Difference between revisions of "ESAT Bibliography H-Hat"
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| − | + | ==The list== | |
''[[H.B. Thom Theatre|H.B. Thom-teater]] 25 jaar''. 1991. Stellenbosch: Universiteit van Stellenbosch. | ''[[H.B. Thom Theatre|H.B. Thom-teater]] 25 jaar''. 1991. Stellenbosch: Universiteit van Stellenbosch. | ||
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[[Alex Halligey|Halligey Alex]] 2005. Re-inventing mythologies: arguments towards cultural identity in ''Medea'' and ''[[Rain in a Dead Man's Footprints]]''. ''[[South African Theatre Journal]]'', 19:208-222. | [[Alex Halligey|Halligey Alex]] 2005. Re-inventing mythologies: arguments towards cultural identity in ''Medea'' and ''[[Rain in a Dead Man's Footprints]]''. ''[[South African Theatre Journal]]'', 19:208-222. | ||
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| + | [[Alex Halligey|Halligey Alexandra]] 2020. ''Participatory Theatre and the Urban Everyday in South Africa, Place and Play in Johannesburg''. Routledge Contemporary South Africa (No 9), Routledge. | ||
[[John Hamber|Hamber, John]] 1982. ''The [[Port Elizabeth Shakespearean Festival]]. an appreciation''. (Privately published: Copy in Centre for Theatre and Performance Studies, Stellenbosch) | [[John Hamber|Hamber, John]] 1982. ''The [[Port Elizabeth Shakespearean Festival]]. an appreciation''. (Privately published: Copy in Centre for Theatre and Performance Studies, Stellenbosch) | ||
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[[Jonathan Hammond|Hammond, Jonathan]] 1974. A South African season: ''[[Sizwe Banzi is Dead|Sizwe Bansi]]'', ''[[The Island]]'' and ''[[Statements]]''. ''Plays and Players'', 21:40-43. March. | [[Jonathan Hammond|Hammond, Jonathan]] 1974. A South African season: ''[[Sizwe Banzi is Dead|Sizwe Bansi]]'', ''[[The Island]]'' and ''[[Statements]]''. ''Plays and Players'', 21:40-43. March. | ||
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| + | [[Felicity Hand|Hand, Felicity]] (Ed.). 2020. ''Durban Dialogues Dissected. An Analysis of Ashwin Singh's Plays''. Stellenbosch: [[Sun Press]]. | ||
[[Patricia Handley|Handley, Patricia]] 1995. The [[First Physical Theatre Co.]] ''ADA'', (13):54-55. | [[Patricia Handley|Handley, Patricia]] 1995. The [[First Physical Theatre Co.]] ''ADA'', (13):54-55. | ||
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[[Mathilde Hanekom|Hanekom, Mathilde]] 1951. Want ons werk mos nie! [Toneelspelers]. ''Brandwag'', 15(48):28-30. December 28. | [[Mathilde Hanekom|Hanekom, Mathilde]] 1951. Want ons werk mos nie! [Toneelspelers]. ''Brandwag'', 15(48):28-30. December 28. | ||
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| + | [[Ulf Hannerz|Hannerz, Ulf]]. 1994. [[Sophiatown]]. The View from Afar. ''[[Journal of South African Studies]]'' 20/2: pp.181-193. | ||
[[John Hansen|Hansen, John]] 1998. Culture in a state of siege, in [[Gorm Gunnarsen|Gunnarsen, Gorm]] (ed.). ''South African Resistance Culture''. Copenhagen: Department of English, University of Copenhagen. 102-115. | [[John Hansen|Hansen, John]] 1998. Culture in a state of siege, in [[Gorm Gunnarsen|Gunnarsen, Gorm]] (ed.). ''South African Resistance Culture''. Copenhagen: Department of English, University of Copenhagen. 102-115. | ||
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[[Yvette Hardie|Hardie, Y.E.]] 1999. The emerging voice and outcomes-based education : voice building within speech and drama training in the further education and training band [grades 10-12]. Unpublished master’s thesis. Pretoria : Technikon Pretoria. | [[Yvette Hardie|Hardie, Y.E.]] 1999. The emerging voice and outcomes-based education : voice building within speech and drama training in the further education and training band [grades 10-12]. Unpublished master’s thesis. Pretoria : Technikon Pretoria. | ||
| − | Haresnape, Geoffrey 2000. [[H.I.E. Dhlomo]], in Scanlon, Paul A. (ed.). ''South African Writers''. Detroit: Gale Group. 150-156. | + | [[George Webb Hardy|Hardy, George Webb]] 1914. "The stage in South Africa", ''The Era''. April 8, 1914: p.15 |
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| + | [[Geoffrey Haresnape|Haresnape, Geoffrey]] 2000. [[H.I.E. Dhlomo]], in Scanlon, Paul A. (ed.). ''South African Writers''. Detroit: Gale Group. 150-156. | ||
[[M. Harley|Harley, M.]] 1968a. Adam’s apple ([[Adam Leslie Theatre]]). ''Femina'', 76-77. October 3. | [[M. Harley|Harley, M.]] 1968a. Adam’s apple ([[Adam Leslie Theatre]]). ''Femina'', 76-77. October 3. | ||
[[M. Harley|Harley, M.]] 1968b. [[Charles Vernon]] – actor. ''Personality'', 123-130. August 15. | [[M. Harley|Harley, M.]] 1968b. [[Charles Vernon]] – actor. ''Personality'', 123-130. August 15. | ||
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| + | [[Margaret Harradine|Harradine, Margaret]]. 1995. ''Port Elizabeth: A Social Chronicle to the End of 1945''. Port Elizabeth: E.H. Walton Packaging (Pty) Ltd. | ||
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[[M.B. Harris|Harris, M.B.]] 1979. [[Bafokeng Civic Centre]], Phokeng. ''Planning & Building Developments'', 36:33-45. January-February. | [[M.B. Harris|Harris, M.B.]] 1979. [[Bafokeng Civic Centre]], Phokeng. ''Planning & Building Developments'', 36:33-45. January-February. | ||
[[Sheena Hart|Hart, Sheena]] 1988. Standard Bank [[National Arts Festival|Festival of the Arts]]. ''[[Scenaria]]'', (93):16-23. | [[Sheena Hart|Hart, Sheena]] 1988. Standard Bank [[National Arts Festival|Festival of the Arts]]. ''[[Scenaria]]'', (93):16-23. | ||
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| + | [[L. Francis Hartley|Hartley, L. Francis]] 1940. Platteland production. ''[[The South African Theatre, Music and Dance]]'', 1(2):50-51. | ||
[[Claire Jeanine Hartshorne|Hartshorne, Claire Jeanine]] 1988. An exploration of the use of specific drama therapy techniques as an aid in the process of creating character for stage. Unpublished master’s thesis. Pietermaritzburg: University of Natal. | [[Claire Jeanine Hartshorne|Hartshorne, Claire Jeanine]] 1988. An exploration of the use of specific drama therapy techniques as an aid in the process of creating character for stage. Unpublished master’s thesis. Pietermaritzburg: University of Natal. | ||
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[[Belinda Lesley Nova Harward|Harward, Belinda Lesley Nova]] 1996. [[NAPAC]] : a conflict in the performing arts. Unpublished master’s thesis. Durban: University of Natal. | [[Belinda Lesley Nova Harward|Harward, Belinda Lesley Nova]] 1996. [[NAPAC]] : a conflict in the performing arts. Unpublished master’s thesis. Durban: University of Natal. | ||
| − | [[Denis Hatfield|Hatfield, Denis]] 1943. What of our theatre? ''Trek'', 8( | + | [[Denis Hatfield|Hatfield, Denis]] 1943. What of our theatre? ''Trek'', 8(10):13. November 5. |
| − | [[Denis Hatfield|Hatfield, Denis]] 1945a. Marriage of two minds: ''The Merry Wives of Windsor'' by William Shakespeare. ''Trek'', | + | [[Denis Hatfield|Hatfield, Denis]] 1945a. Marriage of two minds: ''The Merry Wives of Windsor'' by William Shakespeare. ''Trek'', 9(24):18, 22. |
[[Denis Hatfield|Hatfield, Denis]] 1945b. The producer. ''Trek'', 10(6):14. September 21. | [[Denis Hatfield|Hatfield, Denis]] 1945b. The producer. ''Trek'', 10(6):14. September 21. | ||
| − | [[Denis Hatfield|Hatfield, Denis]] | + | [[Denis Hatfield|Hatfield, Denis]] 1945c. Stage lighting. ''Trek'', 10(6):18. |
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| + | [[Denis Hatfield|Hatfield, Denis]] 1946a. Ah, wilderness! Some notes on South African theatre. ''Trek'', 11(3):12. | ||
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| + | [[Denis Hatfield|Hatfield, Denis]] 1946b. Theatre chronicle : behind the backcloth. ([[Cecil Pym]]) Trek, 10(15) :18. | ||
[[Denis Hatfield|Hatfield, Denis]] 1967. ''Cape Theatre in the 1940’s: Reviews of Ballet and Drama''. Cape Town: Purnell. | [[Denis Hatfield|Hatfield, Denis]] 1967. ''Cape Theatre in the 1940’s: Reviews of Ballet and Drama''. Cape Town: Purnell. | ||
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[[S.C. Hattingh|Hattingh, S.C.]] 1956. ''[[Vergelegen]]'', deur [[D.J. Opperman]]. Reviewed in: ''Helikon'', 6(26):19. | [[S.C. Hattingh|Hattingh, S.C.]] 1956. ''[[Vergelegen]]'', deur [[D.J. Opperman]]. Reviewed in: ''Helikon'', 6(26):19. | ||
| − | + | ==Return to== | |
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Click on the appropriate letters of the alphabet in the sub-list below. | Click on the appropriate letters of the alphabet in the sub-list below. | ||
Latest revision as of 06:13, 12 January 2024
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The list
H.B. Thom-teater 25 jaar. 1991. Stellenbosch: Universiteit van Stellenbosch.
Haak, A-H. 1971. Stage lighting at the Nico Malan Theatre. South African Engineer, 62(638):5-11. July.
Haarhoff, T.J. 1941. Afrikaans theatre in the making. Forum, 3(53):14. March 29.
Haffter, Peter 1986. Gids by die Literatuurstudie, edited by T.T. Cloete, Elize Botha, Charles Malan. Reviewed in: Journal of Literary Studies, 2(2):69-71.
Haffter, Peter 1987. Bartho Smit se Don Juan onder die Boere binne die raamwerk van die Don Juan-makroteks. Journal of Literary Studies, 3(4):1-13.
Hagemann, Fred 1984. Concepts, images and expression in the movement learning process. Teaterforum, 5(1):7-16.
Hagemann, Frederick 2005. Thinking beyond the already recognisable: body, space and place in drama learning. South African Theatre Journal, 19:171-180.
Halligey Alex 2005. Re-inventing mythologies: arguments towards cultural identity in Medea and Rain in a Dead Man's Footprints. South African Theatre Journal, 19:208-222.
Halligey Alexandra 2020. Participatory Theatre and the Urban Everyday in South Africa, Place and Play in Johannesburg. Routledge Contemporary South Africa (No 9), Routledge.
Hamber, John 1982. The Port Elizabeth Shakespearean Festival. an appreciation. (Privately published: Copy in Centre for Theatre and Performance Studies, Stellenbosch)
Hamers, Jan 1979. Theatre technicians - creative artists or interpreters, in Hay-Whitton, Don (ed.). International Symposium of the South African Institute of Theatre Technology (1979: "Theatre - the fun house and its management" : a report of the proceedings at the International Symposium of the South African Institute of Theatre Technology (SAITT) held at the Nico Malan Theatre Centre, Cape Town, from 30 July to 3 August 1979. South African Institute of Theatre Technology. Section 7, 1-14.
Hamilton, Nan 1999. Performance as living heritage : reconstructing identity. Unpublished master’s thesis. Johannesburg: University of the Witwatersrand.
Hamlet. 1947. Libertas. 7(6):56-57. June.
Hamman, Frans Josias 2011. Sarah Kane en die liriek as literêr-musikale interteks. Unpublished master's thesis. Stellenbosch : University of Stellenbosch.
Hammerschlag, Tamantha 2011. The expanding role of the designer in the creation of new theatrical work. South African Theatre Journal, 25(1):5-12.
Hammond, Jonathan 1972. World theatre season : South Africa. Plays and Players, 19:7.
Hammond, Jonathan 1974. A South African season: Sizwe Bansi, The Island and Statements. Plays and Players, 21:40-43. March.
Hand, Felicity (Ed.). 2020. Durban Dialogues Dissected. An Analysis of Ashwin Singh's Plays. Stellenbosch: Sun Press.
Handley, Patricia 1995. The First Physical Theatre Co. ADA, (13):54-55.
Handley, Patricia 2000. Richard Rive, in Scanlon, Paul A. (ed.). South African Writers. Detroit: Gale Group. 382-394.
Hanekom, Hendrik Andries. Standard Encyclopaedia of Southern Africa. 1971. Cape Town : NASOU. 5:422.
Hanekom, Hendrik 1945. Twintig jaar op ons beroepstoneel. Huisgenoot, 29(1201):9. March 30.
Hanekom, Mathilde 1951. Want ons werk mos nie! [Toneelspelers]. Brandwag, 15(48):28-30. December 28.
Hannerz, Ulf. 1994. Sophiatown. The View from Afar. Journal of South African Studies 20/2: pp.181-193.
Hansen, John 1998. Culture in a state of siege, in Gunnarsen, Gorm (ed.). South African Resistance Culture. Copenhagen: Department of English, University of Copenhagen. 102-115.
Hansen, Thomas Blom 2000. Plays, politics and cultural identity among Indians in Durban. Journal of Southern African Studies, 26(2):255-269.
Hansen, Thomas Blom 2005. Melancholia of freedom: humour and nostalgia among Indians in South Africa. Modern Drama, 48(2):297-315.
Hanson-Moore, Thurlow 1990. The satirist in South African theatre. Unpublished honours’s thesis. Cape Town: University of Cape Town.
Hardie, Y.E. 1999. The emerging voice and outcomes-based education : voice building within speech and drama training in the further education and training band [grades 10-12]. Unpublished master’s thesis. Pretoria : Technikon Pretoria.
Hardy, George Webb 1914. "The stage in South Africa", The Era. April 8, 1914: p.15
Haresnape, Geoffrey 2000. H.I.E. Dhlomo, in Scanlon, Paul A. (ed.). South African Writers. Detroit: Gale Group. 150-156.
Harley, M. 1968a. Adam’s apple (Adam Leslie Theatre). Femina, 76-77. October 3.
Harley, M. 1968b. Charles Vernon – actor. Personality, 123-130. August 15.
Harradine, Margaret. 1995. Port Elizabeth: A Social Chronicle to the End of 1945. Port Elizabeth: E.H. Walton Packaging (Pty) Ltd.
Harris, M.B. 1979. Bafokeng Civic Centre, Phokeng. Planning & Building Developments, 36:33-45. January-February.
Hart, Sheena 1988. Standard Bank Festival of the Arts. Scenaria, (93):16-23.
Hartley, L. Francis 1940. Platteland production. The South African Theatre, Music and Dance, 1(2):50-51.
Hartshorne, Claire Jeanine 1988. An exploration of the use of specific drama therapy techniques as an aid in the process of creating character for stage. Unpublished master’s thesis. Pietermaritzburg: University of Natal.
Harward, Belinda Lesley Nova 1996. NAPAC : a conflict in the performing arts. Unpublished master’s thesis. Durban: University of Natal.
Hatfield, Denis 1943. What of our theatre? Trek, 8(10):13. November 5.
Hatfield, Denis 1945a. Marriage of two minds: The Merry Wives of Windsor by William Shakespeare. Trek, 9(24):18, 22.
Hatfield, Denis 1945b. The producer. Trek, 10(6):14. September 21.
Hatfield, Denis 1945c. Stage lighting. Trek, 10(6):18.
Hatfield, Denis 1946a. Ah, wilderness! Some notes on South African theatre. Trek, 11(3):12.
Hatfield, Denis 1946b. Theatre chronicle : behind the backcloth. (Cecil Pym) Trek, 10(15) :18.
Hatfield, Denis 1967. Cape Theatre in the 1940’s: Reviews of Ballet and Drama. Cape Town: Purnell.
Hattingh, Jana 2010. Bemarking van die Afrikaanse teater: vraag en aanbod ten opsigte van toneel as produk. Unpublished master’s thesis. Stellenbosch: University of Stellenbosch.
Hattingh, Mareli 2005. Kontemporêre woordkuns as teatergenre : 'n ondersoek na die aard van die vorm van die werke van enkele Stellenbosche woordkunstenaars. Unpublished master’s thesis. Stellenbosch: University of Stellenbosch.
Hattingh, S.C. 1956. Vergelegen, deur D.J. Opperman. Reviewed in: Helikon, 6(26):19.
Return to
Click on the appropriate letters of the alphabet in the sub-list below.
H-Hat Hau Haw-Her Hes-Hol Hom-How Hua-Hun Huo-Huz Hy-Hz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
Return to The ESAT Entries
Return to Main Page
