Difference between revisions of "Dave Ellinger"

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[[Dave Ellinger]] is a salesman and photographer
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[[Dave Ellinger]] is a salesman,  photographer and set designer. 
  
Born in Bulawayo, Rhodesia, where he attended high school at Hamilton High School from 1961 to 1966, then he moved to Cape Town in 1968 and in 1969 began studying Pharmacy at the Cape Town Technical College.
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==Biography==
  
Between 1970 and 1975 he worked as a freelance photographer with many [[amateur]] dramatic societies in the Cape Town area, supplying supplied hundreds of [[front-of-house]] enlargements for foyer display and for press publicity.
+
Dave Ellinger was born in July 1948 in Bulawayo, Rhodesia, where he attended high school at Hamilton High School from 1961 to 1966. As a teenager, he saw live stage shows ranging from school productions to professional companies, classical music to flamenco, but did not participate.  For two years he was a volunteer usher at the Bulawayo Theatre however, which he says did broaden his view of live stage shows.
  
From 2001 till 2014 he worked as a salesman and photographer for the Whysalls Pty Ltd., an electronics store in Umhlanga, KwaZulu-Natal.
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He moved to Cape Town in 1968 and in 1969 began studying Pharmacy at the Cape Town Technical College. He settled in Muizenberg where he lived extremely close to the [[Masque Theatre]] on the Main Road, and got involved there as a volunteer, soon getting involved operating the lighting board or the sound tape deck,  painting flats, or whatever was needed.  He also had bit parts in a Xmas pantomime.
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At that time he was also starting to enjoy an informal apprenticeship with two professional photographic studios, which led to him taking press publicity photographs and foyer photographs for the [[Masque Theatre]]. Word of mouth then led him to many other theatre groups, notably [[Sons of England]] in Claremont, where he again helped in any way possible, from set construction to stage management.
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 +
His photographic style was inspired partly by the work of the eminent theatre photographer and director [[Brian Astbury]] at the [[Space Theatre]] in Cape Town, and so it came about that he worked as a freelance photographer with many [[amateur]] dramatic societies in the Cape Town area between 1970 and 1975, supplying supplied hundreds of [[front-of-house]] enlargements for foyer display and for press publicity.
 +
 
 +
Om 1975 he became part of a spiritual community in the Paarl valley, and then undertook what he calls "a long detour" into Hotel Management at the Hohenort Hotel in Constantia and the Rob Roy Hotel, at Bothas Hill, before he joined [[Republican Press]] in 1984 as a staff photographer. He became the chief photographer in 1995, working on assignments for a variety of magazines until the editorial offices moved to Johannesburg in 2000.
 +
 
 +
From 2001 he worked for Whysalls Pty Ltd., the well-known photographic dealers, as a salesman until 2014.
  
 
==Contribution to South African theatre, film, media and performance==
 
==Contribution to South African theatre, film, media and performance==
  
In his period as freelance photographer in Cape Town, his clients included many [[amateur]] dramatic societies in the Cape Town area, for whom he produced hundreds of [[front-of-house]] enlargements for foyer display and for press publicity purposes.
+
In his period as freelance photographer in Cape Town, his clients included many [[amateur]] dramatic societies in the Cape Town area, for whom he produced hundreds of [[front-of-house]] enlargements for foyer display and for press publicity purposes, as well as creating sets for some shows.
  
 
The list of shows photographed in that period include:
 
The list of shows photographed in that period include:
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=== For the [[Masque Theatre]] in Muizenberg: ===  
 
=== For the [[Masque Theatre]] in Muizenberg: ===  
  
''[[The Changing Room]]''  (directed by [[Tony Mitchell]], ''[[The Diary of Anne Frank]]''   
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''[[The Changing Room]]''  (directed by [[Tony Mitchell]]), ''[[The Diary of Anne Frank]]''   
(directed by [[Hymie Shapiro]]); ''[[Twelve Angry Men]]'' (directed by [[Tony Mitchell]]); ''[[To Dorothy, A Son]]'' (directed by [[Marcia Lawton]]); ''[[The Miracle Worker]]'' (directed by [[Roy Grant]]); ''[[Thunder Rock]]'' (directed by [[Tony Mitchell]]); ''[[Liola]]'' (directed by [[Pietro Nolte]]); ''[[Sailor Beware]]'' (directed by [[Elliot Playfair]]); ''[[Best Of Friends]]'' (directed by [[Douglas Green]]); ''[[Chin Chin]]'' (directed by [[Roy Grant]]); ''[[Private Lives]]'' (directed by [[Sol Rodsell]]; .
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(directed by [[Hymie Shapiro]]); ''[[Twelve Angry Men]]'' (directed by [[Tony Mitchell]]); ''[[To Dorothy, A Son]]'' (directed by [[Marcia Lawton]]); ''[[The Miracle Worker]]'' (directed by [[Roy Grant]]); ''[[Thunder Rock]]'' (directed by [[Tony Mitchell]]); ''[[Liola]]'' (directed by [[Pietro Nolte]]); ''[[Sailor Beware]]'' (directed by [[Elliot Playfair]]); ''[[Best of Friends]]'' (directed by [[Douglas Green]]); ''[[Chin-Chin]]'' (directed by [[Roy Grant]]); ''[[Private Lives]]'' (directed by [[Sol Rodsell]]; ''[[My Giddy Aunt]]'' (directed by [[Norman Sargeant]]); ''[[A Sense of Guilt]]'' (directed by [[Douglas Green]]) and ''[[The Man]]'' (directed by [[Douglas Green]]).  
Masque Theatre.
 
“My Giddy Aunt”
 
Directed By Norman Sargeant.
 
Masque Theatre.
 
Stage Set For “Thunder Rock”
 
Directed By Tony Mitchell.
 
Masque Theatre.
 
“A Sense Of Guilt”
 
Directed By Douglas Green.
 
Masque Theatre.
 
“The Man”
 
Directed By Douglas Green.
 
Masque Theatre.
 
  
 +
He also did the stage set for ''[[Thunder Rock]]'' for the [[Masque Theatre]].
  
=== For [[The Sons Of England]]: ===  
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=== For the [[Sons Of England]]: ===  
  
“Mary Stuart”
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''[[The Captives]]'' (directed by [[Douglas Green]], Oct 1973); ''[[Caught Napping]]'' (directed by [[Peter Pickering]], 1973); ''[[The Chalk Garden]]'' (directed by [[Jill Cooke]], 1973); ''[[Doctor in the House]]'' (directed by [[Hymie Shapiro]], April 1974); and ''[[Mary Stuart]]'' (directed by [[Fitz Morley]], August 1974).  
Directed By Fitz Morley.
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Also responsible for the stage set for ''[[The Captives]]'',
Sons Of England.  Aug 1974.
 
“The Captives”
 
Produced By Douglas Green.
 
Sons Of England.  Oct 1973.
 
Stage Set For “The Captives”
 
Directed By Douglas Green.
 
Sons Of England. Oct 1973.
 
“Doctor In The House”
 
Directed By Hymie Shapiro.
 
Sons Of England. Apr 1974.
 
“Caught Napping”
 
Directed By Peter Pickering.
 
Sons Of England.          1973.
 
David Gillett Cast Member
 
“Caught Napping”
 
Sons Of England.          1973.
 
“The Chalk Garden”
 
Directed By Jill Cooke.
 
Sons Of England.            1973.
 
  
=== For the [[Little Theatre]]: ===  
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=== For the [[Little Theatre]], Cape Town: ===  
  
“Voyage Round My Father”
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''[[Voyage Round My Father]]'' (directed by [[Robert Mohr]]); ''[[The Hollow Crown]]'' (directed by [[Colin Pinney]]); ''[[Indians]]'' (directed by [[Mavis Taylor]]); ''[[Offending the Audience]]'' (directed by [[Robert Mohr]]) and ''[[Vices – A Comedy Of Sins]]'' (directed by [[Gisela Taeger-Berger]]).
Directed By Prof. Robert Mohr.
 
Little Theatre.
 
“The Hollow Crown”
 
Directed By Colin Pinney.
 
Little Theatre.
 
“Indians”
 
Directed By Mavis Taylor.
 
Little Theatre.
 
“Indians”
 
Directed By Mavis Taylor.
 
Little Theatre.
 
“Offending The Audience”
 
Directed By Prof. Robert Mohr.
 
Little Theatre.
 
“Vices – A Comedy Of Sins”
 
Directed By Gisela Taeger-Berger.
 
Little Theatre.
 
  
 
=== For other companies and venues: ===  
 
=== For other companies and venues: ===  
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''[[Separate Tables]]'' (directed by [[Roy Grant]] for the [[Strolling Players]]).  
 
''[[Separate Tables]]'' (directed by [[Roy Grant]] for the [[Strolling Players]]).  
  
''[[Towards Zero]]''  (directed by [[Dawn McClurg]] for the [[Savio Players]].
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''[[Towards Zero]]''  (directed by [[Dawn McClurg]] for the [[Savio Players]]).
 +
 
 +
''[[The Laboratory]]'' (directed by [[Tony Murray]] for the [[Pinelands Dramatic Society]]).
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''[[The Lark]]'' (directed by [[Natasha Baker]] for [[Rustenberg Girls High School]]).
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''[[Blithe Spirit]]'' (directed by [[Aubrey Dwyer]] for the [[Cape Protea Players]]).
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''[[Intent to Murder]]'' (directed by [[Douglas Green]] for the [[Anchor Players]]).
  
“The Laboratory”
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''[[Duet for Two Hands]]'' (directed by [[Norman Paul]]) and ''[[Lo And Behold]]'' (directed by [[Barbara McGuire]]), both for the [[Fish Hoek Dramatic Society]].
Directed By Tony Murray.
 
Pinelands Dramatic Society.
 
“The Lark”
 
Directed By Natasha Baker.
 
Rustenberg Girls High School.
 
“Blithe Spirit”
 
Directed By Aubrey Dwyer.
 
Cape Protea Players.
 
“Intent To Murder”
 
Directed By Douglas Green.
 
Anchor Players.
 
“Intent To Murder”
 
Directed By Douglas Green.
 
Anchor Players.
 
“Duet For Two Hands”
 
Directed By Norman Paul.
 
Fish Hoek Dramatic Society.
 
“Lo And Behold”
 
Directed By Barbara Mcguire.
 
Fish Hoek Dramatic Society.
 
  
 
==Sources==
 
==Sources==
  
E-mail correspondence from [[Dave Ellinger]], .
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E-mail correspondence from [[Dave Ellinger]], January 2022.
  
 
https://www.facebook.com/dave.ellinger.5/about?section=year-overviews
 
https://www.facebook.com/dave.ellinger.5/about?section=year-overviews

Latest revision as of 10:14, 13 January 2022

Dave Ellinger is a salesman, photographer and set designer.

Biography

Dave Ellinger was born in July 1948 in Bulawayo, Rhodesia, where he attended high school at Hamilton High School from 1961 to 1966. As a teenager, he saw live stage shows ranging from school productions to professional companies, classical music to flamenco, but did not participate. For two years he was a volunteer usher at the Bulawayo Theatre however, which he says did broaden his view of live stage shows.

He moved to Cape Town in 1968 and in 1969 began studying Pharmacy at the Cape Town Technical College. He settled in Muizenberg where he lived extremely close to the Masque Theatre on the Main Road, and got involved there as a volunteer, soon getting involved operating the lighting board or the sound tape deck, painting flats, or whatever was needed. He also had bit parts in a Xmas pantomime.

At that time he was also starting to enjoy an informal apprenticeship with two professional photographic studios, which led to him taking press publicity photographs and foyer photographs for the Masque Theatre. Word of mouth then led him to many other theatre groups, notably Sons of England in Claremont, where he again helped in any way possible, from set construction to stage management.

His photographic style was inspired partly by the work of the eminent theatre photographer and director Brian Astbury at the Space Theatre in Cape Town, and so it came about that he worked as a freelance photographer with many amateur dramatic societies in the Cape Town area between 1970 and 1975, supplying supplied hundreds of front-of-house enlargements for foyer display and for press publicity.

Om 1975 he became part of a spiritual community in the Paarl valley, and then undertook what he calls "a long detour" into Hotel Management at the Hohenort Hotel in Constantia and the Rob Roy Hotel, at Bothas Hill, before he joined Republican Press in 1984 as a staff photographer. He became the chief photographer in 1995, working on assignments for a variety of magazines until the editorial offices moved to Johannesburg in 2000.

From 2001 he worked for Whysalls Pty Ltd., the well-known photographic dealers, as a salesman until 2014.

Contribution to South African theatre, film, media and performance

In his period as freelance photographer in Cape Town, his clients included many amateur dramatic societies in the Cape Town area, for whom he produced hundreds of front-of-house enlargements for foyer display and for press publicity purposes, as well as creating sets for some shows.

The list of shows photographed in that period include:

For the Masque Theatre in Muizenberg:

The Changing Room (directed by Tony Mitchell), The Diary of Anne Frank (directed by Hymie Shapiro); Twelve Angry Men (directed by Tony Mitchell); To Dorothy, A Son (directed by Marcia Lawton); The Miracle Worker (directed by Roy Grant); Thunder Rock (directed by Tony Mitchell); Liola (directed by Pietro Nolte); Sailor Beware (directed by Elliot Playfair); Best of Friends (directed by Douglas Green); Chin-Chin (directed by Roy Grant); Private Lives (directed by Sol Rodsell; My Giddy Aunt (directed by Norman Sargeant); A Sense of Guilt (directed by Douglas Green) and The Man (directed by Douglas Green).

He also did the stage set for Thunder Rock for the Masque Theatre.

For the Sons Of England:

The Captives (directed by Douglas Green, Oct 1973); Caught Napping (directed by Peter Pickering, 1973); The Chalk Garden (directed by Jill Cooke, 1973); Doctor in the House (directed by Hymie Shapiro, April 1974); and Mary Stuart (directed by Fitz Morley, August 1974). Also responsible for the stage set for The Captives,

For the Little Theatre, Cape Town:

Voyage Round My Father (directed by Robert Mohr); The Hollow Crown (directed by Colin Pinney); Indians (directed by Mavis Taylor); Offending the Audience (directed by Robert Mohr) and Vices – A Comedy Of Sins (directed by Gisela Taeger-Berger).

For other companies and venues:

Gaslight (directed by Sol Rodsell, performed at the Temple Theatre).

A Man About the House (directed by Joyce Williams for the Strolling Players).

Separate Tables (directed by Roy Grant for the Strolling Players).

Towards Zero (directed by Dawn McClurg for the Savio Players).

The Laboratory (directed by Tony Murray for the Pinelands Dramatic Society).

The Lark (directed by Natasha Baker for Rustenberg Girls High School).

Blithe Spirit (directed by Aubrey Dwyer for the Cape Protea Players).

Intent to Murder (directed by Douglas Green for the Anchor Players).

Duet for Two Hands (directed by Norman Paul) and Lo And Behold (directed by Barbara McGuire), both for the Fish Hoek Dramatic Society.

Sources

E-mail correspondence from Dave Ellinger, January 2022.

https://www.facebook.com/dave.ellinger.5/about?section=year-overviews