Difference between revisions of "ESAT Bibliography Dev-Dir"
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Devarenne, N. 2010. The language of Ham and the language of Cain: "dialect" and linguistic hybridity in the work of [[Adam Small]]. ''Journal of Commonwealth Literature'', 45(3):389-408. | Devarenne, N. 2010. The language of Ham and the language of Cain: "dialect" and linguistic hybridity in the work of [[Adam Small]]. ''Journal of Commonwealth Literature'', 45(3):389-408. | ||
| − | [[A. de Villiers|De Villiers, A.]] 1976. Toneeljaar 1975 in Transvaal. ''Standpunte'', 29(1):55-62. | + | [[A. de Villiers|De Villiers, A.]] 1976. Toneeljaar 1975 in Transvaal. ''[[Standpunte]]'', 29(1):55-62. |
| − | [[A. de Villiers|De Villiers, A.]] 1980. Amateurtoneel in ere herstel. ''Taalgenoot'', 49(9):20-21. | + | [[A. de Villiers|De Villiers, A.]] 1980. Amateurtoneel in ere herstel. ''[[Die Taalgenoot]]'', 49(9):20-21. |
[[Aart de Villiers|De Villiers, Aart]] 1971. Regieboek vir ''[[Germanicus]]'' van [[N.P. van Wyk Louw]]. Unpublished doctoral dissertation. Pretoria: University of Pretoria. | [[Aart de Villiers|De Villiers, Aart]] 1971. Regieboek vir ''[[Germanicus]]'' van [[N.P. van Wyk Louw]]. Unpublished doctoral dissertation. Pretoria: University of Pretoria. | ||
| + | |||
| + | [[Aart de Villiers|De Villiers, Aart]] 1976. ''Dirigent Van Die Woord''. Johannesburg: [[Perskor]]. | ||
[[Aart de Villiers|De Villiers, Aart]] 1984. Die dialoog van die versdrama, in [[Charles Malan|Malan, Charles]] (ed.). ''Spel en Spieël. Besprekings van die Moderne Afrikaanse Drama en Teater''. Johannesburg: Perskor. 115-124. | [[Aart de Villiers|De Villiers, Aart]] 1984. Die dialoog van die versdrama, in [[Charles Malan|Malan, Charles]] (ed.). ''Spel en Spieël. Besprekings van die Moderne Afrikaanse Drama en Teater''. Johannesburg: Perskor. 115-124. | ||
| − | [[Aart de Villiers|De Villiers, Aart]] 1986. Die kritikus in die toneelwêreld. ''Opvoeding en Kultuur'', 9(2):32. | + | [[Aart de Villiers|De Villiers, Aart]] 1986. Die kritikus in die toneelwêreld. ''[[Opvoeding en Kultuur]]'', 9(2):32. |
[[Aart de Villiers|De Villiers, Aart]] 1987. [[Bartho Smit]]-vertalings. Reviewed in: ''[[South African Theatre Journal]]'', 1(2):90-93. | [[Aart de Villiers|De Villiers, Aart]] 1987. [[Bartho Smit]]-vertalings. Reviewed in: ''[[South African Theatre Journal]]'', 1(2):90-93. | ||
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Diana 1945. ''[[Nag het die Wind Gebring]]'' by [[W.A. de Klerk]]. Reviewed in ''Trek'', 10(1):15. | Diana 1945. ''[[Nag het die Wind Gebring]]'' by [[W.A. de Klerk]]. Reviewed in ''Trek'', 10(1):15. | ||
| − | [[ | + | [[Beth Dickerson|Dickerson, Mary Elizabeth Henderson]] 1980. Some aspects of play production in the English and parallel medium secondary schools of the Eastern Cape 1822-1977. Unpublished master’s thesis. Grahamstown: Rhodes University. |
[[Jerry Richard Dickey|Dickey, Jerry Richard]] 1987. The artist as rebel: the development of [[Athol Fugard]]’s dramaturgy and the influence of Albert Camus. Unpublished doctoral dissertation. Bloomington, IN: Indiana University. | [[Jerry Richard Dickey|Dickey, Jerry Richard]] 1987. The artist as rebel: the development of [[Athol Fugard]]’s dramaturgy and the influence of Albert Camus. Unpublished doctoral dissertation. Bloomington, IN: Indiana University. | ||
| Line 76: | Line 78: | ||
[[Die Bywoners]] [theatrical company]: another milestone in Afrikaans theatre. 1981. ''[[Scenaria]]'', (24):9-10. | [[Die Bywoners]] [theatrical company]: another milestone in Afrikaans theatre. 1981. ''[[Scenaria]]'', (24):9-10. | ||
| − | [[Die Maskerspelers]]: beroepsgroep van [[Die Masker]]. 1945. ''Filma'', 2(4):10-11. | + | [[Die Maskerspelers]]: beroepsgroep van [[Die Masker]]. 1945. ''[[Filma]]'', 2(4):10-11. |
''[[Die Van Aardes van Grootoor]]'' [dramatic criticism]. ''English in Africa'', 6(2):78-84. | ''[[Die Van Aardes van Grootoor]]'' [dramatic criticism]. ''English in Africa'', 6(2):78-84. | ||
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[[Fatima Dike|Dike, Fatima]] 2006. Beyond the USA, beyond the UK: a view from South Africa, in Greene, Alexis (ed.). ''Women Writing Plays: Three Decades of the Susan Smith Blackburn Prize''. Austin: University of Texas Press. 199. | [[Fatima Dike|Dike, Fatima]] 2006. Beyond the USA, beyond the UK: a view from South Africa, in Greene, Alexis (ed.). ''Women Writing Plays: Three Decades of the Susan Smith Blackburn Prize''. Austin: University of Texas Press. 199. | ||
| + | |||
| + | [[Dimpho Di Kopane]]. 2004 ''A Short History of Dimpho Di Kopane: A South African Lyric Theatre Company''. Cape Town: Spier and Nando's. | ||
Dinesh, Nandita 2012. It's not that simple … doubts, responsibility, theatre and war. ''[[South African Theatre Journal]]'', 26(3):292-302. | Dinesh, Nandita 2012. It's not that simple … doubts, responsibility, theatre and war. ''[[South African Theatre Journal]]'', 26(3):292-302. | ||
Latest revision as of 06:47, 6 December 2019
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Devarenne, N. 2010. The language of Ham and the language of Cain: "dialect" and linguistic hybridity in the work of Adam Small. Journal of Commonwealth Literature, 45(3):389-408.
De Villiers, A. 1976. Toneeljaar 1975 in Transvaal. Standpunte, 29(1):55-62.
De Villiers, A. 1980. Amateurtoneel in ere herstel. Die Taalgenoot, 49(9):20-21.
De Villiers, Aart 1971. Regieboek vir Germanicus van N.P. van Wyk Louw. Unpublished doctoral dissertation. Pretoria: University of Pretoria.
De Villiers, Aart 1976. Dirigent Van Die Woord. Johannesburg: Perskor.
De Villiers, Aart 1984. Die dialoog van die versdrama, in Malan, Charles (ed.). Spel en Spieël. Besprekings van die Moderne Afrikaanse Drama en Teater. Johannesburg: Perskor. 115-124.
De Villiers, Aart 1986. Die kritikus in die toneelwêreld. Opvoeding en Kultuur, 9(2):32.
De Villiers, Aart 1987. Bartho Smit-vertalings. Reviewed in: South African Theatre Journal, 1(2):90-93.
De Villiers, Coenie 1994. Cabaret as new journalism: A proposed model for inter¬textual analysis. South African Theatre Journal, 8(2):127-149.
De Villiers, D. 1967. Janet Suzman: our girl in Stratford. Personality, 121-127. December 7.
De Villiers, D. 1968. Vroue Landbou-unie sit handjie by. Naweekpos, 15(169):22-24. May.
De Villiers, David. 2010. 'Van Daai Plek': David Kramer, Die Ballade van Koos Sas, and the Ground of Being. Journal of Literary Studies 26.2 (2010): 58-68.
De Villiers, David and Slabbert, Mathilda. 2011. David Kramer: A biography. Cape Town: Tafelberg.
De Villiers, D.P. 1952. Hendrik Hanekom as mens. Huisgenoot, 36(1560): 11. February 15.
De Villiers, Dirk 1986. Dit was die jaar van Sher. De Kat, 1(7) : 16-18.
De Villiers, I. 1968. Artistry in make-up. South African Panorama, 13(8): 22-25.
De Villiers, Linda 1993. Evita Bezuidenhout : die Koning se nar? Unpublished master’s thesis. Potchefstroom: Potchefstroom University for Christian Higher Education.
De Villiers, Steve 1948a. Eerste toneel kragte van die staat. Brandwag. 11(538):12-13. Januarie 23.
De Villiers, Steve 1948b. Energieke toewyding. (André Huguenet en die toneel). Brandwag, 11(541):7. February 13.
De Villiers, Steve 1948c. Nuwe hoofstuk [in Suid-Afrikaanse toneel]. Brandwag, 11(566):17-19. August 6.
De Vos, L. 1982. Backstage: Een europese lektuur van Afrikaans teater. AVRUGB, 9 (2-3):3-7.
De Vos, W. 2007. Die lewe loop sy eie draaie: profiel (Trix Pienaar). Lig, 72(3):26-28.
De Waal, J.H.H. 1932. My Herinnerings Van Ons Taalstryd. Kaapstad: Nasionale Pers.
De Wet, Elizabeth May 1997. Subversive acts : the politics of the female subject in performance. Unpublished master’s thesis. Cape Town: University of Cape Town.
Dhlomo, H.I.E. 1939. Nature and variety of tribal drama. Bantu Studies, 13.
Dhlomo, H.I.E. 1977. Literary theory and criticism of H.I.E. Dhlomo; [collected essays] ed. by N.W. Visser. English in Africa, 4(2):1-76. September.
Dhlomo, H.I.E. 1977. Drama and the African. Literary Criticism and Theory of H.I.E. Dhlomo. Special issue of English in Africa 4(2):3-11.
Dhlomo, H.I.E. 1985. Collected Works, edited by Nick Visser and Tim Couzens. Johannesburg: Ravan.
Dhlomo, H.I.E. 1993. Nature and variety of tribal drama, in Kashula, R.H. (ed.). Foundations in Southern African Oral Poetry. Witwatersrand: Witwatersrand University Press.
Dhlomo, H.I.E. (no date) The Evolution of Bantu Entertainments. Unpublished manuscript in Killie Campbell Museum, University of Natal (KCM 8290/2)
Diana 1945. Nag het die Wind Gebring by W.A. de Klerk. Reviewed in Trek, 10(1):15.
Dickerson, Mary Elizabeth Henderson 1980. Some aspects of play production in the English and parallel medium secondary schools of the Eastern Cape 1822-1977. Unpublished master’s thesis. Grahamstown: Rhodes University.
Dickey, Jerry Richard 1987. The artist as rebel: the development of Athol Fugard’s dramaturgy and the influence of Albert Camus. Unpublished doctoral dissertation. Bloomington, IN: Indiana University.
Die Bywoners [theatrical company]: another milestone in Afrikaans theatre. 1981. Scenaria, (24):9-10.
Die Maskerspelers: beroepsgroep van Die Masker. 1945. Filma, 2(4):10-11.
Die Van Aardes van Grootoor [dramatic criticism]. English in Africa, 6(2):78-84.
Dike, Fatima 1996. So what’s new? The story behind the play, in Davis, Geoffrey V. & Fuchs, Anne (eds.). Theatre and Change in South Africa. Amsterdam: Harwood Academic Publishing. 242-245.
Dike, Fatima 2006. Beyond the USA, beyond the UK: a view from South Africa, in Greene, Alexis (ed.). Women Writing Plays: Three Decades of the Susan Smith Blackburn Prize. Austin: University of Texas Press. 199.
Dimpho Di Kopane. 2004 A Short History of Dimpho Di Kopane: A South African Lyric Theatre Company. Cape Town: Spier and Nando's.
Dinesh, Nandita 2012. It's not that simple … doubts, responsibility, theatre and war. South African Theatre Journal, 26(3):292-302.
Directors at work, no.1: John Hussey. 1979. Scenaria, (15):5-7.
Dirmeik, Rosemary Ursula 1964. A List of Theatre Performances in Johannesburg, 1887-1897, Based on the Programme Collection in the Strange Library of Africana. Johannesburg: Public Library.
Click on the appropriate letters of the alphabet in the sub-list below.
Da-Daz Dea-Deu Dev-Dir Dis-Doz Dr-Dup Dur-Dz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
