Difference between revisions of "ESAT Plays 1 E"
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+ | Return to [[South_African_Theatre/Plays|South African Stage Plays]] | ||
+ | |||
+ | Return to [[PLAYS I: Original SA plays]] | ||
+ | |||
+ | Return to [[PLAYS II: Foreign plays]] | ||
+ | |||
+ | Return to [[PLAYS III: Collections]] | ||
+ | |||
+ | Return to [[PLAYS IV: Pageants and public performances]] | ||
+ | |||
+ | Return to [[The ESAT Entries]] | ||
+ | |||
+ | Return to [[Main Page]] | ||
+ | |||
+ | |||
+ | == Please Note == | ||
+ | |||
+ | ''''' Early South African [[Dutch]] titles beginning with the article "een" (English "one", but also used in the sense of "a" or "an")are listed under the following noun, according to normal bibliographic usage.''''' | ||
+ | |||
+ | ==The List== | ||
+ | |||
+ | |||
[[Die E Sonder die Strepie| E Sonder die Strepie, Die]] | [[Die E Sonder die Strepie| E Sonder die Strepie, Die]] | ||
Line 9: | Line 31: | ||
[[Earthrights]] | [[Earthrights]] | ||
− | [[ | + | [[Easter Bells]] |
[[Echoes/Eggos]] | [[Echoes/Eggos]] | ||
[[Echoes of Anger]] | [[Echoes of Anger]] | ||
+ | |||
+ | [[Echoes of the Night]] | ||
[[Echoes of Our Footsteps]] | [[Echoes of Our Footsteps]] | ||
− | [[Die Echtscheiding|Echtscheiding, Die]] | + | [[Die Echtscheiding|Echtscheiding, Die]] (Brink) '''See ''[[Die Egskeiding]]''''' |
− | [[ | + | [[Die Echtskeiding| Echtskeiding, Die]] (Brink) '''See ''[[Die Egskeiding]]''''' |
[[Edelweiss]] | [[Edelweiss]] | ||
Line 30: | Line 54: | ||
[[The Educaters|Educaters, The]] | [[The Educaters|Educaters, The]] | ||
+ | |||
+ | [[Edward II]] | ||
+ | |||
+ | [[Edzani]] | ||
[[Een Aand op ‘n Trein na Pretoria ‘’or’’ Sewe Stasies en ‘n Siding]] | [[Een Aand op ‘n Trein na Pretoria ‘’or’’ Sewe Stasies en ‘n Siding]] | ||
[[Een-en-Twintigste Beskawing]] | [[Een-en-Twintigste Beskawing]] | ||
+ | |||
+ | [[Een… Twee… Drie…]] | ||
[[Een Vrydagmiddag]] | [[Een Vrydagmiddag]] | ||
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[[Eendag is Daar]] | [[Eendag is Daar]] | ||
+ | |||
+ | [[Eendsonderend]] | ||
[[Die Eenheid|Eenheid, Die]] | [[Die Eenheid|Eenheid, Die]] | ||
Line 45: | Line 77: | ||
[[Eenkantkind]] | [[Eenkantkind]] | ||
− | [[ | + | [[Eensnaar]] |
+ | |||
+ | [[Eer]] | ||
+ | |||
+ | [[Eerloos]] | ||
+ | |||
+ | [[Eerloos (van Nouhuys)]] | ||
[[Die Eerste Oogopslag|Eerste Oogopslag, Die]] | [[Die Eerste Oogopslag|Eerste Oogopslag, Die]] | ||
Line 57: | Line 95: | ||
[[Ego]] | [[Ego]] | ||
− | [[Egoli | + | [[Egoli: Place of Gold]] |
+ | |||
+ | [[Egoli: Plek van Goud]] | ||
[[Egoli: City of Gold]] | [[Egoli: City of Gold]] | ||
+ | |||
+ | [[Egoli: the Movie]] | ||
[[eGoli]] | [[eGoli]] | ||
− | [[Die Egskeiding|Egskeiding, Die]] | + | [[Die Egskeiding|Egskeiding, Die]] (Brink) |
+ | |||
+ | [[Die Egtskeiding|Egtskeiding, Die]] (Brink) '''See ''[[Die Egskeiding]]'''''' | ||
[[Eight Women]] | [[Eight Women]] | ||
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[[Eita Da! Hoezit?]] | [[Eita Da! Hoezit?]] | ||
− | [[Ek, Anna van Wyk]] | + | [[Elke Vrou het 'n Fridge]] |
+ | |||
+ | [[Ek, Anna van Wyk]] ([[Pieter Fourie|Fourie]]) | ||
[[Ek My Bra]] | [[Ek My Bra]] | ||
Line 133: | Line 179: | ||
[[Elizabeth Wears a Wig]] | [[Elizabeth Wears a Wig]] | ||
− | [[Elke Ander Duim | + | [[Elke Ander Duim 'n Dame]] |
− | [[Elke | + | [[Elke Duim 'n Koning]] ([[Pieter Fourie|Fourie]]) |
[[Elke Ou Storie]] | [[Elke Ou Storie]] | ||
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[[Elnora en Nirvana]] | [[Elnora en Nirvana]] | ||
+ | |||
+ | [[Elsewhere Fine and Warm]] | ||
[[Elsie die Veldkindjie]] | [[Elsie die Veldkindjie]] | ||
[[Emancipation Centenary Celebration]] | [[Emancipation Centenary Celebration]] | ||
+ | |||
+ | [[Emaweni]] | ||
[[Emergency Mark IV]] | [[Emergency Mark IV]] | ||
+ | |||
+ | [[Emgxobhozweni]] | ||
[[Emigrante]] | [[Emigrante]] | ||
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[[‘n Emmer vol Water|Emmer vol Water, ‘n]] | [[‘n Emmer vol Water|Emmer vol Water, ‘n]] | ||
+ | |||
+ | [[Emperor Bolly, or, When the balloon went up]] | ||
[[The Emperor’s New Clothes|Emperor’s New Clothes, The]] | [[The Emperor’s New Clothes|Emperor’s New Clothes, The]] | ||
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[[En Die Son Skyn in Suid-Afrika]] | [[En Die Son Skyn in Suid-Afrika]] | ||
+ | |||
+ | [[En die Voorhang Skeur]] | ||
[[En Dit Was Aand en Dit Was Môre]] | [[En Dit Was Aand en Dit Was Môre]] | ||
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[[En Dit Was Nag]] | [[En Dit Was Nag]] | ||
+ | |||
+ | [[En Sy Naam is Jannie]] | ||
[[En Hadde de Liefde Niet]] | [[En Hadde de Liefde Niet]] | ||
+ | |||
+ | [[Encounters at Midnight]] | ||
[[The End is Naai|End is Naai, The]] | [[The End is Naai|End is Naai, The]] | ||
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[[Die End van die Reënboog|End van die Reënboog, Die]] | [[Die End van die Reënboog|End van die Reënboog, Die]] | ||
− | [[Enemy | + | [[Enemy – An Anti-War Collage]] |
− | [[ | + | [[Engele Sonder Vlerke]] |
[[Die Engelse Spook|Engelse Spook, Die]] | [[Die Engelse Spook|Engelse Spook, Die]] | ||
− | [[L’Enragé|Enragé, L']] | + | [[L’Enragé|Enragé, L']] ( Boniface ) |
[[Enter Miss Smith]] | [[Enter Miss Smith]] | ||
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[[Episodes of an Easter Rising]] | [[Episodes of an Easter Rising]] | ||
+ | |||
+ | [[Equal Wrongs]] | ||
+ | |||
+ | [[Die Erf-tante|Erf-tante, Die]] | ||
+ | |||
+ | [[Die Erftante|Erftante, Die]] | ||
[[Die Erfenis|Erfenis, Die]] | [[Die Erfenis|Erfenis, Die]] | ||
+ | |||
+ | [[Die Erfgename|Erfgename, Die]] | ||
[[Erfgoed]] | [[Erfgoed]] | ||
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[[Eric’s Puppet Company]] | [[Eric’s Puppet Company]] | ||
+ | |||
+ | [[Erns Eerlik]] | ||
[[Erns in Luim]] | [[Erns in Luim]] | ||
+ | |||
+ | [[Erwe]] | ||
[[‘n Esau|Esau, ‘n]] ([[J.F.W. Grosskopff]]) | [[‘n Esau|Esau, ‘n]] ([[J.F.W. Grosskopff]]) | ||
+ | |||
+ | [[Escape from the Past]] | ||
[[Eskoriaal]] | [[Eskoriaal]] | ||
[[Eskorts]] | [[Eskorts]] | ||
+ | |||
+ | [[The Essence|Essence, The]] | ||
[[Estrella]] | [[Estrella]] | ||
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[[Every Year, Every Day, I Am Walking]] ([[Magnet Theatre]]) | [[Every Year, Every Day, I Am Walking]] ([[Magnet Theatre]]) | ||
+ | |||
+ | [[Everybody Else (is fucking perfect)]] (Jeynes) | ||
[[Evita for President]] | [[Evita for President]] | ||
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[[Exposure]] | [[Exposure]] | ||
− | [[Eyes of their Whites]] | + | [[The Eyes of their Whites|Eyes of their Whites, The]] |
[[Excursion Oops]] | [[Excursion Oops]] | ||
[[Exits and Entrances]] | [[Exits and Entrances]] | ||
+ | |||
+ | [[Expectant]] | ||
[[Exposure!]] | [[Exposure!]] | ||
[[The Extras|Extras, The]] | [[The Extras|Extras, The]] | ||
+ | |||
+ | [[The Eyes of Truth|Eyes of Truth, The]] | ||
[[Ezakithi]] | [[Ezakithi]] | ||
+ | == Return to == | ||
+ | |||
+ | |||
+ | Return to [[South_African_Theatre/Plays|South African Stage Plays]] | ||
+ | |||
+ | Return to [[PLAYS I: Original SA plays]] | ||
+ | |||
+ | Return to [[PLAYS II: Foreign plays]] | ||
+ | Return to [[PLAYS III: Collections]] | ||
+ | Return to [[PLAYS IV: Pageants and public performances]] | ||
− | Return to [[ | + | Return to [[The ESAT Entries]] |
Return to [[Main Page]] | Return to [[Main Page]] |
Latest revision as of 05:39, 21 January 2021
Return to South African Stage Plays
Return to PLAYS I: Original SA plays
Return to PLAYS II: Foreign plays
Return to PLAYS III: Collections
Return to PLAYS IV: Pageants and public performances
Return to The ESAT Entries
Return to Main Page
Please Note
Early South African Dutch titles beginning with the article "een" (English "one", but also used in the sense of "a" or "an")are listed under the following noun, according to normal bibliographic usage.
The List
Echtscheiding, Die (Brink) See Die Egskeiding
Echtskeiding, Die (Brink) See Die Egskeiding
Een Aand op ‘n Trein na Pretoria ‘’or’’ Sewe Stasies en ‘n Siding
Egskeiding, Die (Brink)
Egtskeiding, Die (Brink) See Die Egskeiding'
Ek wil Graag Hollywood toe Gaan
Emancipation Centenary Celebration
Emperor Bolly, or, When the balloon went up
En Boonop is Ek Siek or Kammig ‘n Kranke
En Die Son Skyn in Suid-Afrika
En Dit Was Aand en Dit Was Môre
Enragé, L' ( Boniface )
Eurydike or Kringloop van die Liefde
Evening with Evita Bezuidenhout, An
Evening with Leslie French, An
Evening with Maggie and Frank, An
Evening with Pieter-Dirk Uys, An
Every Year, Every Day, I Am Walking (Magnet Theatre)
Everybody Else (is fucking perfect) (Jeynes)
Return to
Return to South African Stage Plays
Return to PLAYS I: Original SA plays
Return to PLAYS II: Foreign plays
Return to PLAYS III: Collections
Return to PLAYS IV: Pageants and public performances
Return to The ESAT Entries
Return to Main Page