin 1988b. Cruelty, King Lear, and the South African Land Act. In: Wells, Stanley (ed.) Current approaches to Shakespeare through language, text and theatre. (Shakespeare survey : an annual survey of Shakespearian study and production ; 40). Cambridge, Cambridge University Press.
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| − | Orkin, Martin 1990. “This bit of the world is ours”: Butler’s national theatre of the fifties. South African theatre journal, 4(2): 87-98.
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| − | Orkin, Martin 1991a. Drama and the South African state. Johannesburg: Witwatersrand University Press.
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| − | Orkin, Martin 1991b. Shakespeare and the politics of “unrest”. English Academy review, 8: 85-97.
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| − | Orkin, Martin 1992. Whose popular theatre and performance? South African theatre journal, 6(2): 30-42.
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| − | Orkin, Martin 1993a. The politics of editing the Shakespearean text in South Africa. Current writing, 5(1): 48-59.
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| − | Orkin, Martin 1993b. Re-presenting The Tempest in South Africa (1955-1990). Shakespeare in Southern Africa, 6: 45-60.
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| − | Orkin, Martin 1995. Introduction to At The Junction: Four Plays by the Junction Avenue Theatre Company. Johannesburg: Witwatersrand University Press.
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| − | Orkin, Martin 1996. Possessing the book and peopling the text. Essays in theatre, 15(1): 45-57.
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| − | Orkin, Martin 1996b. Whose popular theatre and performance? In Davis, Geoffrey V. & Fuchs, Anne (eds.) Theatre and change in South
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| − | Africa. Amsterdam: Harwood Academic Publishing. p. 49-64.
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| − | Orkin, Martin 1997. Whose things of darkness? Reading/representing The tempest in South Africa. In Joughin, John J. (ed.) Shakespeare and national culture. Manchester: Manchester University Press. p. 142-169.
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| − | Orkin, Martin 2005. Local Shakespeares: Proximations and Power. London and New York: Routledge.
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| − | Osborne, Jane 1990. The Gumboot dance: an historical, socio-economic and cultural perspective. South African theatre journal,, 4(2): 50-79.
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| − | Oude Libertas centre. 1977. Architect and builder, 27(12): 18-25.
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| − | Oude Libertas-sentrum: ‘n monument vir wyn. 1977. Wynboer, 552: 18-25.
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| − | An outsider’s impression on African drama. 1940. South African outlook. 70:126.
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| − | Click on the appropriate letter of the alphabet below to find the relevant list.
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| − | [[ESAT Bibliography A|A]] [[ESAT Bibliography B|B]] [[ESAT Bibliography C|C]] [[ESAT Bibliography D|D]] [[ESAT Bibliography E|E]] [[ESAT Bibliography F|F]] [[ESAT Bibliography G|G]] [[ESAT Bibliography H-Hay|H-Hay]] [[ESAT Bibliography He-Hu|He-Hu]] [[ESAT Bibliography I|I]] [[ESAT Bibliography J|J]] [[ESAT Bibliography K|K]] [[ESAT Bibliography L|L]] [[ESAT Bibliography M|M]] [[ESAT Bibliography N|N]] [[ESAT Bibliography O|O]] [[ESAT Bibliography P|P]] [[ESAT Bibliography Q|Q]] [[ESAT Bibliography R|R]] [[ESAT Bibliography S-Sh|S-Sh]] [[ESAT Bibliography Si-Sz|Si-Sz]] [[ESAT Bibliography T|T]] [[ESAT Bibliography U|U]] [[ESAT Bibliography V|V]] [[ESAT Bibliography W|W]] [[ESAT Bibliography X|X]] [[ESAT Bibliography Y|Y]] [[ESAT Bibliography Z|Z]]
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| − | Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]] | |
