Difference between revisions of "ESAT Bibliography Kru-Kz"
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Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]] | Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]] | ||
| + | ==The list== | ||
| − | [[Anton Krueger|Krueger, Anton]] 2000. Imprisoned by Conviction. ''[[Scrutiny 2]]'', 5 (2): 59-62. | + | [[Anton Krueger|Krueger, Anton]] 2000. Imprisoned by Conviction. ''[[Scrutiny 2]]'', 5(2):59-62. |
[[Anton Krueger|Krueger, Anton]] 2003. The drama of hunting and healing: interpreting the rituals of the San. ''[[South African Theatre Journal]]'', 17:65-78. | [[Anton Krueger|Krueger, Anton]] 2003. The drama of hunting and healing: interpreting the rituals of the San. ''[[South African Theatre Journal]]'', 17:65-78. | ||
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[[Anton Krueger|Krueger, Anton]] 2007. Performing transformations of identity: ‘ethnic’ nationalisms and syncretic theatre in [[post-apartheid]] South Africa. ''[[English Academy Review]]'', 24(1):51-60. | [[Anton Krueger|Krueger, Anton]] 2007. Performing transformations of identity: ‘ethnic’ nationalisms and syncretic theatre in [[post-apartheid]] South Africa. ''[[English Academy Review]]'', 24(1):51-60. | ||
| − | [[Anton Krueger|Krueger, Anton]] 2008. Experiments in freedom : representations of identity in new [[South African]] drama ; an investigation into identity formations in some post-apartheid play-texts published in English by South African writers, from 1994-2007. Unpublished doctoral dissertation. Pretoria: [[University of Pretoria]]. | + | [[Anton Krueger|Krueger, Anton]] 2008. ''Experiments in freedom : representations of identity in new [[South African]] drama ; an investigation into identity formations in some post-apartheid play-texts published in English by South African writers, from 1994-2007''. Unpublished doctoral dissertation. Pretoria: [[University of Pretoria]][http://repository.up.ac.za/handle/2263/29095?show=full]. |
[[Anton Krueger|Krueger, Anton]] 2010. Celebrations of the Spirit of Tragedy: The Dionysian Theatre of [[Brett Bailey]].227-250. ''Positions:Contemporary Artists in South Africa''. Ed: | [[Anton Krueger|Krueger, Anton]] 2010. Celebrations of the Spirit of Tragedy: The Dionysian Theatre of [[Brett Bailey]].227-250. ''Positions:Contemporary Artists in South Africa''. Ed: | ||
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[[Anton Krueger|Krueger, Anton]] 2010. ''Experiments In Freedom: Explorations of Identity in New South African Drama''. Newcastle upon Tyne, UK : Cambridge Scholars Publishing. | [[Anton Krueger|Krueger, Anton]] 2010. ''Experiments In Freedom: Explorations of Identity in New South African Drama''. Newcastle upon Tyne, UK : Cambridge Scholars Publishing. | ||
| − | [[Anton Krueger|Krueger, Anton]] 2010. Fashionably Ethnic: Individuality and heritage in [[Greig Coetzee]]'s ''[[Happy Natives]]''. | + | [[Anton Krueger|Krueger, Anton]] 2010. Fashionably Ethnic: Individuality and heritage in [[Greig Coetzee]]'s ''[[Happy Natives]]''. ''Current Writing'', 22(1):43-58. |
| − | [[Anton Krueger|Krueger, Anton]] 2010. Keeping it in the family: incest, repression and the fear of the hybrid in [[Reza de Wet]]'s English plays (e.g. ''[[Concealment]]''). '' | + | [[Anton Krueger|Krueger, Anton]] 2010. Keeping it in the family: incest, repression and the fear of the hybrid in [[Reza de Wet]]'s English plays (e.g. ''[[Concealment]]''). ''Literator'', 31(2):45-60. |
[[Anton Krueger|Krueger, Anton]] 2011. A white man in exile: the failure of masculinity in [[Athol Fugard]]'s ''[[Sorrows and Rejoicings]]''. ''[[South African Theatre Journal]]'', 25(2):119-128. | [[Anton Krueger|Krueger, Anton]] 2011. A white man in exile: the failure of masculinity in [[Athol Fugard]]'s ''[[Sorrows and Rejoicings]]''. ''[[South African Theatre Journal]]'', 25(2):119-128. | ||
| − | [[Anton Krueger|Krueger, Anton]] 2011. Die moderne self as toneelpop in ''[[Woyzeck on the Highveld]]''. [[ | + | [[Anton Krueger|Krueger, Anton]] 2011. Die moderne self as toneelpop in ''[[Woyzeck on the Highveld]]''. ''Literator'', 32 (2) |
| + | |||
| + | [[Anton Krueger|Krueger, Anton]] 2012a. The implacable grandeur of the stranger: ruminations on fear and familiarity in ''[[Die Vreemdeling]]''. ''[[South African Theatre Journal]]'', 26(3):303-310. | ||
| + | |||
| + | [[Anton Krueger|Krueger, Anton]] 2012b. ''[[The Pump Room]]'', by [[Allan Kolski Horwitz]]. Reviewed in: ''[[South African Theatre Journal]]'', 26(1):100-102. | ||
| + | |||
| + | [[Anton Krueger|Krueger, Anton]] and [[Zoë Reeve|Reeve, Zoë]] 2015. Spectacles of Participation, Performing amaXhosa Authenticity at the [[National Arts Festival]] of South Africa. In: [[Greg Homann|Homann, Greg]] and [[Marc Maufort|Maufort, Marc]] (Eds). 2015. ''New territories : theatre, drama, and performance in Post-apartheid South Africa''. Bruxelles : P.I.E. Peter Lang: pp. 289-316. | ||
| − | |||
[[Alet Kruger|Kruger, Alet]] 1996. "Bless thee, Bottom, bless thee! Thou art translated!" The Shakespearean phase in South Africa: a socio-cultural perspective. ''[[Journal of Literary Studies]]'', 12:408-428. | [[Alet Kruger|Kruger, Alet]] 1996. "Bless thee, Bottom, bless thee! Thou art translated!" The Shakespearean phase in South Africa: a socio-cultural perspective. ''[[Journal of Literary Studies]]'', 12:408-428. | ||
| Line 41: | Line 47: | ||
[[Alet Kruger|Kruger, Alet]] 2000. Lexical cohesion and register variation in translation : ''[[The Merchant of Venice]]'' in Afrikaans. Unpublished doctoral dissertation. Pretoria: [[University of South Africa]]. | [[Alet Kruger|Kruger, Alet]] 2000. Lexical cohesion and register variation in translation : ''[[The Merchant of Venice]]'' in Afrikaans. Unpublished doctoral dissertation. Pretoria: [[University of South Africa]]. | ||
| − | [[Alet Kruger|Kruger, Alet]] | + | [[Alet Kruger|Kruger, Alet]] 2004a. The role of discourse markers in an Afrikaans stage translation of ''[[The Merchant of Venice]]''. ''Journal of Literary Studies'', 20(3-4):302-334. |
| + | |||
| + | [[Alet Kruger|Kruger, Alet]] 2004b. Shakespeare in Afrikaans: a corpus-based study of involvement in different registers of drama translation, ''Language Matters'', 35(1): | ||
[[C. Kruger|Kruger, C.]] et al. 2005. Communication skills for medical/dental students at the University of Pretoria: lessons learnt from a two-year study using a forum theatre method: original research. ''S.A. Family Practice'', 47(6):60-65. | [[C. Kruger|Kruger, C.]] et al. 2005. Communication skills for medical/dental students at the University of Pretoria: lessons learnt from a two-year study using a forum theatre method: original research. ''S.A. Family Practice'', 47(6):60-65. | ||
| Line 47: | Line 55: | ||
[[J.A. Krüger|Krüger, J.A.]] 2009. ''[[The Cherry Orchard]]'' transposed to contemporary South Africa: space and identity in cultural contexts. Unpublished master’s thesis. Potchefstroom: [[Pothchefstroom University for Christian Higher Education]]. | [[J.A. Krüger|Krüger, J.A.]] 2009. ''[[The Cherry Orchard]]'' transposed to contemporary South Africa: space and identity in cultural contexts. Unpublished master’s thesis. Potchefstroom: [[Pothchefstroom University for Christian Higher Education]]. | ||
| − | [[J.A. Krüger|Krüger, J.A.]] 2009. Fourie bevraagteken skeefgetrekte waardes rondom ewige jeugdigheid. ''[[Jasmyn]]'', by [[Pieter Fourie]]. Reviewed in: '' | + | [[J.A. Krüger|Krüger, J.A.]] 2009. Fourie bevraagteken skeefgetrekte waardes rondom ewige jeugdigheid. ''[[Jasmyn]]'', by [[Pieter Fourie]]. Reviewed in: ''Literator'', 30(2): |
[[J.J. Kruger|Kruger, J.J.]] 1948. Anna van die amateurs. ([[Anna Neethling-Pohl]]). ''Huisgenoot'', 32(1368):29. June 11. | [[J.J. Kruger|Kruger, J.J.]] 1948. Anna van die amateurs. ([[Anna Neethling-Pohl]]). ''Huisgenoot'', 32(1368):29. June 11. | ||
| Line 54: | Line 62: | ||
[[Johanna Martiena Katriena Kruger|Kruger, Johanna Martiena Katriena]] 1982. Die “Hoër mag” in die drama met spesiale verwysing na Nederlands en Afrikaans. Unpublished master’s thesis. Johannesburg: University of the Witwatersrand. | [[Johanna Martiena Katriena Kruger|Kruger, Johanna Martiena Katriena]] 1982. Die “Hoër mag” in die drama met spesiale verwysing na Nederlands en Afrikaans. Unpublished master’s thesis. Johannesburg: University of the Witwatersrand. | ||
| + | |||
| + | [[Lida Krüger|Krüger, Lida]]. 2020. "Winterbach’s Spyt and Scholtz’s production: An expression of a postmodern impasse", ''[[Tydskrif vir Letterkunde]]'' 57(2) | ||
[[Loren Kruger|Kruger, Loren]] 1991. Apartheid on display: South Africa performs for New York. ''Diaspora'', 1(2):191-208. | [[Loren Kruger|Kruger, Loren]] 1991. Apartheid on display: South Africa performs for New York. ''Diaspora'', 1(2):191-208. | ||
| Line 83: | Line 93: | ||
[[Loren Kruger|Kruger, Loren]] 1998. ''An die Nachgeborenen': Or Marginalia to a history of political theatre in South Africa', ''Brecht Yearbook/Das Brecht-Jahrbuch'', 23:25-27. | [[Loren Kruger|Kruger, Loren]] 1998. ''An die Nachgeborenen': Or Marginalia to a history of political theatre in South Africa', ''Brecht Yearbook/Das Brecht-Jahrbuch'', 23:25-27. | ||
| − | [[Loren Kruger|Kruger, Loren]] 1999a. ''The Drama of South Africa: Plays, Pageants and Publics Since 1910''. London: Routledge. | + | [[Loren Kruger|Kruger, Loren]] 1999a. ''The Drama of South Africa: Plays, Pageants and Publics Since 1910''. London: [[Routledge]]. |
[[Loren Kruger|Kruger, Loren]] 1999b. Theater for development and TV nation: notes on an educational soap opera in South Africa. ''Research in African Literatures'', 30:106-126. | [[Loren Kruger|Kruger, Loren]] 1999b. Theater for development and TV nation: notes on an educational soap opera in South Africa. ''Research in African Literatures'', 30:106-126. | ||
| Line 115: | Line 125: | ||
[[Loren Kruger|Kruger, Loren]] 2012. On the Tragedy of the Commoner: Elektra, Orestes, and others | [[Loren Kruger|Kruger, Loren]] 2012. On the Tragedy of the Commoner: Elektra, Orestes, and others | ||
in South Africa. ''Comparative Drama'', 46(3):355-377. | in South Africa. ''Comparative Drama'', 46(3):355-377. | ||
| + | |||
| + | [[Loren Kruger|Kruger, Loren]] 2013. ''Imagining the Edgy City: Writing, Performing, and Building Johannesburg''. Oxford University Press. | ||
| + | |||
| + | [[Loren Kruger|Kruger, Loren]]. 2014. Performance, Production and Other Spatio-temporal Practices in the Edgy City. In Vicki Ann Cremona, Rikard Hoogland, [[Gay Morris]] and Wilmar Sauter (eds). ''Playing Culture: Conventions and Extensions of Performance''. Amsterdam: Rodopi. | ||
| + | |||
| + | [[Loren Kruger|Kruger, Loren]]. 2020. ''A Century of South African Theatre''. London: Methuen Drama[https://eur03.safelinks.protection.outlook.com/?url=https%3A%2F%2Fwww.bloomsbury.com%2Fuk%2Fa-century-of-south-african-theatre-9781350008021%2F&data=02%7C01%7C%7Cd6c7777f709947fcf31c08d79dbf1809%7Ca6fa3b030a3c42588433a120dffcd348%7C0%7C0%7C637151317517510619&sdata=yujFCatdVC0Y%2B64jnOnFL9eNyGP0mW1UJi0loOJshqA%3D&reserved=0]. | ||
[[Marie Kruger|Kruger, M.S.]] 1987. Poppespel - 'n Ondersoek na die historiese ontwikkeling, die spelbeginsels, karakter en gebruiksmoontlikhede van die toneelpop. Unpublished master’s thesis. Stellenbosch: University of Stellenbosch. | [[Marie Kruger|Kruger, M.S.]] 1987. Poppespel - 'n Ondersoek na die historiese ontwikkeling, die spelbeginsels, karakter en gebruiksmoontlikhede van die toneelpop. Unpublished master’s thesis. Stellenbosch: University of Stellenbosch. | ||
| Line 133: | Line 149: | ||
[[Marie Kruger|Kruger, Marie]] 2011. Puppets and adult entertainment in South Africa: a tale of a tentative start, evolving prejudices, new and lost opportunities, and a fresh momentum. ''[[South African Theatre Journal]]'', 25(1):13-34. | [[Marie Kruger|Kruger, Marie]] 2011. Puppets and adult entertainment in South Africa: a tale of a tentative start, evolving prejudices, new and lost opportunities, and a fresh momentum. ''[[South African Theatre Journal]]'', 25(1):13-34. | ||
| + | |||
| + | [[Marie Kruger|Kruger, Marie]] 2012. South African adult puppetry: tracing the roots of contemporary eclectic puppetry. ''[[South African Theatre Journal]]'', 26(2):172-184. | ||
[[Martinette Kruger|Kruger, Martinette]] and [[Melville Saayman|Saayman, Melville]] 2012. The question is not whether to promote or not to promote, but rather when to promote. ''[[South African Theatre Journal]]'', 26(1):2-21. | [[Martinette Kruger|Kruger, Martinette]] and [[Melville Saayman|Saayman, Melville]] 2012. The question is not whether to promote or not to promote, but rather when to promote. ''[[South African Theatre Journal]]'', 26(1):2-21. | ||
| Line 168: | Line 186: | ||
[[Nellie Kruger|Kruger, Nellie]] 1954. [[Nasionale Toneelorganisasie]]. ''Staatsamptenaar'', 34(12):63. | [[Nellie Kruger|Kruger, Nellie]] 1954. [[Nasionale Toneelorganisasie]]. ''Staatsamptenaar'', 34(12):63. | ||
| − | [[Nellie Kruger|Kruger, Nellie]] 1955. Vanjaar se verskeidenheid deur die [[Nasionale Toneelorganisasie|N.T.O.]] aangebied. ''Taalgenoot'', 24(4):16-17. | + | [[Nellie Kruger|Kruger, Nellie]] 1955. Vanjaar se verskeidenheid deur die [[Nasionale Toneelorganisasie|N.T.O.]] aangebied. ''[[Die Taalgenoot]]'', 24(4):16-17. |
[[Nellie Kruger|Kruger, Nellie]] 1956. [[Nasionale Toneelorganisasie|N.T.O.]] bied aan nege stukke in een jaar. ''Lantern'', 5:282-286. February. | [[Nellie Kruger|Kruger, Nellie]] 1956. [[Nasionale Toneelorganisasie|N.T.O.]] bied aan nege stukke in een jaar. ''Lantern'', 5:282-286. February. | ||
Latest revision as of 06:37, 22 November 2024
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Krueger, Anton 2000. Imprisoned by Conviction. Scrutiny 2, 5(2):59-62.
Krueger, Anton 2003. The drama of hunting and healing: interpreting the rituals of the San. South African Theatre Journal, 17:65-78.
Krueger, Anton 2006a. Intuition/intellect: sex/sensibility. South African Theatre Journal, 20:233-251.
Krueger, Anton 2006b. On the wild, essential energies of the forest: an interview with Brett Bailey. South African Theatre Journal, 20:323-332.
Krueger, Anton 2007. Performing transformations of identity: ‘ethnic’ nationalisms and syncretic theatre in post-apartheid South Africa. English Academy Review, 24(1):51-60.
Krueger, Anton 2008. Experiments in freedom : representations of identity in new South African drama ; an investigation into identity formations in some post-apartheid play-texts published in English by South African writers, from 1994-2007. Unpublished doctoral dissertation. Pretoria: University of Pretoria[1].
Krueger, Anton 2010. Celebrations of the Spirit of Tragedy: The Dionysian Theatre of Brett Bailey.227-250. Positions:Contemporary Artists in South Africa. Ed: Matthew Krouse & Peter Anders. Johannesburg:Jacana Media & Hamburg: Steidl (In German Translation).
Krueger, Anton 2010. Experiments In Freedom: Explorations of Identity in New South African Drama. Newcastle upon Tyne, UK : Cambridge Scholars Publishing.
Krueger, Anton 2010. Fashionably Ethnic: Individuality and heritage in Greig Coetzee's Happy Natives. Current Writing, 22(1):43-58.
Krueger, Anton 2010. Keeping it in the family: incest, repression and the fear of the hybrid in Reza de Wet's English plays (e.g. Concealment). Literator, 31(2):45-60.
Krueger, Anton 2011. A white man in exile: the failure of masculinity in Athol Fugard's Sorrows and Rejoicings. South African Theatre Journal, 25(2):119-128.
Krueger, Anton 2011. Die moderne self as toneelpop in Woyzeck on the Highveld. Literator, 32 (2)
Krueger, Anton 2012a. The implacable grandeur of the stranger: ruminations on fear and familiarity in Die Vreemdeling. South African Theatre Journal, 26(3):303-310.
Krueger, Anton 2012b. The Pump Room, by Allan Kolski Horwitz. Reviewed in: South African Theatre Journal, 26(1):100-102.
Krueger, Anton and Reeve, Zoë 2015. Spectacles of Participation, Performing amaXhosa Authenticity at the National Arts Festival of South Africa. In: Homann, Greg and Maufort, Marc (Eds). 2015. New territories : theatre, drama, and performance in Post-apartheid South Africa. Bruxelles : P.I.E. Peter Lang: pp. 289-316.
Kruger, Alet 1996. "Bless thee, Bottom, bless thee! Thou art translated!" The Shakespearean phase in South Africa: a socio-cultural perspective. Journal of Literary Studies, 12:408-428.
Kruger, Alet 2000. Lexical cohesion and register variation in translation : The Merchant of Venice in Afrikaans. Unpublished doctoral dissertation. Pretoria: University of South Africa.
Kruger, Alet 2004a. The role of discourse markers in an Afrikaans stage translation of The Merchant of Venice. Journal of Literary Studies, 20(3-4):302-334.
Kruger, Alet 2004b. Shakespeare in Afrikaans: a corpus-based study of involvement in different registers of drama translation, Language Matters, 35(1):
Kruger, C. et al. 2005. Communication skills for medical/dental students at the University of Pretoria: lessons learnt from a two-year study using a forum theatre method: original research. S.A. Family Practice, 47(6):60-65.
Krüger, J.A. 2009. The Cherry Orchard transposed to contemporary South Africa: space and identity in cultural contexts. Unpublished master’s thesis. Potchefstroom: Pothchefstroom University for Christian Higher Education.
Krüger, J.A. 2009. Fourie bevraagteken skeefgetrekte waardes rondom ewige jeugdigheid. Jasmyn, by Pieter Fourie. Reviewed in: Literator, 30(2):
Kruger, J.J. 1948. Anna van die amateurs. (Anna Neethling-Pohl). Huisgenoot, 32(1368):29. June 11.
Kruger, Jaco 2000. Mitambo: Venda dance theatre. South African Theatre Journal, 14:73-96.
Kruger, Johanna Martiena Katriena 1982. Die “Hoër mag” in die drama met spesiale verwysing na Nederlands en Afrikaans. Unpublished master’s thesis. Johannesburg: University of the Witwatersrand.
Krüger, Lida. 2020. "Winterbach’s Spyt and Scholtz’s production: An expression of a postmodern impasse", Tydskrif vir Letterkunde 57(2)
Kruger, Loren 1991. Apartheid on display: South Africa performs for New York. Diaspora, 1(2):191-208.
Kruger, Loren 1993. Staging South Africa: Theatre and Cultural Struggle in South Africa, by Robert Kavanagh; Playing The Market: The Market Theatre, Johannesburg: 1976-1986, by Anne Fuchs; Drama and the South African State, by Martin Orkin. Reviewed in: Transition, 59:120-129.
Kruger, Loren 1994. Placing "New Africans" in the "Old" South Africa: drama, modernity, and racial identities in Johannesburg, circa 1935. Modernism/Modernity, 1(2):113-131.
Kruger, Loren 1994. So what’s new?: women and theater in the new South Africa. Theater Magazine, 25(3):46-54.
Kruger, Loren 1995a. National Arts Festival. Theatre Journal, 47(1):123.
Kruger, Loren 1995b. New Africans, neo-colonial theatre and “an African national dramatic movement”. South African Theatre Journal, 9(1):29-51.
Kruger, Loren 1995c. ‘That fluctuating movement of national consciousness’: protest, publicity, and post-colonial theatre in South Africa, in Gainor, J. Ellen (ed.). Imperialism and Theatre. London: Routledge. 148-163.
Kruger, Loren 1995d. The uses of nostalgia: drama, history and liminal moments in South Africa. Modern Drama, 38(1):60-70.
Kruger, Loren 1996a. Acting Africa. Theatre Research International, 21(2):132-140.
Kruger, Loren 1996b. Lights and Shadows. The Autobiography of Leontine Sagan. Johannesburg: Witwatersrand University Press.
Kruger, Loren 1996c. New African drama and national representation in South Africa: notes from the 1930s to the present moment, in Reinelt, Janelle (ed.). Crucibles of Crisis: Performing Social Change. Ann Arbor MI: University of Michigan Press. 123-141.
Kruger, Loren 1997a. An die Nachgeborenen (to future generations). Theater der Zeit, 1997 Yearbook: 25-27.
Kruger, Loren 1997b. The drama of country and city: tribalization, urbanization and theatre under apartheid. Journal of Southern African Studies, 23(4):565-584.
Kruger, Loren 1998. An die Nachgeborenen': Or Marginalia to a history of political theatre in South Africa', Brecht Yearbook/Das Brecht-Jahrbuch, 23:25-27.
Kruger, Loren 1999a. The Drama of South Africa: Plays, Pageants and Publics Since 1910. London: Routledge.
Kruger, Loren 1999b. Theater for development and TV nation: notes on an educational soap opera in South Africa. Research in African Literatures, 30:106-126.
Kruger, Loren 1999c. Theatre and Society in South Africa: Reflections in a Fractured Mirror, by Temple Hauptfleisch; Decolonizing the Stage: Theatrical Syncretism and Post-Colonial Drama, by Christopher B. Balme. Reviewed in: Research in African Literatures, 30(4):212-215.
Kruger, Loren 2000. Four Plays, by Zakes Mda. Reviewed in: Theatre Journal, 52(2):298-300.
Kruger, Loren 2000. Making sense of sensation: enlightenment, embodiment, and the end(s) of modern drama. Modern Drama, 43:543-566.
Kruger, Loren 2001. Theatre, crime and the edgy city in post-apartheid Johannesburg. Theatre Journal, 53(2):223-252.
Kruger, Loren 2002. Acting Africa, in Harding, Frances (ed.). The Performance Arts in Africa: A Reader. London: Routledge. 69-77.
Kruger, Loren 2002. Scarcity, conspicuous consumption, and performance in South Africa. Theatre Research International, 27:231-242.
Kruger, Loren 2004. Post-Imperial Brecht: Politics and Performance, East and South. Cambridge: Cambridge University Press.
Kruger, Loren 2004. Theatre for development and TV nation: notes on educational soap opera in South Africa, in Conteh-Morgan, John & Olaniyan, Tejumola (eds.). African Drama and Performance. Bloomington: Indiana University Press. 155-175.
Kruger, Loren 2007. "White cities", "diamond Zulus", and the "African contribution to human advancement": African modernities and the world’s fairs. TDR, 51(3):19-45.
Kruger, Loren 2008. Letter from Johannesburg: performance and urban fabrics in the inner city. Theater, 38(1):4-17.
Kruger, Loren 2008. National Arts Festival. Theatre Journal, 60(1):117-120.
Kruger, Loren 2009. Cascoland: interventions in public space, Drill Hall, Johannesburg, South Africa. Theatre Journal, 61(1):147-148.
Kruger, Loren 2010. Foreplay, by Mpumelelo Paul Grootboom. Reviewed in: Theatre Journal, 62(3):453-454.
Kruger, Loren 2012. On the Tragedy of the Commoner: Elektra, Orestes, and others in South Africa. Comparative Drama, 46(3):355-377.
Kruger, Loren 2013. Imagining the Edgy City: Writing, Performing, and Building Johannesburg. Oxford University Press.
Kruger, Loren. 2014. Performance, Production and Other Spatio-temporal Practices in the Edgy City. In Vicki Ann Cremona, Rikard Hoogland, Gay Morris and Wilmar Sauter (eds). Playing Culture: Conventions and Extensions of Performance. Amsterdam: Rodopi.
Kruger, Loren. 2020. A Century of South African Theatre. London: Methuen Drama[2].
Kruger, M.S. 1987. Poppespel - 'n Ondersoek na die historiese ontwikkeling, die spelbeginsels, karakter en gebruiksmoontlikhede van die toneelpop. Unpublished master’s thesis. Stellenbosch: University of Stellenbosch.
Kruger, M.S. 1997. Tradisionele elemente en kontemporêre tendense in die pantomime: 'n teater-historiese ondersoek. Unpublished doctoral dissertation. Stellenbosch: University of Stellenbosch.
Kruger, Marie 2000. English pantomime: reflections on a dynamic tradition. South African Theatre Journal, 14:146-173.
Kruger, Marie 2003. Pantomime in South Africa: the British tradition and the local flavour. South African Theatre Journal, 17:129-152.
Kruger, Marie 1995. The “Tambootie Plays”, by Pieter Scholtz. Reviewed in: South African Theatre Journal, 9(1):118-126.
Kruger, Marie 2006. The power of double vision: tradition and social intervention in African puppet performance. New Theatre Quarterly, 22(4):324-336.
Kruger, Marie 2007. Puppets in education and development in Africa: the puppet’s dual nature and sign systems in action. South African Theatre Journal, 21:64-74.
Kruger, Marie 2008. Puppets in educational entertainment in South Africa: comments on a number of long-term projects. South African Theatre Journal, 22:25-43.
Kruger, Marie 2011. Puppets and adult entertainment in South Africa: a tale of a tentative start, evolving prejudices, new and lost opportunities, and a fresh momentum. South African Theatre Journal, 25(1):13-34.
Kruger, Marie 2012. South African adult puppetry: tracing the roots of contemporary eclectic puppetry. South African Theatre Journal, 26(2):172-184.
Kruger, Martinette and Saayman, Melville 2012. The question is not whether to promote or not to promote, but rather when to promote. South African Theatre Journal, 26(1):2-21.
Kruger, Nellie 1951a. Huidige N.T.O. toer – Die Vrek en The Cocktail Party. Helikon, 1(1):17-19. October.
Kruger, Nellie 1951b. Nasionale Toneelorganisasie reis met Die Vrek. Staatsamptenaar, 31(5):36-39. May.
Kruger, Nellie 1951c. Nasionale Toneelorganisasie word al meer ’n kultuurkrag. Lantern, 1:150-151. June.
Kruger, Nellie 1951d. Die toneelskrywers. Helikon, 1(1):17-18. August
Kruger, Nellie 1952a. Jongste aktiwiteite van die N.T.O. Lantern, 2:294-298.
Kruger, Nellie 1952b N.T.O. en die Van Riebeeck Fees. Inspan, 11(5):22. February.
Kruger, Nellie 1952c. Ons toneel en die stigting van die Nasionale Toneelorganisasie. Helikon, 1(3): 29-34. February.
Kruger, Nellie 1952d. 'n Toneelfees soos nog nooit tevore nie: N.T.O. voed die vertroue. (Opvoerings van The Dam, The Ball at the Castle, Die Jaar van die Vuuros en As Ons Twee Eers Getroud Is). Helikon, 1(5):92-100.
Kruger, Nellie 1952e. Vier prysdramas vir die Van Riebeeck Fees aangebied: die Nasionale Toneelorganisasie bereik ’n hoogtepunt. Lantern, 1:520-523. May.
Kruger, Nellie 1952f. Die Vrek het die meeste geld ingebring: na vyf jaar kan N.T.O. roem op prestasies. Huisgenoot, 37(1588):22-24. August 29.
Kruger, Nellie 1952g. Die Vrek, The Cocktail Party en die Nasionale Toneelorganisasie se planne vir 1952. Lantern, 1:520-523. May
Kruger, Nellie 1953. Harry Ligoff: NTO-Beligtingsingenieur. Helikon, 2(9):25-26.
Kruger, Nellie 1953. N.T.O. bied Molière en Shakespeare aan. Staatsamptenaar, 33(6):44-45.
Kruger, Nellie 1954. Ere-penning aan Wena Naudé. Helikon, 4(16):29-30.
Kruger, Nellie 1954. Die Hogarth marionette. Helikon, 3(14):129.
Kruger, Nellie 1954. Nasionale Toneelorganisasie. Staatsamptenaar, 34(12):63.
Kruger, Nellie 1955. Vanjaar se verskeidenheid deur die N.T.O. aangebied. Die Taalgenoot, 24(4):16-17.
Kruger, Nellie 1956. N.T.O. bied aan nege stukke in een jaar. Lantern, 5:282-286. February.
Kruger, Nellie 1957a. Eerste stadskouburg in Suid-Afrika deur N.T.O. geopen. Taalgenoot, 26(11):16-18.
Kruger, Nellie 1957b. N.T.O. het op sy beste stukke die meeste verloor. Huisgenoot, 4(1852):6-7. September 16.
Kruger, Nellie 1957. Ten years of national theatre South African Panorama, 2(4):.
Kruger, Nellie 1957c Tiende verjaardag van N.T.O. Lantern, 7:72-76. October.
Kruger, Nellie 1958a. Molière's Scapin in Afrikaans. South African Panorama, 3(4):32-33.
Kruger, Nellie 1958. N.T.O. in die eerste halfjaar. Lantern, 7(4):375-383.
Kruger, Nellie 1958a. N.T.O. Lantern, 8:182-188. December.
Kruger, Nellie 1958b. Pioneers of the Afrikaans theatre: the Hanekoms (Hendrik Hanekom, Mathilde Hanekom). South African Panorama, 3(3):34-36.
Kruger, Nellie 1959a. Nasionale Toneelorganisasie . Staatsamptenaar, 34(12):63.
Kruger, Nellie 1959b. Nasionale Toneelorganisasie . Lantern, 9:192-197.
Kruger, Nellie 1960. Present-day dramas give national theatre its latest successes. South African Panorama, 5(3):28-29.
Kruger, Nellie 1961. 1960 was ‘n groot jaar vir die N.T.O. Lantern, 10:280-287.
Kruger, Rayne & McKnight, Gerald 1944. A National theatre: South Africa's great cultural need. Libertas, 4(6):18-37. (Theatre history; Amateur theatre; FATSSA)
Kunnel, Sheila B. 1949. There's lots of fun in starting amateur theatricals in a small town. Outspan, 45(1152):21. March 25.
Kunst in Südafrika: Schauspiel, Oper, Ballett, Musik. 1967. Afrika-Post, 14(1):56-61.
Kunst in Zuid-Afrika. 1969. Pretoria: Departement van Inligting.
Kushlick, Taubie 1946. South African audiences have become more alive to the living theatre. Outspan, 391(1013):47-49. July 26.
Kwetana , W.M. 1984. Unyawo Alunampumlo (by Z.R. Gqomo. Literary criticism). South African Journal of African Languages, supplement 2:87-97.
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