Difference between revisions of "ESAT Bibliography Gru-Gz"
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| + | [[Wilhelm Grütter|Grütter, Wilhelm]] 1968a. Interview: [[Peter Kleinschmidt]] - the ideal critic. ''[[Teater SA]]'', 1(1):22-23. | ||
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| + | [[Wilhelm Grütter|Grütter, Wilhelm]] 1968b. Stadig maar seker - die [[Nico Malan Theatre|Nico Malan-skouburg]]. ''[[Teater SA]]'', 1(1):7-9. | ||
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| + | [[Wilhelm Grütter|Grütter, Wilhelm]] 1968c. Who is [[Yvonne Bryceland]] anyway? ''[[Teater SA]]'', 1(2):5. | ||
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| + | [[Wilhelm Grütter|Grütter, Wilhelm]] 1987. [[CAPAB]] 25 Years. Unpublished research. | ||
[[Kenneth Grundy|Grundy, Kenneth]] 1993. ''The Politics of the [[National Arts Festival]]''. ''Occasional Paper'', (34). Grahamstown: Rhodes University Institute for Social and Economic Research. | [[Kenneth Grundy|Grundy, Kenneth]] 1993. ''The Politics of the [[National Arts Festival]]''. ''Occasional Paper'', (34). Grahamstown: Rhodes University Institute for Social and Economic Research. | ||
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[[E. Gunner|Gunner, E.]] 1989. Orality and literacy: dialogue and silence, in [[K. Barber|Barber, K.]] & [[P.F. De Moraes Farias|De Moraes Farias, P.F.]] (eds.). ''Discourse and Its Disguises: The Interpretation of African Oral Texts''. Birmingham: Birmingham University Press. 49-56. | [[E. Gunner|Gunner, E.]] 1989. Orality and literacy: dialogue and silence, in [[K. Barber|Barber, K.]] & [[P.F. De Moraes Farias|De Moraes Farias, P.F.]] (eds.). ''Discourse and Its Disguises: The Interpretation of African Oral Texts''. Birmingham: Birmingham University Press. 49-56. | ||
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| + | [[Liz Gunner|Gunner, Liz]] 1990. Introduction: forms of popular culture and the struggle for space. ''Journal of Southern African Studies'', 16:199-206. | ||
[[Liz Gunner|Gunner, Liz]] (ed.)1994. ''Politics and Performance: Theatre, Poetry and Song in Southern Africa''. Johannesburg: Witwatersrand University Press. | [[Liz Gunner|Gunner, Liz]] (ed.)1994. ''Politics and Performance: Theatre, Poetry and Song in Southern Africa''. Johannesburg: Witwatersrand University Press. | ||
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[[Thelma Gutsche|Gutsche, Thelma]] 1940b. Afrikaans theatre. ''Forum'', 3(27):17. September 28. | [[Thelma Gutsche|Gutsche, Thelma]] 1940b. Afrikaans theatre. ''Forum'', 3(27):17. September 28. | ||
| − | [[Thelma Gutsche|Gutsche, Thelma]] 1940c. | + | [[Thelma Gutsche|Gutsche, Thelma]] 1940c. Cut out the cackle. ''[[The South African Theatre, Music and Dance]]'', 1(2):14-15. |
| − | [[Thelma Gutsche|Gutsche, Thelma]] 1940d. | + | [[Thelma Gutsche|Gutsche, Thelma]] 1940d. Effects of the war. ''Forum'', 3(35):17. November 23. |
| − | [[Thelma Gutsche|Gutsche, Thelma]] 1940e. | + | [[Thelma Gutsche|Gutsche, Thelma]] 1940e. [[Leontine Sagan]] continues to make bricks without straw. ''Forum'', 3(38):18-19. December 14. |
| − | [[Thelma Gutsche|Gutsche, Thelma]] 1940f. | + | [[Thelma Gutsche|Gutsche, Thelma]] 1940f. Renaissance of theatre in South Africa. ([[Gwen Ffrangcon-Davies]] in Major Barbara produced by [[Leontine Sagan]]). ''Forum'', 3(29):17. October 12. |
| − | [[Thelma Gutsche|Gutsche, Thelma]] 1940g. | + | [[Thelma Gutsche|Gutsche, Thelma]] 1940g. Shakespeare [''[[Twelfth Night]]''] captivates public: amateurs rise to histrionic heights. ''Forum'', 3(38):18. December 14. |
| − | [[Thelma Gutsche|Gutsche, Thelma]] 1940h. | + | [[Thelma Gutsche|Gutsche, Thelma]] 1940h. Theatre left to languish [for want of theatres]. ''Forum'', 3(32):17. November 2. |
| − | [[Thelma Gutsche|Gutsche, Thelma]] 1940i. War and amateur theatricals. (Group theatre, [[Johannesburg Repertory Players]]). ''Forum'', 2(47):22. February 17. | + | [[Thelma Gutsche|Gutsche, Thelma]] 1940i. Two important arrivals for the stage ([[Henry Mollison]] and [[Lina Basquette]] in ''[[Private Lives]]''). ''Forum'', 2(48):19.February 24. |
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| + | [[Thelma Gutsche|Gutsche, Thelma]] 1940j. War and amateur theatricals. (Group theatre, [[Johannesburg Repertory Players]]). ''Forum'', 2(47):22. February 17. | ||
[[Thelma Gutsche|Gutsche, Thelma]] 1941a. Army entertainment. ''Forum'', 4(39):17. December 27. | [[Thelma Gutsche|Gutsche, Thelma]] 1941a. Army entertainment. ''Forum'', 4(39):17. December 27. | ||
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[[Thelma Gutsche|Gutsche, Thelma]] 1942b. Afrikaans stage production receives a beneficial opportunity. ''Forum'', 4(45): 19. February 7. | [[Thelma Gutsche|Gutsche, Thelma]] 1942b. Afrikaans stage production receives a beneficial opportunity. ''Forum'', 4(45): 19. February 7. | ||
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| + | [[Thelma Gutsche|Gutsche, Thelma]] 1942c. Pioneers of the Afrikaans stage. ''The Forum'', 5(1):18. April 4. | ||
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| + | [[Thelma Gutsche|Gutsche, Thelma]] 1945. Treffende gedagtes oor die toneel in Suid-Afrika. ''Filma'', 2(4):6-7. | ||
[[Thelma Gutsche|Gutsche, Thelma]] 1946. The English speaking theatre in South Africa, in [[B.W. Rose|Rose, B.W.]] & [[M. Greenlees|Greenlees, M.]] (eds.). ''South African Panorama : Introducing South Africa, Her Art, Culture, and Peoples''. Johannesburg : Literary Guild. 21ff. | [[Thelma Gutsche|Gutsche, Thelma]] 1946. The English speaking theatre in South Africa, in [[B.W. Rose|Rose, B.W.]] & [[M. Greenlees|Greenlees, M.]] (eds.). ''South African Panorama : Introducing South Africa, Her Art, Culture, and Peoples''. Johannesburg : Literary Guild. 21ff. | ||
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[[Mafika Gwala|Gwala, Mafika]] 1973. Towards a national theatre. ''South African Outlook'', 103:131-133. | [[Mafika Gwala|Gwala, Mafika]] 1973. Towards a national theatre. ''South African Outlook'', 103:131-133. | ||
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| + | [[Mafika Gwala|Gwala, Mafika]] and [[Liz Gunner|Gunner, Liz]] (eds) 1991. ''Musho! Zulu Popular Praises''. East Lansing, MI: Michigan State University Press. | ||
Latest revision as of 09:09, 19 May 2021
Click on the appropriate letters of the alphabet in the sub-list below.
Ga-Gi Gl-Go Gra Gre-Gri Gro Gru-Gz
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Return to A Bibliography of South African South African Theatre and Performance
Grütter, Wilhelm 1968a. Interview: Peter Kleinschmidt - the ideal critic. Teater SA, 1(1):22-23.
Grütter, Wilhelm 1968b. Stadig maar seker - die Nico Malan-skouburg. Teater SA, 1(1):7-9.
Grütter, Wilhelm 1968c. Who is Yvonne Bryceland anyway? Teater SA, 1(2):5.
Grütter, Wilhelm 1987. CAPAB 25 Years. Unpublished research.
Grundy, Kenneth 1993. The Politics of the National Arts Festival. Occasional Paper, (34). Grahamstown: Rhodes University Institute for Social and Economic Research.
Grundy, Kenneth 1994. The politics of South Africa’s National Arts Festival: small engagements in the bigger campaign. African Affairs, 93(372):387-409.
Grundy, Kenneth 1994. Quasi-state censorship in South Africa: the performing arts councils and polticized theatre. Journal of Arts Management, Law and Society, 24(3):241-257.
Guillemaut, Alf 1996. Market theatret. ProScen, 20(4):6-11.
Guillemaut, Alf 1997. Tarzan – en teaterarbetare med rätt att fixa. [Tarzan – a theatre-worker with license to fix]. ProSen, 21(2):9-11.
Guldimann, Colette 1996. The (black) male gaze: Mbongeni Ngema’s Sarafina! South African Theatre Journal, 10(2):85-99.
Gunner, E. 1982. New wine in old bottles: Imagery in the izibongo of the Zulu Zionist prophet, Isaiah Shembe. Anthropolical Society of Oxford Journal. 13,99-108.
Gunner, E. 1984. Ukubonga Nezibongo: Zulu Praising and Praises. Unpublished doctoral dissertation. London: School of Oriental and African Studies: University of London.
Gunner, E. 1989b. Songs of innocence and experience: Women as composers and performers of “Izibongo”, Zulu praise poetry, in Clayton, C. (ed.). Women and Writing in South Africa. Marshalltown: Heinemann. 12-39.
Gunner, E. 1989. Orality and literacy: dialogue and silence, in Barber, K. & De Moraes Farias, P.F. (eds.). Discourse and Its Disguises: The Interpretation of African Oral Texts. Birmingham: Birmingham University Press. 49-56.
Gunner, Liz 1990. Introduction: forms of popular culture and the struggle for space. Journal of Southern African Studies, 16:199-206.
Gunner, Liz (ed.)1994. Politics and Performance: Theatre, Poetry and Song in Southern Africa. Johannesburg: Witwatersrand University Press.
Gunner, Liz 1995. Remaking the warrior? The role of orality in the liberation struggle and in post-apartheid South Africa. Currrent Writing, 7(2):19-30.
Gunner, Liz 2005. Supping with the devil: Zulu radio drama under Apartheid—the case of Alexius Buthelezi. Social Identities, 11(2):161-169.
Gunundu, O.T. 1994. Space in Xhosa drama: a study of 4 texts. Unpublished honours thesis. Bloemfontein: University of the Orange Free State.
Gurtin, W. 1950. Lecture on drama. Farmer, 39(15):22. April 14.
Gussow, Mel 1982. Profile: Witness (Athol Fugard). New Yorker, 20 Dec.:47-94.
Gutsche, Thelma 1940a. Afrikaans theatre. Forum, 3(25):17. September 14.
Gutsche, Thelma 1940b. Afrikaans theatre. Forum, 3(27):17. September 28.
Gutsche, Thelma 1940c. Cut out the cackle. The South African Theatre, Music and Dance, 1(2):14-15.
Gutsche, Thelma 1940d. Effects of the war. Forum, 3(35):17. November 23.
Gutsche, Thelma 1940e. Leontine Sagan continues to make bricks without straw. Forum, 3(38):18-19. December 14.
Gutsche, Thelma 1940f. Renaissance of theatre in South Africa. (Gwen Ffrangcon-Davies in Major Barbara produced by Leontine Sagan). Forum, 3(29):17. October 12.
Gutsche, Thelma 1940g. Shakespeare [Twelfth Night] captivates public: amateurs rise to histrionic heights. Forum, 3(38):18. December 14.
Gutsche, Thelma 1940h. Theatre left to languish [for want of theatres]. Forum, 3(32):17. November 2.
Gutsche, Thelma 1940i. Two important arrivals for the stage (Henry Mollison and Lina Basquette in Private Lives). Forum, 2(48):19.February 24.
Gutsche, Thelma 1940j. War and amateur theatricals. (Group theatre, Johannesburg Repertory Players). Forum, 2(47):22. February 17.
Gutsche, Thelma 1941a. Army entertainment. Forum, 4(39):17. December 27.
Gutsche, Thelma 1941b. Audiences applaud Puppet’s party by M. Mason. Forum, 4(33):18. November 15.
Gutsche, Thelma 1941c. Children take the stage [Alice in Wonderland]. Forum, 4(38):18. December 20.
Gutsche, Thelma 1941d. End of a tour. Forum, 4(31):18. November 1.
Gutsche, Thelma 1941e. New shows and a new theatre. Forum, 4(32):18. November 8.
Gutsche, Thelma 1942a. Afrikaans drama. Forum, 4(40):18. January 3.
Gutsche, Thelma 1942b. Afrikaans stage production receives a beneficial opportunity. Forum, 4(45): 19. February 7.
Gutsche, Thelma 1942c. Pioneers of the Afrikaans stage. The Forum, 5(1):18. April 4.
Gutsche, Thelma 1945. Treffende gedagtes oor die toneel in Suid-Afrika. Filma, 2(4):6-7.
Gutsche, Thelma 1946. The English speaking theatre in South Africa, in Rose, B.W. & Greenlees, M. (eds.). South African Panorama : Introducing South Africa, Her Art, Culture, and Peoples. Johannesburg : Literary Guild. 21ff.
Gutsche, Thelma 1947. Hamlet produced in Afrikaans. Outspan, 41(1057):26-27. March 30.
Gutsche, Thelma 1970. Theatrical history. Standard Encyclopedia of South Africa. Cape Town: Nasou. 10:475-481.
Gutsche, Thelma 1973. Survey, in Lennox-Short, Alan. English and South Africa. Cape Town: Nasou. 83-85.
Gutsche, Thelma 1975. Vaudeville and Music-hall. Standard Encyclopaedia of Southern Africa. 1975. Cape Town : NASOU. 11:179-181.
Gwala, Mafika (ed.). 1974. Black Review 1973. Durban: Black Community Programmes.
Gwala, Mafika 1973. Towards a national theatre. South African Outlook, 103:131-133.
Gwala, Mafika and Gunner, Liz (eds) 1991. Musho! Zulu Popular Praises. East Lansing, MI: Michigan State University Press.
Click on the appropriate letters of the alphabet in the sub-list below.
Ga-Gi Gl-Go Gra Gre-Gri Gro Gru-Gz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
