Difference between revisions of "ESAT Bibliography Mam-Mar"
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Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]] | Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]] | ||
| + | Return to [[The ESAT Entries]] | ||
| + | Return to [[Main Page]] | ||
| + | |||
| + | ==The list== | ||
| + | |||
| + | Mamabolo, M. 2008. Laughter and getting it right (An interview with [[Makhosazana Xaba]]). ''[[South African Labour Bulletin]]'', 32,(4): | ||
[[June Mamana|Mamana, June]] 1991. Puppets take up arms against AIDS. ''American Theatre'', 8(4):44-45. | [[June Mamana|Mamana, June]] 1991. Puppets take up arms against AIDS. ''American Theatre'', 8(4):44-45. | ||
| − | [[Matsemela Manaka|Manaka, Matsemela]] I980. Theatre of the dispossessed; an article based on discussion with [[James Mthoba]] and [[Joe Rahube]]. ''Staffrider'', 3(3):28-30. | + | [[Matsemela Manaka|Manaka, Matsemela]] I980. Theatre of the dispossessed; an article based on discussion with [[James Mthoba]] and [[Joe Rahube]]. ''[[Staffrider]]'', 3(3):28-30. |
| + | |||
| + | [[Matsemela Manaka|Manaka, Matsemela]] I984. Some thoughts on Black Theatre. ''[[English Academy Review]]'', 2:33-40. | ||
| + | |||
| + | [[Z.D. Mangoaela|Mangoaela, Z.D.]] 1965. ''Lithoko tsa marena a Basotho''. Morija : Morija Sesuto Book Depot. | ||
| + | |||
| + | [[Sam Manghwane|Mangwane, Sam]] 1977. The Black theatre. ''[[Bona]]'', June:46-47. | ||
[[Mannie Manim|Manim, Mannie]] & [[Gavin McSweeney|McSweeney, Gavin]] 1978. What is a stage manager? ''[[Scenaria]]'', February/March: 36-37. | [[Mannie Manim|Manim, Mannie]] & [[Gavin McSweeney|McSweeney, Gavin]] 1978. What is a stage manager? ''[[Scenaria]]'', February/March: 36-37. | ||
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[[Mannie Manim|Manim, Mannie]] 1989. Journeys of discovery: thoughts on theatre. ''[[South African Theatre Journal]]'', 3(1):69-80. | [[Mannie Manim|Manim, Mannie]] 1989. Journeys of discovery: thoughts on theatre. ''[[South African Theatre Journal]]'', 3(1):69-80. | ||
| − | [[Mannie Manim|Manim, Mannie]] 2009. Introduction: drama, in Watterson, Lore (ed.). ''Standard Bank Young Artist Awards, 25 years'' Randburg | + | [[Mannie Manim|Manim, Mannie]] 2009. Introduction: drama, in [[Lore Watterson|Watterson, Lore]] (ed.). ''Standard Bank Young Artist Awards, 25 years''. Randburg, South Africa: [[DeskLink Media]]. 16-17. |
| − | [[Bruce Mann|Mann, Bruce]] & [[ | + | [[Bruce Mann|Mann, Bruce]] & [[Laurence Wright|Wright L.]] 2001. Ariel in Africa: [[Leslie French]] and the [[Port Elizabeth Shakespearean Festival]]. ''[[Shakespeare in Southern Africa]]'', 13:93-99. |
| − | [[S. Mann|Mann, S.]] 1969. [[Percy Tucker]]: businessman of theatre and cinema. ''Personality'', 135-140. September 11. | + | [[S. Mann|Mann, S.]] 1969. [[Percy Tucker]]: businessman of theatre and cinema. ''[[Personality]]'', 135-140. September 11. |
| − | [[Desiree Mannering|Mannering, Desiree]] 1993. The subject speech and drama and its possible implementation in a curriculum model for education in South Africa. Unpublished master’s thesis. Pretoria: University of Pretoria. | + | [[Desiree Mannering|Mannering, Desiree]] 1993. ''The subject speech and drama and its possible implementation in a curriculum model for education in South Africa''. Unpublished master’s thesis. Pretoria: University of Pretoria. |
| − | [[Albina Morakane Bathsheba Maphiri|Maphiri, Albina Morakane Bathsheba]] 1994. Naming plots in drama with reference to the works of [[R.J.R. Masiea]]. Unpublished master’s thesis. Pretoria: Vista University. | + | [[Albina Morakane Bathsheba Maphiri|Maphiri, Albina Morakane Bathsheba]] 1994. ''Naming plots in drama with reference to the works of [[R.J.R. Masiea]]''. Unpublished master’s thesis. Pretoria: Vista University. |
[[Isaiah Maishe Maponya|Maponya, Maishe]] 1984. Problems and possibilities: a discourse on the making of alternative theatre in South Africa. ''English Academy Review'', 2:19-32. | [[Isaiah Maishe Maponya|Maponya, Maishe]] 1984. Problems and possibilities: a discourse on the making of alternative theatre in South Africa. ''English Academy Review'', 2:19-32. | ||
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[[Isaiah Maishe Maponya|Maponya, Maishe]] 2001. The anatomy of resistance in South African theater, in Enwezor, Okwui (ed.). ''The Short Century: Independence and Liberation Movements in Africa, 1945-1994''. Munich: Prestel. 308-313. | [[Isaiah Maishe Maponya|Maponya, Maishe]] 2001. The anatomy of resistance in South African theater, in Enwezor, Okwui (ed.). ''The Short Century: Independence and Liberation Movements in Africa, 1945-1994''. Munich: Prestel. 308-313. | ||
| − | [[G.F. Marais|Marais, G.F.]] 1983. ''[[Die Pluimsaad Waai Ver]]'' ([[N.P. van Wyk Louw]]). Reviewed in: ''[[Tydskrif vir Letterkunde]]'', 21(1):134-139. | + | [[Chris Marais|Marais, Chris]] and [[Julienne du Toit|Du Toit, Julienne]], "Clowns in the Country", in ''South African Country Life'', April 2012 pp 49-51. |
| + | |||
| + | [[Esther Marais|Marais, Esther]] 1953. ''[[Gister en Vandag]]'', opvoering deur [[Volksteater]]. Reviewed in: ''Helikon'', 2(11):101. | ||
| + | |||
| + | [[G.F. Marais|Marais, G.F.]] 1983. ''[[Die Pluimsaad Waai Vêr|Die Pluimsaad Waai Ver]]'' ([[N.P. van Wyk Louw]]). Reviewed in: ''[[Tydskrif vir Letterkunde]]'', 21(1):134-139. | ||
| + | |||
| + | [[J.L. Marais|Marais, J. L.]] 2010. Geskiedenis en literatuur in [[N.P. van Wyk Louw]] se ''[[Germanicus]]''. ''Stilet'', 22(1):1-14. | ||
| + | |||
| + | [[James March|March, James]] 1946. A South African theatre. ''South African Opinion'', 2(11):22-24. | ||
| + | |||
| + | [[Marda Vanne]] in 'n eksklusiewe onderhoud aan Filma. 1945. ''Filma'', 2(7):30-32. | ||
[[Cathy Maree|Maree, Cathy]] 1998. Resistance and remembrance: theatre during and after dictatorship and apartheid. ''[[South African Theatre Journal]]'', 12(1&2):11-33. | [[Cathy Maree|Maree, Cathy]] 1998. Resistance and remembrance: theatre during and after dictatorship and apartheid. ''[[South African Theatre Journal]]'', 12(1&2):11-33. | ||
| + | |||
| + | [[Cathy Maree|Maree, Cathy]] 1998. Theatre and the struggle of memory against forgetting in Spain, Latin America and South Africa (including ''[[Die Jogger]]'', by [[André P. Brink]]). ''Journal of Literary Studies'', 14(3/4):299-321. | ||
[[G. Maree|Maree, G.]] 2003. You strike for a woman, you strike a rock! : paradox in worker performances and women's rights. ''Anthropology Southern Africa'', 26(3/4):150-158. | [[G. Maree|Maree, G.]] 2003. You strike for a woman, you strike a rock! : paradox in worker performances and women's rights. ''Anthropology Southern Africa'', 26(3/4):150-158. | ||
| − | [[Marié du Toit]]. 1968. ''Personality'', 14-18. July 4. | + | [[Margaret Inglis]]. 1958. ''Femina and Woman's Life'', November 27:65. |
| + | |||
| + | [[Marguerite I. Murray|Marguerite Isabel Murray]] Collection [manuscript]. 1925-1983. | ||
| + | |||
| + | "[[Marié du Toit]]". 1968. ''Personality'', 14-18. July 4. | ||
| + | |||
| + | "[[Marius Weyers]]", in Herber, Avril 1979. ''Conversations: Some People, Some Place, Some Time South Africa''. Johannesburg: [[Bateleur Press]]. 168-173. | ||
[[Marius Weyers]] and South African theatre. 1980. ''[[Scenaria]]'', (18):9-10. | [[Marius Weyers]] and South African theatre. 1980. ''[[Scenaria]]'', (18):9-10. | ||
[[Jonathan Marks|Marks, Jonathan]] 1973. Interview with [[Athol Fugard]]. Yale / Theatre 4(1):64 – 72. | [[Jonathan Marks|Marks, Jonathan]] 1973. Interview with [[Athol Fugard]]. Yale / Theatre 4(1):64 – 72. | ||
| + | |||
| + | [[Stephanie Marlin-Curiel|Marlin-Curiel, Stephanie]] 1998. When I was asked to write this piece about ARTNOW....(organizer's commentary on ARTNOW arts/performance demonstration, Capital Mall, Washington, D.C., April 1997). ''The Drama Review'', 42(1):126-127. | ||
[[Stephanie Marlin-Curiel|Marlin-Curiel, Stephanie]] 2001. A little too close to the truth: anxieties of testimony and confession in ''[[Ubu and the Truth Commission]]'' and ''[[A Story I Am About To Tell]]''. ''[[South African Theatre Journal]]'', 15:77-106. | [[Stephanie Marlin-Curiel|Marlin-Curiel, Stephanie]] 2001. A little too close to the truth: anxieties of testimony and confession in ''[[Ubu and the Truth Commission]]'' and ''[[A Story I Am About To Tell]]''. ''[[South African Theatre Journal]]'', 15:77-106. | ||
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[[Stephanie Marlin-Curiel|Marlin-Curiel, Stephanie]] 2002. The long road to healing: from the [[Truth and Reconciliation Commission|TRC]] to TfD. ''Theatre Research International'', 27:275-288. | [[Stephanie Marlin-Curiel|Marlin-Curiel, Stephanie]] 2002. The long road to healing: from the [[Truth and Reconciliation Commission|TRC]] to TfD. ''Theatre Research International'', 27:275-288. | ||
| − | [[Aja Marneweck|Marneweck, Aja]] | + | [[Aja Marneweck|Marneweck, Aja]] 2004a. ''[[Maladamatjuate]]'' and the theatre of difference: staging the female body in South Africa. Unpublished master’s thesis. Cape Town: University of Cape Town. |
| + | |||
| + | [[Aja Marneweck|Marneweck, Aja]] 2004b. Staging stereotype and performing the exotic erotic: an interrogation of desire in the texts of [[Suzan Lori Parks|Parks]] and Kennedy. ''[[South African Theatre Journal]]'', 18:50-64. | ||
| − | [[Aja Marneweck|Marneweck, Aja]] 2006. Visual theatre moves | + | [[Aja Marneweck|Marneweck, Aja]] 2006. Visual theatre moves [[Out the Box]]: developing puppetry in South Africa. ''[[South African Theatre Journal]]'', 20:290-295. |
[[Davis Marquard|Marquard, Davis]] 1949. Amateur actors can now go to school in South Africa. ''Outspan'', 45(1171):29. August 5. | [[Davis Marquard|Marquard, Davis]] 1949. Amateur actors can now go to school in South Africa. ''Outspan'', 45(1171):29. August 5. | ||
| + | |||
| + | [[Ken Marshall|Marshall, Ken]] 1979. Marketing the theatre, in Hay-Whitton, Don (ed.). ''International Symposium of the [[South African Institute of Theatre Technology]] (1979: "Theatre - the fun house and its management" : a report of the proceedings at the International Symposium of the South African Institute of Theatre Technology (SAITT) held at the Nico Malan Theatre Centre, Cape Town, from 30 July to 3 August 1979''. South African Institute of Theatre Technology. Section 3, 1-13. | ||
| + | |||
| + | [[Marthinus Basson]]: drama 1989. 2009. In Watterson, Lore (ed.). ''Standard Bank Young Artist Awards, 25 years''. Randburg [South Africa] : DeskLink Media. 50-51. | ||
[[Bob Martin|Martin, Bob]] 2008. ''Highlights & Footlights : A Tribute to South African Stage and Screen'', by photographer Bob Martin. Cape Town: Double Storey Books. | [[Bob Martin|Martin, Bob]] 2008. ''Highlights & Footlights : A Tribute to South African Stage and Screen'', by photographer Bob Martin. Cape Town: Double Storey Books. | ||
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[[C. Martin|Martin, C.]] 2006. Bodies of evidence. ''TDR: The Drama Review'', 50(3):7-15. | [[C. Martin|Martin, C.]] 2006. Bodies of evidence. ''TDR: The Drama Review'', 50(3):7-15. | ||
| − | [[Denis-Constant Martin|Martin, Denis-Constant]] 1999. ''Coon Carnival | + | [[Denis-Constant Martin|Martin, Denis-Constant]]. 1999. ''Coon Carnival. New Year in Cape Town, Past and Present''. Cape Town: [[David Phillip Publishers]]. |
| + | |||
| + | |||
| + | [[Marilyn Martin|Martin, Marilyn]]. 1985. | ||
| + | |||
| + | [[Lesley Marx|Marx, Lesley]] 1996. Underworld RSA. ''[[South African Theatre Journal]]'', 10(2). | ||
| + | |||
| + | [[Lesley Marx|Marx, Lesley]] 1998. Slouching towards Bethlehem : ''[[Ubu and the Truth Commission]]''. ''African Studies'', 57(2):209-220. | ||
| + | |||
| + | [[Lesley Marx|Marx, Lesley]] 2014. ‘How much does anyone need to know about [[Eugene Nielen Marais|Eugène Marais]]?’ ''[[The Guest]]'' and ''[[Die Wonderwerker]]''. ''[[South African Theatre Journal]]'', 27(3):247-264. | ||
| − | + | Marx, Usula 1955. Art at Stellenbosch. ''Stellenbosse Student''. 22-25. (Theatre, p. 24) | |
| − | |||
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Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]] | Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]] | ||
| + | |||
| + | Return to [[The ESAT Entries]] | ||
| + | |||
| + | Return to [[Main Page]] | ||
Latest revision as of 06:31, 9 November 2023
Click on the appropriate letters of the alphabet in the sub-list below.
Maa-Mal Mam-Mar Mas-Mcl Mcm-Mda Mde-Mes Met-Miz Mja-Moo Mop-Mot Mou-Moz Mpa-Mz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
Return to The ESAT Entries
Return to Main Page
The list
Mamabolo, M. 2008. Laughter and getting it right (An interview with Makhosazana Xaba). South African Labour Bulletin, 32,(4):
Mamana, June 1991. Puppets take up arms against AIDS. American Theatre, 8(4):44-45.
Manaka, Matsemela I980. Theatre of the dispossessed; an article based on discussion with James Mthoba and Joe Rahube. Staffrider, 3(3):28-30.
Manaka, Matsemela I984. Some thoughts on Black Theatre. English Academy Review, 2:33-40.
Mangoaela, Z.D. 1965. Lithoko tsa marena a Basotho. Morija : Morija Sesuto Book Depot.
Mangwane, Sam 1977. The Black theatre. Bona, June:46-47.
Manim, Mannie & McSweeney, Gavin 1978. What is a stage manager? Scenaria, February/March: 36-37.
Manim, Mannie 1989. Journeys of discovery: thoughts on theatre. South African Theatre Journal, 3(1):69-80.
Manim, Mannie 2009. Introduction: drama, in Watterson, Lore (ed.). Standard Bank Young Artist Awards, 25 years. Randburg, South Africa: DeskLink Media. 16-17.
Mann, Bruce & Wright L. 2001. Ariel in Africa: Leslie French and the Port Elizabeth Shakespearean Festival. Shakespeare in Southern Africa, 13:93-99.
Mann, S. 1969. Percy Tucker: businessman of theatre and cinema. Personality, 135-140. September 11.
Mannering, Desiree 1993. The subject speech and drama and its possible implementation in a curriculum model for education in South Africa. Unpublished master’s thesis. Pretoria: University of Pretoria.
Maphiri, Albina Morakane Bathsheba 1994. Naming plots in drama with reference to the works of R.J.R. Masiea. Unpublished master’s thesis. Pretoria: Vista University.
Maponya, Maishe 1984. Problems and possibilities: a discourse on the making of alternative theatre in South Africa. English Academy Review, 2:19-32.
Maponya, Maishe 1995. Doing Plays for a Change. Johannesburg, Witwatersrand University Press.
Maponya, Maishe 1998. Challenges facing theatre practitioners in the new South Africa, in Attridge, Derek & Jolly, Rosemary (eds.). Writing South Africa: Literature, Apartheid and Democracy, 1970-1995. Cambridge: Cambridge University Press. 249-256.
Maponya, Maishe 2001. The anatomy of resistance in South African theater, in Enwezor, Okwui (ed.). The Short Century: Independence and Liberation Movements in Africa, 1945-1994. Munich: Prestel. 308-313.
Marais, Chris and Du Toit, Julienne, "Clowns in the Country", in South African Country Life, April 2012 pp 49-51.
Marais, Esther 1953. Gister en Vandag, opvoering deur Volksteater. Reviewed in: Helikon, 2(11):101.
Marais, G.F. 1983. Die Pluimsaad Waai Ver (N.P. van Wyk Louw). Reviewed in: Tydskrif vir Letterkunde, 21(1):134-139.
Marais, J. L. 2010. Geskiedenis en literatuur in N.P. van Wyk Louw se Germanicus. Stilet, 22(1):1-14.
March, James 1946. A South African theatre. South African Opinion, 2(11):22-24.
Marda Vanne in 'n eksklusiewe onderhoud aan Filma. 1945. Filma, 2(7):30-32.
Maree, Cathy 1998. Resistance and remembrance: theatre during and after dictatorship and apartheid. South African Theatre Journal, 12(1&2):11-33.
Maree, Cathy 1998. Theatre and the struggle of memory against forgetting in Spain, Latin America and South Africa (including Die Jogger, by André P. Brink). Journal of Literary Studies, 14(3/4):299-321.
Maree, G. 2003. You strike for a woman, you strike a rock! : paradox in worker performances and women's rights. Anthropology Southern Africa, 26(3/4):150-158.
Margaret Inglis. 1958. Femina and Woman's Life, November 27:65.
Marguerite Isabel Murray Collection [manuscript]. 1925-1983.
"Marié du Toit". 1968. Personality, 14-18. July 4.
"Marius Weyers", in Herber, Avril 1979. Conversations: Some People, Some Place, Some Time South Africa. Johannesburg: Bateleur Press. 168-173.
Marius Weyers and South African theatre. 1980. Scenaria, (18):9-10.
Marks, Jonathan 1973. Interview with Athol Fugard. Yale / Theatre 4(1):64 – 72.
Marlin-Curiel, Stephanie 1998. When I was asked to write this piece about ARTNOW....(organizer's commentary on ARTNOW arts/performance demonstration, Capital Mall, Washington, D.C., April 1997). The Drama Review, 42(1):126-127.
Marlin-Curiel, Stephanie 2001. A little too close to the truth: anxieties of testimony and confession in Ubu and the Truth Commission and A Story I Am About To Tell. South African Theatre Journal, 15:77-106.
Marlin-Curiel, Stephanie 2001. Rave new world: trance-mission, trance-nationalism, and trans-scendence in the ‘new’ South Africa. The Drama Review, 45(3):149-168.
Marlin-Curiel, Stephanie 2002. The long road to healing: from the TRC to TfD. Theatre Research International, 27:275-288.
Marneweck, Aja 2004a. Maladamatjuate and the theatre of difference: staging the female body in South Africa. Unpublished master’s thesis. Cape Town: University of Cape Town.
Marneweck, Aja 2004b. Staging stereotype and performing the exotic erotic: an interrogation of desire in the texts of Parks and Kennedy. South African Theatre Journal, 18:50-64.
Marneweck, Aja 2006. Visual theatre moves Out the Box: developing puppetry in South Africa. South African Theatre Journal, 20:290-295.
Marquard, Davis 1949. Amateur actors can now go to school in South Africa. Outspan, 45(1171):29. August 5.
Marshall, Ken 1979. Marketing the theatre, in Hay-Whitton, Don (ed.). International Symposium of the South African Institute of Theatre Technology (1979: "Theatre - the fun house and its management" : a report of the proceedings at the International Symposium of the South African Institute of Theatre Technology (SAITT) held at the Nico Malan Theatre Centre, Cape Town, from 30 July to 3 August 1979. South African Institute of Theatre Technology. Section 3, 1-13.
Marthinus Basson: drama 1989. 2009. In Watterson, Lore (ed.). Standard Bank Young Artist Awards, 25 years. Randburg [South Africa] : DeskLink Media. 50-51.
Martin, Bob 2008. Highlights & Footlights : A Tribute to South African Stage and Screen, by photographer Bob Martin. Cape Town: Double Storey Books.
Martin, C. 2006. Bodies of evidence. TDR: The Drama Review, 50(3):7-15.
Martin, Denis-Constant. 1999. Coon Carnival. New Year in Cape Town, Past and Present. Cape Town: David Phillip Publishers.
Martin, Marilyn. 1985.
Marx, Lesley 1996. Underworld RSA. South African Theatre Journal, 10(2).
Marx, Lesley 1998. Slouching towards Bethlehem : Ubu and the Truth Commission. African Studies, 57(2):209-220.
Marx, Lesley 2014. ‘How much does anyone need to know about Eugène Marais?’ The Guest and Die Wonderwerker. South African Theatre Journal, 27(3):247-264.
Marx, Usula 1955. Art at Stellenbosch. Stellenbosse Student. 22-25. (Theatre, p. 24)
Click on the appropriate letters of the alphabet in the sub-list below.
Ma-Mal Mam-Mar Mas-Mcl Mcm-Mda Mde-Mes Met-Miz Mja-Moo Mop-Mot Mou-Moz Mpa-Mz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
Return to The ESAT Entries
Return to Main Page
