Difference between revisions of "ESAT Bibliography Mde-Mes"
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| + | Mdlalose/Nkulumayo, N. 2009. Stories of old revisited. ''South African Labour Bulletin'', 33(1): | ||
[[Hlope, Mduduzi|Mduduzi Hlope]]: An analysis of theme in his plays. ''Reality'', 15(6):10-12. | [[Hlope, Mduduzi|Mduduzi Hlope]]: An analysis of theme in his plays. ''Reality'', 15(6):10-12. | ||
| − | [[Brent Meersman|Meersman, Brent]] 2007. Democracy, capitalism and theatre in the new South Africa. ''South African Theatre Journal'', 21:292-306. | + | [[Brent Meersman|Meersman, Brent]] 2007. Democracy, capitalism and theatre in the new South Africa. ''[[South African Theatre Journal]]'', 21:292-306. |
| − | [[Kruskal, Megan | + | [[Megan Kruskal|Kruskal, Megan]]. 1985. ''[[Scenaria]]'', (52):9-12. |
Meet you at the [[Natal Playhouse]]. 1987. ''Lantern'', 36(2):3-16. | Meet you at the [[Natal Playhouse]]. 1987. ''Lantern'', 36(2):3-16. | ||
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| + | Meihuizen, N.C.T. 2000. [[Mongane Wally Serote]], in Scanlon, Paul A. (ed.). ''South African Writers''. Detroit: Gale Group. 422-433. | ||
[[A. Meij|Meij, A.]] 1988. “Dramaspel” ‘n Eksperiment gedoen by die Kleuterskool Fonteinbleau. ''Kleuterklanke'', 13(1):31-33. June. | [[A. Meij|Meij, A.]] 1988. “Dramaspel” ‘n Eksperiment gedoen by die Kleuterskool Fonteinbleau. ''Kleuterklanke'', 13(1):31-33. June. | ||
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[[K. Meij|Meij, K.]] 1978. Is ''[[Laat die Kerse Brand]]'' te maklik? ''Klasgids'', 13(3-4):9-10. November. | [[K. Meij|Meij, K.]] 1978. Is ''[[Laat die Kerse Brand]]'' te maklik? ''Klasgids'', 13(3-4):9-10. November. | ||
| − | [[ | + | [[Eben Meiring|Meiring, Eben]] 1967. Toneel en werklikheid. ''[[Tydskrif vir Letterkunde]]'', 5(4):18-21. |
| − | [[E. Meiring|Meiring, E.]] 1990. Beckett en [[Fugard | + | [[E. Meiring|Meiring, E.]] 1990. Beckett en [[Athol Fugard|Fugard]]: ''Waiting for Godot'' en ''[[Boesman and Lena]]''. ''[[Tydskrif vir Letterkunde]]'', 28(4):111-116. |
| − | [[M. Meiring|Meiring, M.]] 1980. [[ | + | [[M. Meiring|Meiring, M.]] 1980. [[Katinka Heyns]]: activist, innovator and perfectionist. ''Fair Lady'', 16(7):98-102. November 5. |
[[Martie Meiring|Meiring, Martie]] 1998. Fees, feestelik, feesteliker. ''Insig'', 09/98:46. | [[Martie Meiring|Meiring, Martie]] 1998. Fees, feestelik, feesteliker. ''Insig'', 09/98:46. | ||
| − | Melpomene, pseud. 1952a. Theatre at the crossroad. ''Trek'', 16(6):17. | + | Melpomene, pseud. 1950. The theatre world: review of 1950. ''Trek'', 14(12):39. |
| + | |||
| + | Melpomene, pseud. 1952a. The standard of theatre: Cape Town theatre. ''Trek'', 16(3):18. | ||
| + | |||
| + | Melpomene, pseud. 1952b. Theatre at the crossroad. ''Trek'', 16(6):17. | ||
| − | Melpomene, pseud. | + | Melpomene, pseud. 1952c. Theatre and economics. ''Trek'', 16(8):7. |
Meltzer, Lalou 1978. A response to this…(Replies to Nicolas-Fanourakis below). ''Speak'', 1(2): 48-49. | Meltzer, Lalou 1978. A response to this…(Replies to Nicolas-Fanourakis below). ''Speak'', 1(2): 48-49. | ||
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[[Peter Merrington|Merrington, Peter]] 1995. Heritage, Genealogy, and the Inventing of Union, South Africa 1910. Unpublished paper, conference 1995. | [[Peter Merrington|Merrington, Peter]] 1995. Heritage, Genealogy, and the Inventing of Union, South Africa 1910. Unpublished paper, conference 1995. | ||
| − | [[Peter Merrington|Merrington, Peter]] 1995. ‘Pageantry and Primitivism’: [[ | + | [[Peter Merrington|Merrington, Peter]] 1995. ‘Pageantry and Primitivism’: [[Dorothea Fairbridge]] and the Aesthetics of Union. ''Journal of Southern African Studies'', 21:4. |
[[Peter Merrington|Merrington, Peter]] 1996. Masques, monuments, and masons: The 1910 pageant of the Union of South Africa, in [[Loes Nas|Nas, Loes]]& [[Hermann Wittenberg|Wittenberg, Hermann]] (eds.). ''AUETSA 96 : proceedings of the conference of the Association of University English Teachers of South Africa, University of the Western Cape, 30 June-5 July 1996''. | [[Peter Merrington|Merrington, Peter]] 1996. Masques, monuments, and masons: The 1910 pageant of the Union of South Africa, in [[Loes Nas|Nas, Loes]]& [[Hermann Wittenberg|Wittenberg, Hermann]] (eds.). ''AUETSA 96 : proceedings of the conference of the Association of University English Teachers of South Africa, University of the Western Cape, 30 June-5 July 1996''. | ||
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[[Peter Merrington|Merrington, Peter]] 1998. Monuments and masons: the 1910 pageant of the Union of South Africa, in Bogaards, Winnifred M. (ed.). ''Literature of Region and Nation: Proceedings of the 6th International Literature of Region and Nation Conference, 2-7 August 1996''. Saint John, NB University of New Brunswick. 278-299. | [[Peter Merrington|Merrington, Peter]] 1998. Monuments and masons: the 1910 pageant of the Union of South Africa, in Bogaards, Winnifred M. (ed.). ''Literature of Region and Nation: Proceedings of the 6th International Literature of Region and Nation Conference, 2-7 August 1996''. Saint John, NB University of New Brunswick. 278-299. | ||
| − | [[G. Mersham|Mersham, G.]] & [[G. Baker|Baker, G.]] 2002. Industrial theatre as a negotiated dramaturgy. ''South African Theatre Journal'', 16:92-119. | + | [[Peter Merrington|Merrington, Peter]], 1999. State of the Union: The "New Pageantry" and the Performance of Identity in |
| + | North America and South Africa, 1908-1910, ''[[Journal of Literary Studies]]'' 15 (1-2) (1999): 238-63. | ||
| + | |||
| + | [[Peter Merrington|Merrington, Peter]], 2009. Loyal Memory: The Tercentenary in Colonial Cape Town. In ''The Shakespearean International Yearbook'' Volume 9: Special section, South African Shakespeare in the Twentieth Century. (Guest editor: [[Laurence Wright]]) 29-45. | ||
| + | |||
| + | [[G. Mersham|Mersham, G.]] & [[G. Baker|Baker, G.]] 2002. Industrial theatre as a negotiated dramaturgy. ''[[South African Theatre Journal]]'', 16:92-119. | ||
[[Margaret Mervis|Mervis, Margaret]] 1998a. ''[[The Captain’s Tiger]]''. Reviewed in: ''Current Writing'', 10(2):143-146. | [[Margaret Mervis|Mervis, Margaret]] 1998a. ''[[The Captain’s Tiger]]''. Reviewed in: ''Current Writing'', 10(2):143-146. | ||
| − | [[Tamar Meskin|Meskin, Tamar]] & [[Tanya van der Walt|Van der Walt, Tanya]] 2007. Approaching Macbeth through representation, participation and facilitation: a theatre-in-education ‘adventure’. ''South African Theatre Journal'', 21:75-91. | + | [[Tamar Meskin|Meskin, Tamar]] & [[Tanya van der Walt|Van der Walt, Tanya]] 2007. Approaching Macbeth through representation, participation and facilitation: a theatre-in-education ‘adventure’. ''[[South African Theatre Journal]]'', 21:75-91. |
| + | |||
| + | [[Tamar Meskin|Meskin, Tamar]] & [[Tanya van der Walt|Van der Walt, Tanya]] 2010. Photography, archaeology and representation: chronicles of conflict adn the architecture of action. ''[[South African Theatre Journal]]'', 24:125-154. | ||
| + | |||
| + | [[Tamar Meskin|Meskin, Tamar]] 2014. ''[[Shaggy]]'' by [[Anton Krueger]] and [[Pravasan Pillay]] reviewed by [[Tamar Meskin]]. ''[[South African Theatre Journal]]'', 27(3):276-280. | ||
Latest revision as of 17:14, 17 February 2015
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Maa-Mal Mam-Mar Mas-Mcl Mcm-Mda Mde-Mes Met-Miz Mja-Moo Mop-Mot Mou-Moz Mpa-Mz
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Mdlalose/Nkulumayo, N. 2009. Stories of old revisited. South African Labour Bulletin, 33(1):
Mduduzi Hlope: An analysis of theme in his plays. Reality, 15(6):10-12.
Meersman, Brent 2007. Democracy, capitalism and theatre in the new South Africa. South African Theatre Journal, 21:292-306.
Kruskal, Megan. 1985. Scenaria, (52):9-12.
Meet you at the Natal Playhouse. 1987. Lantern, 36(2):3-16.
Meihuizen, N.C.T. 2000. Mongane Wally Serote, in Scanlon, Paul A. (ed.). South African Writers. Detroit: Gale Group. 422-433.
Meij, A. 1988. “Dramaspel” ‘n Eksperiment gedoen by die Kleuterskool Fonteinbleau. Kleuterklanke, 13(1):31-33. June.
Meij, K. 1978. Is Laat die Kerse Brand te maklik? Klasgids, 13(3-4):9-10. November.
Meiring, Eben 1967. Toneel en werklikheid. Tydskrif vir Letterkunde, 5(4):18-21.
Meiring, E. 1990. Beckett en Fugard: Waiting for Godot en Boesman and Lena. Tydskrif vir Letterkunde, 28(4):111-116.
Meiring, M. 1980. Katinka Heyns: activist, innovator and perfectionist. Fair Lady, 16(7):98-102. November 5.
Meiring, Martie 1998. Fees, feestelik, feesteliker. Insig, 09/98:46.
Melpomene, pseud. 1950. The theatre world: review of 1950. Trek, 14(12):39.
Melpomene, pseud. 1952a. The standard of theatre: Cape Town theatre. Trek, 16(3):18.
Melpomene, pseud. 1952b. Theatre at the crossroad. Trek, 16(6):17.
Melpomene, pseud. 1952c. Theatre and economics. Trek, 16(8):7.
Meltzer, Lalou 1978. A response to this…(Replies to Nicolas-Fanourakis below). Speak, 1(2): 48-49.
Merand, Janis 1991. An evaluation of the 1989 popular theatre training programme run by the Community Arts Project. Unpublished honour’s thesis. Cape Town: University of Cape Town.
Merrington, Peter 1995. Heritage, Genealogy, and the Inventing of Union, South Africa 1910. Unpublished paper, conference 1995.
Merrington, Peter 1995. ‘Pageantry and Primitivism’: Dorothea Fairbridge and the Aesthetics of Union. Journal of Southern African Studies, 21:4.
Merrington, Peter 1996. Masques, monuments, and masons: The 1910 pageant of the Union of South Africa, in Nas, Loes& Wittenberg, Hermann (eds.). AUETSA 96 : proceedings of the conference of the Association of University English Teachers of South Africa, University of the Western Cape, 30 June-5 July 1996.
Merrington, Peter 1997. Masques, monuments and masons: the 1910 pageant of the Union of South Africa. Theatre Journal, 19(1):1-14.
Merrington, Peter 1998. Monuments and masons: the 1910 pageant of the Union of South Africa, in Bogaards, Winnifred M. (ed.). Literature of Region and Nation: Proceedings of the 6th International Literature of Region and Nation Conference, 2-7 August 1996. Saint John, NB University of New Brunswick. 278-299.
Merrington, Peter, 1999. State of the Union: The "New Pageantry" and the Performance of Identity in North America and South Africa, 1908-1910, Journal of Literary Studies 15 (1-2) (1999): 238-63.
Merrington, Peter, 2009. Loyal Memory: The Tercentenary in Colonial Cape Town. In The Shakespearean International Yearbook Volume 9: Special section, South African Shakespeare in the Twentieth Century. (Guest editor: Laurence Wright) 29-45.
Mersham, G. & Baker, G. 2002. Industrial theatre as a negotiated dramaturgy. South African Theatre Journal, 16:92-119.
Mervis, Margaret 1998a. The Captain’s Tiger. Reviewed in: Current Writing, 10(2):143-146.
Meskin, Tamar & Van der Walt, Tanya 2007. Approaching Macbeth through representation, participation and facilitation: a theatre-in-education ‘adventure’. South African Theatre Journal, 21:75-91.
Meskin, Tamar & Van der Walt, Tanya 2010. Photography, archaeology and representation: chronicles of conflict adn the architecture of action. South African Theatre Journal, 24:125-154.
Meskin, Tamar 2014. Shaggy by Anton Krueger and Pravasan Pillay reviewed by Tamar Meskin. South African Theatre Journal, 27(3):276-280.
Click on the appropriate letters of the alphabet in the sub-list below.
Ma-Mal Mam-Mar Mas-Mcl Mcm-Mda Mde-Mes Met-Miz Mja-Moo Mop-Mot Mou-Moz Mpa-Mz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
