Difference between revisions of "ESAT Original SA plays As-At"
| (4 intermediate revisions by the same user not shown) | |||
| Line 10: | Line 10: | ||
[[As die Lewenskoste Knyp]] | [[As die Lewenskoste Knyp]] | ||
| + | |||
| + | [[As die Nefie kom Kuier]] (Beukes) | ||
[[As die Skoen jou Pas…]] | [[As die Skoen jou Pas…]] | ||
| − | [[As die Son Ondergaan]] | + | [[As die Son Ondergaan]] ([[Jac J. Brits]]) |
| − | |||
| − | [[ | ||
| − | [[As die | + | [[As die Tuig Skawe]] (Grosskopf) |
[[As die Turksvy Blom]] | [[As die Turksvy Blom]] | ||
| Line 33: | Line 33: | ||
[[Die Asblik|Asblik, Die]] | [[Die Asblik|Asblik, Die]] | ||
| − | [[Ashes ( | + | [[Ashes]] (Rademeyer) |
[[Ashes on our Heads]] | [[Ashes on our Heads]] | ||
Latest revision as of 07:39, 19 July 2023
The list
As die Nefie kom Kuier (Beukes)
As die Son Ondergaan (Jac J. Brits)
As die Tuig Skawe (Grosskopf)
As Hy Terugkom! (Furnell)
As Long As Forever Is (Goodman/Thomas)
As Ons Twee Eers Getroud Is! (Beukes)
Ashes (Rademeyer)
Asinamali (Ngema)
Astounding Antics of Anthony Ant, The
Atalia, Wrede Koningmoeder van Juda
Atkinson at 80 – The Importance of Being Michael
Return to
To return to other lists in the section on Original SA plays, click on the alphabetical list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
To return to the Main Body of ESAT, click below:
Return to South African Stage Plays
Return to PLAYS I: Original SA plays
Return to PLAYS II: Foreign plays
Return to PLAYS III: Collections
Return to PLAYS IV: Pageants and public performances
Return to The ESAT Entries
Return to Main Page
