Difference between revisions of "ESAT Bibliography Tea-Tho"
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Teater vir Kaapstad. 1946. ''Huisgenoot'', 30(1260):3. March 17. | Teater vir Kaapstad. 1946. ''Huisgenoot'', 30(1260):3. March 17. | ||
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| + | [[M.D. Teenstra|Teenstra, Marten Douwes]]. 1943. ''De vruchten mijner werkzaamheden'' (ed. [[F.C.L. Bosman]]). Kaapstad: Die Van Riebeeck-vereniging. | ||
[[A. Teizeira|Teizeira, A.]] 2007. [[Phyllis Klotz]] – founder of the [[Sibikwa Community Arts Project]]: no fake art. ''African Connexion'', 14(22):34-35. | [[A. Teizeira|Teizeira, A.]] 2007. [[Phyllis Klotz]] – founder of the [[Sibikwa Community Arts Project]]: no fake art. ''African Connexion'', 14(22):34-35. | ||
| − | Ten years of the [[Leonard Schach Cockpit Players]]. 1960. ''South African Panorama'', 5(7):20-21. July. | + | Ten years of [[National Theatre Organisation|National theatre]]. 1957. ''South Africana'', (8). |
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| + | Ten years of the [[Leonard Schach]] [[Cockpit Players]]. 1960. ''South African Panorama'', 5(7):20-21. July. | ||
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| + | [[Erika Terblanche|Terblanche, Erika]] (2014) [[Gerhard J. Beukes]] (1913–1998). ''[[LitNet]]'' (2014-08-21) | ||
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| + | [[Nic Terblanche|Terblanche, Nic]] 2003. The Performing Arts and Marketing: Concepts and challenges. ''[[South African Theatre Journal]]'', 17:153-176. | ||
| − | + | Terblanche, Rian & Broodryk, Chris 2014. From the distributed self to the expanded self: gay identity and shifting subject–object positions in online and offline performance. ''[[South African Theatre Journal]]'', 27(1):42-60. | |
[[Paddy Terry|Terry Paddy]] 1982. [[John Norman]]. ''[[SAADYT Journal]]'', 3(2):3-7. | [[Paddy Terry|Terry Paddy]] 1982. [[John Norman]]. ''[[SAADYT Journal]]'', 3(2):3-7. | ||
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[[Hugo Theart|Theart, Hugo]] 2009. I.A.T.C. Colloquium – Amsterdam, 17-20 June 2009. ''[[South African Theatre Journal]]'', 23:235-240. | [[Hugo Theart|Theart, Hugo]] 2009. I.A.T.C. Colloquium – Amsterdam, 17-20 June 2009. ''[[South African Theatre Journal]]'', 23:235-240. | ||
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| + | [[Hugo Theart|Theart, Francois Hugo]] 2013. Die funksies en vereistes van die resensiewese in ’n veranderende bedryf: teaterkritiek en die nuwe media. Unpublished master's thesis. Stellenbosch: Stellenbsoch University. | ||
Theatre: an exciting season for [[Baxter Theatre|Baxter]] ’83. 1983. ''[[Scenaria]]'', (37):32-34. | Theatre: an exciting season for [[Baxter Theatre|Baxter]] ’83. 1983. ''[[Scenaria]]'', (37):32-34. | ||
Theatre. [workshop in Dorkay House, Johannesburg]. 1963. ''Classic'', 1(1):64-66. | Theatre. [workshop in Dorkay House, Johannesburg]. 1963. ''Classic'', 1(1):64-66. | ||
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| + | Theatre beyond the apartheid imagination, in [[Andries Oliphant|Oliphant, Andries Walter]] (ed.). 1993. Culture and empowerment : debates, workshops, art and photography from the Zabalaza Festival. Johannesburg: COSAW Publishing. 116-129. | ||
Theatre complex : the final stage. 1984. ''Construction Southern Africa'', 29(8):30-33. | Theatre complex : the final stage. 1984. ''Construction Southern Africa'', 29(8):30-33. | ||
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| + | [[Theatre for Africa]]. (n.d.) ''The Complete Plays of Nicholas Ellenbogen and Theatre for Africa'' (4 volumes). Claremont, Cape Town. | ||
The theatre in South Africa: comprehensive survey of English, Afrikaans and Black theatre. 1977/78. ''Theatre Quarterly'', 7:43-95. | The theatre in South Africa: comprehensive survey of English, Afrikaans and Black theatre. 1977/78. ''Theatre Quarterly'', 7:43-95. | ||
| Line 46: | Line 61: | ||
Theatrical masterpiece – [[Alexander Theatre]]: leading project. 2007. ''Leading Architecture and Design'', 25(7/8):6-8, 10, 13-15. | Theatrical masterpiece – [[Alexander Theatre]]: leading project. 2007. ''Leading Architecture and Design'', 25(7/8):6-8, 10, 13-15. | ||
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| + | [[Chinua Thelwell|Thelwell, Chinua]]. 2012. ''Nothing Now Goes Down But Burnt Cork: Blackface Minstrelsy and Ethnic Impersonation in South Africa'', Proquest, Umi Dissertation Publishing. | ||
| + | |||
| + | [[Chinua Thelwell|Thelwell, Chinua]]. 2013. "The young men must blacken their faces": The Blackface Minstrel Show in Preindustrial South Africa. ''The Drama Review'' (1988-) Vol. 57, No. 2, "Routes of Blackface": Special Issue (Summer 2013), pp. 66-85 (20 pages) | ||
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| + | [[Chinua Thelwell|Thelwell, Chinua]] (ed). 2016. ''Theater and Cultural Politics for a New World''. Routledge | ||
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| + | [[Chinua Thelwell|Thelwell, Chinua]] (ed). 2020. ''Exporting Jim Crow: Blackface Minstrelsy in South Africa and Beyond''. University of Massachusetts Press. | ||
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| + | [[A. Theron|Theron, A.]] 1974. ''[[Germanicus]]'': [[N.P. van Wyk Louw]]: lettere en sosiale wetenskappe. ''Unie'', 68(5): | ||
[[Francois Alwyn Theron|Theron, Francois Alwyn]] 1991. Die bydrae van [[Wena Naudé]] tot die Afrikaanse toneel en rolprent. Unpublished master’s thesis. Pretoria: University of Pretoria. | [[Francois Alwyn Theron|Theron, Francois Alwyn]] 1991. Die bydrae van [[Wena Naudé]] tot die Afrikaanse toneel en rolprent. Unpublished master’s thesis. Pretoria: University of Pretoria. | ||
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[[Ida Theron|Theron, Ida]] 1942. Voor die tentoonstelling. ''Eendrag'', 14(62):7-11. September. | [[Ida Theron|Theron, Ida]] 1942. Voor die tentoonstelling. ''Eendrag'', 14(62):7-11. September. | ||
| − | [[ | + | [[Woutrine Theron|Theron, Woutrine]] 2007. ''Voetligte en Applous'', deur [[Danie Botha]]. Reviewed in: ''[[Tydskrif vir Geesteswetenskappe]]'', 47(2): 279-280. |
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| + | Thespis (pseud.) 1951. ''Much Ado about Nothing'' in die nuwe [[Johannesburg Repertory Theatre|Reps-Teater]] opgevoer. ''Helikon'', 1(2):13-14. | ||
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| + | Thespis (pseud.) 1951. ''Deep are the Roots'' - Biblioteekteater. ''Helikon'', 1(2):114-15. | ||
[[L. Theys|Theys, L.]] Take off for theatre at Black schools. ''Informa'', 31(9):11-12. | [[L. Theys|Theys, L.]] Take off for theatre at Black schools. ''Informa'', 31(9):11-12. | ||
Latest revision as of 06:33, 6 October 2022
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Teater vir Kaapstad. 1946. Huisgenoot, 30(1260):3. March 17.
Teenstra, Marten Douwes. 1943. De vruchten mijner werkzaamheden (ed. F.C.L. Bosman). Kaapstad: Die Van Riebeeck-vereniging.
Teizeira, A. 2007. Phyllis Klotz – founder of the Sibikwa Community Arts Project: no fake art. African Connexion, 14(22):34-35.
Ten years of National theatre. 1957. South Africana, (8).
Ten years of the Leonard Schach Cockpit Players. 1960. South African Panorama, 5(7):20-21. July.
Terblanche, Erika (2014) Gerhard J. Beukes (1913–1998). LitNet (2014-08-21)
Terblanche, Nic 2003. The Performing Arts and Marketing: Concepts and challenges. South African Theatre Journal, 17:153-176.
Terblanche, Rian & Broodryk, Chris 2014. From the distributed self to the expanded self: gay identity and shifting subject–object positions in online and offline performance. South African Theatre Journal, 27(1):42-60.
Terry Paddy 1982. John Norman. SAADYT Journal, 3(2):3-7.
Terry, Paddy 1984. Drama education and South Africa. SAADYT Journal, 6(1):19-63.
Theart, Hugo 2009. I.A.T.C. Colloquium – Amsterdam, 17-20 June 2009. South African Theatre Journal, 23:235-240.
Theart, Francois Hugo 2013. Die funksies en vereistes van die resensiewese in ’n veranderende bedryf: teaterkritiek en die nuwe media. Unpublished master's thesis. Stellenbosch: Stellenbsoch University.
Theatre: an exciting season for Baxter ’83. 1983. Scenaria, (37):32-34.
Theatre. [workshop in Dorkay House, Johannesburg]. 1963. Classic, 1(1):64-66.
Theatre beyond the apartheid imagination, in Oliphant, Andries Walter (ed.). 1993. Culture and empowerment : debates, workshops, art and photography from the Zabalaza Festival. Johannesburg: COSAW Publishing. 116-129.
Theatre complex : the final stage. 1984. Construction Southern Africa, 29(8):30-33.
Theatre for Africa. (n.d.) The Complete Plays of Nicholas Ellenbogen and Theatre for Africa (4 volumes). Claremont, Cape Town.
The theatre in South Africa: comprehensive survey of English, Afrikaans and Black theatre. 1977/78. Theatre Quarterly, 7:43-95.
Theatre in the hills. 1973. Fiat Lux, 8(5):20-21.
Theatre of the little people. [Puppet plays]. 1963. South African Panorama, 8(9):32-33. September.
Theatre: quality calling audiences back. Forum, 4(34):18.
Theatres of South Africa, no 11: Etienne Rousseau Theatre. 1979. Scenaria, (11):26-27.
Theatres of South Africa, no 12: The Space. 1979. Scenaria, (12):22-23.
Theatres of South Africa, no 13: Civic Theatre, Vereeniging. 1979. Scenaria, (13):36-37.
Theatrical masterpiece – Alexander Theatre: leading project. 2007. Leading Architecture and Design, 25(7/8):6-8, 10, 13-15.
Thelwell, Chinua. 2012. Nothing Now Goes Down But Burnt Cork: Blackface Minstrelsy and Ethnic Impersonation in South Africa, Proquest, Umi Dissertation Publishing.
Thelwell, Chinua. 2013. "The young men must blacken their faces": The Blackface Minstrel Show in Preindustrial South Africa. The Drama Review (1988-) Vol. 57, No. 2, "Routes of Blackface": Special Issue (Summer 2013), pp. 66-85 (20 pages)
Thelwell, Chinua (ed). 2016. Theater and Cultural Politics for a New World. Routledge
Thelwell, Chinua (ed). 2020. Exporting Jim Crow: Blackface Minstrelsy in South Africa and Beyond. University of Massachusetts Press.
Theron, A. 1974. Germanicus: N.P. van Wyk Louw: lettere en sosiale wetenskappe. Unie, 68(5):
Theron, Francois Alwyn 1991. Die bydrae van Wena Naudé tot die Afrikaanse toneel en rolprent. Unpublished master’s thesis. Pretoria: University of Pretoria.
Theron, Ida 1942. Voor die tentoonstelling. Eendrag, 14(62):7-11. September.
Theron, Woutrine 2007. Voetligte en Applous, deur Danie Botha. Reviewed in: Tydskrif vir Geesteswetenskappe, 47(2): 279-280.
Thespis (pseud.) 1951. Much Ado about Nothing in die nuwe Reps-Teater opgevoer. Helikon, 1(2):13-14.
Thespis (pseud.) 1951. Deep are the Roots - Biblioteekteater. Helikon, 1(2):114-15.
Theys, L. Take off for theatre at Black schools. Informa, 31(9):11-12.
Thirty Years of Drama Training [1974- ]. 2011. Pretoria: Department of Drama, Tshwane University of Technology.
Thomas, Ceridwen 1990. A dream of people. Plays and Players, (441):7-9.
Thomas, J. 1985. Dorothy Ann Gould: waking up in the dream factory. Fair Lady, 20(12):98-101. June 26.
Thomson, C. 1988. All the world’s a stage. Neon, 8(54):56-58.
Thomson, H. 1989. An examination of the use of role playas a teaching strategy and learning medium in speech and drama and selected school subjects. Unpublished master’s thesis. Durban: University of Natal.
Thompson, Suzette Jane 1987. Image, form and theme in the plays of Athol Fugard. Unpublished doctoral dissertation. Crawley, WA: University of Western Australia.
Click on the appropriate letters of the alphabet in the sub-list below.
Taa-Taz Tea-Tho Thr-Toz Tra-Tz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
