Difference between revisions of "ESAT Bibliography Oe-Ol"
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Old and new combine in modern theatre complex: bentonite plays major role in walling of the [[Natal Playhouse|Durban Playhouse]]. 1983. ''Civil Engineer and Contractor'', 17(5):34-41. | Old and new combine in modern theatre complex: bentonite plays major role in walling of the [[Natal Playhouse|Durban Playhouse]]. 1983. ''Civil Engineer and Contractor'', 17(5):34-41. | ||
| − | [[Andries Oliphant|Oliphant, Andries W.]] 1988. [[John Kani]]: combatant from the stage. ''Staffrider'', 7(1):54-61. | + | [[Andries Oliphant|Oliphant, Andries W.]] 1988. [[John Kani]]: combatant from the stage. ''[[Staffrider]]'', 7(1):54-61. |
| − | [[Andries Oliphant|Oliphant, Andries W.]] 1989. [[Victor Shingwenyana]]: theatre and the struggle for unity. ''Staffrider'', 8(3/4):149-152. | + | [[Andries Oliphant|Oliphant, Andries W.]] 1989. [[Victor Shingwenyana]]: theatre and the struggle for unity. ''[[Staffrider]]'', 8(3/4):149-152. |
| − | [[Andries Oliphant|Oliphant, Andries W.]] 1992. Isolate the | + | [[Andries Oliphant|Oliphant, Andries W.]] 1992. ''[[Isolate the Enemy]]'': community and conflict in popular theatre. ''[[South African Theatre Journal]]'', 6(2):18-29. |
| − | [[Bert Olivier|Olivier, Bert]] 1989. Simbolisme as werklikheidsbenadering: watter werklikheid? ''Tydskrif vir Literatuurwetenskap'', 5(3/4):237-252. | + | [[Bert Olivier|Olivier, Bert]] 1989. Simbolisme as werklikheidsbenadering: watter werklikheid? ''[[Tydskrif vir Literatuurwetenskap]]'', 5(3/4):237-252. |
[[Fanie Olivier|Olivier, Fanie]] 1996. ‘n Fees sonder vonk. ''Insig'', 08/96: 40. | [[Fanie Olivier|Olivier, Fanie]] 1996. ‘n Fees sonder vonk. ''Insig'', 08/96: 40. | ||
| + | |||
| + | [[Fanie Olivier|Olivier, Fanie]] 1999. [[Adam Small]] (1936-), in ''Perspektief en Profiel: 'n Afrikaanse Literatuurgeskiedenis'', edited by H.P. van Coller. Hatfield, Pretoria: Van Schaik. 2:565-577. | ||
| + | |||
| + | [[G. Olivier|Olivier, G.]] 1982. Notes on [[Athol Fugard|Fugard]]'s ''[[Master Harold...and the boys]]'' at the Yale Rep. ''[[Standpunte]]'', (162):9-14. | ||
[[Gerrit Olivier|Olivier, Gerrit]] 1977. 'n Ander kyk op drie Afrikaanse versdramas (''[[Periandros van Korinthe]]''; ''[[Vergelegen]]''; ''[[Germanicus]]''). ''Standpunte'', 30(5):47-61. | [[Gerrit Olivier|Olivier, Gerrit]] 1977. 'n Ander kyk op drie Afrikaanse versdramas (''[[Periandros van Korinthe]]''; ''[[Vergelegen]]''; ''[[Germanicus]]''). ''Standpunte'', 30(5):47-61. | ||
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| + | Olivier, R. 1995. Vernuwing of verstarring? : aantekeninge by die 1994 Hertzogpryswenners vir drama (''[[Mynhoop]]'', by [[Ryk Hattingh]]; [[Reza de Wet]]). Stilet, 7(2): 104-116. | ||
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Official Programme of the Van Riebeeck Festival, 1 Feb-6 Apr 1952. Cape Town: Sentrale Komitee vir die Van Riebeeck-fees.
Ogude, N.A. & Rollnick, M. 1999. Addressing primary school science problems through materials developed by science educators and drama in education specialists. South African Journal of Education, 19(4):251-256.
O’Hara, Glynis 1998. iMumbo Jumbo. Vuka SA, January 31:4.
Ohlhoff, H. 1978. En daar was lig – gedagtes oor Laat die Kerse Brand. Klasgids, 13(3-4):5-9. November.
Ohloff, C.H.F. 1983. Dias (N.P. van Wyk Louw). Tydskrif vir Letterkunde, 21(3):138-145.
Ojo-Ade, Femi 1996. Contemporary South African theatre and the complexities of commitment . African Literature Today, 20:120-134.
Okagbue, Osita 2009. Culture and Identity in African and Caribbean Theatre. London: Adonis & Abbey.
Olaiya, Kolawole 2008. Deconstructing Apartheid's global gaze: death and resistance in Fugard et al.'s Sizwe Bansi Is Dead. Global South, 2(2):75-91.
Olaniyan, Tejumola 1995. Scars of Conquest/Masks of Resistance: The Invention of Cultural Identities in African, African-American and Caribbean Drama. New York: Oxford University Press.
Olaniyan, Tejumola & Quayson, A. (eds.). 2007. African Literature: An Anthology of Criticism and Theory. Malden, MA: Blackwell.
Olaniyan, Tejumola 2007. Festivals, ritual and drama in Africa, in Olaniyan, Tejumola & Quayson, A. (eds.). African Literature: an anthology of criticism and theory. Malden, MA: Blackwell Publishing. 353-363.
Old and new combine in modern theatre complex: bentonite plays major role in walling of the Durban Playhouse. 1983. Civil Engineer and Contractor, 17(5):34-41.
Oliphant, Andries W. 1988. John Kani: combatant from the stage. Staffrider, 7(1):54-61.
Oliphant, Andries W. 1989. Victor Shingwenyana: theatre and the struggle for unity. Staffrider, 8(3/4):149-152.
Oliphant, Andries W. 1992. Isolate the Enemy: community and conflict in popular theatre. South African Theatre Journal, 6(2):18-29.
Olivier, Bert 1989. Simbolisme as werklikheidsbenadering: watter werklikheid? Tydskrif vir Literatuurwetenskap, 5(3/4):237-252.
Olivier, Fanie 1996. ‘n Fees sonder vonk. Insig, 08/96: 40.
Olivier, Fanie 1999. Adam Small (1936-), in Perspektief en Profiel: 'n Afrikaanse Literatuurgeskiedenis, edited by H.P. van Coller. Hatfield, Pretoria: Van Schaik. 2:565-577.
Olivier, G. 1982. Notes on Fugard's Master Harold...and the boys at the Yale Rep. Standpunte, (162):9-14.
Olivier, Gerrit 1977. 'n Ander kyk op drie Afrikaanse versdramas (Periandros van Korinthe; Vergelegen; Germanicus). Standpunte, 30(5):47-61.
Olivier, R. 1995. Vernuwing of verstarring? : aantekeninge by die 1994 Hertzogpryswenners vir drama (Mynhoop, by Ryk Hattingh; Reza de Wet). Stilet, 7(2): 104-116.
Click on the appropriate letters of the alphabet in the sub-list below.
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