Difference between revisions of "ESAT Bibliography Gru-Gz"

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Grundy, Kenneth 1993. The politics of the National Arts Festival.  Occasional Paper No 34. Grahamstown: Rhodes University Institute for Social and Economic Research.
 
  
Grundy, Kenneth 1994. Quasi-state censorship in South Africa: the performing arts councils and polticized theatre. Journal of arts management, law and society, 24(3): 241-257.
+
[[Wilhelm Grütter|Grütter, Wilhelm]] 1968a. Interview: [[Peter Kleinschmidt]] - the ideal critic. ''[[Teater SA]]'', 1(1):22-23.
  
Guillemaut, Alf 1996. Market theatret. ProScen, 20(4): 6-11.
+
[[Wilhelm Grütter|Grütter, Wilhelm]] 1968b. Stadig maar seker - die [[Nico Malan Theatre|Nico Malan-skouburg]]. ''[[Teater SA]]'', 1(1):7-9.
  
Guillemaut, Alf 1997. Tarzan – en teaterarbetare med rätt att fixa. [Tarzan – a theatre-worker with license to fix]. ProSen, 21(2) : 9-11.
+
[[Wilhelm Grütter|Grütter, Wilhelm]] 1968c. Who is [[Yvonne Bryceland]] anyway? ''[[Teater SA]]'', 1(2):5.
  
Guldimann, Colette 1996. The (black) male gaze:  Mbongeni Ngema’s Sarafina! South African theatre journal, 10(2): 85-99.
+
[[Wilhelm Grütter|Grütter, Wilhelm]] 1987. [[CAPAB]] 25 Years. Unpublished research.
  
Gunner, E. 1989. Orality and literacy: dialogue and silence. In Barber, K. & De Moraes Farias, P.F. (eds). Discourse and its disguises: the interpretation of African oral texts. Birmingham: Birmingham University Press. p.49-56.
+
[[Kenneth Grundy|Grundy, Kenneth]] 1993. ''The Politics of the [[National Arts Festival]]''. ''Occasional Paper'', (34). Grahamstown: Rhodes University Institute for Social and Economic Research.
  
Gunner, L. (ed.). 1994. Politics and performance: theatre, poetry and song in South Africa. Johannesburg: Witwatersrand University Press.
+
[[Kenneth Grundy|Grundy, Kenneth]] 1994. The politics of South Africa’s [[National Arts Festival]]: small engagements in the bigger campaign. ''African Affairs'', 93(372):387-409.
  
Gunner, Liz 1995. Remaking the warrior? The role of orality in the liberation struggle and in post-apartheid South Africa. Currrent Writing, 7(2):19-30.
+
[[Kenneth Grundy|Grundy, Kenneth]] 1994. Quasi-state censorship in South Africa: the performing arts councils and polticized theatre. ''Journal of Arts Management, Law and Society'', 24(3):241-257.
  
Gunner Liz 2005. Supping with the devil: Zulu radio drama under Apartheid—the case of
+
[[Alf Guillemaut|Guillemaut, Alf]] 1996. [[Market Theatre|Market theatret]]. ''ProScen'', 20(4):6-11.
Alexius Buthelezi. Social Identities 11(2):161-169.
 
  
Gunundu, O.T. 1994. Space in Xhosa drama: a study of 4 texts. Bloemfontein: University of the Orange Free State. (B.A. (Hons.) thesis).
+
[[Alf Guillemaut|Guillemaut, Alf]] 1997. Tarzan – en teaterarbetare med rätt att fixa. [Tarzan – a theatre-worker with license to fix]. ''ProSen'', 21(2):9-11.
  
Gurtin, W. 1950. Lecture on drama. Farmer, 39(15): 22. April 14.
+
[[Colette Guldimann|Guldimann, Colette]] 1996. The (black) male gaze:  [[Mbongeni Ngema]]’s ''[[Sarafina!]]'' ''[[South African Theatre Journal]]'', 10(2):85-99.
  
Gussow, Mel. 1982. Profile: Witness (Athol Fugard). New Yorker 20 Dec, pp.47-94.
+
[[E. Gunner|Gunner, E.]] 1982. New wine in old bottles: Imagery in the izibongo of the Zulu Zionist prophet, [[Isaiah Shembe]]. ''Anthropolical Society of Oxford Journal''. 13,99-108.  
  
Gutsche, Thelma 1940a. Afrikaans theatre. Forum. 3(25): 17. September 14.
+
[[E. Gunner|Gunner, E.]] 1984. Ukubonga Nezibongo: Zulu Praising and Praises. Unpublished doctoral dissertation. London: School of Oriental and African Studies: University of London.
  
Gutsche, Thelma 1940b. Afrikaans theatre. Forum. 3(27): 17. September 28.
+
[[E. Gunner|Gunner, E.]] 1989b. Songs of innocence and experience: Women as composers and performers of “Izibongo”, Zulu praise poetry, in [[C. Clayton|Clayton, C.]] (ed.). ''Women and Writing in South Africa''. Marshalltown: Heinemann. 12-39.  
  
Gutsche, Thelma 1940c. Effects of the war. Forum.3(35): 17. November 23.
+
[[E. Gunner|Gunner, E.]] 1989. Orality and literacy: dialogue and silence, in [[K. Barber|Barber, K.]] & [[P.F. De Moraes Farias|De Moraes Farias, P.F.]] (eds.). ''Discourse and Its Disguises: The Interpretation of African Oral Texts''. Birmingham: Birmingham University Press. 49-56.
  
Gutsche, Thelma 1940d. Leontine Sagan continues to make bricks without straw. Forum. 3(38): 18-19. December 14.
+
[[Liz Gunner|Gunner, Liz]] 1990. Introduction: forms of popular culture and the struggle for space. ''Journal of Southern African Studies'', 16:199-206.
  
Gutsche, Thelma 1940e. Renaissance of theatre in South Africa. [Dwen Ffrangcon-Davies in Major Barbara produced by Leontine Sagan]. Forum. 3(29): 17. October 12.
+
[[Liz Gunner|Gunner, Liz]] (ed.)1994. ''Politics and Performance: Theatre, Poetry and Song in Southern Africa''. Johannesburg: Witwatersrand University Press.
  
Gutsche, Thelma 1940f. Shakespeare [Twelfth night] captivates public: amateurs rise to histrionic heights. Forum. 3(38): 18. December 14.
+
[[Liz Gunner|Gunner, Liz]] 1995. Remaking the warrior? The role of orality in the liberation struggle and in post-apartheid South Africa. ''Currrent Writing'', 7(2):19-30.
  
Gutsche, Thelma 1940g. Theatre left to languish [for want of theatres]. Forum. 3(32): 17. November 2.
+
[[Liz Gunner|Gunner, Liz]] 2005. Supping with the devil: Zulu radio drama under Apartheid—the case of [[Alexius Buthelezi]]. ''Social Identities'', 11(2):161-169.
  
Gutsche, Thelma 1940h. Two important arrivals for the stage [Henry Mollison and Lina Basquette in Private lives]. Forum. 2(48): 19.February 24.
+
[[O.T. Gunundu|Gunundu, O.T.]] 1994. Space in Xhosa drama: a study of 4 texts. Unpublished honours thesis. Bloemfontein: University of the Orange Free State.  
  
Gutsche, Thelma 1940i. War and amateur theatricals. [Group theatre, Johannesburg repertory players]. Forum. 2(47): 22. February 17.
+
[[W. Gurtin|Gurtin, W.]] 1950. Lecture on drama. ''Farmer'', 39(15):22. April 14.
  
Gutsche, Thelma 1941a. Army entertainment. Forum. 4(39): 17. December 27.
+
[[Mel Gussow|Gussow, Mel]] 1982. Profile: Witness ([[Athol Fugard]]). ''New Yorker'', 20 Dec.:47-94.
  
Gutsche, Thelma 1941b. Audiences applaud “Puppet’s party” by M. Mason. Forum. 4(33): 18. November 15.
+
[[Thelma Gutsche|Gutsche, Thelma]] 1940a. Afrikaans theatre. ''Forum'', 3(25):17. September 14.
  
Gutsche, Thelma 1941c. Children take the stage [Alice in Wonderland]/ Forum.4(38): 18. December 20.
+
[[Thelma Gutsche|Gutsche, Thelma]] 1940b. Afrikaans theatre. ''Forum'', 3(27):17. September 28.
  
Gutsche, Thelma 1941d. End of a tour. Forum. 4(31)18. November 1.
+
[[Thelma Gutsche|Gutsche, Thelma]] 1940c. Cut out the cackle. ''[[The South African Theatre, Music and Dance]]'', 1(2):14-15.
  
Gutsche, Thelma 1941e. New shows and a new theatre. Forum.4(32):18. November 8.
+
[[Thelma Gutsche|Gutsche, Thelma]] 1940d. Effects of the war. ''Forum'', 3(35):17. November 23.
  
Gutsche, Thelma 1942a. Afrikaans drama. Forum. 4(40):18. January 3.
+
[[Thelma Gutsche|Gutsche, Thelma]] 1940e. [[Leontine Sagan]] continues to make bricks without straw. ''Forum'', 3(38):18-19. December 14.
  
Gutsche, Thelma. 1942b. Afrikaans stage production receives a beneficial opportunity. Forum. 4(45): 19. February 7.
+
[[Thelma Gutsche|Gutsche, Thelma]] 1940f. Renaissance of theatre in South Africa. ([[Gwen Ffrangcon-Davies]] in Major Barbara produced by [[Leontine Sagan]]). ''Forum'', 3(29):17. October 12.
  
Gutsche, Thelma 1946. The English speaking theatre in South Africa. In : South African panorama : introducing South Africa, her art, culture, and peoples. Johannesburg : Literary Guild. 21ff.
+
[[Thelma Gutsche|Gutsche, Thelma]] 1940g. Shakespeare [''[[Twelfth Night]]''] captivates public: amateurs rise to histrionic heights. ''Forum'', 3(38):18. December 14.
  
Gutsche, Thelma 1947. Hamlet produced in Afrikaans. Outspan. 41(1057): 26-27. March 30.
+
[[Thelma Gutsche|Gutsche, Thelma]] 1940h. Theatre left to languish [for want of theatres]. ''Forum'', 3(32):17. November 2.
  
Gutsche, Thelma 1970. Theatrical history. Standard encyclopedia of South Africa, 10: 475-481. Cape Town: Nasou.
+
[[Thelma Gutsche|Gutsche, Thelma]] 1940i. Two important arrivals for the stage ([[Henry Mollison]] and [[Lina Basquette]] in ''[[Private Lives]]''). ''Forum'', 2(48):19.February 24.
  
Gutsche, Thelma. 1973. Survey. In Lennox-Short, Alan  English and South Africa. Cape Town: Nasou. p. 83-85.
+
[[Thelma Gutsche|Gutsche, Thelma]] 1940j. War and amateur theatricals. (Group theatre, [[Johannesburg Repertory Players]]). ''Forum'', 2(47):22. February 17.
  
Gwala, M. 1974. (ed) Black Review 1973. Durban: Black Community Programmes.
+
[[Thelma Gutsche|Gutsche, Thelma]] 1941a. Army entertainment. ''Forum'', 4(39):17. December 27.
  
Gwala, M.P. 1973. Towards a national theatre. South African outlook. 103: 131-133.
+
[[Thelma Gutsche|Gutsche, Thelma]] 1941b. Audiences applaud ''[[Puppet’s party]]'' by [[M. Mason]]. ''Forum'', 4(33):18. November 15.
 +
 
 +
[[Thelma Gutsche|Gutsche, Thelma]] 1941c. Children take the stage [Alice in Wonderland]. ''Forum'', 4(38):18. December 20.
 +
 
 +
[[Thelma Gutsche|Gutsche, Thelma]] 1941d. End of a tour. ''Forum'', 4(31):18. November 1.
 +
 
 +
[[Thelma Gutsche|Gutsche, Thelma]] 1941e. New shows and a new theatre.  ''Forum'', 4(32):18. November 8.
 +
 
 +
[[Thelma Gutsche|Gutsche, Thelma]] 1942a. Afrikaans drama. ''Forum'', 4(40):18. January 3.
 +
 
 +
[[Thelma Gutsche|Gutsche, Thelma]] 1942b. Afrikaans stage production receives a beneficial opportunity. ''Forum'', 4(45): 19. February 7.
 +
 
 +
[[Thelma Gutsche|Gutsche, Thelma]] 1942c. Pioneers of the Afrikaans stage. ''The Forum'', 5(1):18. April 4.
 +
 
 +
[[Thelma Gutsche|Gutsche, Thelma]] 1945. Treffende gedagtes oor die toneel in Suid-Afrika. ''Filma'', 2(4):6-7.
 +
 
 +
[[Thelma Gutsche|Gutsche, Thelma]] 1946. The English speaking theatre in South Africa, in [[B.W. Rose|Rose, B.W.]] & [[M. Greenlees|Greenlees, M.]] (eds.). ''South African Panorama : Introducing South Africa, Her Art, Culture, and Peoples''. Johannesburg : Literary Guild. 21ff.
 +
 
 +
[[Thelma Gutsche|Gutsche, Thelma]] 1947. ''[[Hamlet]]'' produced in Afrikaans. ''Outspan'', 41(1057):26-27. March 30.
 +
 
 +
[[Thelma Gutsche|Gutsche, Thelma]] 1970. Theatrical history.  ''Standard Encyclopedia of South Africa''. Cape Town: Nasou. 10:475-481.
 +
 
 +
[[Thelma Gutsche|Gutsche, Thelma]] 1973. Survey, in [[Alan Lennox-Short|Lennox-Short, Alan]].  ''English and South Africa''. Cape Town: Nasou. 83-85.
 +
 
 +
[[Thelma Gutsche|Gutsche, Thelma]] 1975. Vaudeville  and Music-hall. ''Standard Encyclopaedia of Southern Africa''. 1975. Cape Town : NASOU. 11:179-181.
 +
 
 +
[[Mafika Gwala|Gwala, Mafika]] (ed.). 1974. ''Black Review 1973''. Durban: Black Community Programmes.
 +
 
 +
[[Mafika Gwala|Gwala, Mafika]] 1973. Towards a national theatre. ''South African Outlook'', 103:131-133.
 +
 
 +
[[Mafika Gwala|Gwala, Mafika]] and [[Liz Gunner|Gunner, Liz]] (eds) 1991.  ''Musho! Zulu Popular Praises''. East Lansing, MI: Michigan State University Press.
  
  

Latest revision as of 09:09, 19 May 2021

Click on the appropriate letters of the alphabet in the sub-list below.

Ga-Gi Gl-Go Gra Gre-Gri Gro Gru-Gz

To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance



Grütter, Wilhelm 1968a. Interview: Peter Kleinschmidt - the ideal critic. Teater SA, 1(1):22-23.

Grütter, Wilhelm 1968b. Stadig maar seker - die Nico Malan-skouburg. Teater SA, 1(1):7-9.

Grütter, Wilhelm 1968c. Who is Yvonne Bryceland anyway? Teater SA, 1(2):5.

Grütter, Wilhelm 1987. CAPAB 25 Years. Unpublished research.

Grundy, Kenneth 1993. The Politics of the National Arts Festival. Occasional Paper, (34). Grahamstown: Rhodes University Institute for Social and Economic Research.

Grundy, Kenneth 1994. The politics of South Africa’s National Arts Festival: small engagements in the bigger campaign. African Affairs, 93(372):387-409.

Grundy, Kenneth 1994. Quasi-state censorship in South Africa: the performing arts councils and polticized theatre. Journal of Arts Management, Law and Society, 24(3):241-257.

Guillemaut, Alf 1996. Market theatret. ProScen, 20(4):6-11.

Guillemaut, Alf 1997. Tarzan – en teaterarbetare med rätt att fixa. [Tarzan – a theatre-worker with license to fix]. ProSen, 21(2):9-11.

Guldimann, Colette 1996. The (black) male gaze: Mbongeni Ngema’s Sarafina! South African Theatre Journal, 10(2):85-99.

Gunner, E. 1982. New wine in old bottles: Imagery in the izibongo of the Zulu Zionist prophet, Isaiah Shembe. Anthropolical Society of Oxford Journal. 13,99-108.

Gunner, E. 1984. Ukubonga Nezibongo: Zulu Praising and Praises. Unpublished doctoral dissertation. London: School of Oriental and African Studies: University of London.

Gunner, E. 1989b. Songs of innocence and experience: Women as composers and performers of “Izibongo”, Zulu praise poetry, in Clayton, C. (ed.). Women and Writing in South Africa. Marshalltown: Heinemann. 12-39.

Gunner, E. 1989. Orality and literacy: dialogue and silence, in Barber, K. & De Moraes Farias, P.F. (eds.). Discourse and Its Disguises: The Interpretation of African Oral Texts. Birmingham: Birmingham University Press. 49-56.

Gunner, Liz 1990. Introduction: forms of popular culture and the struggle for space. Journal of Southern African Studies, 16:199-206.

Gunner, Liz (ed.)1994. Politics and Performance: Theatre, Poetry and Song in Southern Africa. Johannesburg: Witwatersrand University Press.

Gunner, Liz 1995. Remaking the warrior? The role of orality in the liberation struggle and in post-apartheid South Africa. Currrent Writing, 7(2):19-30.

Gunner, Liz 2005. Supping with the devil: Zulu radio drama under Apartheid—the case of Alexius Buthelezi. Social Identities, 11(2):161-169.

Gunundu, O.T. 1994. Space in Xhosa drama: a study of 4 texts. Unpublished honours thesis. Bloemfontein: University of the Orange Free State.

Gurtin, W. 1950. Lecture on drama. Farmer, 39(15):22. April 14.

Gussow, Mel 1982. Profile: Witness (Athol Fugard). New Yorker, 20 Dec.:47-94.

Gutsche, Thelma 1940a. Afrikaans theatre. Forum, 3(25):17. September 14.

Gutsche, Thelma 1940b. Afrikaans theatre. Forum, 3(27):17. September 28.

Gutsche, Thelma 1940c. Cut out the cackle. The South African Theatre, Music and Dance, 1(2):14-15.

Gutsche, Thelma 1940d. Effects of the war. Forum, 3(35):17. November 23.

Gutsche, Thelma 1940e. Leontine Sagan continues to make bricks without straw. Forum, 3(38):18-19. December 14.

Gutsche, Thelma 1940f. Renaissance of theatre in South Africa. (Gwen Ffrangcon-Davies in Major Barbara produced by Leontine Sagan). Forum, 3(29):17. October 12.

Gutsche, Thelma 1940g. Shakespeare [Twelfth Night] captivates public: amateurs rise to histrionic heights. Forum, 3(38):18. December 14.

Gutsche, Thelma 1940h. Theatre left to languish [for want of theatres]. Forum, 3(32):17. November 2.

Gutsche, Thelma 1940i. Two important arrivals for the stage (Henry Mollison and Lina Basquette in Private Lives). Forum, 2(48):19.February 24.

Gutsche, Thelma 1940j. War and amateur theatricals. (Group theatre, Johannesburg Repertory Players). Forum, 2(47):22. February 17.

Gutsche, Thelma 1941a. Army entertainment. Forum, 4(39):17. December 27.

Gutsche, Thelma 1941b. Audiences applaud Puppet’s party by M. Mason. Forum, 4(33):18. November 15.

Gutsche, Thelma 1941c. Children take the stage [Alice in Wonderland]. Forum, 4(38):18. December 20.

Gutsche, Thelma 1941d. End of a tour. Forum, 4(31):18. November 1.

Gutsche, Thelma 1941e. New shows and a new theatre. Forum, 4(32):18. November 8.

Gutsche, Thelma 1942a. Afrikaans drama. Forum, 4(40):18. January 3.

Gutsche, Thelma 1942b. Afrikaans stage production receives a beneficial opportunity. Forum, 4(45): 19. February 7.

Gutsche, Thelma 1942c. Pioneers of the Afrikaans stage. The Forum, 5(1):18. April 4.

Gutsche, Thelma 1945. Treffende gedagtes oor die toneel in Suid-Afrika. Filma, 2(4):6-7.

Gutsche, Thelma 1946. The English speaking theatre in South Africa, in Rose, B.W. & Greenlees, M. (eds.). South African Panorama : Introducing South Africa, Her Art, Culture, and Peoples. Johannesburg : Literary Guild. 21ff.

Gutsche, Thelma 1947. Hamlet produced in Afrikaans. Outspan, 41(1057):26-27. March 30.

Gutsche, Thelma 1970. Theatrical history. Standard Encyclopedia of South Africa. Cape Town: Nasou. 10:475-481.

Gutsche, Thelma 1973. Survey, in Lennox-Short, Alan. English and South Africa. Cape Town: Nasou. 83-85.

Gutsche, Thelma 1975. Vaudeville and Music-hall. Standard Encyclopaedia of Southern Africa. 1975. Cape Town : NASOU. 11:179-181.

Gwala, Mafika (ed.). 1974. Black Review 1973. Durban: Black Community Programmes.

Gwala, Mafika 1973. Towards a national theatre. South African Outlook, 103:131-133.

Gwala, Mafika and Gunner, Liz (eds) 1991. Musho! Zulu Popular Praises. East Lansing, MI: Michigan State University Press.



Click on the appropriate letters of the alphabet in the sub-list below.

Ga-Gi Gl-Go Gra Gre-Gri Gro Gru-Gz

To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance