Difference between revisions of "ESAT Bibliography Mop-Mot"
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[[J.J. Moreno|Moreno, J.J.]] 1985. Musical psychodrama. ''South African Journal of Music Therapy'', 3(4):12. | [[J.J. Moreno|Moreno, J.J.]] 1985. Musical psychodrama. ''South African Journal of Music Therapy'', 3(4):12. | ||
| − | [[Annissa Marie Morgensen-Lindsay|Morgensen-Lindsay, Annissa Marie]] 1998. Post-apartheid [[Fugard | + | [[Annissa Marie Morgensen-Lindsay|Morgensen-Lindsay, Annissa Marie]] 1998. Post-apartheid [[Athol Fugard|Fugard]]: cross-generation attachment in select plays by Athol Fugard. Unpublished doctoral dissertation. Bowling Green, OH: Bowling Green University. |
| + | |||
| + | [[Toni Morkel|Morkel, Toni]] 2010. An interview with [[Sylvaine Strike]]. ''[[South African Theatre Journal]]'', 24:201-208. | ||
[[C.K. Moropa|Moropa, C.K.]] 1986. Art of drama in ‘intsomi’ narration. ''South African Journal of African Languages'', 6(2):91-93. | [[C.K. Moropa|Moropa, C.K.]] 1986. Art of drama in ‘intsomi’ narration. ''South African Journal of African Languages'', 6(2):91-93. | ||
| − | [[Gay Morris|Morris, Gay]] 1989a. A critical biography of [[ | + | [[Gay Morris|Morris, Gay]] 1989a. ''Drama: Action and Interaction: A Collection of Plays and Activities'', by [[Walter Greyvenstein]]. Reviewed in: ''[[South African Theatre Journal]]'', 3(2:133-137. |
| + | |||
| + | [[Gay Morris|Morris, Gay]] 1989b. A critical biography of [[Rosalie van der Gucht]] : investigating her contribution to education in South Africa with special reference to speech and drama. Unpublished master’s thesis. Cape Town: University of Cape Town. | ||
| − | [[Gay Morris|Morris, Gay]] | + | [[Gay Morris|Morris, Gay]] 1989c. Theatrical possibilities of the traditional Xhosa iintomsi: what do they offer here and now? ''[[South African Theatre Journal]]'', 3(2):91-99. |
| − | [[Gay Morris|Morris, Gay]] 1994. Catcalls from the soul: cabaret’s power to liberate. ''South African Theatre Journal'', 8(2):109-124. | + | [[Gay Morris|Morris, Gay]] 1994. Catcalls from the soul: cabaret’s power to liberate. ''[[South African Theatre Journal]]'', 8(2):109-124. |
[[Gay Morris|Morris, Gay]] 2002a. Reconsidering theatre-making in South Africa: a study of theatre in education in Cape schools. ''Theatre Research International'', 27:289-305. | [[Gay Morris|Morris, Gay]] 2002a. Reconsidering theatre-making in South Africa: a study of theatre in education in Cape schools. ''Theatre Research International'', 27:289-305. | ||
| − | [[Gay Morris|Morris, Gay]] 2002b. Theatre in education in Cape schools: reflections on South African theatre making practices. ''South African Theatre Journal'', 16:120 – 136. | + | [[Gay Morris|Morris, Gay]] 2002b. Theatre in education in Cape schools: reflections on South African theatre making practices. ''[[South African Theatre Journal]]'', 16:120 – 136. |
| + | |||
| + | [[Gay Morris|Morris, Gay]] 2005. Practising role play: learning through experience. ''[[South African Theatre Journal]]'', 19:58-71. | ||
| + | |||
| + | [[Gay Morris|Morris, Gay]] 2006. Considering directors and directing in South African theatre. ''[[South African Theatre Journal]]'', 20:11-29. | ||
| + | |||
| + | [[Gay Morris|Morris, Gay]] 2007. Townships, identity and collective theatre making by young South Africans. ''[[South African Theatre Journal]]'', 21:166-179. | ||
| + | |||
| + | [[Gay Morris|Morris, Gay]] 2008. Institutional arrangements of theatre in the Cape: the case of township theatre. ''[[South African Theatre Journal]]'', 22:102-118. | ||
| + | |||
| + | [[Gay Morris|Morris, Gay]] 2012. ''Theatre and Citizenship: The History of a Practice'', by David Wiles. Reviewed in ''[[South African Theatre Journal]]'', 26(1):98-100. | ||
| + | |||
| + | [[Gay Morris|Morris, Gay]]. 2014a. Playing with Change: Repetition and Innovation in Township Performance. In Vicki Ann Cremona, Rikard Hoogland, [[Gay Morris]] and Wilmar Sauter (eds). ''Playing Culture: Conventions and Extensions of Performance''. Amsterdam: Rodopi. | ||
| − | [[Gay Morris|Morris, Gay]] | + | [[Gay Morris|Morris, Gay]] 2014b. Remembering the home you never knew. Rural traces in contemporary urban township performances. ''[[South African Theatre Journal]]'', 27(3):236-246. |
| − | [[ | + | [[Patricia Morris|Morris, Patricia]] & [[Uys, Pieter-Dirk|Pieter-Dirk Uys]] 1988. Cry freemandela and don’t be such a fool. ''Index on censorship'', 17:22-24. |
| − | [[ | + | [[Ronald W. Morris|Morris, Ronald W.]] 1942. A glimpse at the Afrikaans theatre. ''Playtime'', (28):4-5,19,20. |
[[F.E. Morrison|Morrison, F.E.]] 1987. Die drama: ’n herbesinning. ''Lyra Academica'', 2(1):41-49. | [[F.E. Morrison|Morrison, F.E.]] 1987. Die drama: ’n herbesinning. ''Lyra Academica'', 2(1):41-49. | ||
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[[Bernadette Mosala|Mosala, Bernadette]] 1973. Theatre in Soweto. ''Journal of Commonwealth Literature'', 8(1):63-68. | [[Bernadette Mosala|Mosala, Bernadette]] 1973. Theatre in Soweto. ''Journal of Commonwealth Literature'', 8(1):63-68. | ||
| − | [[A. Moses|Moses, A.]] 2009. Totsiens, juffrou [[Taljaard | + | [[A. Moses|Moses, A.]] 2009. Totsiens, juffrou [[Trudie Taljaard|Trudie]]: huldeblyk. ''Die Huisgenoot'', 26(609):16-17. February 12. |
Most modern opera house in the world ([[Nico Malan Theatre|Nico Malan]]). 1970. ''Construction in Southern Africa'', 15(2):69-79. | Most modern opera house in the world ([[Nico Malan Theatre|Nico Malan]]). 1970. ''Construction in Southern Africa'', 15(2):69-79. | ||
| − | Mother Earth ([[ | + | Mother Earth ([[Yvonne Bryceland]]). 1978. ''[[Scenaria]]'', December/January: 35. |
[[Kwena Frans Mothiba|Mothiba, Kwena Frans]] 2005. Ntshuthelele : terama ya go se bapalege. Unpublished master’s thesis. Pretoria: University of Pretoria. | [[Kwena Frans Mothiba|Mothiba, Kwena Frans]] 2005. Ntshuthelele : terama ya go se bapalege. Unpublished master’s thesis. Pretoria: University of Pretoria. | ||
| − | [[Segopotše Godfrey Moto|Moto, Segopotše Godfrey]] 1988. Plot in Northern Sotho drama with special reference to [[ | + | [[Segopotše Godfrey Moto|Moto, Segopotše Godfrey]] 1988. Plot in Northern Sotho drama with special reference to [[C.K. Nchabeleng]]’s works. Unpublished master’s thesis. Pietersburg: University of the North. |
Latest revision as of 17:20, 17 February 2015
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Moreno, J.J. 1985. Musical psychodrama. South African Journal of Music Therapy, 3(4):12.
Morgensen-Lindsay, Annissa Marie 1998. Post-apartheid Fugard: cross-generation attachment in select plays by Athol Fugard. Unpublished doctoral dissertation. Bowling Green, OH: Bowling Green University.
Morkel, Toni 2010. An interview with Sylvaine Strike. South African Theatre Journal, 24:201-208.
Moropa, C.K. 1986. Art of drama in ‘intsomi’ narration. South African Journal of African Languages, 6(2):91-93.
Morris, Gay 1989a. Drama: Action and Interaction: A Collection of Plays and Activities, by Walter Greyvenstein. Reviewed in: South African Theatre Journal, 3(2:133-137.
Morris, Gay 1989b. A critical biography of Rosalie van der Gucht : investigating her contribution to education in South Africa with special reference to speech and drama. Unpublished master’s thesis. Cape Town: University of Cape Town.
Morris, Gay 1989c. Theatrical possibilities of the traditional Xhosa iintomsi: what do they offer here and now? South African Theatre Journal, 3(2):91-99.
Morris, Gay 1994. Catcalls from the soul: cabaret’s power to liberate. South African Theatre Journal, 8(2):109-124.
Morris, Gay 2002a. Reconsidering theatre-making in South Africa: a study of theatre in education in Cape schools. Theatre Research International, 27:289-305.
Morris, Gay 2002b. Theatre in education in Cape schools: reflections on South African theatre making practices. South African Theatre Journal, 16:120 – 136.
Morris, Gay 2005. Practising role play: learning through experience. South African Theatre Journal, 19:58-71.
Morris, Gay 2006. Considering directors and directing in South African theatre. South African Theatre Journal, 20:11-29.
Morris, Gay 2007. Townships, identity and collective theatre making by young South Africans. South African Theatre Journal, 21:166-179.
Morris, Gay 2008. Institutional arrangements of theatre in the Cape: the case of township theatre. South African Theatre Journal, 22:102-118.
Morris, Gay 2012. Theatre and Citizenship: The History of a Practice, by David Wiles. Reviewed in South African Theatre Journal, 26(1):98-100.
Morris, Gay. 2014a. Playing with Change: Repetition and Innovation in Township Performance. In Vicki Ann Cremona, Rikard Hoogland, Gay Morris and Wilmar Sauter (eds). Playing Culture: Conventions and Extensions of Performance. Amsterdam: Rodopi.
Morris, Gay 2014b. Remembering the home you never knew. Rural traces in contemporary urban township performances. South African Theatre Journal, 27(3):236-246.
Morris, Patricia & Pieter-Dirk Uys 1988. Cry freemandela and don’t be such a fool. Index on censorship, 17:22-24.
Morris, Ronald W. 1942. A glimpse at the Afrikaans theatre. Playtime, (28):4-5,19,20.
Morrison, F.E. 1987. Die drama: ’n herbesinning. Lyra Academica, 2(1):41-49.
Mosala, Bernadette 1973. Theatre in Soweto. Journal of Commonwealth Literature, 8(1):63-68.
Moses, A. 2009. Totsiens, juffrou Trudie: huldeblyk. Die Huisgenoot, 26(609):16-17. February 12.
Most modern opera house in the world (Nico Malan). 1970. Construction in Southern Africa, 15(2):69-79.
Mother Earth (Yvonne Bryceland). 1978. Scenaria, December/January: 35.
Mothiba, Kwena Frans 2005. Ntshuthelele : terama ya go se bapalege. Unpublished master’s thesis. Pretoria: University of Pretoria.
Moto, Segopotše Godfrey 1988. Plot in Northern Sotho drama with special reference to C.K. Nchabeleng’s works. Unpublished master’s thesis. Pietersburg: University of the North.
Click on the appropriate letters of the alphabet in the sub-list below.
Ma-Mal Mam-Mar Mas-Mcl Mcm-Mda Mde-Mes Met-Miz Mja-Moo Mop-Mot Mou-Moz Mpa-Mz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
