Difference between revisions of "ESAT Bibliography Hes-Hol"
| (14 intermediate revisions by 2 users not shown) | |||
| Line 1: | Line 1: | ||
| − | |||
| − | |||
Click on the appropriate letters of the alphabet in the sub-list below. | Click on the appropriate letters of the alphabet in the sub-list below. | ||
| − | [[ESAT Bibliography H-Hat|H-Hat]] [[ESAT Bibliography Hau|Hau]] [[ESAT Bibliography Haw-Her|Haw-Her]] [[ESAT Bibliography Hes-Hol|Hes-Hol]] [[ESAT Bibliography Hom-How|Hom-How]] [[ESAT Bibliography Hua-Hun|Hua-Hun]] [[ESAT Bibliography | + | [[ESAT Bibliography H-Hat|H-Hat]] [[ESAT Bibliography Hau|Hau]] [[ESAT Bibliography Haw-Her|Haw-Her]] [[ESAT Bibliography Hes-Hol|Hes-Hol]] [[ESAT Bibliography Hom-How|Hom-How]] [[ESAT Bibliography Hua-Hun|Hua-Hun]] [[ESAT Bibliography Huo-Huz|Huo-Huz]] [[ESAT Bibliography Hy-Hz|Hy-Hz]] |
To return to any other letter, click on the list below | To return to any other letter, click on the list below | ||
| Line 17: | Line 15: | ||
[[G.H. Hesse|Hesse, G.H.]] 1986. Die individu en die gemeenskap in [[P.G. du Plessis]] se ''[[Die Nag van Legio]]'' en Dürrenmatt se ''Der Besuch der alten Damen''. ''[[Tydskrif vir Letterkunde]]'', 24(3):56-62. | [[G.H. Hesse|Hesse, G.H.]] 1986. Die individu en die gemeenskap in [[P.G. du Plessis]] se ''[[Die Nag van Legio]]'' en Dürrenmatt se ''Der Besuch der alten Damen''. ''[[Tydskrif vir Letterkunde]]'', 24(3):56-62. | ||
| − | [[G.H. Hesse|Hesse, G.H.]] 1987. Die toeval: [[P.G. du Plessis]] en Friedrich Dürrenmatt. ''[[Tydskrif vir Letterkunde]]'', 25:38-42. | + | [[G.H. Hesse|Hesse, G.H.]] 1987. Die toeval: [[P.G. du Plessis]] en [[Friedrich Dürrenmatt]]. ''[[Tydskrif vir Letterkunde]]'', 25:38-42. |
| − | [[G.H. Hesse|Hesse, G.H.]] 1989. Die groteske in die dramas van [[P.G. du Plessis]] en Friedrich Dürrenmatt. ''[[Tydskrif vir Letterkunde]]'', 27(3):90-97. | + | [[G.H. Hesse|Hesse, G.H.]] 1989. Die groteske in die dramas van [[P.G. du Plessis]] en [[Friedrich Dürrenmatt]]. ''[[Tydskrif vir Letterkunde]]'', 27(3):90-97. |
Hewitt, R. 1985. The Oral literature of the San and related peoples, in Andrzejewski, B.W. et al. (eds.). ''Literatures in African Languages: Theoretical Issues and Sample Surveys''. Cambridge: Cambridge University Press: 650-672. | Hewitt, R. 1985. The Oral literature of the San and related peoples, in Andrzejewski, B.W. et al. (eds.). ''Literatures in African Languages: Theoretical Issues and Sample Surveys''. Cambridge: Cambridge University Press: 650-672. | ||
| Line 26: | Line 24: | ||
[[Joy Hey|Hey, Joy]] 1966. ''One Kind of Phoenix : The Story of [[Peter Hey]]''. Pietermaritzburg : Shuter and Shooter. | [[Joy Hey|Hey, Joy]] 1966. ''One Kind of Phoenix : The Story of [[Peter Hey]]''. Pietermaritzburg : Shuter and Shooter. | ||
| + | |||
| + | [[Louis Heyneman|Heyneman, Louis]] 1988. 'n Kwarteeu van 'staatstoneel': waarheen nou? ''De Kat'', 4(5):62-65. | ||
[[M.S. Heyns|Heyns, M.S.]] 1967. Die [[H.B. Thom Theatre|H.B. Thom-teater]] op Stellenbosch. ''Lantern'', 17(2):36-41. | [[M.S. Heyns|Heyns, M.S.]] 1967. Die [[H.B. Thom Theatre|H.B. Thom-teater]] op Stellenbosch. ''Lantern'', 17(2):36-41. | ||
[[C. Heywood|Heywood, C.]] (ed.). 1974. ''Aspects of South African Literature''. London: Heinemann. | [[C. Heywood|Heywood, C.]] (ed.). 1974. ''Aspects of South African Literature''. London: Heinemann. | ||
| + | |||
| + | [[Christopher Heywood|Heywood, Christopher]]. 2004. ''A History of South African Literature''. Cambridge: Cambridge University Press. | ||
[[Craig Higginson|Higginson, Craig]], [[Laurens, Foanna|Foanna Laurens]] & [[Svich, Caridad|Caridad Svich]] 2004. A triangle of thought. ''Performance Research'', 9(1):76-80. | [[Craig Higginson|Higginson, Craig]], [[Laurens, Foanna|Foanna Laurens]] & [[Svich, Caridad|Caridad Svich]] 2004. A triangle of thought. ''Performance Research'', 9(1):76-80. | ||
| Line 43: | Line 45: | ||
[[Ali Khangela Hlongwane|Hlongwane, Ali Khangela]] 1994. Reflections on a cultural day of artists and workers on 16 April 1989, in [[Liz Gunner|Gunner, Liz]] (ed.). ''Politics and Performance: Theatre, Poetry and Song in Southern Africa''. Johannesburg: Witwatersrand University Press. 199-202. | [[Ali Khangela Hlongwane|Hlongwane, Ali Khangela]] 1994. Reflections on a cultural day of artists and workers on 16 April 1989, in [[Liz Gunner|Gunner, Liz]] (ed.). ''Politics and Performance: Theatre, Poetry and Song in Southern Africa''. Johannesburg: Witwatersrand University Press. 199-202. | ||
| − | [[David E. Hoegberg|Hoegberg, David E.]] 1995-6. ‘Master Harold’ and the Bard: education and succession in [[Athol Fugard|Fugard]] and Shakespeare. Comparative Drama, 29(3):415-435. | + | [[David E. Hoegberg|Hoegberg, David E.]] 1995-6. ‘Master Harold’ and the Bard: education and succession in [[Athol Fugard|Fugard]] and Shakespeare. ''Comparative Drama'', 29(3):415-435. |
[[A. Hoernlé|Hoernlé, A.]] 1934. The [[Bantu Dramatic Society]] of Johannesburg. ''Africa: journal of the International African Institute'', 7:223-227. | [[A. Hoernlé|Hoernlé, A.]] 1934. The [[Bantu Dramatic Society]] of Johannesburg. ''Africa: journal of the International African Institute'', 7:223-227. | ||
| + | |||
| + | [[Alison Hofer|Hofer, Alison]] 2011. ''Trusting the Actor'', by [[Brian Astbury]]. Reviewed in: ''[[South African Theatre Journal]]'', 25(3):254-257. | ||
[[Arthur Hoffman|Hoffman, Arthur]] & [[Anna Romain|Romain, Anna]] 1980. ''They Built a Theatre: The Story of the [[Johannesburg Repertory Society]]''. Johannesbrug: Ad Donker. | [[Arthur Hoffman|Hoffman, Arthur]] & [[Anna Romain|Romain, Anna]] 1980. ''They Built a Theatre: The Story of the [[Johannesburg Repertory Society]]''. Johannesbrug: Ad Donker. | ||
| − | [[Rosemary | + | [[Rosemary Ursula Hoffman|Hoffman, Rosemary Ursula]] 1964. ''A List of Theatre Performances in Johannesburg, 1887-1897, based on the programme collection in the Strange Library of Africana, Johannesburg''. Johannesburg: Johannesburg Public Library. |
| + | |||
| + | [[Isabel Hofmeyer|Hofmeyer, Isabel]] 1995. ''Politics and Performance: Theatre, Poetry and Song in Southern Africa'', edited by [[Liz Gunner|L. Gunner]]. Reviewed in: ''South African Historical Journal'', 47(32):292-293. | ||
| − | + | Holdridge, C.A. 2010. ''Sam Sly’s African Journal and the Role of Satire in Colonial British Identity at the Cape of Good Hope c. 1840-1850.'' M.A Dissertation, Cape Town:[[University of Cape Town]], 2010. | |
| + | [[Nadine Holdsworth|Holdsworth, Nadine]]. 2014. ''Theatre and National Identity: Re-Imagining Conceptions of Nation''. Routledge Advances in Theatre and Performance Studies, London: Routledge. | ||
| + | |||
[[A. Holiday|Holiday, A.]] 1998. Forgiving and forgetting: the Truth and Reconciliation Commission, in [[Sarah Nutall|Nutall, Sarah]] & [[Carli Coetzee|Coetzee, Carli]] (eds.). ''Negotiating the Past. The Making of Memory in South Africa''. Cape Town: Oxford University Press. | [[A. Holiday|Holiday, A.]] 1998. Forgiving and forgetting: the Truth and Reconciliation Commission, in [[Sarah Nutall|Nutall, Sarah]] & [[Carli Coetzee|Coetzee, Carli]] (eds.). ''Negotiating the Past. The Making of Memory in South Africa''. Cape Town: Oxford University Press. | ||
| Line 63: | Line 71: | ||
[[Myles Holloway|Holloway, Myles]] 1989a. Discordant voices of a lived reality: [[Zakes Mda]]’s ''[[The Hill]]''. ''[[South African Theatre Journal]]'', 3(2):33-50. | [[Myles Holloway|Holloway, Myles]] 1989a. Discordant voices of a lived reality: [[Zakes Mda]]’s ''[[The Hill]]''. ''[[South African Theatre Journal]]'', 3(2):33-50. | ||
| − | [[Myles Holloway|Holloway, Myles]] 1989b. Social commentary and artistic mediation in [[Zakes Mda]]’s early plays. ''English Academy Review'', 6:28-41. | + | [[Myles Holloway|Holloway, Myles]] 1989b. Social commentary and artistic mediation in [[Zakes Mda]]’s early plays. ''[[English Academy Review]]'', 6:28-41. |
| + | |||
| + | [[Myles Holloway|Holloway, Myles]] 1991. Dr Jim-Crack and See-Saw Roads: [[Harold Bolce]]'s ''[[A Slump in Heroes]]''. ''[[English Studies in Africa]]'', 18(2) | ||
[[Myles Holloway|Holloway, Myles]] 1992. The crisis of liberalism in South African theatre. ''Westerley'', 3:41-47. | [[Myles Holloway|Holloway, Myles]] 1992. The crisis of liberalism in South African theatre. ''Westerley'', 3:41-47. | ||
| − | [[Myles Holloway|Holloway, Myles]] | + | [[Myles Holloway|Holloway, Myles]] 1993a. Creative co-operation: a critical survey of workshop theatre in South Africa, ''[[South African Theatre Journal]]'', 7(1):17-31. |
| + | |||
| + | [[Myles Holloway|Holloway, Myles]] 1993b. ''[[Playland]]'': [[Athol Fugard|Fugard]]'s liberalism. ''U N I S A English Studies'', 31(1). | ||
[[Myles Holloway|Holloway, Myles]] 1997. Music Hall in Johannesburg: 1886-1896. ''[[South African Theatre Journal]]'', 11(1&2):15-53. | [[Myles Holloway|Holloway, Myles]] 1997. Music Hall in Johannesburg: 1886-1896. ''[[South African Theatre Journal]]'', 11(1&2):15-53. | ||
| Line 80: | Line 92: | ||
Click on the appropriate letters of the alphabet in the sub-list below. | Click on the appropriate letters of the alphabet in the sub-list below. | ||
| − | [[ESAT Bibliography H-Hat|H-Hat]] [[ESAT Bibliography Hau|Hau]] [[ESAT Bibliography Haw-Her|Haw-Her]] [[ESAT Bibliography Hes-Hol|Hes-Hol]] [[ESAT Bibliography Hom-How|Hom-How]] [[ESAT Bibliography Hua-Hun|Hua-Hun]] [[ESAT Bibliography | + | [[ESAT Bibliography H-Hat|H-Hat]] [[ESAT Bibliography Hau|Hau]] [[ESAT Bibliography Haw-Her|Haw-Her]] [[ESAT Bibliography Hes-Hol|Hes-Hol]] [[ESAT Bibliography Hom-How|Hom-How]] [[ESAT Bibliography Hua-Hun|Hua-Hun]] [[ESAT Bibliography Huo-Huz|Huo-Huz]] [[ESAT Bibliography Hy-Hz|Hy-Hz]] |
To return to any other letter, click on the list below | To return to any other letter, click on the list below | ||
Latest revision as of 06:41, 3 January 2021
Click on the appropriate letters of the alphabet in the sub-list below.
H-Hat Hau Haw-Her Hes-Hol Hom-How Hua-Hun Huo-Huz Hy-Hz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
Hesse, G.H. 1986. Die individu en die gemeenskap in P.G. du Plessis se Die Nag van Legio en Dürrenmatt se Der Besuch der alten Damen. Tydskrif vir Letterkunde, 24(3):56-62.
Hesse, G.H. 1987. Die toeval: P.G. du Plessis en Friedrich Dürrenmatt. Tydskrif vir Letterkunde, 25:38-42.
Hesse, G.H. 1989. Die groteske in die dramas van P.G. du Plessis en Friedrich Dürrenmatt. Tydskrif vir Letterkunde, 27(3):90-97.
Hewitt, R. 1985. The Oral literature of the San and related peoples, in Andrzejewski, B.W. et al. (eds.). Literatures in African Languages: Theoretical Issues and Sample Surveys. Cambridge: Cambridge University Press: 650-672.
The Hexagon Experimental Theatre, University of Natal, Pietermaritzburg. 1978. Scenaria, (10):29-31.
Hey, Joy 1966. One Kind of Phoenix : The Story of Peter Hey. Pietermaritzburg : Shuter and Shooter.
Heyneman, Louis 1988. 'n Kwarteeu van 'staatstoneel': waarheen nou? De Kat, 4(5):62-65.
Heyns, M.S. 1967. Die H.B. Thom-teater op Stellenbosch. Lantern, 17(2):36-41.
Heywood, C. (ed.). 1974. Aspects of South African Literature. London: Heinemann.
Heywood, Christopher. 2004. A History of South African Literature. Cambridge: Cambridge University Press.
Higginson, Craig, Foanna Laurens & Caridad Svich 2004. A triangle of thought. Performance Research, 9(1):76-80.
Hill, Ronald 1965. Shame. Theatre World, 61:13-15.
Hiltermann, Tracey Virginia 1993. The ethnography of visual literacy: a theoretical perspective for the study and teaching of visual discourses. Unpublihed doctoral dissertation. Johannesburg: University of the Witwatersrand.
Hirschson, P. 1994. The 25th Raps Schools Play Festival. Transvaal Educational News, 92(3):12-13.
History of the State Theatre Pretoria. 1981. Scenaria, Special issue: 3-5.
Hlongwane, Ali Khangela 1994. Reflections on a cultural day of artists and workers on 16 April 1989, in Gunner, Liz (ed.). Politics and Performance: Theatre, Poetry and Song in Southern Africa. Johannesburg: Witwatersrand University Press. 199-202.
Hoegberg, David E. 1995-6. ‘Master Harold’ and the Bard: education and succession in Fugard and Shakespeare. Comparative Drama, 29(3):415-435.
Hoernlé, A. 1934. The Bantu Dramatic Society of Johannesburg. Africa: journal of the International African Institute, 7:223-227.
Hofer, Alison 2011. Trusting the Actor, by Brian Astbury. Reviewed in: South African Theatre Journal, 25(3):254-257.
Hoffman, Arthur & Romain, Anna 1980. They Built a Theatre: The Story of the Johannesburg Repertory Society. Johannesbrug: Ad Donker.
Hoffman, Rosemary Ursula 1964. A List of Theatre Performances in Johannesburg, 1887-1897, based on the programme collection in the Strange Library of Africana, Johannesburg. Johannesburg: Johannesburg Public Library.
Hofmeyer, Isabel 1995. Politics and Performance: Theatre, Poetry and Song in Southern Africa, edited by L. Gunner. Reviewed in: South African Historical Journal, 47(32):292-293.
Holdridge, C.A. 2010. Sam Sly’s African Journal and the Role of Satire in Colonial British Identity at the Cape of Good Hope c. 1840-1850. M.A Dissertation, Cape Town:University of Cape Town, 2010.
Holdsworth, Nadine. 2014. Theatre and National Identity: Re-Imagining Conceptions of Nation. Routledge Advances in Theatre and Performance Studies, London: Routledge.
Holiday, A. 1998. Forgiving and forgetting: the Truth and Reconciliation Commission, in Nutall, Sarah & Coetzee, Carli (eds.). Negotiating the Past. The Making of Memory in South Africa. Cape Town: Oxford University Press.
Holloway, David 1979. Playing the Empire. London: Harrap.
Holloway, Myles 1988a. An interview with Zakes Mda. South African Theatre Journal, 2(2):81-8
Holloway, Myles Kenton 1988b. Zakes Mda's plays : the art of the text in the context of politics. Unpublished master’s thesis. Durban: University of Natal.
Holloway, Myles 1989a. Discordant voices of a lived reality: Zakes Mda’s The Hill. South African Theatre Journal, 3(2):33-50.
Holloway, Myles 1989b. Social commentary and artistic mediation in Zakes Mda’s early plays. English Academy Review, 6:28-41.
Holloway, Myles 1991. Dr Jim-Crack and See-Saw Roads: Harold Bolce's A Slump in Heroes. English Studies in Africa, 18(2)
Holloway, Myles 1992. The crisis of liberalism in South African theatre. Westerley, 3:41-47.
Holloway, Myles 1993a. Creative co-operation: a critical survey of workshop theatre in South Africa, South African Theatre Journal, 7(1):17-31.
Holloway, Myles 1993b. Playland: Fugard's liberalism. U N I S A English Studies, 31(1).
Holloway, Myles 1997. Music Hall in Johannesburg: 1886-1896. South African Theatre Journal, 11(1&2):15-53.
Holmes, J. 2002. ‘A world elsewhere’: Shakespeare in South Africa. Shakespeare Survey, 55:271-284.
Click on the appropriate letters of the alphabet in the sub-list below.
H-Hat Hau Haw-Her Hes-Hol Hom-How Hua-Hun Huo-Huz Hy-Hz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
