Difference between revisions of "ESAT Bibliography Mcm-Mda"
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[[Mervyn McMurtry|McMurtry, Mervyn Eric]] 1994. The playwright-performer as scourge and benefactor: an examination of political satire and lampoon in South African theatre, with particular reference to [[Pieter-Dirk Uys]]. Unpublished doctoral dissertation. Durban: University of Natal. | [[Mervyn McMurtry|McMurtry, Mervyn Eric]] 1994. The playwright-performer as scourge and benefactor: an examination of political satire and lampoon in South African theatre, with particular reference to [[Pieter-Dirk Uys]]. Unpublished doctoral dissertation. Durban: University of Natal. | ||
| − | [[Mervyn McMurtry|McMurtry, Mervyn]] 1994. The rise of the first Ambassador Bezuidenhout: [[Pieter-Dirk Uys]]’s creation of Evita Bezuidenhout, her fictional actuality and his approach to female impersonation. '' | + | [[Mervyn McMurtry|McMurtry, Mervyn]] 1994. The rise of the first Ambassador Bezuidenhout: [[Pieter-Dirk Uys]]’s creation of [[Evita Bezuidenhout]], her fictional actuality and his approach to female impersonation. ''[[South African Theatre Journal]]'', 8(2):79-107. |
[[Mervyn McMurtry|McMurtry, Mervyn]] 1995. [[Adam Leslie]] and his contribution to satire in intimate review in South African theatre. ''[[South African Theatre Journal]]'', 9(1):3-27. | [[Mervyn McMurtry|McMurtry, Mervyn]] 1995. [[Adam Leslie]] and his contribution to satire in intimate review in South African theatre. ''[[South African Theatre Journal]]'', 9(1):3-27. | ||
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[[Mervyn McMurtry|McMurtry, Mervyn]] 1996. ''Open Space: Six Contemporary Plays from Africa'', edited by [[Yvette Hutchison]] & [[Kole Omotoso]] and ''The Distance Remains and Other Plays'', by [[Robin Malan]]. Reviewed in: ''[[South African Theatre Journal]]'', 10(1):119-124. | [[Mervyn McMurtry|McMurtry, Mervyn]] 1996. ''Open Space: Six Contemporary Plays from Africa'', edited by [[Yvette Hutchison]] & [[Kole Omotoso]] and ''The Distance Remains and Other Plays'', by [[Robin Malan]]. Reviewed in: ''[[South African Theatre Journal]]'', 10(1):119-124. | ||
| − | [[Mervyn McMurtry|McMurtry, Mervyn]] 1998. ‘Greeks bearing gifts’: [[Athol Fugard]]’s ''Orestes'' project and the politics of experience. ''Modern Drama'', 41(1):105-108. | + | [[Mervyn McMurtry|McMurtry, Mervyn]] 1998. ‘Greeks bearing gifts’: [[Athol Fugard]]’s ''[[Orestes]]'' project and the politics of experience. ''Modern Drama'', 41(1):105-108. |
[[Mervyn McMurtry|McMurtry, Mervyn]] 2000. Geographies of research: From “Geographies of Learning”. ''[[South African Theatre Journal]]'', 14:19-27. | [[Mervyn McMurtry|McMurtry, Mervyn]] 2000. Geographies of research: From “Geographies of Learning”. ''[[South African Theatre Journal]]'', 14:19-27. | ||
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[[Mervyn McMurtry|McMurtry, Mervyn]] 2002. Productions and publication: Issues in the accreditation of creative activity for tenure and promotion at tertiary institutions in the United States of America. ''[[South African Theatre Journal]]'', 16:80-91. | [[Mervyn McMurtry|McMurtry, Mervyn]] 2002. Productions and publication: Issues in the accreditation of creative activity for tenure and promotion at tertiary institutions in the United States of America. ''[[South African Theatre Journal]]'', 16:80-91. | ||
| − | [[Mervyn McMurtry|McMurtry, Mervyn E.]] 2006. Experiencing the ‘living monument’: [[Athol Fugard]]’s directing process and the Orestes project. ''[[South African Theatre Journal]]'', 20:30-47. | + | [[Mervyn McMurtry|McMurtry, Mervyn E.]] 2006. Experiencing the ‘living monument’: [[Athol Fugard]]’s directing process and the ''[[Orestes]]'' project. ''[[South African Theatre Journal]]'', 20:30-47. |
[[Mabel Elizabeth Lilian McNeil|McNeil, Mabel Elizabeth Lilian]] 1986. A didactical-pedagogical analysis of the 1985 syllabus for speech and drama in the province of Natal. Unpublished master’s thesis. Pretoria:: University of South Africa. | [[Mabel Elizabeth Lilian McNeil|McNeil, Mabel Elizabeth Lilian]] 1986. A didactical-pedagogical analysis of the 1985 syllabus for speech and drama in the province of Natal. Unpublished master’s thesis. Pretoria:: University of South Africa. | ||
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[[Zakes Mda|Mda, Zakes]] 1996. Politics and the theatre: current trends in South Africa, in [[Geoffrey V. Davis|Davis, Geoffrey V.]] & [[Anne Fuchs|Fuchs, Anne]] (eds.). ''Theatre and Change in South Africa''. Amsterdam: Harwood Academic Publishing. 193-218. | [[Zakes Mda|Mda, Zakes]] 1996. Politics and the theatre: current trends in South Africa, in [[Geoffrey V. Davis|Davis, Geoffrey V.]] & [[Anne Fuchs|Fuchs, Anne]] (eds.). ''Theatre and Change in South Africa''. Amsterdam: Harwood Academic Publishing. 193-218. | ||
| − | [[Zakes Mda|Mda, Zakes]] | + | [[Zakes Mda|Mda, Zakes]] 1997a. Theatre for children in South Africa. ''Matatu: Journal for African Culture and Society'', (17/18):137-144. |
| + | |||
| + | [[Zakes Mda|Mda, Zakes]] 1997b. When People Play People in Post-apartheid South Africa. Interview with D. Salter. Brecht Yearbook 22:283-303. | ||
[[Zakes Mda|Mda, Zakes]] 1998. Current trends in Theatre for Development in South Africa, in [[Derek Attridge|Attridge, Derek]] & [[Rosemary Jolly|Jolly, Rosemary]] (eds.). ''Writing South Africa: Literature, Apartheid and Democracy, 1970-1995''. Cambridge: Cambridge University Press. 257-264. | [[Zakes Mda|Mda, Zakes]] 1998. Current trends in Theatre for Development in South Africa, in [[Derek Attridge|Attridge, Derek]] & [[Rosemary Jolly|Jolly, Rosemary]] (eds.). ''Writing South Africa: Literature, Apartheid and Democracy, 1970-1995''. Cambridge: Cambridge University Press. 257-264. | ||
Latest revision as of 16:32, 10 August 2011
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McMurray, Susan 1992. Theatre for Africa – a case study. Unpublished bachelor’s essay. Johannesburg: University of the Witwatersrand.
McMurtry, Mervyn Eric 1994. The playwright-performer as scourge and benefactor: an examination of political satire and lampoon in South African theatre, with particular reference to Pieter-Dirk Uys. Unpublished doctoral dissertation. Durban: University of Natal.
McMurtry, Mervyn 1994. The rise of the first Ambassador Bezuidenhout: Pieter-Dirk Uys’s creation of Evita Bezuidenhout, her fictional actuality and his approach to female impersonation. South African Theatre Journal, 8(2):79-107.
McMurtry, Mervyn 1995. Adam Leslie and his contribution to satire in intimate review in South African theatre. South African Theatre Journal, 9(1):3-27.
McMurtry, Mervyn 1996. Open Space: Six Contemporary Plays from Africa, edited by Yvette Hutchison & Kole Omotoso and The Distance Remains and Other Plays, by Robin Malan. Reviewed in: South African Theatre Journal, 10(1):119-124.
McMurtry, Mervyn 1998. ‘Greeks bearing gifts’: Athol Fugard’s Orestes project and the politics of experience. Modern Drama, 41(1):105-108.
McMurtry, Mervyn 2000. Geographies of research: From “Geographies of Learning”. South African Theatre Journal, 14:19-27.
McMurtry, Mervyn 2002. Productions and publication: Issues in the accreditation of creative activity for tenure and promotion at tertiary institutions in the United States of America. South African Theatre Journal, 16:80-91.
McMurtry, Mervyn E. 2006. Experiencing the ‘living monument’: Athol Fugard’s directing process and the Orestes project. South African Theatre Journal, 20:30-47.
McNeil, Mabel Elizabeth Lilian 1986. A didactical-pedagogical analysis of the 1985 syllabus for speech and drama in the province of Natal. Unpublished master’s thesis. Pretoria:: University of South Africa.
McSweeny, Gavin 1977. The Market Theatre. Scenaria, June/July. 10-11.
Mda, Zakes 1983. Commitment and writing in theatre: the South African experience. Classic, 2(1):13-15.
Mda, Zakes 1984. Extracts, in Daymond, Margaret J., Jacobs, Johan & Lenta, Margaret (eds.). 1984. “Momentum: On Recent South African Writing”. Pietermaritzburg: University of Natal Press. 295-297.
Mda, Zakes 1993. When People Play People: Development Communication Through Theatre. Johannesburg: Witwatersrand University Books.
Mda, Zakes 1994a. Another Theatre of the Absurd, in Breitinger, Eckhard (ed.). Theatre and Performance in Africa: Intercultural Perspectives. Bayreuth: Breitinger.
Mda, Zakes 1994b. Learning from the ancient wisdom of Africa in the creation and distribution of messages. Current Writing, 6(2):139-150.
Mda, Zakes 1994c. Marotholi Travelling Theatre: towards an alternative perspective of development, in Gunner, Liz (ed.). Politics and Performance: Theatre, Poetry and Song in Southern Africa. Johannesburg: Witwatersrand University Press. 203-210.
Mda, Zakes 1995. Theater and reconciliation in South Africa. Theater Magazine, 25(3):38-45.
Mda, Zakes 1996. Politics and the theatre: current trends in South Africa, in Davis, Geoffrey V. & Fuchs, Anne (eds.). Theatre and Change in South Africa. Amsterdam: Harwood Academic Publishing. 193-218.
Mda, Zakes 1997a. Theatre for children in South Africa. Matatu: Journal for African Culture and Society, (17/18):137-144.
Mda, Zakes 1997b. When People Play People in Post-apartheid South Africa. Interview with D. Salter. Brecht Yearbook 22:283-303.
Mda, Zakes 1998. Current trends in Theatre for Development in South Africa, in Attridge, Derek & Jolly, Rosemary (eds.). Writing South Africa: Literature, Apartheid and Democracy, 1970-1995. Cambridge: Cambridge University Press. 257-264.
Mda, Zakes 2002. South African theatre in an era of reconciliation, in Harding, Frances (ed.). The Performance Arts in Africa: A Reader. London: Routledge. 279-289.
Mda, Zakes 2005. Südafrikanisches Theater im Zeitalter der Aussöhnung, in Arndt, S. & Berndt, K. (eds.). Kreatives Afrika: SchriftstellerInnen über Literatur, Theater und Gesellschaft: eine Festschrift für Eckhard Breitinger. Wuppertal: Peter Hammer Verlag. 117-135.
Mda, Zakes 2007. South African theatre in an era of reconciliation, in Arndt, Susan & Berndt, Katrin (eds.). Words and Worlds: African Writing, Theatre and Society; A Commemorative Publication in Honour of Eckhard Breitinger. Trenton, NJ : Africa World Press. 77-88.
Mda, Zakes 2009. The fiction of reconciliation: creating dialogue through verbal and performance arts in South Africa. Journal of Human Rights, 8(2):121-132.
Click on the appropriate letters of the alphabet in the sub-list below.
Ma-Mal Mam-Mar Mas-Mcl Mcm-Mda Mde-Mes Met-Miz Mja-Moo Mop-Mot Mou-Moz Mpa-Mz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
