Difference between revisions of "A Perfect Cure"

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''[[A Perfect Cure]]'' is a play by W. Sapte, Jr.  
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''[[A Perfect Cure]]'' is a play in one act by William Sapte, Jr. (fl. circa 1890s)
  
 
==The original text==
 
==The original text==
 +
 +
Published by [[Samuel French]] Ltd (1899) (French' s Acting edition)
 +
There have been few references found so far to a play by this name and written by W. Sapte, Jr., except for a brief reference in an American list of plays for girls which dates the play around the 1890s and an entry on it as a in one act play for four characters in Hogg's listing of plays (1914).
 +
 +
Nothing much is known about Sapte, except that he wrote m,any works on a range of matters, including the theatre and sport, and published most of them in the 1890s.
  
 
==Translations and adaptations==
 
==Translations and adaptations==
Line 7: Line 12:
 
== Performance history in South Africa ==
 
== Performance history in South Africa ==
  
1862: Performed as ''[[A Perfect Cure]]''  by [[Clara Tellett]] and her company in the [[Theatre Royal]], Cape Town, on 2 August,  with ''[[The Maid of the Mill]]'' (Bickerstaffe?) and  ''[[Love in Humble Life]]'' (Scribe/Payne).
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[[F.C.L. Bosman]] (1980) lists two performances of a play by this name (ascribed to Sapte) and one simply called '''''[[The Cure]]''''' (ascribed to "Anon"), for 1862. He possibly took this information from adverts, reviews or the acting [[Clara Tellett]]'s company's documentation, but there is some doubt about the veracity of the information, for the sources consulted seem to suggest that the play in question may only date from the 1890s. The likely answer is that the play performed was actually the better known play called '''''[[A Cure for the Heartache]]''''' (Morton).
  
1862: Performed as ''[[A Perfect Cure]]''  by [[Clara Tellett]] and her company  in the [[Theatre Royal]], Cape Town, on 11 and 12 August,  with ''[[The Bonnie Fishwife]]'' (Selby) ,  ''[[The Married Bachelor, or Master and Man]]'' (O'Calligan) and ''[[The Pilot, or A Tale of the Sea]]'' (Fitzball).
 
  
== Sources ==
+
1862: Performed as ''[[A Perfect Cure]]''  by [[Clara Tellett]] and her company  in the [[Theatre Royal]], Cape Town, on 2 August,  with ''[[The Maid of the Mill]]'' (Bickerstaffe) and  ''[[Love in Humble Life]]'' (Scribe/Payne).
  
[[Ludwig Wilhelm  Berthold Binge]]. 1969. ''Ontwikkeling van die Afrikaanse toneel (1832-1950)''. Pretoria: J.L. van Schaik: pp.
+
1862: Performed in the [[Theatre Royal]], Cape Town on 4 August, along with performances of ''[[Still Waters Run Deep]]'' (Taylor) and ''[[Monsieur Tonson]]'' (Moncrieff) by the [[Cape Town Dramatic Club]].  
  
[[D.C. Boonzaier]]. 1923. "My playgoing days – 30 years in the history of the Cape Town stage"in ''SA Review'', 9 March and 24 August 1923. (Reprinted in [[F.C.L. Bosman|Bosman]] 1980: pp. 374-439.)
+
1862: Performed as ''[[A Perfect Cure]]''  by [[Clara Tellett]] and her company  in the [[Theatre Royal]], Cape Town, on 11 and 12 Augustwith ''[[The Bonnie Fishwife]]'' (Selby) ,  ''[[The Married Bachelor, or Master and Man]]'' (O'Calligan) and ''[[The Pilot, or A Tale of the Sea]]'' (Fitzball).
  
[[F.C.L. Bosman]]. 1928. ''Drama en Toneel in Suid-Afrika'', Deel I: 1652-1855. Pretoria: [[J.H. de Bussy]]. [http://www.dbnl.org/tekst/bosm012dram01_01/]: pp.
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== Sources ==
 
 
[[F.C.L. Bosman]]. 1980. ''Drama en Toneel in Suid-Afrika, Deel II, 1856-1912''. Pretoria: [[J.L. van Schaik]]: pp.
 
 
 
[[Elizabeth Conradie|Conradie, Elizabeth]]. 1934. ''Hollandse skrywers uit Suid-Afrika. Deel 1 (1652-1875) 'n Kultuur-historische studie''. Pretoria, [[J.H. de Bussy]] and Cape Town [[H.A.U.M.]].[http://www.dbnl.org/tekst/conr002holl01_01/index.php]
 
 
 
[[Elizabeth Conradie|Conradie, Elizabeth]],  1949. ''Hollandse skrywers uit Suid-Afrika. Deel 2 (1875-1905) 'n Kultuur-historische studie''. Pretoria, [[J.H. de Bussy]] and Cape Town [[H.A.U.M.]].[http://www.dbnl.org/tekst/conr002holl02_01/index.php]
 
 
 
[[P.J. du Toit]]. 1988. ''Amateurtoneel in Suid-Afrika''. Pretoria: Academica
 
 
 
[[Jill Fletcher]]. 1994. ''The Story of Theatre in South Africa: A Guide to its History from 1780-1930''. Cape Town: Vlaeberg: p. 
 
 
 
[[Sydney Paul Gosher]].  1988. ''A historical and critical survey of the South African one-act play written in English''. Unpublished doctoral dissertation. Pretoria: [[University of South Africa]].
 
 
 
[[William Groom]]. 1899-1900. Drama in Cape Town. ''Cape Illustrated Magazine'', 10(4): 478-481, 517-520, 547-552, 580-584, 640-643, 670-672, 706-708.
 
 
 
[[Temple Hauptfleisch]]. 1997. ''Theatre and Society in South Africa: Reflections in a Fractured Mirror''. Pretoria: Van Schaik[http://hdl.handle.net/10019.1/85401]: pp.
 
 
 
[[Peter Joyce]]. 1999. ''A Concise Dictionary of South African Biography''. Cape Town: Francolin Publishers.
 
 
 
[[John Christoffel Kannemeyer|J.C. Kannemeyer]] 1978. ''Geskiedenis van die Afrikaanse Literatuur'' I. Pretoria: Academica. (Second edition, 1984[http://www.dbnl.org/tekst/kann003gesk01_01/kann003gesk01_01_0012.php], pp.
 
 
 
[[J.C. Kannemeyer]]. 1984. ‘’Geskiedenis van die Afrikaanse Literatuur’’2[http://www.dbnl.org/tekst/kann003gesk02_01/colofon.php]: pp.
 
 
 
[[Ingmar Koch]]. 1997. Het ochtendgloren boven Kaapstad. Nederlandse rederijkers in Kaapstad, ''Tydskrif vir Nederlands & Afrikaans''. (4de Jaargang, Nommer 2. Desember)[http://www.savn.org.za/images/stories/documents/TNA/TNA%2019972.pdf]
 
 
 
[[Loren Kruger]] 1999. The Drama of South Africa: Plays, Pageants and Publics Since 1910 London: Routledge
 
 
 
 
 
[[P.W. Laidler]]. 1926. ''The Annals of the Cape Stage''. Edinburgh: William Bryce: p.
 
 
 
[[Anna Minnaar-Vos]] 1969. ''Die Spel Gaan Voort: Die Verhaal van [[Hendrik Hanekom|Hendrik]] en [[Mathilde Hanekom]]''. Kaapstad: Tafelberg, pp. 96-110.
 
 
 
[[Brian Astbury]].  1979. The Space/Die Ruimte/Indawo. Cape Town: Moira and Azriel Fine.
 
 
 
 
 
[[Percy Tucker]]. 1997. ''Just the Ticket. My 50 Years in Show Business''. Johannesburg: Witwatersrand University Press. 
 
  
Allardyce Nicoll. 1975. ''A History of English Drama 1660-1900: Late 19th Century Drama 1850-1900'' Cambridge University Press[https://books.google.co.za/books?id=u9s8AAAAIAAJ&pg=PA613&lpg=PA613&dq=Le+Bal+Masqu%C3%A9+Arthur+H.+Ward&source=bl&ots=j085voK1qt&sig=LGxx1zWIPYzXgxyp-fvQSpGG8vM&hl=en&sa=X&ved=0ahUKEwiFsaPmkITaAhXJ7xQKHVePC1kQ6AEILjAB#v=onepage&q=Le%20Bal%20Masqu%C3%A9%20Arthur%20H.%20Ward&f=false]
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Wentworth Hogg. 1914. ''Guide to Selecting Plays (etc.)'', [[Samuel French]]: p.16 [https://www.loc.gov/resource/dcmsiabooks.guidetoselecting00hogg/?sp=40]
  
[[J.A. Worp]]. 1972. ''Geschiedenis van het Drama en van het Tooneel in Nederland''. Deel 2, Digitale Bibliotheek voor de Nederlandse Letteren (DBNL)[http://www.dbnl.org/tekst/worp001gesc02_01/worp001gesc02_01_0028.php]
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https://www.abebooks.co.uk/servlet/BookDetailsPL?bi=504885796&searchurl=an%3Dsapte%2Bw%26sortby%3D20&cm_sp=snippet-_-srp1-_-image16
  
Joris Baers (1888-1975): ''Algemeene Tooneelbibliotheek Een''[http://doczz.nl/doc/783/joris-baers--1888-1975---algemeene-tooneelbibliotheek-een]
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[[F.C.L. Bosman]]. 1980. ''Drama en Toneel in Suid-Afrika, Deel II, 1856-1912''. Pretoria: [[J.L. van Schaik]]: pp.131-2, 135, 161
  
http://www.domus.ac.za/afrikaans/images/Programme%20in%20DOMUS(2).pdf
 
  
 
Go to [[ESAT Bibliography]]
 
Go to [[ESAT Bibliography]]

Latest revision as of 06:21, 11 June 2021

A Perfect Cure is a play in one act by William Sapte, Jr. (fl. circa 1890s)

The original text

Published by Samuel French Ltd (1899) (French' s Acting edition) There have been few references found so far to a play by this name and written by W. Sapte, Jr., except for a brief reference in an American list of plays for girls which dates the play around the 1890s and an entry on it as a in one act play for four characters in Hogg's listing of plays (1914).

Nothing much is known about Sapte, except that he wrote m,any works on a range of matters, including the theatre and sport, and published most of them in the 1890s.

Translations and adaptations

Performance history in South Africa

F.C.L. Bosman (1980) lists two performances of a play by this name (ascribed to Sapte) and one simply called The Cure (ascribed to "Anon"), for 1862. He possibly took this information from adverts, reviews or the acting Clara Tellett's company's documentation, but there is some doubt about the veracity of the information, for the sources consulted seem to suggest that the play in question may only date from the 1890s. The likely answer is that the play performed was actually the better known play called A Cure for the Heartache (Morton).


1862: Performed as A Perfect Cure by Clara Tellett and her company in the Theatre Royal, Cape Town, on 2 August, with The Maid of the Mill (Bickerstaffe) and Love in Humble Life (Scribe/Payne).

1862: Performed in the Theatre Royal, Cape Town on 4 August, along with performances of Still Waters Run Deep (Taylor) and Monsieur Tonson (Moncrieff) by the Cape Town Dramatic Club.

1862: Performed as A Perfect Cure by Clara Tellett and her company in the Theatre Royal, Cape Town, on 11 and 12 August, with The Bonnie Fishwife (Selby) , The Married Bachelor, or Master and Man (O'Calligan) and The Pilot, or A Tale of the Sea (Fitzball).

Sources

Wentworth Hogg. 1914. Guide to Selecting Plays (etc.), Samuel French: p.16 [1]

https://www.abebooks.co.uk/servlet/BookDetailsPL?bi=504885796&searchurl=an%3Dsapte%2Bw%26sortby%3D20&cm_sp=snippet-_-srp1-_-image16

F.C.L. Bosman. 1980. Drama en Toneel in Suid-Afrika, Deel II, 1856-1912. Pretoria: J.L. van Schaik: pp.131-2, 135, 161


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